New Books in Literary Studies

While the mainstream discourses on global warming characterize it as an unprecedented catastrophe that unites the globe in a common challenge, Elizabeth DeLoughrey argues that this apparently cosmopolitan position is in truth a provincial one limited to privileged circles in the Global North. In Allegories of the Anthropocene (Duke University Press, 2019), she instead elucidates how among post-colonial peoples of the Pacific and Caribbean, who are among the first to suffer the uncompromising rise of sea levels, global warming is not so much a rupture of stability as an impending cataclysm that follows a long history of others. With an eclectic array of allegorical artworks -- including sculptures by Dominican artist Tony Capellán, novels by Keri Hulme and Erna Brodber, and poems from Kathy Jetñil-Kijiner and Kamau Brathwaite -- DeLoughrey traces how island artists make sense of anthropogenic climate change while continuing to critique the legacies of militarism, capitalism, and imperialism. DeLoughrey also highlights subjectivities of relatedness with the earth and its non-human beings that may provide antidotes to the extractive logics that have clogged the skies with CO2. Stressing the ways that global warming and empire are mutually constitutive, DeLoughrey confirms the critical importance of allegorical art and literature from the Global South in interpreting our unfolding crisis.Lance C. Thurner teaches history at Rutgers Newark. His research and writing address the production of knowledge, political subjectivities, and racial and national identities in eighteenth and nineteenth-century Mexico. He is broadly interested in the methods and politics of applying a global perspective to the history of science and medicine and the role of the humanities in the age of the Anthropocene. More at http://empiresprogeny.org. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this this interview, Dr. Carrie Tippen talks with Rafia Zafar about her 2019 book Recipes for Respect: African American Meals and Meaning, from the University of Georgia Press. It’s part of the Southern Foodways Alliance Studies in Culture, People and Place series. The book contains 7 chapters, covering the earliest formally-published African-American-authored hospitality books from the 1820s to Edna Lewis’s Taste of Country Cooking from the 1970s, as well as the unpublished and incomplete cookbook of Arturo Schomburg, with many other examples in between. Each chapter examines a set of related texts in conversation with one another and the historical moment of their publication, treating cookbooks not just as archives for historical information about how people eat but also as literary, artistic, and culture-making documents. Zafar argues that cookbooks written by and for African Americans provide “recipes for respect” alongside instructions for cooking. The avenues for respect vary between authors and eras, at turns offering advice for gaining the respect of white employers or membership in the black middle-class. The act of authorship itself is presented as a way to respect and agency, leveraging domestic knowledge into public acclaim. Implicit in each of the examples is the means for generating self-respect and self-love, as cookbooks show their readers how to participate in vibrant and storied African-American foodways.Rafia Zafar is Professor of English, African and African-American Studies, and American Culture Studies at Washington University in Saint Louis, Missouri. Rafia writes about the intersection of food, authorship, and American identities, nineteenth century Black writers, and the Harlem Renaissance. She is the faculty director of the Mellon Mays Undergraduate Fellowship program.Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.  Her new book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Stories provide portals into other worlds, both real and imagined. The promise of escape draws people from all backgrounds to speculative fiction, but when people of color seek passageways into the fantastic, the doors are often barred. This problem lies not only with children’s publishing, but also with the television and film executives tasked with adapting these stories into a visual world. When characters of color do appear, they are often marginalized or subjected to violence, reinforcing for audiences that not all lives matter.Dr. Ebony Elizabeth Thomas's book The Dark Fantastic: Race and the Imagination from Harry Potter to the Hunger Games (NYU Press, 2019) is an engaging and provocative exploration of race in popular youth and young adult speculative fiction. Grounded in her experiences as YA novelist, fanfiction writer, and scholar of education, Thomas considers four black girl protagonists from some of the most popular stories of the early 21st century: Bonnie Bennett from the CW’s The Vampire Diaries, Rue from Suzanne Collins’s The Hunger Games, Gwen from the BBC’s Merlin, and Angelina Johnson from J.K. Rowling’s Harry Potter. Analyzing their narratives and audience reactions to them reveals how these characters mirror the violence against black and brown people in our own world.In response, Thomas uncovers and builds upon a tradition of fantasy and radical imagination in Black feminism and Afrofuturism to reveal new possibilities. Through fanfiction and other modes of counter-storytelling, young people of color have reinvisioned fantastic worlds that reflect their own experiences, their own lives. As Thomas powerfully asserts, “we dark girls deserve more, because we are more.” Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Let’s talk about books! How, when, and what do you like to read? Have you ever thought about the history of books and reading? How about shape, size, or texture of your book? Where do books go after they’ve been digitized? Harvard University professor Leah Price asks these questions and more in her new book, What We Talk About When We Talk About Books: The History and Future of Reading(Basic Books, 2019). Price begins her book by debunking the assumption that ebooks are more popular than print books, pointing out that in 2018 “sales revenue from hardbacks and paperbacks outstripped revenue from ebooks by more than $300 million.” She goes on to explore the history of books and reading from the changing social perceptions of reading, to reading on the move, to reading as method of political activism. Filled with cleverness and humor, Price surprises readers with interesting facts and anecdotes about books. As for the future of books and reading only time will tell, but Price believes that “the experience of immersion in a world made of words will survive if and only if readers continue to carve out places and times to have words with one another.”Leah Price is a Francis Lee Higginson Professor of English Literature at Harvard University, where she teaches courses on eighteenth- and nineteenth-century literature, gender, fiction, and the history of books. Her books include How to Do Things with Books in Victorian Britain and The Anthology and the Rise of the Novel. She writes for the New York Times Book Review, London Review of Books, Times Literary Supplement, San Francisco Chronicle, Boston Globe and Public Books, where she is also a section editor. She is curious about what, where, when, and how we read. But most of all, she wants to know why.Colin Mustful is the author of four historical novels about Minnesota’s settlement and Native history. He holds an MA in history and an MFA in creative writing. He is the founder and editor of a small independent press called History Through Fiction. You can learn more about Colin and his work at colinmustful.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Gerry Milligan’s Moral Combat: Women, Gender and War in Italian Renaissance Literature (University of Toronto Press, 2018) takes as its subject the woman warrior in early modern Italy as she was and as she was represented across varied types of texts, both literary and historical. What emerges is a discursive construction of the role gender played in the concept of warfare during this time period. How are women depicted in relation to warfare? Are they non-combatant innocents protected by male warriors? If this is not (only) the case, how does the representation of the woman warrior illuminate men and masculinity in the Italian Renaissance? How are gender roles rewritten, challenged, and reaffirmed in the texts under consideration? How do the figures of the virago and the woman warrior resonate with 21st century gender norms? These are some of Milligan’s questions, as well as some of the topics, we consider in this podcast.Ellen Nerenberg is a founding editor of g/s/i-gender/sexuality/Italy and reviews editor of the Journal of Italian Cinema and Media Studies. Recent scholarly essays focus on serial television in Italy, the UK, and North America; masculinities in Italian cinema and media studies; and student filmmakers. Her current book project is La nazione Winx: coltivare la future consumista/Winx Nation: Grooming the Future Female Consumer, a collaboration with Nicoletta Marini-Maio (forthcoming, Rubbettino Editore, 2020). She is President of the American Association for Italian Studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Jeremy Black’s impressive new book offers an enormously wide-ranging account of the social, political and religious cultures in which England’s greatest dramatist was formed and found success. England in the Age of Shakespeare (Indiana University Press, 2019) draws together Black’s expansive reading in Shakespeare’s contexts with extensive knowledge of the canon of his plays. Black, a professor of history at Exeter University, reads the plays as evidence of Shakespeare’s interest in his changing world. As an English writer, rooted in the very distinctive theological and liturgical arguments of the late sixteenth and early seventeenth centuries, Shakespeare offers a moral vision of a turbulent and contradictory world.Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Inari Sámi Folklore: Stories from Aanaar (University of Wisconsin Press, 2019) is rich multivoiced anthology of folktales, legends, joik songs, proverbs, riddles, and other verbal art, this is the most comprehensive collection of Sámi oral tradition available in English to date. Collected by August V. Koskimies and Toivo I. Itkonen in the 1880s from nearly two dozen storytellers from the arctic Aanaar (Inari) region of northeast Finland, the material reveals a complex web of social relations that existed both inside and far beyond the community.First published in 1918 only in the Aanaar Sámi language and in Finnish, this anthology is now available in a centennial English-language edition for a global readership. Translator Tim Frandy has added biographies of the storytellers, maps and period photos, annotations, and a glossary. In headnotes that contextualize the stories, he explains such underlying themes as Aanaar conflicts with neighboring Sámi and Finnish communities, the collapse of the wild reindeer populations less than a century before, and the pre-Christian past in Aanaar. He introduces us to the bawdy humor of Antti Kitti, the didacticism of Iisakki Mannermaa, and the feminist leanings of Juho Petteri Lusmaniemi, emphasizing that folktales and proverbs are rooted in the experiences of individuals who are links in a living tradition. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Differently than existing accounts that concentrate on Israeli and Palestinian nationalism, Kfir Cohen Lustig's Makers of Worlds, Readers of Signs: Israeli and Palestinian Literature of the Global Contemporary (Verso, 2019) suggests a new theoretical and historical approach to Israeli and Palestinian literature as well as to the contemporary system of world literature by accounting for the consequences of neoliberal globalization to literary form and its political import. The book proposes that until the neoliberal moment the difference in the socio-poetic form between Western Europe and Israel and Palestine lay in the concepts of autonomy and temporality: if in Western European societies autonomy is defined as an a-priori, ready-made property of the self-legislating subject, in Israel and Palestine, between the 1940s and the 1990s, autonomy was a collective product to be made in time. Autonomy here was the result of a social struggle with nature and with the “enemy” that subordinated the private to the public, the particular to the universal, body to spirit, making impossible the emergence of a liberal subject and its attendant category of aesthetic autonomy a la Kant. In this historical condition, Israeli and Palestinian literature developed a gamut of literary responses and political positions that competed over the imagination of social and aesthetic autonomy.In the global neoliberal period when privatization processes in Israel and Palestine rearticulate the public and private spheres and make possible both liberal and aesthetic autonomy, social life and literature begin to revolve around the experience of self-legislating subjects for whom the world is no longer an object to be made but a text to be read. Now, private life, taking after the “particular” in Kant’s reflective judgment, seems independent from its social determining law and turns into an autonomous appearance or text akin to Adorno’s Schein and Derrida’s textuality respectively. Once the structure of aesthetic appearance/text characterizes the social itself and infiltrates the very raw materials of the literary artwork, Israeli and Palestinian literature engage in narratives of national and global mapping that attempt, consciously or unconsciously, to decipher and retrieve the political conditions of local life which exceed the nation state and question the coherence of private life. With this new aesthetic and social form, Israeli and Palestinian literature begin to resemble contemporary Western European and American literature, a change unaccounted for in contemporary theories of world literature and requires a new concept of global literature with which the book closes.Yaacov Yadgar is the Stanley Lewis Professor of Israel Studies at the University of Oxford. His most recent book is Sovereign Jews: Israel, Zionism and Judaism (SUNY Press, 2017). You can read more of Yadgar’s work here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Shmuel Yosef Agnon (1888-1970) was born in Buczacz, Eastern Galicia (now part of Ukraine). Yiddish was the language of his home, and Hebrew the language of the Bible and the Talmud which he studied formally until the age of nine. His knowledge of German literature came from his mother, and his love of the teachings of Maimonides and the Hassidim came from his father. In 1908 he left for Palestine, where, except for an extended stay in Germany from 1912 to 1924, he lived until his death.Agnon began writing stories when he was quite young. His first major publication, Hakhnasat Kalah (The Bridal Canopy), 1922, re-creates the golden age of Hassidism, and his apocalyptic novel, Oreach Nata Lalun (A Guest for the Night), 1939, depicts the ruin of Galicia after WWI. Much of Agnon’s other writing is set in Palestine. Israel’s early pioneers are portrayed in his epic Temol Shilshom (Only Yesterday), 1945, considered his greatest work, and in the surreal stories of Sefer Hamaasim (The Book of Deeds), 1932. Agnon also published work on the Jewish holy days Yamin Noraim (Days of Awe), 1938, on the giving of the Torah, Atem Reitem (Present at Sinai), 1959, and on the gathering of Hassidic lore, Sifreihem Shel Tzadikim (Books of the Righteous) and Sippurei HaBesht (Stories of the Baal Shem Tov), 1960-1961. Considered one of the greatest Hebrew writers, in 1966, Agnon was awarded the Nobel Prize in Literature.Rabbi Jeffrey Saks is the Director of Research at the Agnon House in Jerusalem and served as the Series Editor of The S.Y. Agnon Library at The Toby Press, now complete in 15 volumes. He is the founding director of The Academy for Torah Initiatives and Directions in Jewish Education, in Jerusalem, and its WebYeshiva.org program. Rabbi Saks was recently appointed as Editor of Tradition, the premier journal of Orthodox Jewish thought published in English. After earning his BA, MA, and rabbinic degrees from Yeshiva University, Rabbi Saks moved to Israel and has served on the faculties of several high schools and yeshivot, edited several books, and published widely on Jewish thought, education, and literature. Rabbi Saks lives in Efrat with his wife Ilana Goldstein Saks and their four children. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Allegories of Encounter: Colonial Literacy and Indian Captivities (University of North Carolina Press—Chapel Hill & The Omohundro Institute of Early American History and Culture, 2019), Andrew Newman, Professor of English at Stony Brook University, analyzes depictions of reading, writing, and recollecting texts in Indian captivity narratives. While histories of literacy and colonialism have emphasized the experiences of Native Americans, as students in missionary schools or as parties to treacherous treaties, captivity narratives reveal what literacy meant to colonists among Indians. Colonial captives treasured the written word in order to distinguish themselves from their Native captors and to affiliate with their distant cultural communities. Their narratives suggest that Indians recognized this value, sometimes with benevolence: repeatedly, they presented colonists with books. In this way and others, scriptures, saintly lives, and even Shakespeare were introduced into diverse experiences of colonial captivity. What other scholars have understood more simply as textual parallels, Newman argues instead may reflect lived allegories, the identification of one’s own unfolding story with the stories of others. In an authoritative, wide-ranging study that encompasses the foundational New England narratives, accounts of martyrdom and cultural conversion in New France and Mohawk country in the 1600s, and narratives set in Cherokee territory and the Great Lakes region during the late eighteenth century, Newman opens up old tales to fresh, thought-provoking interpretations.Ryan Tripp is part-time and full-time adjunct history faculty for Los Medanos Community College as well as the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies