New Books in Literary Studies

The Rani of Jhansi was and is many things to many people. In her beautifully written book The Rani of Jhansi: Gender, History, and Fable in India (Cambridge University Press, 2014), Harleen Singh explores four representations of the famous warrior queen who led her troops into battle against the British. Analysing her various representations – as a sexually promiscuous Indian whore, a heroic Aryan, a great nationalist and a folk symbol of indigenous resistance – the book critically discusses what wider issues are stake in these depictions of such a mythical and marginal woman. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Bridget Conor’s new book, Screenwriting: Creative Labor and Professional Practice (Routledge, 2014), looks closely at the creative practice and profession of screenwriting for film and television in the US and UK.  Situated within the critical media production studies paradigm, Screenwriting analyzes the history, current industrial practices, identities, and cultural milieu that surround this form of creative labor. Conor examines the professional myths that are often associated with screenwriting by looking back at its history during Hollywood’s golden age, beginning with the groundbreaking work of sociologist Hortense Powdermaker. Then, utilizing theoretical frameworks developed by luminaries of media production studies such as Angela McRobbie, John T. Caldwell, and David Hesmondhalgh, Conor outlines the contemporary labor scene for screenwriters. Through in-depth interviews with professional screenwriters, Conor underscores some of the commercial and creative tensions in the industry that often challenge these individuals’ professional autonomy and claims to authorship in their work. Lastly, Conor unveils some of the deep social inequalities that persist in this industry, many of which are unfortunately perpetuated though the numerous “how-to” manuals that serve to socialize budding screenwriters in the profession. Screenwriting also illuminates some of the fascinating changes being wrought by the Internet on screenwriters and their sense of autonomy in a new digital world. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Lawrence Lipking‘s new book, What Galileo Saw: Imagining the Scientific Revolution (Cornell University Press, 2014) examines the role of imagination and creativity in the seventeenth century developments that have come to be known as the Scientific Revolution. Whereas some accounts suggest that this period involved the rejection of imaginative thinking, Lipking traces it through the works of Galileo, Kepler, Bacon, Newton, Hooke, and many others, demonstrating that the ability to envision new worlds is as crucial to their critical insights as rational thought.Each chapter of the book approaches a different discipline, from astronomy to natural history and the life sciences, exploring the intersection between imagination and the emerging ideas surrounding the scientific process. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Shengqing Wu’s gorgeous new book begins by exploring the image of the treasure pagoda to introduce readers to an aesthetics of ornamental lyricism in Chinese poetry at the turn of the twentieth-century. Modern Archaics: Continuity and Innovation in the Chinese Lyric Tradition, 1900-1937 (Harvard University Asia Center, 2014) then continues gorgeously, exploring practices and discourses of classical poetry in early twentieth-century China in beautiful prose that carries a powerful argument. Challenging some widespread assumptions about the practice of classical poetry in modern China, and simultaneously problematizing the relationship between the spoken and written word in modern Chinese literary discourse, Wu argues that Chinese lyric poetry from 1900-1937 saw the innovative development of a new aesthetic style, ideological commitment, and social practice in reaction to political, cultural, and historical necessities of the time. Paying careful attention to the formal aspects of these poems, the three main sections of Modern Archaics consider the relationship between history and lyricism in contexts of (1) historical trauma and loss; (2) the development of affective communities that treated lyric composition as an integral part of shared social practice; and (3) travel and translation. There’s also some wonderful material on gendered lyric composition and women’s history. It’s well worth reading for anyone interested in modern Chinese literature, the histories of poetry and/or translation, and literary theory. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Henry Stubbe and the Beginnings of Islam: The Originall and Progress of Mahometanism (Columbia University Press, 2014), Nabil Matar masterfully edits an important piece of scholarship from seventeenth-century England by scholar and physician, Henry Stubbe (1632-76). Matar also gives a substantial introduction to his annotated edition of Stubbe’s text by situating the author in his historical context. Unlike other early modern writers on Islam, Stubbe’s ostensible goals were not to cast Islam in a negative light. On the contrary, he sought to challenge popular conceptions that understood Islam in negative terms, and although there is no evidence that Stubbe entertained conversion, he admits many admirable characteristics of Islam, ranging from Muhammad’s character to the unity of God. The English polymath was well versed in theological debates of his time and therefore equipped all the more to write the Originall, given the benefit of his comparative framework, which in part explains why the first portion of his text devotes itself to the history of early Christianity. Strikingly, however, it seems that Stubbe never learned Arabic, even though he studied religion with a leading Arabist of his time, Edward Pococke. Indeed, one novelty of Stubbe’s work was precisely his re-evaluation of Latin translations (of primary texts) that were already in circulation. Stubbe’s contributions to scholarship also speak to the history of Orientalism–a word that did not yet exist at Stubbe’s time–or how scholars in the “West” more broadly have approached Islam. Stubbe’s Originall offers insights into present-day Western discourses that still struggle–at times with egregious incompetence–to make sense of Islam and Muslims. In this regard, Matar’s detailed scholarly account of Henry Stubbe and his carefully edited version of the Originall remains as timely as ever. Undoubtedly, this meticulously researched book will interest an array of scholars, including those from disciplines of English literature, History, and Religious Studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Where does love come from and where will it lead us? Throughout the years various answers have been given to these questions. In Divine Love: Islamic Literature and the Path to God (Yale University Press, 2013), William Chittick, professor at Stony Brook University, responds to these queries from the perspective of the rich literary traditions of Islam. He reveals how some Muslims explained the origins, life, and goal of love through a detailed investigation of authors writing in Persian and Arabic mainly from the eleventh to twelfth centuries. For these authors, love is manifest through the relationship between God and creation in all of its various iterations. Commentary and explanation are drawn from numerous sources beginning with the Qur’an but most extensively from Rashid al-din Maybudi’s Qur’an commentary, Unveiling of the Mysteries, and Ahmad Sam’ani’sRepose of the Spirits. In our conversation we discussed the role of the Persian Muslim tradition, the cosmological roles of Adam and Muhammad, the centrality of the heart in the spiritual psychology, states and stations, the macrocosm and microcosm, and the suffering of separation. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Settler Common Sense: Queerness and Everyday Colonialism in the American Renaissance  (University of Minnesota Press, 2014), Mark Rifkin, a professor at the University of North Carolina-Greensboro and incoming president of the Native American and Indigenous Studies Association, explores three of the most canonical authors in the American literary awakening–Hawthorne, Thoreau, and Melville–demonstrating how even as their texts mount queer critiques of the state, they take for granted–even depend upon–conceptions of place, politics and personhood normalized in the settler-state’s engagement with Indigenous peoples. Rifkin’s exegesis is relevant far beyond nineteenth-century literary studies. As “settler colonialism” gains currency in left and academic circles as a descriptor of the present reality in the United States, Canada, Israel and elsewhere, there is a tendency to identify its workings only in the encounter between the colonizers and the colonized, the state and Indigenous peoples. This is a mistake, Rifkin warns. None of the novels he interrogates deal specifically with Native people. Yet colonialism is not, he writes, a dynamic that inheres only Native bodies. Rather, it’s a persistent “phenomenon that shapes nonnative subjectivities, intimacies, articulations and sensations separate from whether or not something recognizably Indian comes into view.” Colonialism is thus a common sense. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Martin Joseph Ponce‘s recently published book, Beyond the Nation: Diasporic Filipino Literature and Queer Reading (NYU Press, 2012), traces the roots of Filipino literature to examine how it was shaped by forces of colonialism, imperialism, and migration. Rather than focusing on race and nation as main categories of analysis, Ponce uses a queer diasporic reading to consider the multiple audiences for Filipino literature. In doing so, he explores alternatives to the nation as the basis for an imagined community, and focuses instead on sexual politics and the transpacific tactics of reading. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Known primarily as a travel writer thanks to the frequent assignment of her Diary in high school history and literature classes, Nun Abutsu was a thirteenth-century poet, scholar, and teacher, and also a prolific writer. Christina Laffin‘s new book explores Abutsu’s life and written works, taking readers in turn through her letters, memoirs, poems, prayers, and travel diary, among others. Each chapter of Rewriting Medieval Japanese Women: Politics, Personality, and Literary Production in the Life of Nun Abutsu (University of Hawai’i Press, 2013) looks at one of Abutsu’s literary products and considers how and why the document was produced and what it can tell us about the literary environment for thirteenth century Japanese women. Rewriting Medieval Japanese Women is careful to read these sources not as transparent guides to fact, but instead as narrative forms that were shaped by conventions of their respective genres. From the diary Fitful Slumbers to the poetry manual The Evening Crane and beyond, Laffin also pays special attention to Abutsu’s scholarly interpretations of The Tale of Genji. Laffin’s book is a fascinating and carefully-wrought story, and in re-situating Abutsu’s work within Japanese literary studies it also opens a space for renewed attention to medieval women’s writing more broadly conceived. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Some people describe a lonesome highway or the middle of a desert town–even a state like Ohio–as “the middle of nowhere.”  But for others, like Eric LeMay, no such place exists. There is always a “there there.”  It’s the presence within the absence that draws LeMay.  Either because the absence offers mystery, intangibility, or perhaps it trembles with what came before.  Hamlet pondered, “To be or not to be?” but in LeMay’s writing, the self, our world, even texts don’t exist as either/or puzzles.  It’s the missing pieces–the in-betweens–that are as much a part of everything as anything else.  LeMay’s In Praise of Nothing:  Essays, Memoir, and Experiments (Emergency Press, 2014) not only makes something from nothing, it shows us how we all do.  LeMay contemplates the namelessness of John or Jane Doe, the Rumsfeldian “Unknown unknowns, ” the past’s echoes, and Ground Zero, yet he also elucidates the ways in which words–those in existence and those imagined–can create a new reality or alter the perception of the self. Here is LeMay’s experiment–to sift through layers of texts, images, research, language, and memory in order to reveal how we make meaning out of nothing at all. According to LeMay’s own description, In Praise of Nothing “exists on the printed page and it also exists, slightly altered, in an electronic version . . . shadow versions and doppelgangers, doubles and divergences, lurking in the digital world.”  So you can read, for example, “Losing the Lottery,” a randomly-numbered collage of statistics, anecdotes, quotes, and personal accounts of the obsession with those overwhelming unknowns, the winning numbers, or you can go online and “play” your own.  LeMay is an innovator in the interactive digital essay, and while you can read “Viral-Ize” and “Resistable” in the pages of his book, you can also go to your computer and click to see what’s there, what’s not, and most importantly, how what we see and what we don’t are equally integral in the making and multiplying of meaning. Montaigne asked, “What do I know?”  But what if we what we know is nothing?  In this playful and poignant collection, Eric LeMay shows us that nothing is never nothing.  It’s really something. NB: There’s a fascinating website about In Praise of Nothing that you can find here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies