New Books in Literary Studies

Compiled around 1235, the Ogura Hyakunin Isshu, or Ogura's 100 Poems by 100 Poets, is one of the most important collections of poetry in Japan. Though the poets include emperors and empresses, courtiers and high priests, ladies-in-waiting and soldier-calligraphers, the collection is far more than a fascinating historical document. As the translators, James Hadley and Nell Regan, note in A Gap in the Clouds: A New Translation of Ogura Hyakunin Isshu (Dedalus Press, 2020), "these beautiful poems have endured because their themes are universal and readily understood by contemporary readers". Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The texts that are examined in this study move in and out of different languages or are multilingual in their origins. Texts and authors do not move randomly; rather, they follow routes shaped by the history of contact between different nations of the transpacific. As these texts move into and out of the Chinese language or become multilingual, they necessarily do not always remain Sinophone. The works of the authors discussed are refracted out of Chinese literature into American, Malaysian, and Japanese literatures and, in some cases, back into Chinese again. Following their paths through multiple languages makes visible the ways that these trajectories are informed by, are arrested by, and bend around historical and geopolitical barriers across the Pacific. To this end, examining the path that these texts from a transpacific perspective allows for the possibility of not only multilingual but multidirectional movement.The transpacific trajectories discussed in this book give rise to a number of different versions or interpretations of several texts. When put into conversation with one another, these texts often acquire new meaning as they move between different languages, countries, or time periods. In Rethinking the Modern Chinese Canon: Refractions Across the Transpacific (Cambria Press, 2020) author Clara Iwasaki reads four canonical Chinese writers in relation to their translations, interpellations, and interpretations in different languages, revealing them to be more worldly than previously supposed. Texts, writers, and characters appear in different languages, sometimes taking markedly different forms. Authors translate and translators become authors. When individual texts are read in the context of their language or country of origin, these valences of meaning become lost. It is in reading clusters of texts together that these hidden relationship to other writers, other languages, and other texts become visible. To this end, Iwasaki looks at four writers, Xiao Hong, Yu Dafu, Lao She, and Zhang Ailing, through what she calls refractive relations. Following transpacific circuits, these writers and texts move not simply from periphery to center, or from obscurity to canon, but back and forth between literary, linguistic, and national communities. Many literary encounters today have their origin in meetings of authors and texts decades earlier. Rather than focusing on a single text, this book focuses on the relationship between the different works and how these texts acquire meaning when read in relation to each other. This book is in the Cambria Sinophone World Series headed by Victor H. Mair (University of Pennsylvania). Clara Iwasaki is an assistant professor in the East Asian Studies Department at University of Alberta. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Bryce Traister has edited a collection of 13 original essays exploring the shifting landscape in the historiography of American Puritanism in American Literature and the New Puritan Studies (Cambridge UP, 2017). These essays explore how studies in American literature(s) can benefit from the shifting trends in 21st-century scholarship under the broad themes of post-secular, post-national, and post-colonial literary readings. In this interview, Traister introduces the themes that led to the assembly of this new collection and describes the emerging trends in the long history of Puritan literature studies. Perhaps the postmortem calls for the end of Puritan literary studies in the academy were premature. New theoretical frameworks have opened entirely new vistas for re-engaging the Puritan archives with a new set of questions and interpretive opportunities. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode, I interview Gert-Jan van der Heiden, Professor of Metaphysics and Philosophical Anthropology at Radboud University in Amsterdam, about his book, The Voice of Misery: A Continental Philosophy of Testimony, recently published by SUNY Press. In the book, van der Heiden takes up the question of testimony, which is popular in philosophical discourses today—from analytic epistemological approaches to those that emerge from critical race and feminist theory. While important advances are made in these disciplines, van der Heiden argues that contemporary continental philosophy offers a rich source for another approach to testimony that combines the ontological, epistemological, ethical, and logical elements of testimony in order to more fully understand what occurs in the event of bearing witness.Beginning with six literary experiments, The Voice of Misery approaches the event of testimony and its connection to language at the limits of what can be expressed: in the silent, the unspeakable, the mute. From this grounding, the text then moves into a more traditionally philosophical investigation of the peculiarity and particularity of testimony in a dazzling dialogue with the most well-known figures of recent continental thought: Jacques Derrida, Jean-François Lyotard, Giorgio Agamben, and Martin Heidegger, amongst others. Ultimately, van der Heiden extrapolates from the thinkers and authors with whom he engages an effective and moving overview of the acts of witnessing and bearing witness, allowing us to better understand how these twinned acts structure our realities.Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Russian cultural presence in Japan after the Meiji Revolution was immense. Indeed, Japanese cultural negotiations with Russian intellectuals and Russian literature, art, theology and political thought, formed an important basis for modern Japanese transnational intellectual, cultural, literary, and artistic production. And yet, despite the depth and range of “Japan’s Russia,” this historical phenomenon has been markedly neglected in our studies of modern Japanese intellectual life. This absence may be attributed to the fact that “Japan’s Russia” as idea and cultural expression developed outside the logic of Western modernity. There has been an interconnected logic behind this ignorance, a systematic lacuna in our historiography that tied method to historical actors, concept to theory.Olga V. Solovieva and Sho Konishi's Japan's Russia: Challenging the East-West Paradigm (Cambria, 2021) seeks to depart from this logic in order to identify thoughts and practices that helped produce a dynamic transnational cultural phenomenon that we identify as “Japan’s Russia.” It does so by orchestrating case studies from cutting-edge scholarship originating in multiple disciplines, each with its own methodological and theoretical implications. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Scientists have scientific reason and use the scientific method. Humanists have... Emotion? Close reading? Not so, argues Eric Hayot inHumanist Reason: A History. An Argument. A Plan (Columbia UP, 2021). Contrary to popular belief, the humanities involve both reasoning and methods. Humanist reason, Hayot shows, is philosophically and historically grounded and applicable to almost every discipline. Part history of philosophy, part methods handbook, and part manifesto, Humanist Reason will change the way we advocate for the humanities in the twenty-first century.Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today I talked Joe Essid and Brian McTague about their book Writing Centers at the Center of Change (Routledge 2020). We discuss about critical thinking through writing and we talk about what it is that's critical to writing.Interviewer: What's the next big change you see coming?Brian McTague: I don't know exactly what that's going to be, but I think it's going to have something to do with adapting what the previous 'normal' model was for writing centers into this new normal that definitely takes into account technology on a broader scale and how we communicate. You know, we can communicate face-to-face via technology, so does it have to be in person? One example from my own writing center: Over the last year we have done a lot of online-Zoom group workshops. And group workshops are something that we've always offered in person, and sometimes we'd get ten people, sometimes we'd get nobody. Now, we have a Zoom workshop, and we get up to eighty students, or actually, eighty participants, because there are also often some faculty and staff there, too. So to me, that shows that there's potential to learn a lot from what we've done well in this very challenging past year.Joe Essid: Brian, that's grounded optimism. And I think it's something I will do on our campus, once I have the breathing space. That's a post-pandemic opportunity to begin to host some workshops, and use Zoom, because then faculty can attend them from home, students don't have to trek to a room that we have to book. So, I think our writing workshop program is going to move to Zoom, and I can bring in outside experts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Evening Plays (Theatre Communications Group, 2020) collects three plays by experimental playwright Richard Maxwell. The plays are inspired by Dante's Divine Comedy, and all three concern death and dying. The Evening focuses on characters whose lives revolve around cage-fighting and drinking, and also includes searing meditations on the process of dying. Samara reads a bit like a western, though one filtered through a mystic sensibility reminiscent of Jorge Luis Borges. Paradiso is, like its Dantean precursor, a fractured, future-oriented work that exists on the border of the human.Videos of many of Maxwell's plays, including the three discussed in this interview, can be found on Vimeo at https://vimeo.com/nycplayers.Several of his paintings are currently on view between Dunkin’ Donuts and Frames Bowling Alley on the second floor of the south building at Port Authority Bus Terminal.Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Reflecting the Past: Place, Language, and Principle in Japan's Medieval Mirror Genre (Harvard UP, 2020) is the first English-language study to address the role of historiography in medieval Japan, an age at the time widely believed to be one of irreversible decline. Drawing on a decade of research, including work with medieval manuscripts, it analyzes a set of texts—eight Mirrors—that recount the past in an effort to order the world around them. They confront rebellions, civil war, “China,” attempted invasions, and even the fracturing of the court into two lines. To interrogate the significance for medieval writers of narrating such pasts as a Mirror, Erin Brightwell traces a series of innovations across these and related texts that emerge in the face of disorder. In so doing, she uncovers how a dynamic web of evolving concepts of time, place, language use, and cosmological forces was deployed to order the past in an age of unprecedented social movement and upheaval.Despite the Mirrors’ common concerns and commitments, traditional linguistic and disciplinary boundaries have downplayed or obscured their significance for medieval thinkers. Through their treatment here as a multilingual, multi-structured genre, the Mirrors are revealed, however, as the dominant mode for reading and writing the past over almost three centuries of Japanese history.Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode, I interview R.A. Judy, professor of Critical and Cultural Studies at the University of Pittsburgh, about his book Sentient Flesh: Thinking in Disorder, Poiēsis in Black, which was published by Duke University Press in 2020. In Sentient Flesh R. A. Judy takes up freedman Tom Windham’s 1937 remark “we should have our liberty 'cause . . . us is human flesh" as a point of departure for an extended meditation on questions of the human, epistemology, and the historical ways in which the black being is understood. Drawing on numerous fields, from literary theory and musicology, to political theory and phenomenology, as well as Greek and Arabic philosophy, Judy engages literary texts and performative practices such as music and dance that express knowledge and conceptions of humanity appositional to those grounding modern racialized capitalism. Operating as critiques of Western humanism, these practices and modes of being-in-the-world—which he theorizes as “thinking in disorder,” or “poiēsis in black”—foreground the irreducible concomitance of flesh, thinking, and personhood. As Judy demonstrates, recognizing this concomitance is central to finding a way past the destructive and dominative force of the ontology of racial capitalism that still holds us in thrall.Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies