New Books in Literary Studies

In Unclean Lips: Obscenity, Jews, and American Culture (New York University Press, 2014), Josh Lambert, Academic Director of the Yiddish Book Center and Visiting Assistant Professor of English at UMass Amherst, explores the role of Jews in the history of obscenity in America. Through a series of case studies, he shows how Jews battled censorship as writers, editors, publishers, critics, and lawyers. In their engagements in battles over obscenity, Jews have played a previously underappreciated role in transforming American culture. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Aisha Geissinger’s monograph, Gender and the Construction of Exegetical Authority: A Rereading of the Classical Genre of Qur’an Commentary (Brill, 2015), contributes to the growing field of intersections between gender studies and Qur’anic studies. Unlike some recent studies that have explored the role of gender in the Qur’an itself or in applications of the Qur’an, Professor Geissinger takes a step back to explore how exegetes (broadly conceived) have historically understood the relevance and importance of gendered sources, in terms their authority to make sense of the Qur’an. What does it mean, for example, when a particular Qur’an commentary mentions a hadith with women in the isnad, while other commentaries do not? Are these rhetorical moves intentional? Were they significant in their time? In order to address these questions and others, Geissinger looks at traditional works of exegesis, sections on exegesis in hadith compilations, and literature on the virtues of the Qur’an among other topics all the while engaging with a rich breadth of modern and premodern scholarship, ranging from Bukhari to Judith Butler. The footnotes are extensive, the prose is clear, and the book well-organized. The monograph will likely appeal to a number of disciplines, especially Islamic history, Qur’anic studies, and gender studies. Elliott Bazzano is Assistant Professor of Religious Studies at Le Moyne College. His research and teaching interests include theory and methodology in the study of religion, Islamic studies, Qur’anic studies, mysticism, religion and media, and religion and drugs. His academic publications are available here. He can be reached at (bazzanea@lemoyne.edu). Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Biography is a genre of largely unexamined power: a literary field that preserves stories of lived lives and, through them, perpetuates notions that there are certain ways lives can be lived. This is particularly true of the lives of women, which are often, in biography, confined to the marriage plot and detailed as events in the lives of men. As Jessa Crispin writes in her new book, The Dead Ladies Project: Exiles, Expats & Ex-Countries (University of Chicago Press, 2015), “The important task is to understand and modify the stories that are holding sway.” The founder and editor of the recently shuttered lit-blog Bookslut, Crispin spent a year and a half traveling abroad. Her genre-bending book, The Dead Ladies Project, is the legacy of that year and it’s a work that goes a long way in modifying the stories we typically tell, not just about women but about human beings- as thinkers, travelers, artists, and individuals. It’s a contemplative, wandering work, which captures the disorientations of travel, the anxiety/ecstasy of being alone, the ways in which we carry our pasts with us, and the integral role stories play in our understanding of our possibilities and the ways in which we live our lives.”What saves you is a new story to tell yourself about how things could be,” Crispin suggests and, as she moves from Berlin, Trieste, Sarajevo, St. Petersburg, contemplating the lives of William James, Nora Barnacle, Rebecca West, and Claude Cahun, she opens up story after story, expanding the narrative possibilities as she goes. Hers is a story which suggests the richness that comes of bouncing our lives off those of others. “It was the dead I wanted to talk to,” she writes, as she sets out on her travels. “I’d always been attracted to the unloosed, the wandering souls who were willing to scrape their lives clean and start again elsewhere. I needed to know how they did it, how they survived.” It’s an account which suggests the hunger for and value of such stories- the stories of lives which, as Carolyn G. Heilbrun put it, enable us to forge new fictions and new narratives for our own. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The California farmlands have long served as a popular symbol of America’s natural abundance and endless opportunity. Yet, from John Steinbeck’s The Grapes of Wrath and Carlos Bulosan’s America is in the Heart to Helena Maria Viramontes’s Under the Feet of Jesus, many novels, plays, movies, and songs have dramatized the brutality and hardships of working in the California fields. Little scholarship has focused on what these cultural productions tell us about who belongs in America, and in what ways they are allowed to belong. In The Nature of California: Race, Citizenship, and Farming since the Dust Bowl (University of Washington Press, 2016), Sarah Wald analyzes this legacy and its consequences by examining the paradoxical representations of California farmers and farmworkers from the Dust Bowl migration to present-day movements for food justice and immigrant rights. Analyzing fiction, nonfiction, news coverage, activist literature, memoirs, and more, Wald gives us a new way of thinking through questions of national belonging by probing the relationships among race, labor, and landownership. Bringing together eco-criticism and critical race theory, she pays special attention to marginalized groups, examining how Japanese American journalists, Filipino workers, United Farm Workers members, and contemporary immigrants-rights activists, among others, pushed back against the standard narratives of landownership and citizenship. SARAH D. WALD is assistant professor of English and environmental studies at the University of Oregon. Lori A. Flores is an Assistant Professor of History at Stony Brook University (SUNY) and the author of Grounds for Dreaming: Mexican Americans, Mexican Immigrants, and the California Farmworker Movement (Yale, 2016). You can find her at http://www.loriaflores.com, lori.flores@stonybrook.edu, or hanging around Brooklyn. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Dr. Susan Kavaler-Adler a psychoanalyst and clinical psychologist in private practice and founder of The Object Relations Institute for Psychotherapy and Psychoanalysis where she is a training analyst, is a prolific writer and thinker celebrated for integrationist approach to Object Relations thinking. The Compulsion to Create: Women Writers and their Demon Lovers, originally published by Routledge in 1993 and recently re-published by ORI Academic Press in 2013, is Dr. Kavaler-Adler’s first of five published book a labor of her love for the creative process which earned her an honorary Doctorate of Literature from Ignatius University. Dr. Kavaler-Adler calls into question the myth that one must be crazy to be creative and raises concern about the implication that therapeutic intervention is a deterrent to creative growth. For Dr. Kavaler-Adler, the therapeutic process is an inherently creative process. Like the artists encounter with her work, the subject’s encounter with the couch involves an engagement with the unconscious. A comprehensive analysis of Object Relations theory organizes this study around the the Demon Lover theme which appears in both literature and psychoanalysis. Dr. Kavaler-Adler’s own definition emerges from her theory that mourning is an important developmental process, one which, when stunted due to pre-oedipal arrest, leads to what she calls The Compulsion to Create a state of psychological and creative compulsion which hinders psychic and creative growth. Dr. Kavaler-Adler’s The Compulsion to Create is a psycho-biographical examination of esteemed women writers, among them, Anais Nin, Sylvia Plath, Emily Dickinson, Edith Sitwell, and most comprehensively, the famed Bronte sisters. Dr. Kavaler-Adler’s unique psycho-biographical approach considers not just the relationship between one work and another, but also the relationships between the biographical context which each work proceeds from as it is created, as well as the biographical context it intervenes in when published. In this way, Dr. Kavaler-Adler explicitly connects the manifestation of the writers object relations in her life as well as in her art. Her exquisitely researched book clearly insights the meaningful and inherent engagement between the woman writers life and art at the level of the unconscious. She poetically explains an author’s work is a reflection of the authors internal world just as dreams are. Above all, Dr. Kavaler-Adler encourages a positive engagement between the creative and therapeutic process, arguing that profound creative developments can proceed from effective therapeutic interventions which revive the subject from a state of psychic arrest and the creative collapse which results from it. Dr. Susan Kavaler’s list of publications including her most comprehensive contribution to Object Relations thinking The Klein-Winnicot Dialectic (Karnac 2014) can be found on her website where opportunities to study the Object Relations approach from a clinical standpoint and seek treatment in individual and group settings can also be found, including a group for writers which has been held monthly for 21 years. She has previously been interviewed on New Books in Psychoanalysis by Claire-Madeline Culkin about her later publication The Anatomy of Regret (Karnac 2013). Claire-Madeline Culkin is an analytically minded author. She is currently pursuing an MFA in Creative Writing at Sarah Lawrence College and holds a BA in Psychology from Eugene Lang College, The New School for Liberal Arts. If you’re an author interested in joining the discussion,... Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Starting with Metternich’s declaration that the Balkans begin at Rennweg (a street in the Third District of Vienna), Ana Foteva draws on novels, plays, librettos and travelogues from the 19th through the 21st century to explore the various forms the Balkan region has taken in Europe’s political and cultural imagination. Her analysis of these literary works reveals concepts of belonging, multi-belonging and unbelonging among Serbians, Bosnians, Croatians, Slovenes and even Austrians. Ana Foteva applies postmodern geography, literary, and colonial theories to demonstrate the relationship between the development of national identity, the pull of Habsburg imperial identity, the shaping of Yugoslav identity, and the fracturing of the Balkans in the 1990s. In our podcast conversation, she discusses and challenges stereotypes of the Balkans as a region of perpetual conflict. Do the Balkans Begin in Vienna? The Geopolitical and Imaginary Borders Between the Balkans and Europe (Peter Lang, 20speaks to complex identities in the region rarely seen in contemporary media accounts. Ana Foteva received her PhD in German literature at Purdue University. Currently she holds the position of Visiting Assistant Professor in German Studies at St. Lawrence University. Amanda Jeanne Swain is executive director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. Recent publications include articles in Ab Imperio and Cahiers du Monde Russe. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Treasury of Laughs was compiled by Feng Menglong in the 1610s. It includes more than 700 humorous skits and jokes from elite and popular sources, rewriting some of them to give the volume a kind of aesthetic and stylistic coherence. Pi-Ching Hsu’s new translation Feng Menglong’s Treasury of Laughs: A Seventeenth-Century Anthology of Traditional Chinese Humour (Brill, 2015) makes the collection available for English-language readers in a volume that contributes to how we understand both early modern China and the history of humor. In the course of our conversation we talked about the craft and challenges of translation, Feng Menglong’s approach to morality, and the linguistic textures of the collection, among many other things. Pi-Ching was generous enough to read some of her translated jokes for us, so stay tuned until the end! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What does it mean to be young? Mingwei Song‘s new book explores this question in the context of a careful study of the nature and significance of the discourse of youth in modern China. Young China: National Rejuvenation and the Bildungsroman, 1900-1959 (Harvard University Asia Center, 2016) investigates the discursive construction of youth’s symbolic meanings and to explore how these meanings underlie the novelistic narrative of modern Chinese youths’ personal development. Song situates the study within a broader narrative of the emergence and development of the Chinese Bildungsroman in careful analyses of works like Wu Jianren’s The New Story of the Stone (with its figure of the old youth), Chen Duxiu’s New Youth journal, Ye Shengtao’s Ni Huanzhi, and the work of Ba Jin, Lu Ling, Lu Qiao, Yang Mo, Wang Meng, and much much more. The book concludes by looking at the contemporary science fiction of Liu Cixin. It’s fascinating work, well worth reading for anyone interested in modern Chinese literature and/or the history of youth! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

All of us experience trauma at various points throughout our lives. On one end of the spectrum, we have negative experiences from which we tend to think we can recover quickly. This might include a fight with a friend or an hurtful comment made in passing. On the other end of the spectrum, we have those experiences that induce so much anger, sadness, fear, or disgust that we readily acknowledge our difficulty moving forward. These are everything from the death of loved one to the diagnosis of a disease to an instance of sexual abuse. How might creative expression help with the healing process? What can we learn and teach others from the writing and artwork that emerge from these traumas? How might we come to value personal writing as worthy of increased scholarship? In Facing the Sky: Composing Through Trauma in Word and Image (Parlor, 2015), Roy Fox, shares his reflections based on years spent developing a graduate course that asks students to come to terms with the most difficult moments in their lives. Fox joins New Books in Education for the interview. To share your thoughts on the podcast, you can connect with him via email at foxr@missouri.edu. You can reach the host on Twitter at @tsmattea. Trevor Mattea is an educational consultant and speaker. His areas of expertise include deeper learning, parent involvement, project-based learning, and technology integration. He can be reached at info@trevormattea.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In her stunning new book The Barber of Damascus: Nouveau Literacy in the Eighteenth-Century Ottoman Levant (Stanford University Press, 2012), Dana Sajdi, Associate Professor of History at Boston College, presents a riveting narrative of the intersection of literature, religion, and history in early modern Muslim societies. She does so by focusing on the chronicle of a common Barber in 18th-century Damascus Shihab al-Din Ahmad Ibn Budayr. Through a close reading of the intellectual and political conditions that gave rise to such forms of nouveau literature and by carefully interrogating the themes, tensions, and reception of this text, Sajdis analysis provides a fascinating window into the complexity and diversity of knowledge traditions in the early modern context. Most importantly, this book serves the immensely important task of bringing into central view non-Ulama archives and imaginaries of history and history writing. In our conversation we discussed the key themes of this book such as the concept of nouveau literacy, the literary and political disorders in 18th century Damascus, Ibn Budayr’s biography and intellectual milieu, the emergence of non-‘ulama’ chronicle writers, and the later reception and reworking of Ibn Budayr’s chronicle. This nicely paced book should work very well in undergraduate and graduate courses on Muslim intellectual history, historiography, early modern Islam, and in surveys of Middle Eastern history. SherAli Tareen is Assistant Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available here. He can be reached at (stareen@fandm.edu). Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies