New Books in Literary Studies

The role of the artist in the cause of Black freedom has been a hotly debated topic for generations now. Dr. Jonathan Shandell’s The American Negro Theatre and the Long Civil Rights Era (University of Iowa Press, 2018) focuses the American Negro Theatre, located in Harlem, New York, to argue that the stories told in the theatre transformed and expanded how Black life was and would be portrayed. Ultimately, Shandell shows that the American Negro Theatre was a formative space for many Black artists who ended up shaping the Civil Rights Movement, as well as American popular culture as a whole. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and  Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In literature, evil can appear in a broad spectrum of shapes, images and motifs. For Endō Shūsaku, the problem of evil is central to the reality of human existence, and it has to be accepted as such. In Hermeneutics of Evil in the Works of Endō Shūsaku. Between Reading and Writing (Peter Lang, 2016), Justyna Weronika Kasza starts from the assumption that the notion of evil informs many of Shūsaku’s most renowned novels; on the other hand, she argues that Shūsaku’s body of work should be treated and analyzed as a whole, as his essays and critical texts are in fact complementary to his works of fiction. Kasza’s book is, on the one hand, an attempt to trace Shūsaku’s line of thinking and, on the other hand, to apply certain categories of Ricoeur’s hermeneutics to literary studies in order to better understand his body of work. Kasza concludes that evil as a problem was, for Shūsaku, closely intertwined with the Christian faith and with Western culture, which represented for him an “otherness” that manifested itself in multiple forms. The book also includes the first English translation of five of Endō Shūsaku’s critical texts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Most people have heard of the Masters of Fine Arts–“MFA”–degree, but few know about the grueling process one must undergo to complete one. In Talking Art: The Culture of Practice and the Practice of Culture in MFA Education (University of Chicago Press, 2018), sociologist and ethnographer Dr. Gary Alan Fine asks how MFA students learn to make art and to speak intelligently about their work, how they become “artists” and what what it means to be an “MFA.” Gary Alan Fine is the James E. Johnson Professor of Sociology at Northwestern University. Fine has received fellowships from the Guggenheim Foundation, the Russell Sage Foundation, the Rockefeller Foundation, and the Center for Advancement Study in the Behavioral Sciences, and the Institute for Advanced Study. Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How have academics been represented in children’s books? In Picture-Book Professors: Academia and Children’s Literature (Cambridge University Press, 2018), Melissa Terras, Professor of Digital Cultural Heritage at the University of Edinburgh, tells the story of the professor in children’s books since 1850. The book details the history of highly problematic depictions of academics, usually as kindly old men, baffled buffoons, or evil madmen, depictions that exclude those who are not white, often middle class origin, men. Terras’ work is a great example for digital humanities scholarship, offering a powerful case for new methods to answer crucial questions of equality and diversity for humanities scholars and across universities more generally. Alongside the analysis, Terras has published an anthology, The Professor in Children’s Literature, including some of the works discussed in the book. Both Picture-Book Professors and the accompanying anthology are open access and free to read, and will be of interest to every academic as well as the wider public too! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In The Book Smugglers: Partisans, Poets, and the Race to Save Jewish Treasures from the Nazis (ForeEdge, 2017), David E. Fishman, Professor of Jewish history at the Jewish Theological Seminary in New York, tells the amazing story of the paper brigade of Vilna. The paper brigade were ghetto inmates who rescued thousands of rare books and manuscripts, hiding them first from the Nazis and then from the Soviets. This is a rare work that tells an amazing story in a very readable way, informed by years of expert research. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Westerns are having a bit of a moment in the early twenty-first century. Westworld was recently nominated for eight Emmys, the hit show Deadwood is slated for a return to television in the next few years, and in 2015 Quentin Tarantino’s The Hateful Eight grossed over $150 million. Victoria Lamont’s Westerns: A Women’s History (University of Nebraska Press, 2016), looks at the first moment of the Western over a century ago. The Western is traditionally thought of as an overtly masculine genre with male writers telling stories about mostly male protagonists (think The Man in Black, John Wayne, and Gus McCrae). Lamont, an associate professor of English at the University of Waterloo, examines several books from the 1880s to the 1920s and argues that women writers were crucial to the development of the genre’s forms, with some books even predating Owen Wister’s supposedly genre-founding title, The Virginian. Moreover, these women published mostly under their own names and found considerable financial success and critical acclaim. In doing so, they used the genre to critique gender roles, class structures, and American colonialism. It was not until the 1920s that mass market literature magazines and pulp publishers began to market Westerns as by, for, and about men, and in doing so erased the genre’s female history. Lamont places these authors in their context, and in doing so reveals much about female life and literature in the turn of the century American West. Stephen Hausmann is a doctoral candidate at Temple University and Visiting Instructor of history at the University of Pittsburgh. He is currently writing his dissertation, a history of race and the environment in the Black Hills and surrounding northern plains region of South Dakota, Wyoming, and Montana. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What do Shakespeare and superheroes have in common? A penchant for lycra and capes? A flair for the dramatic? Well, according to Shakespeare scholar, English Professor and comic-book fan Jeffrey Kahan, the connection between Batman and the Bard runs much deeper. In his new book, Shakespeare and Superheroes (ARC Humanities Press, 2018), Kahan argues that Shakespeare’s work and the popular superhero comics of the past century are actually engaged in a meaningful dialogue with each other. Rather than simply exploring the influence of Shakespearean drama on the superhero genre or analysing the many comic-book adaptations of Shakespeare’s plays, Kahan instead tackles the much more profound question of how these diverse canons engage with broader philosophical and cultural issues. In doing so, he draws highly original parallels between their respective ethical and epistemological stances. Over the course of three chapters, Kahan dissects the shared approach to issues of morality and free will evidenced in Hamlet and CW’s Arrow, analyses the figure of Wonder Woman through the lens of Shakespearean crossdressing, and explores the existential meta-humour of Othello’s Iago and Marvel’s Deadpool. Refusing to adhere to conventional academic hierarchies, Shakespeare and Superheroes provides new insights and fresh perspectives that will appeal equally to scholars of Early Modern literature and twentieth-century popular culture. In a truly fascinating interview, Kahan discusses the thematic parallels between popular comic books and Shakespeare’s plays, the benefits of reading distinct literary works intertextually, and the role of academia in the current political climate. Kahan encourages acts of heroism in daily life on his FB page BE SUPER! Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. She blogs about literature and popular culture HERE and can also be found on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

C. S. Lewis remains one of the most popular religious writers, and one of the most widely discussed children’s writers. I had the chance to catch up with Stephanie L. Derrick about her new book, The Fame of C. S. Lewis: A Controversialist’s Reception in Britain and America (Oxford University Press, 2018), and to talk about the many personalities and the changing reputation of her subject. Paying attention to the material circumstances of publication, while thinking about the ways in which reputations are manufactured, contested and renewed, Derrick’s book offers a careful and compelling account of the author of some of the last century’s best-selling works of religious apology and children’s fiction. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

To be quite honest, I had no idea there were any Spanish prisoners at Mauthausen. That’s perhaps an unusual way to begin a blog post.  But it reflects a real gap in the literature about the Holocaust, one that Sara J. Brenneis identifies and fills in her new book Spaniards in Mauthausen: Representations of a Nazi Concentration Camp, 1940-2015 (University of Toronto Press, 2018).  Brenneis is interested in the ways Spanish prisoners (most of whom had fled Spain the aftermath of the Republican defeat in the Spanish Civil War) experienced the camp.  She writes movingly about the efforts of the Spaniards to use their position as privileged prisoners to preserve records of their experience, records that give us great insight into their lives. But she’s especially concerned with the way this experience was remembered.  As she points out, that memory reflected the distinctive political and historical context of Spain.  Some accounts by survivors and researchers did appear, particularly in the period immediately after Franco’s death.  But Franco and his legacy ensured that public accounts  would be both rare and circumspect.  Only recently has there been a resurgence of interest in Spain, one that brings with it both historical and methodological experimentation and investigation. It’s a fascinating book, one that sheds new light on an experience most scholars have passed over. Kelly McFall is Professor of History and Director of the Honors Program at Newman University. He’s the author of four modules in the Reacting to the Past series, including The Needs of Others: Human Rights, International Organizations and Intervention in Rwanda, 1994. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

I left the kitchen radio on while reading Jacqueline Rose‘s Mothers: An Essay on Love and Cruelty (Farrar, Straus and Giroux, 2018) in preparation for this interview. It was June. Putting the book down for a minute to get a glass of water, I heard a news report that the children of refugee women were being removed from them at the American border. Rose is nothing if not prescient in her thinking and in this book, perhaps especially so. While most of us learn what we think “alla nachträghlichkeit” (after the fact), her mind has the capacity to trip the light fantastic. I follow her writing to discover what I won’t let myself know. Perhaps she has more access than most to the realm of the preconscious. It seems to be the case. This wide-ranging book (Rose is an exemplary literary critic and feminist theorist so she pulls from multiple intellectual arenas) is largely about motherhood and its enemies. She examines “mother” as a signifier demonstrating how it functions as a repository for blame and misogynist aggression. The book’s twilight message and hot tip for women on the religious right: beware veneration of the maternal for behind it often lies something quite venal. Mothers, Rose argues, cannot win for losing and yet remain fantastically vested with delivering the impossible: never ending happiness and total safety. “A simple argument,” she writes, “guides this book: that motherhood is, in Western discourse, the place in our culture where we … bury the reality of our own conflicts, of what it means to be fully human.” To be fully human involves being in need of help, failing frequently and feeling unwieldy hate. (Her chapter on hating and the negation of mothers’ hateful feelings and the social impact of that negation is worth the price of the book alone.) I have the urge to offer an example from the social realm to make clear what Rose is getting at throughout this text—if only because I found myself fogging over at times while reading. My hazy response I believe relates to my resistance to the topic. Hearkening back to Adrienne Rich’s Of Woman Born (another powerful book that caused me to often drift), Rose dares to look at motherhood as an institution, denaturalizing it to the core. The example that comes to mind comes from Kristin Luker’s incredible Dubious Conceptions, which debunked the ever-popular idea (see the Clinton Administration, circa 1996 that eviscerated the social safety net) that teen pregnancy creates poverty. The truth, Luker argues, is closer to the reverse: teen poverty may generate teen pregnancy, as poverty can foreclose roads to adulthood, leaving motherhood as a last resort. Poor teen girls who don’t carry to term and poor teen girls who become mothers occupy the same economic strata ten years on. It’s not the pregnancy that hurts their life chances but rather that economic policies are culpable. And yet, teenage mothers, scapegoats really, have long served to hide planned economic inequality; the truth, as it were, is buried in young female flesh. As our ugly summer wore on, I re-read this book, further preparing for the interview, in addition to spending time in the consulting room, doing what I do: listening to patients elaborate upon themselves. To state the obvious, the psychoanalyst makes her living being inundated with a plethora of words about mothers. To state the further obvious, as temps skyrocketed, Freud’s maxim regarding the repudiation of femininity as bedrock was being powerfully reinforced in America. July and August offered daily opportunities to witness... Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies