New Books in Literary Studies

Since the beginning of the 20th century, Jewish settlement in Palestine and the revival of Hebrew as a national language have profoundly impacted the relationship between Arabic and Hebrew. In a highly contentious political environment, the two languages have been identified with opposing national movements – Hebrew associated with Jews and Arabic with Palestinians. Lital Levy’s book destabilizes this categorization. Highlighting the space between these two languages, Levy asks not what it means to be Israeli or Palestinian, but rather how crossing the bridge between the two remakes Israeli and Palestinian cultures. Focusing on the work of Middle Eastern Jews writing in Arabic and various kinds of Hebrews, and Palestinians writing in Hebrew, Poetic Trespass: Writing Between Hebrew and Arabic in Israel/Palestine (Princeton University Press, 2014) reveals a literary world in which Arabic and Hebrew have a symbiotic relationship. Through her analysis of prose, poetry, film, and visual art by Palestinian and Jewish citizens of Israel, Levy shows us how writers bring Arabic and Hebrew into conversation with one another in illuminating, and often subversive, ways. These writers use the language of the “other” to question “othering” and insist that literature interrogate simplistic identity classifications. Jews writing in Arabic or mizrahi registers of Hebrew cannot but challenge a nationalist project that depends, in part, on the nationalization of Hebrew. Likewise, Palestinians writing in Hebrew use the power of language to disrupt Zionism, which excludes them as non-Jews, from within. Bring the work of several generations of authors to light, Poetic Trespass call on readers to use the power of literature to question our own assumptions and to rethink the static categories of Arab and Jew. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The “peculiar institution” upon which the US nation was founded is still rich for examination.Perhaps this is why it is a subject to which 21st century authors continue to return. In this exploration of slavery, Paula T. Connolly, author of Slavery in American Children’s Literature 1790 – 2010 (University of Iowa, 2013), provides an expansive study of the ways in which proslavery and abolitionist literature framed discussions of slavery for the future of the nation: children. One of the questions to which Connolly’s investigation responds is whether US authors of children’s literature frame discussions of slavery in similar ways that writers of adult literature do. In the course of our conversation Connolly notes, “Many of us like to believe that we frame slavery differently for adults and children, but it’s simply not true.” Thus, readers will find that, similar to books for adults, children’s literature has conventional motifs of the subservient and grateful slave, or the kind and heroic master, for example. Additionally, character demonstration that he can properly manage his responsibility as master — a rite of passage — remains a shared theme. Connolly, Associate Professor of English at the University of North Carolina at Charlotte, reminds readers of the various genres of abolitionist and/or proslavery literature. She includes sharp analysis of popular plantation stories, slave narratives, post-plantation novels, proslavery adventure novels, confederate textbooks, Freedman’s schoolbooks, and neo-abolitionist texts throughout the various historical periods of her extensive research. Along the way, readers learn, interestingly, that at times both abolitionist and proslavery texts upheld the same old notions of white supremacy despite their oppositional goals. That both adult literature and/or children’s literature frame slavery through similar cultural lenses makes sense. After all, adults are the ones writing for children. Indeed, ideologies of the “white savior” or “needy slave” for example, remain firmly rooted as we learn that children’s literature long after the Civil War continues to reflect old beliefs.  It remains clear that the act of emancipation did nothing to destroy deeply entrenched white hegemony in the nation. Slavery in American Children’s Literature, 1790-2010 — the first expansive study of slavery in children’s literature — is a fine example of the ways in which interdisciplinarity enhances the study of slavery in the US. The text brings together History, Literary Studies, Education, studies in Visual Arts, and what results is an enriching, multi-dimensional perspective on US pedagogy of race. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Wen Jin’s book, Pluralist Universalism: An Asian Americanist Critique of U.S. and Chinese Multiculturalisms (Ohio State Press, 2012), compares histories and modes of multiculturalism in China and the United States. Whereas many see few correlations between China’s ethnic policies and the multiculturalist policies of the U.S., Wen Jin brings these narratives and histories together to show their common themes. In attempting to incorporate diverse bodies into a state project, both multiculturalisms make their respective countries seem exceptional in their tolerance and acceptance of diverse peoples. Through this comparison, Wen Jin offers a rich study of multiculturalism that allows readers to see its more tangible form, rather than to see one as superior to the other. Wen Jin does this by reading literary narratives that feature a “double critique,” in that they are critical of both the U.S. and China for deploying discourses of diversity in order to justify and rationalize state power. Ultimately, Pluralist Universalism provokes forms of conciliatory or official multiculturalism and leads us to question the very identity politics that has formed the basis of globalization and capitalist growth in the 21st century. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What is a father? In Outlaw Fathers in Victorian and Modern British Literature: Queering Patriarchy (Fairleigh Dickinson UP, 2014), Helena Gurfinkel offers an insightful new vision of fatherhood through an engagement with English literature, Freudian psychoanalysisand queer theory. The book takes a range of authors who have depicted ideas of fatherhood, patriarchal relations and homosociality along with depictions of queer ideas of the family and of fatherhood itself. From Trollope, through James and Forster, to Hollinghurst and contemporary queer media, the book explores how the tightly drawn boundaries of the Victorian paternal relationship are represented and transformed in over a century of literary works. Moreover the core theoretical approaches, for example Freud’s theory of the negative Oedipus, are presented in an accessible opening chapter, making the book a readable entry into literary uses of these ideas.The book concludes by considering contemporary queer texts from and about the Female to Male Trans experience, perhaps the ultimate destabilisation of the heteronormative family binary. The book will appeal to both students of literature and critical theory scholars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What does it mean to be a martyr? What does it mean to be an apostate? How should we understand people who choose one or the other? These are the questions asked by Shusaku Endo in his novel Silence, in which he tells the story of Japanese Catholics and foreign missionaries during Japan’s “Christian Century” (1549-1650). Despite being published nearly fifty years ago, this novel continues to receive attention and spark debate. Dr. Mark Dennis and Dr. Darren Middleton, both of Texas Christian University, continue the discussion in their edited volume Approaching Silence: New Perspectives on Shusaku Endo’s Classic Novel, published by Bloomsbury. Through a collection of thought-provoking essays, this anthology deals with these, and related questions, from multiple perspectives, leading to a rich discussion. This anthology also includes an afterword by Martin Scorsese on his film adaption of Silence. I hope you will enjoy the interview. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Professor Robert P. Burns of Northwestern University School of Law offers an insightful critique of the modern American criminal justice system in his new work Kafka’s Law: ‘The Trial’ and American Criminal Justice (University of Chicago Press 2014). This interview explores the characteristics of Kafka’s “Law” and exposes where and how these characteristics exist within the American criminal justice system. Burns leads us through the absurd regime The Trial‘s protagonist must navigate after he finds himself accused of an unknown crime. Kafka’s dystopian law is unknowable, ubiquitous, overly bureaucratic and yet overly informal. In the story’s world the law functions like God and guilt is inevitable. These legal characteristics may appear to be part of an absurd dystopian fantasy world derived from the same wild imagination that produced a story in which a man metamorphoses into a bug. However, we learn in the second half of the interview that the dystopian themes in The Trial capture a present-day reality for many who are accused of crimes in America. Burns’s work exposing Kafkaesque aspects of our legal system and his search to find the most effective means of remedying these situations is vastly important to the societal goal of narrowing the gap between justice and law. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Biography is, both etymologically and in its conventional forms, the writing of a life. But what is the role of place within that? And how do the stories of lives- some of them well known, others less so- realign when we see them through the lens of a particular place? That’s Justin Martin‘s way in to the stories of Walt Whitman, Artemus Ward, Fitz Hugh Ludlow, Adah Menken and Edwin Booth, among others: their convergence, many an evening, at Pfaff’s basement saloon in mid-19th century Manhattan. Don’t let the name-check in the title fool you. Rebel Souls: Walt Whitman and America’s First Bohemians (Da Capo Press, 2014) is just as much about the other bohemians as it is about Whitman, and the Whitman we find here may not be the Whitman we thought we knew. He’s younger- his fate yet to be determined- and he’s paling around with a cast of characters equally compelling. When he went to Paris in 1849, Henry Clapp Jr. was so impressed with the local artsy-types that he decided to export their way of life to America, to consciously found a group of bohemians back in New York. And it’s the saloon where they congregated that first drew Martin to his story. Though his characters fan out across the country over the course of the narrative, they came from Pfaff’s and they seem to carry it with them wherever they go.Place plays a fundamental role in life and should, by extension, feature within the subsequent tellings of a life as well, but it’s a factor that is, all too often, unexamined at this level- the level of where one eats and drinks and hangs out. Places are ever-changing, Manhattan real estate most especially. But, as Rebel Souls proves, biography can play a provocative role in preserving their mystique and also their impact– recapturing the barroom beneath the city streets, the chatter swirling around the budding poet, the raucous laughter of his companions, the ice cubes clinking in the glass. The knowledge that this is where they came from, that this is where they were off-stage or on break, not only offers fresh insight into the things they were able to create, but it also reveals tantalizing dimensions of who they might have been. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Sarah M. Allen‘s new book looks at the literature of tales in eighth- and ninth-century China. Shifting Stories: History, Gossip, and Lore in Narratives from Tang Dynasty China (Harvard University Asia Center, 2014) situates Tang tales in the context of social story exchange among elite men. Allen’s work not only contributes significantly to how we understand and frame concepts like fiction and fact, authorship, gossip, and collection, but also presents a bookful of fascinating stories. These tales relayed gossip about rulers and high officials and became vehicles for the discussion and debate of popular events, they narrated travelers’ encounters with stranger that kept secrets, they offered riddles and games, and they transformed through reading and rewriting. Shifting Stories is a joy to read and should be on the shelves of anyone with an interest in Tang China, the history of storytelling, or histories of textuality and authorship. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Wilt Idema‘s new book traces a story and its transformations through hundreds of years of Chinese literature. The Resurrected Skeleton: From Zhuangzi to Lu Xun (Columbia University Press, 2014) collects and translates variations of the tale of Master Zhuang in his encounter with a skeleton who comes back to life and wreaks all sorts of havoc in the lives of those around him. (In some versions, Zhuang instead comes across a grieving widow and becomes enmeshed in series of misadventures upon trying to help her.) The chapters of the book introduce and present three texts from the seventeenth-century, two short ballads from the nineteenth century or later, and one modern story by Lu Xun, all adaptations and variations of the story of Zhuang and the skeleton. While working through these masterful (and occasionally quite humorous) translations, readers also learn about different genres of texts that have embodied this story over time, from Ming narrative daoqing (sentiments of the Way) texts that incorporated poems, prose passages, and more; to youth books (zidishu, or “bannermen tales”); to precious scrolls (baojuan) meant especially to appeal to women; to satirical one-act dramas, and beyond. The Resurrected Skeleton is a gripping and brilliantly translated set of stories, equally suited to the research scholar, the pleasure-reader, and the teacher who might be on the lookout for excellent primary source translations for use in a university classroom. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Tamara Chin‘s new book is a tour de force and a must-read for anyone interested in early China, the history of economy, or inter-disciplinarity in the humanities. Focusing on the reign of Han Emperor Wu (r. 141-87 BCE), Savage Exchange: Han Imperialism, Chinese Literary Style, and the Economic Imagination (Harvard University Asia Center, 2014) carefully considers how this earliest period of expansion of China’s markets and frontiers inspired scholarly debates over the relationships of frontier, market, word, and world. In a series of three chapters that each treat a discursive genre (philosophical dialogue, epideictic fu, and historiography) and two chapters that look at social practices (kinship and money), Savage Exchange traces the literary innovations that emerged within contexts of political economic debate. Chin’s story reads Han literary texts in a way that uncovers and traces multiple, sometimes conflicting narratives instead of the kind of linear story that often accompanies traditional readings of these works. The book shows that the “savagery of imperialism,” for many, was not about borders between the civilized and the barbarian, but instead was about modes and rituals of exchange across boundaries of gender, morality, numeracy, kinship, and materiality. Chapter 5 will be of particular interest to historians of money, and the final chapter of the book is a special treat for readers interested in the broader implications of Chin’s methodology, as it covers the importance of literary scholars engaging with the materials and texts produced by frontier archaeology, of comparative literature engaging with premodern histories of contact, and of the historiography of world systems engaging a broader set of approaches to documents and data. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies