Horror Movie Talk

Horror Movie Talk: Horror Movie Review
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Feb 22, 2023 • 0sec

The Descent Review & Coltan Scrivner Interview

The Descent is more than a decent movie, it’s phenomenal. It doesn’t play it safe by making just a straight ahead monster movie, it delves into many different kinds of phobias along the way. Synopsis The Descent starts out similar to my favorite porn, with a team of international women out in the woods. They go caving in an uncharted cave system in the Appalachians. Quickly their expedition goes sideways when a cave in happens and they are stuck in the caves, short on supplies. The film quickly turns terrifying as they find out that the caves are full of goblin monsters hell bent on eating them, which happens to be my least favorite porn. Review of The Descent This is a fantastic horror movie that hits a lot of different beats of horror. It deals out claustrophobia, dread, jump scares, interpersonal drama, all while passing the Bechdel test. A rare accomplishment in any horror film. The unique setting of the film and the deliberate slow burn draws the audience in, in a way that most monster films don’t. By the time we are introduced to the main antagonists of the film, we have already seen the protagonists crushed with the fatigue and uncertainty of whether they will ever find a way out. Although dark and disorientating, the film has some really great creature design and gory special effects. It let up even in the end, and is a really unique viewing experience. Score 10/10 Coltan Scrivner Links https://www.coltanscrivner.com/ https://coltanscrivner.substack.com/
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Feb 15, 2023 • 1h 20min

The People Under the Stairs Review

We watched the Wes Craven classic, The People Under the Stairs, from 1991 and were delighted to see how close our interpretation of landlords are to the real thing! @dgoebel00 on Instagram provided this amazing artwork. Follow him and check out his website https://youtu.be/gx4jKIzvVUo Synopsis The People Under the Stairs is the story of Fool, AKA Poindexter, AKA Brandon Quintin Adams who’s mom has cancer and can’t pay the rent.  Being saddled with the idea that he is now “the man of the house” at 12 years old, he realizes that he very badly wants not to lose that house.  Unfortunately for Fool, his landlords are literally the whitest, scariest, most sadistic BDSM freaks slash shotgun owners to ever grace God’s green earth. They are so terrifying that they actually keep a hoard of invalid children under their house, and feed their pet dog Cujo parts of the people that they kill. Fool is brought on a mission to case the house his landlords live in by Ving Rhames, in an attempt to steal enough money to ironically pay the rent. What ensues is an insane game of cat and mouse that will surely leave Fool with lasting scars, trauma, and an intense hatred of white people. Review The People Under the Stairs is something of a unique movie now, but if you take a look at the time that spawned it, it begins to make more sense. It’s in good company with the likes of Nightbreed, Gremlins 2, Army of Darkness, House, and The Gate. This is a dark comedy and horror movie with a decent amount of disturbing ideas and themes. It’s executed in such a way that dates it tremendously, but leaves you with that waxy film of early 90’s charm coating your mouth. While the acting is over-the-top, the themes are in-your-face, and the characters are just caricatures of stereotypes, it’s still interesting and fun. Watch The People Under the Stairs Buy or Rent on Amazon Click here to Watch I can’t think of anyone who would hate this movie, but I am sure that there are plenty who love it to death.  The intense themes of minority marginalization, class inequity, sexism, and gentrification are present throughout. These themes are smash you in the face in nature, and are sandwiched in so much hammy acting that it’s a little hard to take it seriously. Overall, this is a great movie to curl up on the couch and watch on a Friday night. Score 6/10
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Feb 8, 2023 • 0sec

Let the Right One In (2008) Review

If you are making the choice between Let the Right One In and Let Me In, the former is the right one. This taut and moody vampire tale pushes the boundary for what’s possible in the genre. Synopsis Let the Right One in is a new twist on the vampire tale, that asks, what if vampires were pedophiles? It’s about Oskar, a 12 year old Swedish boy that is relentlessly bullied while he deals with his parents separation. In the course of planning to be Sweden’s first school shooter, he meets Eli, the new girl in town that hates shoes and loves having the higher ground. Eli is the stereotypical manic pixie dream girl, who has quirky hobbies like puzzle collecting, communicating through Morse, and violently murdering people by sucking their blood. Review of Let the Right One In (2008) Let the Right One In was remade in English as “Let Me In”, but if you haven’t the original, do yourself a favor and watch it in the original language. Not only are the performances a little better overall, most importantly, the tone is vastly better than the remake. The sparse and brutal mise en scene matches the sparse and brutal storyline. The stark empty courtyards and public parks compliment the empty and stark life of lonely latchkey kids. At the heart of the story is a coming of age romance between two tragic characters that is very compelling. There is an impending sense of dread for all the main characters. You are rooting for them, but in pretty much every possible outcome there will be tragedy.  This film is an excellent entry into the vampire genre that shows that there are still compelling iterations to explore that don’t rely on the Dracula archetype. Score 10/10
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Feb 7, 2023 • 46min

Whoores Volume 5 – Checka Da Voicemails

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Feb 1, 2023 • 0sec

House of 1000 Corpses Review

We watched House of 1000 Corpses and were impressed by the use of stock footage and new footage made to look like fucked out stock footage.  @dgoebel00 on Instagram provided this amazing artwork. Follow him and check out his website. https://youtu.be/OiRQOpC0nhg Synopsis House of 1000 Corpses is the story of some 20 somethings on a road trip around the US on a mission to find gas station oddities and fright museums. They stumble upon Captain Spaulding’s museum of monsters and madmen and end up flies in the web of the firefly family.  The firefly family are a group of twisted, backwater Texans who torture and kill unsuspecting kids on outings in their car.  The kids are treated to the extensive horrors around the firefly family property before they are picked off one by one. If this sounds like a Texas Chainsaw Massacre ripoff, that’s because it is. Had it been made with the tiniest bit of skill or nuance, it might have been able to get away with being called an homage or a tribute, but alas, ripoff will have to do. Review House of 1000 Corpses is quite a sideshow. It’s the first of writer / director Rob Zombie’s feature films, and the start of an obsession for the musician. It seems like Rob saw films like Texas Chainsaw, Halloween, and Salem’s Lot,  as a child and wondered to himself, “What goes on in the parts of these movies that I don’t get to see? Why is Michael the way he is? What other weird things happen in the Cannibal’s house?”  And he had to create the lore that he so desperately desired to see. To be fair, those are awesome questions. Who wouldn’t want to see what happens in Texas Chainsaw the day after the massacre? As it turns out, the answer is me. I don’t care about the reality behind the mysteries being shown to me nearly as much as I enjoy being allowed to let my mind wander around those creepy questions.  Once you answer the question of why Michael is the way he is, I hate the outcome. Watch House of 1000 Corpses Buy or Rent on Amazon Click Here to Watch Apart from this fundamental issue with digging up and rehashing old movies that are arguably the best of their kind ever made, the House of 1000 Corpses is a trainwreck. It’s Americana turned up to 11 and drenched in neon gas station colors, and it smells like the armpit of the oldest, nastiest man you’ve ever sat next to on the bus. The acting is pitiable as soon as Sheri Moon shows up and awesome when old pro’s like Sid Haig grace the screen. The story is tenuous and boring, the violence is schlocky, the comedy is raunchy. It’s not my cup of tea, but for what it is, it’s pretty influential. Some would say that it was one of the most over-the-top entries in the gore-porn genre of the 2000’s. I would disagree with those people, but still. Anyone sitting down to watch a movie called House of 1000 Corpses will get exactly what they were expecting, that much is certain.  Score 2/10
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Jan 25, 2023 • 1h 6min

Skinamarink Review

Are you ready for our take on the biggest scam horror movie of 2023? We break down this low effort film with a low effort episode of horror movie talk. We hope Sharon, Lois, and Bram would be happy. Synopsis IMDB gives the following synopsis for Skinamarink: Two children wake up in the middle of the night to find their father is missing, and all the windows and doors in their home have vanished. That is only ½ true. There are still plenty of doors and windows, because that is were the camera is looking for 90% of the film. A more accurate description is that Skinamarink is shots of nothing, with no narrative, and the occasional jump scare to scam you into thinking it’s something. There are two children, but to say the movie is about them is to say The Shining is about the twins. They are there for the same purpose as everything else in the film. To be vaguely creepy. https://youtu.be/APQqilSTxz0 Review of Skinamarink As the runtime drags on, the audience realizes that there is a nefarious presence behind everything, pulling the strings with evil intent that is never fully explained. …the director. I get what this is. It’s challenging. It is an art film that plays with emotions and expectations in a way that is undeniably uncomfortable and creepy. However, it does feel like a scam. It blows my mind that this was shown in theaters. That’s the most amazing thing about the experience, is that it defies all logic that it exists as a commercial product, and it defies all logic that people will watch it. This film makes me angry. I was angry that this is considered a movie. I was angry at how cheep the gimmicks were. I was angry that it was still somehow effective, but mostly I was angry that I watched it. Score 1/10
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Jan 18, 2023 • 0sec

M3gan Review

We went and saw M3gan and were shown what would happen if you allowed a robot to raise your child. Also, there was a crazy rich Asian in it! @dgoebel00 on Instagram provided this amazing artwork. Follow him and check out his website. https://youtu.be/BRb4U99OU80 Synopsis A hot robotics engineer, Gemma (Allison Williams) strikes paydirt when her sister and brother in-law die and she ends up with her orphan niece, Cady (Violet McGraw). Now, she can finally test her over-engineered killing machine slash toy on an unsuspecting child-victim that she is the guardian for. M3gan, is an AI driven toy slash babysitter slash baby SLITTER. She is going to be the toy everyone buys this year, that is if she can convince the archeologists and the lawyer that Jurassic Park, er – M3gan is safe. Everyone gets more hydraulic death than they bargained for. Review M3gan came with a ton of hype, probably because it’s got the high-tier status with Blumhouse, which means their full marketing budget. I can’t say it let me down, but it’s also not blowing my socks off. This is a better-than-average horror movie with some solid jump scares and a creepy concept that’s similar to that of a Child’s Play movie.  The idea of your child being raised by a robot is scary enough when all you do is plop them down in front of Youtube. When you plop them down with a silicone covered robot that can wink and has opposable digits, it gets even creepier. Watch M3gan Buy or Rent on Amazon Click Here to Watch M3gan is scary at times, and quite funny as well. Some of the one liners landed perfectly for me, which was a lot of fun.  If you are the kind of person who has a hard time not picking movies apart, M3gan is not for you. This is a popcorn munching, good time with friends kind of movie.  It’s got some great moments, but will be forgotten in a year or two, which is better than being forgotten as quickly as it comes out. Score 7/10
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Jan 11, 2023 • 0sec

White Noise (2022) Review

You know that SNL sketch were it was a trailer for a slasher movie directed by Wes Anderson? Yeah, well this was pretty close. Synopsis White Noise tells the story of a blended family led by Jack and Babette as they experience the joy and terror of academia, man-made disasters, and supermarkets. This film is categorized as a comedy/drama/horror, and if it’s one of those things, I guess it’s all of them. The horror element is equally treated with black comedy, and comes out mostly in the narrative of the “airborne toxic event” but also is sprinkled throughout. However, I would forgive anyone saying that this is not really a horror movie. But again, I would ask, what is it then? Review of White Noise (2022) The film is written (adapted) and directed by Noah Baumbach, which I associate with Marriage Story and The Meyerowitz Stories, but also cowrote The Life Aquatic and The Fantastic Mr. Fox with Wes Anderson.  Both sensibilities blend here in this adaptation of Don DeLillo’s novel of the same name. The characters are acting like recognizable normal people, but the dialogue they are speaking seems like it’s coming from a beat poet’s fever dream, and the plot borders on the surreal.  I’m still processing it, and most of it just kind of washed over me, but the main takeaway is that it matches the general vibe of the late 20th century being an uneasy pre-dystopia very well. I imagine that I’ll watch it again, and that it will get much better with more reps, especially as you get more familiar with the rapid fire, overlapping, enigmatic dialogue. Score 7/10
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Jan 4, 2023 • 0sec

Christine (1983) Review

We watched John Carpenter’s Christine and were treated to some good, old fashioned, car calendar porn. @dgoebel00 on Instagram provided this amazing artwork. Follow him and check out his website. https://youtu.be/0Xq75RR7otQ Synopsis A nerdy young man named Arnie (Keith Gordon) finds his soulmate in a 1958 Plymouth Fury. He rebuilds the car and in-turn rebuilds himself as a confident, independent lad. You Arnie notices that girls are now attracted to him, and this turns him into a force of nature. But the real force of nature seems to be his car, nicknamed Christine. Christine seems to have a life of her own, a life centered around taking life from others.  Arnie’s mom and dad are worried about him, his friends are worried about him, and even his hot stuff girlfriend is worried about him.  Anyone who crosses Arnie, though, is worried about Christine. Everyone get’s more classic cars than they bargained for. Review This coming of age tale is the inverse Stephen King screenplay to the movie we reviewed last week, Carrie, where a young girl gets her period and subsequently murders her whole school.  In Christine, we see a nerdy young man get that big dick energy when he finds something to obsess over, which is strangely true-to-life for males. Best of all, the ending sequence takes place on New Years Eve! Christine isn’t the silver screen powerhouse that Carrie is, but it’s interesting when viewed back to back with it’s feminine counterpart. Watch Christine (1983) Buy or Rent on Amazon Click Here to Watch It’s slow, sometimes tedious, and a little mellow for a movie directed by the same guy who brought us Halloween and The Thing (John Carpenter). That being said, there was no part of Christine where I was upset with it.  It really struck me how much of the sentiment of Carrie is in here. Arnie gets bullied relentlessly by bullies at school and his parents aren’t exactly cool. Even the garage owner bullies Arnie around. In the end Arnie doesn’t find the power within himself, he imbues it into his work. This is a weirdly masculine trait.  Where Carrie finds the magic within her, Arnie finds it within other things. Arnie needs things and others in a uniquely masculine way. He needs acceptance, he needs a girlfriend. He needs Christine. Carrie doesn’t need anyone, she just needs peace. She has had it with your shit. Arnie has too. It’s a solid movie about a car that has the shining.If that sounds like a good time to you, this is honestly something you will enjoy.  Score 6/10
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Dec 30, 2022 • 56min

Whoores Volume 4 – We Take Your Voicemails

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