New Books in Literary Studies

The first full-length biography of America's most celebrated novelist of the Great Depression to appear in a quarter century, Mad at the World illuminates what has made the work of John Steinbeck endure: his capacity for empathy. Pulitzer Prize finalist William Souder explores Steinbeck’s long apprenticeship as a writer struggling through the depths of the Great Depression, and his rise to greatness with masterpieces such as The Red Pony, Of Mice and Men, and The Grapes of Wrath. Angered by the plight of the Dust Bowl migrants who were starving even as they toiled to harvest California’s limitless bounty, fascinated by the guileless decency of the downtrodden denizens of Cannery Row, and appalled by the country’s refusal to recognize the humanity common to all of its citizens, Steinbeck took a stand against social injustice—paradoxically given his inherent misanthropy—setting him apart from the writers of the so-called "lost generation." A man by turns quick-tempered, compassionate, and ultimately brilliant, Steinbeck could be a difficult person to like. Obsessed with privacy, he was mistrustful of people. Next to writing, his favorite things were drinking and womanizing and getting married, which he did three times. And while he claimed indifference about success, his mid-career books and movie deals made him a lot of money—which passed through his hands as quickly as it came in. And yet Steinbeck also took aim at the corrosiveness of power, the perils of income inequality, and the urgency of ecological collapse, all of which drive public debate to this day. Steinbeck remains our great social realist novelist, the writer who gave the dispossessed and the disenfranchised a voice in American life and letters. Eloquent, nuanced, and deeply researched, Mad at the World: A Life of John Steinbeck (Norton, 2020) captures the full measure of the man and his work.Barbara Berglund Sokolov is a historian of the American West. She is also the convener of the Joy of History Book Club, an online history seminar open to anyone. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Kyokutei Bakin's Nansō Satomi hakkenden is one of the monuments of Japanese literature. This multigenerational samurai saga was one of the most popular and influential books of the nineteenth century and has been adapted many times into film, television, fiction, and comics. An Ill-Considered Jest, the first part of Hakkenden, tells the story of the Satomi clan patriarch Yoshizane and his daughter Princess Fuse. An ill-advised comment forces Yoshizane to betroth his daughter to the family dog, creating a supernatural union that ultimately produces the Eight Dog Warriors. Princess Fuse's heroic and tragic sacrifice, and her strength, intelligence, and self-determination throughout, render her an immortal character within Japanese fiction. Eight Dogs is the culmination of centuries of premodern Japanese tale-telling, combining aspects of historical romance, fantasy, Tokugawa-era popular fiction, and Chinese vernacular stories. Glynne Walley's lively translation--Eight Dogs, or 'Hakkenden': Part One—An Ill-Considered Jest (Cornell UP, 2021)--conveys the witty and colorful prose of the original, producing a faithful and entertaining edition of this important literary classic.Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In a world that demands faith in progress and growth, Limbo (Fitzcarraldo, 2019) is a companion for the stuck, the isolated, delayed, stranded and those in the dark. Fusing memoir with a meditation on creative block and a cultural history of limbo, Dan Fox considers the role that fallow periods and states of inbetween play in art and life. Limbo is an essay about getting by when you can't get along, employing a cast of artists, ghosts and sailors - including the author's older brother who, in 1985, left England for good to sail the world - to reflect on the creative, emotional and political consequences of being stuck, and its opposites. From the Headington Shark to radical behavioural experiments, from life aboard a container ship to Sun Ra's cosmology, Limbo argues that there can be no growth without stagnancy, no movement without inactivity, and no progress without refusal. Sergio Lopez-Pineiro (Harvard Graduate School of Design) interviews authors on how the portrayal and use of emptiness and allied concepts (such as voids, nothingness, or limbo) in philosophical, political, religious, and social studies are influenced by the imagination and construction of physical space. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Rakugo, a popular form of comic storytelling, has played a major role in Japanese culture and society. Developed during the Edo (1600–1868) and Meiji (1868–1912) periods, it is still popular today, with many contemporary Japanese comedians having originally trained as rakugo artists. Rakugo is divided into two distinct strands, the Tokyo tradition and the Osaka tradition, with the latter having previously been largely overlooked. This pioneering study of the Kamigata (Osaka) rakugo tradition presents the first complete English translation of five classic rakugo stories, and offers a history of comic storytelling in Kamigata (modern Kansai, Kinki) from the seventeenth century to the present day. Considering the art in terms of gender, literature, performance, and society, The Comic Storytelling of Western Japan: Satire and Social Mobility in Kamigata Rakugo (Cambridge UP, 2021) grounds Kamigata rakugo in its distinct cultural context and sheds light on the 'other' rakugo for students and scholars of Japanese culture and history.Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Bible is not only a book but also a collection of books. It has many authors but also at the same time many editors. It has not only been translated from one language to another but also translated with different doctrinal and methodological frameworks. It is not only a product of history but also a product of conglomeration of cultures, religions, beliefs, and practices. It is read with intense devotion by hundreds of millions of people, stands as authoritative for Judaism and Christianity, and informs and affects the politics and lives of the religious and non-religious around the world. But how well do we really know it? The Bible is so familiar, so ubiquitous that we have begun to take our knowledge of it for granted.In A Most Peculiar Book: The Inherent Strangeness of the Bible (Oxford UP, 2021), Kristin Swenson addresses the dirty little secret of biblical studies that the Bible is a weird book. It is full of surprises and contradictions, unexplained impossibilities, intriguing supernatural creatures, and heroes doing horrible deeds. It does not provide a simple worldview: what "the Bible says" on a given topic is multi-faceted, sometimes even contradictory. Yet, Swenson argues, we have a tendency to reduce the complexities of the Bible to aphorisms, bumper stickers, and slogans. Swenson helps readers look at the text with fresh eyes. Rather than dismiss the Bible as an outlandish or irrelevant relic of antiquity, Swenson leans into the messiness full-throttle.Tiatemsu Longkumer is a Ph.D. scholar working on ‘Anthropology of Religion’ at North-Eastern Hill University, Shillong: India Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Diplomatic relationships between Indigenous sovereigns and colonial and settler governments were defined by language. In some cases, cultural divides were narrowed using common metaphors. In others, objects such as wampum belts were employed as visual records of past agreements. Speeches were carefully recorded, copied, and cited in later negotiations; treaties were ‘signed’ using symbols of name, clan or nation. The treaty texts themselves sit within a constellation of other texts; this is a large, complex and still understudied archive. In Sensitive Negotiations: Indigenous Diplomacy and British Romantic Poetry (SUNY Press, 2021), Nikki Hessell reveals the ways in which poetic texts figure in diplomacy in the 19th and 20th centuries. The book ranges across the colonial world, from the Grand River Six Nations, the Native South, to the Great Lakes ‘middle ground’. It then turns to South Africa and New Zealand. It is deeply researched and powerfully contextual. It is also reflective, challenging those of us who work on Indigenous / settler relations to position ourselves in relation to the history and texts we study.Nikki Hessell is Associate Professor at Victoria University in Wellington New Zealand.Charles Prior is Senior Lecturer in Early Modern History at the University of Hull (UK), where he co-leads the Treatied Spaces Research Cluster. His latest publication is Settlers in Indian Country (Cambridge University Press). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Yiddish in Israel: A History (Indiana UP, 2020) challenges the commonly held view that Yiddish was suppressed or even banned by Israeli authorities for ideological reasons, offering instead a radical new interpretation of the interaction between Yiddish and Israeli Hebrew cultures. Author Rachel Rojanski tells the compelling and yet unknown story of how Yiddish, the most widely used Jewish language in the pre-Holocaust world, fared in Zionist Israel, the land of Hebrew.Following Yiddish in Israel from the proclamation of the State until today, Rojanski reveals that although Israeli leadership made promoting Hebrew a high priority, it did not have a definite policy on Yiddish. The language's varying fortune through the years was shaped by social and political developments, and the cultural atmosphere in Israel. Public perception of the language and its culture, the rise of identity politics, and political and financial interests all played a part. Using a wide range of archival sources, newspapers, and Yiddish literature, Rojanski follows the Israeli Yiddish scene through the history of the Yiddish press, Yiddish theater, early Israeli Yiddish literature, and high Yiddish culture. With compassion, she explores the tensions during Israel's early years between Yiddish writers and activists and Israel's leaders, most of whom were themselves Eastern European Jews balancing their love of Yiddish with their desire to promote Hebrew. Finally Rojanski follows Yiddish into the 21st century, telling the story of the revived interest in Yiddish among Israeli-born children of Holocaust survivors as they return to the language of their parents. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Historian Kevin Starr described Carey McWilliams as "the finest nonfiction writer on California—ever" and "the state's most astute political observer." But as Peter Richardson argues in American Prophet: The Life and Work of Carey McWilliams (University of California Press, 2019), McWilliams was also one of the nation's most versatile and productive public intellectuals of his time. Richardson's absorbing and elegant biography traces McWilliams's extraordinary life and career. Drawing from a wide range of sources, it explores his childhood on a Colorado cattle ranch, his early literary journalism in Los Angeles, his remarkable legal and political activism, his stint in state government, the explosion of first-rate books between 1939 and 1950, and his editorial leadership at The Nation. Along the way, it also documents McWilliams's influence on a wide range of key figures, including Cesar Chavez, Hunter S. Thompson, Mike Davis, screenwriter Robert Towne, playwright Luis Valdez, and historian Patricia Limerick.Barbara Berglund Sokolov is a historian of the American West. She is also the convener of the Joy of History Book Club, an online history seminar open to anyone.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 1884, sixty-eight prisoners convicted of terrorism and revolutionary activity were transferred to a new maximum-security prison at Shlissel'burg Fortress near St. Petersburg. Inhuman conditions in the prison caused severe mental and physical deterioration among the prisoners, and over half died. However, the survivors fought back to reform the prison and improve the inmates' living conditions. Their memoirs enshrined their experience in revolutionary mythology and served as an indictment of the Tsarist autocracy's loss of moral authority. Writing Resistance: Revolutionary Memoirs of Shlissel’burg Prison (UCL Press, 2021) features three of these memoirs--translated into English for the first time--as well as an introductory essay that analyzes the memoirs' construction of a collective narrative of resilience, resistance, and renewal. The first extended study of these memoirs in English, this book uncovers an important episode in the history of political imprisonment. It will be of interest to scholars and students of the Russian revolution, carceral history, penal practice and behaviors, and prison and life writing.Dr. Sarah J. Young is Associate Professor of Russian at University College London, where she teaches nineteenth- and twentieth-century Russian literature, culture and thought.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Liang Luo's book The Global White Snake (U Michigan Press, 2021) examines the Chinese White Snake legends and their extensive, multidirectional travels within Asia and across the globe. Such travels across linguistic and cultural boundaries have generated distinctive traditions as the White Snake has been reinvented in the Chinese, Japanese, Korean, and English-speaking worlds, among others. Moreover, the inter-Asian voyages and global circulations of the White Snake legends have enabled them to become repositories of diverse and complex meanings for a great number of people, serving as reservoirs for polyphonic expressions ranging from the attempts to consolidate authoritarian power to the celebrations of minority rights and activism.The Global White Snake uncovers how the White Snake legend often acts as an unsettling narrative of radical tolerance for hybrid sexualities, loving across traditional boundaries, subverting authority, and valuing the strange and the uncanny. A timely mediation and reflection on our contemporary moment of continued struggle for minority rights and social justice, The Global White Snake revives the radical anti-authoritarian spirit slithering under the tales of monsters and demons, love and lust, and reminds us of the power of the fantastic and the fabulous in inspiring and empowering personal and social transformations.Huiying Chen is a Ph.D. candidate at University of Illinois at Chicago. She studies the history of travel in eighteenth-century China. She can be reached at hchen87 AT uic.edu Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies