The Cave of Apelles
Jan-Ove Tuv & Bork S. Nerdrum
Long form conversations on culture, myths, and philosophy.
For Premium access: https://www.patreon.com/caveofapelles
For Premium access: https://www.patreon.com/caveofapelles
Episodes
Mentioned books

Aug 15, 2022 • 1h 25min
David Molesky on Apelles, Pliny and the Superiority of the Rough Painting Technique
David Molesky is a former student of Odd Nerdrum, based in North Carolina.
He is concerned with the rough manner of late Rembrandt and Titian — a painting method first employed by the Ancient Greek painter Apelles. Molesky contrasts this technique with so-called photo-realism, which he asserts leaves no room for the viewer.
But art historians typically interpret the rough technique as "modern", so whose interpretation is accurate? And can you be influenced by this manner of painting without compromising clarity of form and thus wind up as a modernist?
Topics from the conversation:
01:12 Molesky's painting "Man in the Forrest"
03:52 The Apelles palette and pre-mixing of colors
06:47 Odd Nerdrum's interest in Pompeii murals, Pliny and Apelles
10:24 Apelles' technique
12:01 Pliny establishes an ideal for painters
14:20 Titian's Flaying of Marsyas
16:57 Reflecting how peripheral vision works
21:00 Apelles' unfinished Aphrodite
26:10 Painterly vs illustrative: David Ligare, Rembrandt and Sargent
31:54 Apelles and Protogenes: A "pre-modernist" technique?
36:19 Having details too! Titian, Rembrandt and Nerdrum
38: 46 Modern art: A poor imitation of classical works?
41:40 Recreating matter with paint
43:40 When Nerdrum painted a scarf in one stroke
49:14 Leaving space for the viewer
55:03 Hoogstraaten on what to keep as you go along
59:48 The "Default Mode Network"
1:06:08 Rembrandt's hermaphrodite self-portrait
1:09:27 The blind seer Tiresias (Metamorphosis and Odyssey)
1:14:50 Rembrandt's references to Tiresias and Apelles
1:18:35 Reading Pliny as a painter makes you aware
This episode was filmed and edited by Bork Nerdrum.
The centerpiece was a "Man in the Forrest" (2007) by David Molesky.
SHOUTOUT to our TOP SPONSORS!
Fergus Ryan
Shaun Roberts
Matthias Proy
Eivind Josten
Børge Moe
Dean Anthony
Alastair Blain
Anders Berge Christensen
Erik Lasky
Iver Ukkestad
Jack Entz Warner
Jared Fountain
Jon Harald Aspheim
Marion Bu-Pedersen
Maurice Robbins
Misty DeLaine
Richard Barrett
Stacey Evangelista
Trym Jordahl
Yngve Hellan
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Aug 1, 2022 • 52min
"Art" or "Kitsch" as a Name for Classical Culture? | Jan-Ove Tuv & Martin Romberg
In the modern age, many are confused by the dull and meaningless direction of Western culture. Can it truly be called "Western" or "culture" at all? A clear set of values are more important than ever before. That is why a painter and a composer decided to sit down to discuss two alternative solutions. The painter, Jan-Ove Tuv, argues Larry Shiner's point that Art was a deconstructive 18th century invention and that Kitsch is a game changer that can liberate classical culture from the neurosis of modernism. The composer, Martin Romberg, on the other hand, proposes the concept of "Universal Art" as the solution to our current problems, making a bridge back to Aristotle's Poetics, pointing out that Kitsch is problematic both in terms of connotation and terminology.
The discussion could be boiled down to one dilemma:
Would you rather be associated with Rothko or a garden gnome?
00:00 What is a classical work?
01:30 Original vs new meaning of Art
09:30 Universal, abstract and conservative art
12:59 The power of words
14:11 Kitsch aligns with classical values
16:57 Do people understand what kitsch means?
19:38 Fight for Art or abandon it?
23:55 Kitsch: a change of connotation, not of content
25:30 Emotional reactions are not valid arguments
27:14 The problem of communicating kitsch
29:48 Timelessness
32:13 Classical craft survives when it is not judged as "Art"
40:35 The craftsman is a fisherman
43:57 Immanuel Kant and the garden gnome
This episode featured Jan-Ove Tuv & Martin Romberg and was filmed and edited by Bork Nerdrum
The centerpiece was a 19th century reproduction of G. F. Watts' Hope.
SHOUTOUT to our TOP SPONSORS!
Fergus Ryan
Shaun Roberts
Matthias Proy
Børge Moe
Eivind Josten
Dean Anthony
Alastair Blain
Anders Berge Christensen
Erik Lasky
Iver Ukkestad
Jack Entz Warner
Jared Fountain
Jon Harald Aspheim
Marion Bu-Pedersen
Maurice Robbins
Misty DeLaine
Richard Barrett
Stacey Evangelista
Trym Jordahl
Yngve Hellan
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Jul 18, 2022 • 18min
Why you should Stop Using Linseed Oil for Painting and Transition to Walnut Oil | David Molesky
David Molesky is a figurative painter who stopped using linseed oil to avoid the toxicity of solvents. He lays the case for walnut oil as a viable — and perhaps even better — alternative.
👉TUNE IN: 28th of July at 2pm Eastern Time, David will do a live demonstration of the walnut oil technique via School of Apelles on Telegram for all our members there.
Learn how you can become a member of the group chat on Telegram:
https://www.patreon.com/posts/52426345
Topics discussed in this episode:
• The advantages of painting with Walnut oil
• How to paint "fat over lean" without turpentine
• Using chalk in the different layers of paint
• Using a palette (range of colors) that is more lean in itself
• Painting wet-in-wet without turpentine
• The problems of different varnishes and how people varnish
• How to varnish properly
• Defatting your canvas if it has been standing for a while
• How to size your canvas properly
▶ Full video (1 hour 4 minutes): https://www.patreon.com/caveofapelles
🎵 Full audio: https://caveofapelles.com/podcast
This episode was filmed and edited by Bork Nerdrum.
The centerpiece was a "Man in the Forrest" (2007) by David Molesky.
SHOUTOUT to our TOP SPONSORS!
Fergus Ryan
Shaun Roberts
Matthias Proy
Eivind Josten
Børge Moe
Dean Anthony
Alastair Blain
Anders Berge Christensen
Erik Lasky
Iver Ukkestad
Jack Entz Warner
Jared Fountain
Jon Harald Aspheim
Marion Bu-Pedersen
Maurice Robbins
Misty DeLaine
Richard Barrett
Stacey Evangelista
Trym Jordahl
Yngve Hellan
Would you like to get premium access? Become a patron:
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Jul 15, 2022 • 1h 18min
Why Human Beings Primarily see the World through the Poetic Lens | Interview with William Heimdal
Carl Korsnes sits down with the young Norwegian painter William Heimdal, who suggests that we are condemned to choose our stories about the world and that a symbolistic approach is more constructive than a materialistic one. Indeed, he even suggests that it will benefit all kitschmen, setting participation in culture radically up against entertainment. Heimdal presents Orthodox Christianity as the solution.
This episode was filmed and edited by Bork Nerdrum.
The centerpiece was William Heimdal's self-portrait as David with the head of Goliath.
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Jack Entz Warner
Jared Fountain
Jon Harald Aspheim
Marion Bu-Pedersen
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Misty DeLaine
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Michael Irish
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Trym Jordahl
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Jul 5, 2022 • 1h 8min
What Constitutes Good Landscape Painting? | Boris Koller & Jan-Ove Tuv
Should you paint landscapes from imagination or climb the highest mountains to observe nature from a birds eye perspective?
Boris Koller and Jan-Ove Tuv sit down to talk about their experience, how and where the youngsters go wrong, and the quality of painters like Vermeer, Lars Hertervig, and John Constable.
Chapters from this episode:
00:03 Symmetry in painting is death
02:25 Paint what you know
06:21 Why not to use mirrors when you paint
14:28 Echoing or repeating certain elements
16:13 Inventing landscapes
19:50 Structure before rhythm and imbalance
22:22 Horizons are the main problem
24:13 Structure before emotion
28:55 Vermeer: the best landscape composer
30:44 Hertervig's "Borg Island": Dramatize and bind together
38:12 Painting from memory, a photograph, or the motif itself?
43:10 Hertervig unifies sky and earth and "flattens" the image
50:26 No sketches beforehand, like Caravaggio
53:08 Place important elements in the dark!
53:48 Animating nature
55:55 How to paint sunsets
This episode was filmed and edited by Bork Nerdrum.
The centerpiece was a 19th century reproduction of G. F. Watts' Hope.
SHOUTOUT to our TOP SPONSORS!
Fergus Ryan
Shaun Roberts
Matthias Proy
Eivind Josten
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Jack Entz Warner
Jared Fountain
Jon Harald Aspheim
Marion Bu-Pedersen
Maurice Robbins
Misty DeLaine
Richard Barrett
Stacey Evangelista
Trym Jordahl
Yngve Hellan
Would you like to get premium access? Become a patron:
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Jun 15, 2022 • 52min
Three Stages of Painting, the Circular and the Linear | Odd Nerdrum & Jan-Ove Tuv
Jan-Ove Tuv sat down for a special interview with Odd Nerdrum to talk about the Egocentric, Geocentric and Heliocentric level — three stages of painting developed by Nerdrum and initially inspired by thoughts proposed by Tuv.
▶ Full video: https://www.patreon.com/caveofapelles
🎵 Full audio: https://caveofapelles.com/podcast
Filmed and edited by Bork Nerdrum.
SHOUTOUT to our TOP SPONSORS!
Fergus Ryan
Shaun Roberts
Matthias Proy
Børge Moe
Eivind Josten
Anders Berge Christensen
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Iver Ukkestad
Jack Entz Warner
Jared Fountain
Jon Harald Aspheim
Marion Bu-Pedersen
Michael Irish
Stacey Evangelista
Trym Jordahl
Yngve Hellan
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Jun 5, 2022 • 30min
Honoring our Ancestors and Building a Positive Alternative by Regarding History as Present
What are we if we do not pay heed to and respect our ancestors?
Carl Korsnes, Alastair Blain & Jan-Ove Tuv sit down to talk about how to revitalize the circular view of life.
Topics from the conversation:
• Honoring ancestry
• Linear vs circular time
• Aristotle, Epictetus, Kierkegaard and Shostakovich
• Regarding history as present: Franz Brentano and Ayn Rand
• Revitalizing the circular view of life
• The value of being humiliated
• The Myers-Briggs test and not taking it personal
• The importance of a logical argument
• Art as the evil twin of the Enlightenment
• Building a positive alternative vs Scrutonism
• The genius craze
▶ Full video: https://www.patreon.com/caveofapelles
🎵 Full audio: https://caveofapelles.com/podcast
This episode was filmed and edited by Bork Nerdrum.
The centerpiece was a 19th century reproduction of G. F. Watts' Hope.
SHOUTOUT to our TOP SPONSORS!
Fergus Ryan
Shaun Roberts
Matthias Proy
Eivind Josten
Børge Moe
Dean Anthony
Anders Berge Christensen
Erik Lasky
Herman Borge
Fernando Ramirez
Iver Ukkestad
Jon Harald Aspheim
Jack Entz Warner
Jared Fountain
Marion Bu-Pedersen
Maurice Robbins
Misty DeLaine
Michael Irish
Richard Barrett
Stacey Evangelista
Trym Jordahl
Yngve Hellan
Would you like to get premium access? Become a patron:
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May 25, 2022 • 19min
How the Kitsch Questionnaire Helps Kitschmen and Artists Clarify their Values
Jan-Ove Tuv sits down with Nic Thurman to talk about the difference between kitsch and art, focusing on the Kitsch Questionnaire developed by Öde and Bork Nerdrum (with contributions by Thurman).
Take the quiz here:
https://kitschified.info/quiz/
Topics from the conversation:
• The Kitsch Questionnaire wakes people up
• Improving upon nature vs. everyday concerns
• Is a great work made with joy?
• Clarify your values!
• Embracing the richness of life
• A great painting can make you a better person
• Comedy or tragedy?
• Sensual enjoyment is the kitsch experience
• Drama - or like it actually happened
• Is talent given by birth?
• There are objective standards
▶ Full video: https://www.patreon.com/caveofapelles
🎵 Full audio: https://caveofapelles.com/podcast
The conversation was filmed and edited by Bork S. Nerdrum.
The centerpiece was a 19th century reproduction of G. F. Watts' Hope.
SHOUTOUT to our TOP SPONSORS!
Fergus Ryan
Shaun Roberts
Matthias Proy
Viorel Trandafir
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Eivind Josten
Erik Lasky
Fernando Ramirez
Francisco Salvacao
Hårek Jordal Andreassen
Iver Ukkestad
Jack Entz Warner
Jared Fountain
Marion Bu-Pedersen
Maurice Robbins
Michael Irish
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Tonelise Rugaas
Trym Jordahl
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May 11, 2022 • 1h 45min
Michael Diamant on the Classical Architecture Takeover and the Utter Stupidity of the Modernists
Michael Diamant sheds light on what defines "classical" architecture, and positive news about building projects. He founded the Facebook group "New Traditional Architecture", which is bringing together classically minded architects and lovers of architecture:
https://www.facebook.com/groups/Klassisknyproduktion
01:25 Not my original ideas — I learn from what the past did right
03:30 New classical buildings spark optimism and desire to do the same
07:35 Private donations equals classical architecture, state money equals modernism
09:13 How Michel Diamant got involved with architecture
16:31 New buildings are ugly because of modernist ideology
17:39 The modernists avoid open discussions about architecture
20:35 Against Modernism — not modern architecture
22:15 What is "classical" architecture?
25:00 Classical architecture is connected to nature and makes us calm
31:26 The relativistic modernists have hijacked all the institutions
41:33 Diamant's dream scenario: replace all modernists with classicists
44:21 Classical architecture is more environmentally friendly
53:16 The modernists are just stupid people who refuse to learn from the past
59:20 Classical architecture will win the popular opinion
1:10:37 Amateurs are more able than experts
1:12:40 Book recommendations and where to study classical architecture
1:14:30 City planning: Europe's Capitals and Leon Krier's Poundsbury
1:21:15 A wave of restoration of old buildings?
1:28:14 Preserving the material or the historical memory
1:38:14 "We are them, they are us"
This episode was filmed and edited by Bork S. Nerdrum.
The centerpiece was a photo of the Yale Residential Colleges, 2017
Designed by Robert A.M. Stern Architects: Melissa DelVecchio, Robert A.M. Stern, Jennifer L. Stone, Graham S. Wyatt
(Image Courtesy of Robert AM Stern Architects)
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Jared Fountain
Jon Harald Aspheim
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Michael Irish
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Trym Jordahl
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Would you like to get premium access? Become a patron:
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May 5, 2022 • 1h 30min
A World Beyond Past and Future: Odd Nerdrum's Hopeful and Soothing Vision of Humanity
What is it that captivates people about his paintings, what is his life project, and is philosophy the key to reach the highest achievements?
Carl Korsnes and Einar Duenger Bøhn sit down to discuss the work of Odd Nerdrum in light of his recent retrospective exhibition "You see we are blind".
Topics from the conversation:
00:00 Exhibition openings
01:12 Grotesque and depressing or hopeful and soothing?
03:20 Horrible actions beautifully depicted
09:58 Aristotle on technê: knowing why you do what you do
14:05 A painter with a vision of humanity
18:47 Contemporary painters avoid focusing on the face
21:00 Being shaken up is only possible through a classical form
30:11 Nerdrum's world: past, future or a different realm?
36:46 Day-to-day or timeless: newspaper articles vs. stories and myths
40:45 Nerdrum balances the concrete and the general
45:48 Not abstract and not "too realistic" / hyper realist
50:42 Being cultivated is to understand the commonality of things
57:00 Don't waste time on new books or newspapers
1:04:53 Philosophers of art should learn to draw first
1:08:20 Aristotle's approach
1:10:52 The humanist aspect of drawing
1:15:46 What are we looking at and judging accordingly
1:19:22 At its foundation, Nerdrum's work is philosophical
1:22:30 Is Nerdrum an anarchist painter?
▶ Full video: https://www.patreon.com/caveofapelles
🎵 Full audio: https://caveofapelles.com/podcast
This episode was filmed and edited by Bork S. Nerdrum.
The centerpiece was a 19th century reproduction of G. F. Watts' Hope.
SHOUTOUT to our TOP SPONSORS!
Fergus Ryan
Shaun Roberts
Matthias Proy
Børge Moe
Eivind Josten
Dean Anthony
Alastair Blain
Anders Berge Christensen
Erik Lasky
Fernando Ramirez
Hårek Jordal Andreassen
Iver Ukkestad
Jack Entz Warner
Jared Fountain
Marion Bu-Pedersen
Maurice Robbins
Misty DeLaine
Michael Irish
Richard Barrett
Stacey Evangelista
Trym Jordahl
Yngve Hellan
Would you like to get premium access? Become a patron:
https://patreon.com/caveofapelles/
Subscribe to our newsletter. It is the only way to make sure that you receive content from us on a regular basis:
https://bit.ly/2L8qCNn
Check out our other channels:
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https://www.youtube.com/c/CultureWarsNow
Podcast available on SoundCloud, iTunes, and Spotify:
https://soundcloud.com/caveofapelles
https://spoti.fi/2AVDkcT
https://apple.co/2QAcXD6
Visit our facebook page:
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