New Books in Literary Studies

Counting Dreams: The Life and Writings of the Loyalist Nun Nomura Bōtō (Cornell UP, 2021) tells the story of Nomura Bōtō, a Buddhist nun, writer, poet, and activist who joined the movement to oppose the Tokugawa Shogunate and restore imperial rule. Banished for her political activities, Bōtō was imprisoned on a remote island until her comrades rescued her in a dramatic jailbreak, spiriting her away under gunfire. Roger K. Thomas examines Bōtō's life, writing, and legacy, and provides annotated translations of two of her literary diaries, shedding light on life and society in Japan's tumultuous bakumatsu period and challenging preconceptions about women's roles in the era.Thomas interweaves analysis of Bōtō's poetry and diaries with the history of her life and activism, examining their interrelationship and revealing how she brought two worlds—the poetic and the political—together. Counting Dreams illustrates Bōtō's significant role in the loyalist movement, depicting the adventurous life of a complex woman in Japan on the cusp of the Meiji Restoration.Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Rebirth of the English Comic Strip: A Kaleidoscope, 1847-1870 (UP of Mississippi, 2021) enters deep into an era of comic history that has been entirely neglected. This buried cache of mid-Victorian graphic humor is marvelously rich in pictorial narratives of all kinds. Author David Kunzle calls this period a "rebirth" because of the preceding long hiatus in use of the new genre, since the Great Age of Caricature (c.1780-c.1820) when the comic strip was practiced as a sideline. Suddenly in 1847, a new, post-Töpffer comic strip sparks to life in Britain, mostly in periodicals, and especially in Punch, where all the best artists of the period participated, if only sporadically: Richard Doyle, John Tenniel, John Leech, Charles Keene, and George Du Maurier. Until now, this aspect of the extensive oeuvre of the well-known masters of the new journal cartoon in Punch has been almost completely ignored. Exceptionally, George Cruikshank revived just once in The Bottle, independently, the whole serious, contrasting Hogarthian picture story.Numerous comic strips and picture stories appeared in periodicals other than Punch by artists who were likewise largely ignored. Like the Punch luminaries, they adopt in semirealistic style sociopolitical subject matter easily accessible to their (lower-)middle-class readership. The topics covered in and out of Punch by these strips and graphic novels range from French enemies King Louis-Philippe and Emperor Napoleon III to farcical treatment of major historical events: the Bayeux tapestry (1848), the Great Exhibition of 1851, and the Franco-Prussian War in 1870. Artists explore a great variety of social types, occupations, and situations such as the emigrant, the tourist, fox hunting and Indian big game hunting, dueling, the forlorn lover, the student, the artist, the toothache, the burglar, the paramilitary volunteer, Darwinian animal metamorphoses, and even nightmares. In Rebirth of the English Comic Strip, Kunzle analyzes these much-neglected works down to the precocious modernist and absurdist scribbles of Marie Duval, Europe's first female professional cartoonist. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Muslim South Asia is widely characterized as a culture that idealizes female anonymity: women's bodies are veiled and their voices silenced. Challenging these perceptions, Siobhan Lambert-Hurley, University of Sheffield, highlights an elusive strand of autobiographical writing dating back several centuries that offers a new lens through which to study notions of selfhood. In Elusive Lives: Gender, Autobiography, and the Self in Muslim South Asia (Stanford University Press, 2018), she locates the voices of Muslim women who rejected taboos against women speaking out, by telling their life stories in written autobiography. To chart patterns across time and space, materials dated from the sixteenth century to the present are drawn from across South Asia – including present-day India, Pakistan and Bangladesh. Lambert-Hurley uses many rare autobiographical texts in a wide array of languages to elaborate a theoretical model for gender, autobiography, and the self beyond the usual Euro-American frame. In doing so, she works toward a new, globalized history of the field. Ultimately, Elusive Lives points to the sheer diversity of Muslim women's lives and life stories, offering a unique window into a history of the everyday against a backdrop of imperialism, reformism, nationalism and feminism. In our conversation we discuss autobiographical writing, travelogues, letters, diaries, interviews, low literacy rates, the social and physical geographies of authors, reasons Muslim women narrated their life, the role of editors, translators, on publishers, intended and unintended audiences, the actress Begum Khurshid Mirza, and gender difference across autobiographies.Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The 1830s to the 1930s saw the rise of large-scale industrial mining in the British imperial world. Elizabeth Carolyn Miller examines how literature of this era reckoned with a new vision of civilization where humans are dependent on finite, nonrenewable stores of earthly resources, and traces how the threatening horizon of resource exhaustion worked its way into narrative form. Britain was the first nation to transition to industry based on fossil fuels, which put its novelists and writers in the remarkable position of mediating the emergence of extraction-based life. Miller looks at works like Hard Times, The Mill on the Floss, and Sons and Lovers, showing how the provincial realist novel's longstanding reliance on marriage and inheritance plots transforms against the backdrop of exhaustion to withhold the promise of reproductive futurity. She explores how adventure stories like Treasure Island and Heart of Darkness reorient fictional space toward the resource frontier. And she shows how utopian and fantasy works like "Sultana's Dream," The Time Machine, and The Hobbit offer imaginative ways of envisioning energy beyond extractivism. Extraction Ecologies and the Literature of the Long Exhaustion (Princeton UP, 2021) reveals how an era marked by violent mineral resource rushes gave rise to literary forms and genres that extend extractivism as a mode of environmental understanding. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What is a memoir? What makes a memoir both nonfictional and literary? What are the memoirist’s moral obligations to the people they write about besides themselves, and to their potential readers? And is the writing of a memoir just indulging in narcissism, or revenge? In Artful Truths: The Philosophy of Memoir (University of Chicago Press, 2021), Helena De Bres examines the philosophical issues that the memoir genre raises, given the doubts we may have about whether people can write the truth about themselves, whether the demands of literature overwhelm the demands of truth-telling, and even whether there is such a thing as a unified, persisting self to write about. De Bres, who is an associate professor of philosophy at Wellesley College, defends the nonfiction status of memoir while acknowledging that memories fail, we often engage in self-justification, and it can be difficult to draw a line between the “experiential truth” the memoirist tries to capture and falsity. De Bres deftly navigates issues in metaphysics, epistemology, aesthetics, and ethics in this highly readable examination of an evolving literary form.Carrie Figdor is professor of philosophy at the University of Iowa. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Rādhā Tantra is an anonymous 17th-century tantric text from Bengal. Mans Broo's The Rādhā Tantra: A Critical Edition and Annotated Translation (Routledge, 2019) offers a lively picture of the meeting of different religious traditions in 17th century Bengal, since it presents a Śākta version of the famous Vaiṣṇava story of Rādhā and Kṛṣṇa. This book presents a critically edited text of the Rādhā Tantra, based on manuscripts in India, Nepal and Bangladesh, as well as an annotated translation It is prefaced by an introduction that situates the text in its social and historical context and discusses its significance. Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

An An Ise monogatari Reader: Contexts and Receptions (Brill, 2021) is the first collection of essays in English on The Ise Stories, a canonical literary text ranked beside The Tale of Genji. Eleven scholars from Japan, North America, and Europe explore the historical and political context in which this literary court romance was created, or relate it to earlier works such as the Man’yōshū and later works such as the Genji and noh theater. Its medieval commentary tradition is also examined, as well as early modern illustrated editions and parodies. The collection brings cutting-edge scholarship of the very highest level to English readers, scholars, and students. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

For decades, scholars have been calling into question the universality of disciplinary objects and categories. The coherence of defined autonomous categories—such as religion, science, and art—has collapsed under the weight of postmodern critiques, calling into question the possibility of progress and even the value of knowledge. Jason Ānanda Josephson Storm aims to radicalize and move beyond these deconstructive projects to offer a path forward for the humanities and social sciences using a new model for theory he calls metamodernism.Metamodernism: The Future of Theory (U Chicago Press, 2021) works through the postmodern critiques and uncovers the mechanisms that produce and maintain concepts and social categories. In so doing, Storm provides a new, radical account of society’s ever-changing nature—what he calls a “Process Social Ontology”—and its materialization in temporary zones of stability or “social kinds.” Storm then formulates a fresh approach to philosophy of language by looking beyond the typical theorizing that focuses solely on human language production, showing us instead how our own sign-making is actually on a continuum with animal and plant communication.Storm also considers fundamental issues of the relationship between knowledge and value, promoting a turn toward humble, emancipatory knowledge that recognizes the existence of multiple modes of the real. Metamodernism is a revolutionary manifesto for research in the human sciences that offers a new way through postmodern skepticism to envision a more inclusive future of theory in which new forms of both progress and knowledge can be realized.Tiatemsu Longkumer is a Ph.D. scholar working on ‘Anthropology of Religion’ at North-Eastern Hill University, Shillong: India Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Pieter Vanhove’s World Literature After Empire: Rethinking Universality in the Long Cold War (2021), engages with the idea of ‘world’ as it manifests in literary and philosophical studies. Taking an interdisciplinary and multilingual approach, Vanhove centers his discussion on literature and the arts, while drawing an important historical tableau of the Cold War that highlights the ways in which decolonization processes facilitated a multiplicity of ways to think of the ‘world’. His book engages at length with debates on world literature, postcolonial thought, and translation. In order to show the complex political and cultural tapestry of the Cold War, Vanhove engages in case studies on China and the Afro-Asian Writer’s Bureau, Alberto Moravia and PEN International, Antonio Gramsci and Pier Paolo Pasolini, Jean-Paul Sartre and Patrice Lulumba, André Malraux, and Huang Yong Ping. In so doing, the Vanhove demonstrates how artists during the Cold War engaged in cultural discourse that was anti-imperialist, and whose questions centered on issues of race, sexuality, gender, and class. Vanhove’s book argues for a process of deconstruction of the Eurocentric conception of the world, for a closer engagement with conceptions of the world in various contexts during the Cold War, and ultimately for using tools of deconstruction to “do justice to the untranslatability of cultural artifacts that call into question the logic of universalization.”Pieter Vanhove is an Associate Lecturer in the Department of Languages and Cultures at Lancaster University. He holds a PhD in Italian and Comparative Literature from Columnia University. Vanhove’s publications include articles in Critical Asian Studies, estetica: studi e ricerche, Senses of Cinema, and Studi pasoliniani.Eralda Lameborshi is an Assistant Professor in the Department of Literature and Languages at Texas A&M University Commerce. Her areas of research include world literature and cinema, Southeast European studies, Ottoman studies, postcolonial theory, and the global novel. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The basic story of the rise, reign, and fall of deconstruction as a literary and philosophical groundswell is well known among scholars. In this intellectual history, Gregory Jones-Katz aims to transform the broader understanding of a movement that has been frequently misunderstood, mischaracterized, and left for dead—even as its principles and influence transformed literary studies and a host of other fields in the humanities. Deconstruction: An American Institution (The University of Chicago Press, 20121) begins well before Jacques Derrida’s initial American presentation of his deconstructive work in a famed lecture at Johns Hopkins University in 1966 and continues through several decades of theoretic growth and tumult. While much of the subsequent story remains focused, inevitably, on Yale University and the personalities and curriculum that came to be lumped under the “Yale school” umbrella, Deconstruction makes clear how crucial feminism, queer theory, and gender studies also were to the lifeblood of this mode of thought. Ultimately, Jones-Katz shows that deconstruction in the United States—so often caricatured as a French infection—was truly an American phenomenon, rooted in our preexisting political and intellectual tensions, that eventually came to influence unexpected corners of scholarship, politics, and culture. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies