New Books in Literary Studies

The border that divides the island of Hispaniola has been the site of commercial and cultural exchanges, labor migrations, environmental change, and violence. Maria Cristina Fumagalli‘s wonderful, wide-ranging On the Edge: Writing the Border Between Haiti and the Dominican Republic (Liverpool Press, 2015) offers glimpses of the numerous literary texts, art works and films that try, in some way or another, to come to terms with what the border is and how it shapes the lives of both Haitians and Dominicans, creating a space of dynamic and creative exchanges for some and proving tragically divisive for others. The book moves from the earliest years of colonization to recent events, arguing for possibilities of co-existence rather than irremediable conflict. It is a necessary read for anyone interested in this region and in borderland literary production. Alejandra Bronfman is Associate Professor of History at the University of British Columbia. Her research interests include histories of media, race, and the production of knowledge in the Caribbean. Her forthcoming book, Isles of Noise: Sonic Media in the Caribbean, is forthcoming in Fall 2016 with University of North Carolina Press. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

At what point does the world end? More importantly, how did this idea of a whole, unified world emerge to begin with? In Worldmakers: Global Imagining in Early Modern Europe (University of Chicago Press, 2015) Ayesha Ramachandran illustrates the anticipated enormity and surprising subtlety of these questions. Prose, vivid imagery and poetry form the text’s arc as Ramachandran distills an interdisciplinary evolution of Eurocentric debates about the relationship between self and god, self and nation, world and empire, and world and universe. Worldmakers combines a set of “founding” works, from maps to medical literature, to portray a period where allegory, the Cosmos, and classical myth interacted directly with physics and biology. Dr. Ramachandran creatively captures “two modes of world-making: imperial and cosmic” through the constructed notion of the “Other”, which frames not only the logic of imperial conquest, but earlier attempts to separate and organize the sciences. Rather than seeking to narrate a coherent whole, as is the goal of many of the book’s main characters, Ramachandran highlights the disparate trajectory of these ideas in mythical, then imperial and national, and finally scientific imagination. Anna Levy is an independent researcher and policy analyst with interests in critical political economy, historical memory, histories and philosophies of normalization, accountability politics, science & technology, and structural inequality. She is based in Brooklyn, NY and Amman, Jordan. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In her first monograph, Kafka’s Cognitive Realism (Routledge, 2014), Emily Troscianko set out to answer a brief, cogent question: “Why is Kafka so brilliant? Why do I still want to read his work after all this time? It’s a good question. Even today, Kafka’s fiction retains a felt strangeness, the “Kafkaesque,” a quality Dr. Troscianko calls “both compelling and unsettling.” His stories have had an enduring readership, sustaining critical attention for over a century. This was what Troscianko wanted a better explanation for. In the book, Troscianko finds that explanation from theories current in the cognitive sciences. She approaches Kafkas fiction (and what is Kafkaesque about it) as a realistic depiction of visually perceived space. In other words, for Troscianko, Kafka’s fiction works by simulating fictional places, people and phenomena as real, as happening in real visual space, according to how vision actually works. This seems, in part at least, to explain Kafka’s hold on us. And think: If the fictional realities of Kafka are lifelike in their fidelity to real lived experience, how strange when they gradually warp, and shift to become something more dreamlike, or unbelievable. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Seth Jacobowitzs new book opens with a balloon ride and closes with a record-scratching cat, and in between it offers a fascinating history of Meiji media focused on technologies of writing and script. Inspired, in part, by the work of Friedrich Kittler, Writing Technology in Meiji Japan: A Media History of Modern Japanese Literature and Visual Culture (Harvard University Asia Center, 2015) traces the story of shorthand in Japan. First introduced for recording political speeches and the conduct of the state, by the mid-1880s shorthand was used to transcribe popular theatrical storytelling and enabled a kind of unvarnished vernacular writing that was the forerunner of genbun itchi, the unification of speech and writing, or the unified style. Its history interweaves in important ways with the histories of standardization movements, script reform, the rise of communications systems like telegraphy and the postal system, and the development of new literary styles of realism. (Also, in case you missed it above: there’s a record-scratching cat.) Jacobowitzs study spans fiction, photography, visual art, and more, and its highly recommended for anyone interested in the histories of writing and literature in Japan and beyond. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Monk’s Haggadah: A Fifteenth-Century Illuminated Codex from the Monastery of Tegernsee (Penn State UP, 2015) is unique. The book, edited by David Stern, Christoph Markschies, and Sarit Shalev-Eyni, combines a gorgeous facsimile of a late 15th-century illuminated haggadah with a Latin prologue written by a Dominican Friar! Mystery abounds as a Jewish Passover text, written in Hebrew by a Jewish scribe, is found to include illustrations of Christian significance. Thanks to a special collaboration of multi-disciplinary experts from three continents and an element of serendipity, the manuscript of a haggadah from the 15th century, now at home in a state library in Munich, was discovered, translated, and its importance as a primary source for Christian Jewish relations during the late medieval and early modern period recognized.The prologue by fifteen-century Dominican Hebraist Erhard von Pappenheim includes the testimony of Jews tortured to testify to blood libel in 1475 in Trent. Recorded by von Pappenheim in a matter-of-fact tone, as though by an ethnographer, the testimony also becomes a primary source for Jewish ritual practice during this period in German lands. It also speaks to Christian understanding of Jewish ritual and tradition.Read the essays in this special volume for the thoughtful questions that the experts raise and address. Turn the pages of the Haggadah to experience its beauty. During the interview we also discussed The Washington Haggadah (Harvard University Press, 2011), edited by David Stern. This elegant reproduction of the most beautiful haggadah in the collection of the Library of Congress in Washington reflects the work of the late 15th century southern German illustrator Joel ben Simeon. The illuminations that adorn the text are an ethnographers dream: they evidence the home ritual practices of the era and place. When the book was displayed by the Metropolitan Museum of Art in NYC, objects from the Museums collection that are reflected on the pages of the haggadah accompanied the display. Essays by David Stern and art historian Katrin Kogman-Apel accompany the text of the Passover haggadah, providing a history of the haggadah for interested readers.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

“There still exists little organized sense of what a woman’s biography or autobiography should look like,” Carolyn G. Heilbrun wrote in her 1988 classic, Writing A Woman’s Life, noting, “Even less has been told of the life of the unmarried woman.” One can only hope that Kate Bolick‘s Spinster is a sign that, nearly thirty years later, the circumstances Heilbrun described are, at long last, about to change. Bolick burst onto the national scene when her article in The Atlantic, entitled “All the Single Ladies,” went viral in November 2011. But Spinster is a departure from her reportage rather than a continuation or a sequel– a biographical/autobiographical/sociological mash-up that is engaging, observant, and fiercely critical. Examining the socio-historical phenomenon of the feme sole, Bolick mines her own experiences and the lives she’s read about to examine how, as Heilbrun suggested, we use the stories of other lives to navigate our own. “Taken together,” Bolick writes of the people whose lives interested her, “they were a dynasty of adopted uncles and aunts adults who weren’t my parents who opened portals to lives I couldn’t have imagined until they showed me how.” This is a process of which we are often unconscious as it’s happening, but which becomes visible in hindsight. It is also, I believe, one of the great values of reading biography: the ability of these stories of other people’s lives to open possibilities within our own. It’s a dynamic not limited to stories of the lives of women, but it does appear to hold particular resonance for female readers, perhaps due to the relative cultural scarcity of representations of unconventional female lives. In her quest to become a writer, Bolick notes, “Maeve Brennan served a psychological purpose for me. By climbing into her point of view and trying it on for size I was cobbling together a template for my own future.” Spinster provides compelling evidence of both the personal and collective power of stories and our use of them. It also reveals something of the life of the unmarried woman, elegantly illuminating an experience that has, up to now, been culturally undervalued and, often, biographically ignored. Oline Eaton is a doctoral researcher at King’s College London. She is writing a biography of Jackie Onassis and has written extensively on the subjects of biography, celebrity, and gossip, and the flow of stories through culture. Her work can be found at FindingJackie.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Marlene Daut tackles the complicated intersection of history and literary legacy in her book Tropics of Haiti: Race and the Literary History of the Haitian Revolution in the Atlantic World, 1789-1865 (Liverpool University Press, 2015). She not only describes the immediate political reaction to the Haitian Revolution, but traces how writers, novelists, playwrights, and scholars imposed particular racial assumptions onto that event for decades afterward. Specifically, she identifies a number of recurring tropes that sought to assign intense racial divisions to the Haitian people. Individuals of joint African and European heritage, she contends, received the blunt of these attacks, as they were portrayed as monstrous, vengeful, mendacious, and yet also destined for tragedy. Moreover, observers and chroniclers of the Revolution maintained that these supposed characteristics produced ever-lasting discord with black Haitians. Daut analyzes hundreds of fictional and non-fictional accounts to argue that portrayals of the Haitian Revolution, and of the country itself, have long suffered under these false assumptions of exceptional racial problems. She has also produced a compendium of Haitian fiction during this period, in conjunction with the book. You can find it here.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Calypso Jews: Jewishness in the Caribbean Literary Imagination (Columbia University Press, 2016), Sarah Phillips Casteel, associate professor of English at Carleton University, explores the representation of Jewishness in Caribbean literature. She investigates the meaning of two episodes of trauma in Jewish history, the 1492 expulsion and the Holocaust, for Caribbean and diaspora writers. Her focus on this under-explored Caribbean story serves as an alternative to the traditional U.S.-based critical narratives of Black-Jewish relations. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Minsoo Kang‘s new translation of The Story of Hong Gildong (Penguin Classics, 2016) is a wonderful rendering of a text that is arguably the “single most important work of classic…prose fiction of Korea.” Though Hong Gildong is a popular figure in modern Korean culture – a kind of Robin Hood character, “Hong Gildong” is also used as a generic name on instruction forms, in the manner of “John Doe” – the story that made him famous has not been widely read and enjoyed for English-language audiences. Not only will Kang’s book change that, but it’s an absolute pleasure to read as well. In these pages readers will follow along with this trickster figure in a tale that that features storytelling about Joseon society and its illegitimate sons, a realistic portrayal of life in a nobleman’s household, sorcery, physiognomy, lies, love, more sorcery, thievery, politics, monsters, kidnapping, and even more sorcery. In the course of our conversation, we also talked about the craft of translation and the challenges and joys of translating this particular work. Get your hands on a copy: not only is it extremely readable, but also will make an excellent, fun, short primary source reading to assign in a wide range of undergraduate courses! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

When Marcela Sulak was planning classes in the MFA program she directs at Bar Ilan University, it became clear that the traditional prose/poetry binary was not going to work. In both her own and her students’ writing, there was a tendency to complicate the binary, to produce literary writing that hybridized many established forms and genres. And so there was a real, practical need for a text to instruct from that would define literary hybridity, and model new hybrid forms. And there wasn’t one. As a teacher, then, and not just a poet, Dr. Sulak literally wrote the book on hybrid literature, with co-author Jacqueline Kolosov: Family Resemblance: An Anthology and Exploration of 8 Hybrid Literary Genres (Rose Metal Press, 2015). When people ask, Phillip Witteveen usually says he’s “temping at a tech startup.”Outside of work, he’s trying to write fiction and for screen. You can holler @PhilWitteveen on Twitter; his blog is here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies