New Books in Literary Studies

The first great adventure story in the Western canon, The Odyssey is a poem about violence and the aftermath of war; about wealth, poverty, and power; about marriage and family; about travelers, hospitality, and the yearning for home.In this fresh, authoritative version―the first English translation of The Odyssey by a woman―this stirring tale of shipwrecks, monsters, and magic comes alive in an entirely new way. Written in iambic pentameter verse and a vivid, contemporary idiom, this engrossing translation matches the number of lines in the Greek original, thus striding at Homer’s sprightly pace and singing with a voice that echoes Homer’s music.Wilson’s Odyssey (W. W. Norton, 2017) captures the beauty and enchantment of this ancient poem as well as the suspense and drama of its narrative. Its characters are unforgettable, from the cunning goddess Athena, whose interventions guide and protect the hero, to the awkward teenage son, Telemachus, who struggles to achieve adulthood and find his father; from the cautious, clever, and miserable Penelope, who somehow keeps clamoring suitors at bay during her husband’s long absence, to the “complicated” hero himself, a man of many disguises, many tricks, and many moods, who emerges in this translation as a more fully rounded human being than ever before.A fascinating introduction provides an informative overview of the Bronze Age milieu that produced the epic, the major themes of the poem, the controversies about its origins, and the unparalleled scope of its impact and influence. Maps drawn especially for this volume, a pronunciation glossary, and extensive notes and summaries of each book make this an Odyssey that will be treasured by a new generation of scholars, students, and general readers alike.Aven McMaster and Mark Sundaram are historians and the hosts of the excellent podcast The Endless Knot. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

As you may know, university presses publish a lot of good books. In fact, they publish thousands of them every year. They are different from most trade books in that most of them are what you might called "fundamental research." Their authors--dedicated researchers one and all--provide the scholarly stuff upon which many non-fiction trade books are based. So when you are reading, say, a popular history, you are often reading UP books at one remove. Of course, some UP books are also bestsellers, and they are all well written (and, I should say, thoroughly vetted thanks to the peer review system), but the greatest contribution of UPs is to provide a base of fundamental research to the public. And they do a great job of it.How do they do it? Today I talked to Kathryn Conrad, the president of the Association of University Presses, about the work of UPs, the challenges they face, and some terrific new directions they are going. We also talked about why, if you have a scholarly book in progress, you should talk to UP editors early and often. And she explains how! Listen in.Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Tamara Hundorova’s The Post-Chornobyl Library: Ukrainian Postmodernism of the 1990s (Academic Studies Press, 2019) is a compelling study of the literary changes that mark Ukrainian literature at the end of the 20th century. As the title of the book prompts, a starting point—or rather a triggering moment for further metamorphoses—is the Chornobyl catastrophe. However, this trajectory is further complicated by the collapse of the Soviet Union. The two events—different in its nature and affects—produce a unique environment for literary, ideological, and political responses. Tamara Hundorova looks at the literary process from the perspective of postmodern dialogical shifts. But what are the premises of Ukrainian postmodernism? How does it develop vis-à-vis its numerous “foreign” counterparts? How does the Soviet past shape the specificities of Ukrainian postmodernism? In The Post-Chornobyl Library, postmodernism is discussed in terms of traumas. As Tamara Hundorova argues, in Ukrainian literature postmodernism, which is characterized by multiple masks, roles, and functions, provides tools for dealing with traumas: ecological, ideological, existential, private and public. Postmodernism also evokes apocalyptic themes; however, the sense of end or exhaustion is complemented by new “replenishments.” According to Tamara Hundorova, the carnivalesque becomes one of the most productive devices to engage with the traumatic. The Post-Chornobyl Library offers an insightful examination of how literature responds to traumas and engages with restorations, re-discoveries, and vitalities. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The dominance of the London press in the British national media has long overshadowed the presence of local newspapers in Great Britain and the roles they played in their communities. As Andrew Hobbs demonstrates in his book A Fleet Street In Every Town: The Provincial Press in England, 1855-1900 (Open Book Publishers, 2018), this presence was extremely vibrant during the second half of the 19th century, when expanding literacy and the end of the “takes on knowledge in the 1850s and 1860s. Focusing on the local newspapers in the Lancashire town of Preston during this period, he explains how the reading of newspapers often was a different experience at that time, with public reading rooms giving people from the working classes access to the news. The local newspapers they read also were different, and embodied their communities in ways that were of great importance to their audience. Hobbs explains that most of these readers preferred these local newspapers, as they provided information that more accurately reflected their lives than did the ones published by the “national” press.Hobbs’s book is available for free from Open Book Publishers and can be downloaded here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The things that make people academics -- as deep fascination with some arcane subject, often bordering on obsession, and a comfort with the solitude that developing expertise requires -- do not necessarily make us good teachers. Jessamyn Neuhaus’s Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers (West Virginia University Press, 2019) helps us to identify and embrace that geekiness in us and then offers practical, step-by-step guidelines for how to turn it to effective pedagogy. It’s a sharp, slim, and entertaining volume that can make better teachers of us all.Stephen Pimpare is Senior Lecturer in the Politics & Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A Peoples History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Hindu great epic, Mahābhārata, exists today in hundreds of variant manuscripts across India. These manuscripts were painstakingly examined, sorted and reconstituted into the official Critical Edition of the Mahābhārata. Is the Critical Edition a viable means of studying India's great epic?  While several scholars critique this undertaking project, the authors of Philology and Criticism: A Guide to Mahābhārata Textual Criticism (Anthem Press, 2018), Vishwa Adluri and Joydeep Bagchee, present a rigorous defense of the Mahābhārata's Critical Edition. Listen in and hear how and why they've done so.For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today we are joined by Noah Cohan, Lecturer in American Culture Studies at Washington University in St. Louis, and the author of We Average Unbeautiful Watchers: Fan Narratives and the Reading of American Sport (University of Nebraska Press, 2019). In our conversation, we discussed the nature of sports narrative, the way that fictional and non-fictional accounts can illuminate the lived experiences of fans, and the role sports blogs have played in reshaping sports narratives beyond the capitalist and competitive frameworks promoted by major leagues such as the NBA and the MLB.In We Average Unbeautiful Watchers, Cohan investigates “the behavior of American sports fans to understand (its) cultural relevance beyond mere consumerism.” He argues that sports contain all the elements of traditional stories: beginnings, middles, ends, plots, characters, rising action, declension, and a causal trajectory. These narrative pieces allow fans to enact “consumptive, receptive, and appropriative” activities that are “fundamentally acts of narrative interpretation and (re-) creation.” Creative fans transform sporting activities into spaces for self-reflection and authorship and in doing so fundamentally remake sports to suit their individual agendas.Cohan investigates five different types of sports narratives: fictions, fictional memoirs, memoirs, film, and blogs. These narratives include classics in the field, such as Don DeLillo’s Underworld, and Frederick Exley’s A Fan’s Notes, but he mostly engages with relatively novel accounts such as Matthew Quick’s narrative metafiction Silver Linings Playbook, Scott Raab’s memoir of the early 2000s Cleveland Cavaliers, The Whore of Akron and the feminist sports blog Power Forward. These diverse genres of athletic storytelling allow Cohan to comment on how fans have used fictional and non-fictional accounts to build their own identities, address questions of social inequity, work through mental illness, and appreciate sports in new ways. His work also suggests that a more flexible understanding of fandom might allow us to rethink sports in meaningful ways, improving the way we play games, as well as open up new pathways to fandom, making it more inclusive for women, people of color, and LGBTQ people.Cohan’s work will appeal to a broad range of scholars, but especially to those with an interest in the intersections between sports, literature, and narrative.Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France’s Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Histories and criticism of comics note that comic strips published in the Progressive Era were dynamic spaces in which anxieties about race, ethnicity, class, and gender were expressed, perpetuated, and alleviated. The proliferation of comic strip children—white and nonwhite, middle-class and lower class, male and female—suggests that childhood was a subject that fascinated and preoccupied Americans at the turn of the century. Many of these strips, including R.F. Outcault’s Hogan’s Alley and Buster Brown, Rudolph Dirks’s The Katzenjammer Kids, and Winsor McCay’s Little Nemo in Slumberland were headlined by child characters. Yet no major study has explored the significance of these verbal-visual representations of childhood.Nominated for the Eisner Award and winner of the Charles Hatfield Book Prize as well as the Ray & Pat Browne Award, Lara Saguisag's new book, Incorrigibles and Innocents: Constructing Childhood and Citizenship in Progressive Era Comics(Rutgers University Press, 2018), addresses this gap in scholarship, examining the ways childhood was depicted and theorized in late nineteenth- and early twentieth-century comic strips. Drawing from and building on histories and theories of childhood, comics, and Progressive Era conceptualizations of citizenship and nationhood, Saguisag, Associate Professor of English at the College of Staten Island—City University of New York, demonstrates that child characters in comic strips expressed and complicated contemporary notions of who had a right to claim membership in a modernizing, expanding nation.Ryan Tripp is part-time and full-time adjunct history faculty for Los Medanos Community College as well as the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Histories and criticism of comics note that comic strips published in the Progressive Era were dynamic spaces in which anxieties about race, ethnicity, class, and gender were expressed, perpetuated, and alleviated. The proliferation of comic strip children—white and nonwhite, middle-class and lower class, male and female—suggests that childhood was a subject that fascinated and preoccupied Americans at the turn of the century. Many of these strips, including R.F. Outcault’s Hogan’s Alley and Buster Brown, Rudolph Dirks’s The Katzenjammer Kids, and Winsor McCay’s Little Nemo in Slumberland were headlined by child characters. Yet no major study has explored the significance of these verbal-visual representations of childhood.Nominated for the Eisner Award and winner of the Charles Hatfield Book Prize as well as the Ray & Pat Browne Award, Lara Saguisag's new book, Incorrigibles and Innocents: Constructing Childhood and Citizenship in Progressive Era Comics(Rutgers University Press, 2018), addresses this gap in scholarship, examining the ways childhood was depicted and theorized in late nineteenth- and early twentieth-century comic strips. Drawing from and building on histories and theories of childhood, comics, and Progressive Era conceptualizations of citizenship and nationhood, Saguisag, Associate Professor of English at the College of Staten Island—City University of New York, demonstrates that child characters in comic strips expressed and complicated contemporary notions of who had a right to claim membership in a modernizing, expanding nation.Ryan Tripp is part-time and full-time adjunct history faculty for Los Medanos Community College as well as the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In the late Enlightenment, a new imperative began to inform theories of interpretation: all literary texts should be read in the same way that we read the Bible. However, this assumption concealed a problem—there was no coherent "we" who read the Bible in the same way. In Secularism and Hermeneutics (University of Pennsylvania Press, 2019), Yael Almog shows that several prominent thinkers of the era constituted readers as an imaginary "we" around which they could form their theories and practices of interpretation. She argues that this conception of interpreters as a universal community established biblical readers as a coherent collective.In the first part of the book, Almog focuses on the 1760s through the 1780s and examines these writers' works on biblical Hebrew and their reliance on the conception of the Old Testament as a cultural, rather than religious, asset. She reveals how the detachment of textual hermeneutics from confessional affiliation was stimulated by debates on the integration of Jews in Enlightenment Germany. In order for the political community to cohere, certain religious practices were restricted to the private sphere––while textual interpretation, which previously belonged to religious contexts, became the foundation of the public sphere. As interpretive practices were secularized and taken to be universal, they were meant to overcome religious difference. Turning to literature and the early nineteenth century in the second part of the book, Almog demonstrates the ways in which the new literary genres of realism and lyric poetry disrupted these interpretive reading practices. Literary techniques such as irony and intertextuality disturbed the notion of a stable, universal reader's position and highlighted interpretation as grounded in religious belonging.Yael Almog is an Assistant Professor of German Studies at Durham University. Her research focuses on the interdependence of literary theory, literary production, and theology––more specifically, she looks at secularism, Jewish-Christian encounters, the German-Jewish tradition, and Hebrew literature.Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies