SoundWorks Collection

Mix Magazine presents the fourth annual Sound for Film and TV event, an all-day exhibition and conference spotlighting the technologies and techniques behind sound for picture, from production to playback. This event took place on September 16th, 2017 at Sony Pictures Studios. Music and sound design play a central role in the marketing of movies and TV shows: they set the tone, drive the story, and engage the audience in ways that are unique to the advertising genre. The audio we hear in advertising is often specifically made for it, and is not typically sourced from the corresponding production or soundtrack. Our panel, comprised of professionals at the top of their fields, will discuss the unique creative and logistical demands encountered in this important industry niche. Panelists: Jez Colin, President, Hi-Finesse Music & Sound Josh Feelstra, Composer, music producer, sound designer Joseph Bauer, Composer, music producer, sound designer Sohrab Nafici, Executive Director, Music/Legal. Warner Bros. Pictures Heather Kreamer, Director of Music for Create Advertising Ozzie Sutherland, AVID Pro Audio Solutions Specialist

Mix Magazine presents the fourth annual Sound for Film and TV event, an all-day exhibition and conference spotlighting the technologies and techniques behind sound for picture, from production to playback. This event took place on September 16th, 2017 at Sony Pictures Studios. Tim Kimmel, Supervising Sound Editor Brett Voss, Foley Editor/Foley Mixer Dylan Tuomy-Wilhoit, Foley Artist Paula Fairfield, Sound Designer Moderator: Ozzie Sutherland AVID Pro Audio Solutions Specialist

Mix Magazine presents the fourth annual Sound for Film and TV event, an all-day exhibition and conference spotlighting the technologies and techniques behind sound for picture, from production to playback. This event took place on September 16th, 2017 at Sony Pictures Studios. William Files, Re–recording Mixer, Supervising Sound Editor, Sound Designer PK Hooker, Ape Effects Editor Dave Grimaldi, Additional Sound Designer, Sound Effects Editor Doug Murray, Supervising Sound Editor, Sound Designer, Ape Voice Premixer Moderator: Ozzie Sutherland AVID Pro Audio Solutions Specialist

Mix Magazine presents the fourth annual Sound for Film and TV event, an all-day exhibition and conference spotlighting the technologies and techniques behind sound for picture, from production to playback. This event took place on September 16th, 2017 at Sony Pictures Studios. Moderator: Steven Saltzman Composer Mark Isham and Music Engineer Jason LaRocca

Mix Magazine presents the fourth annual Sound for Film and TV event, an all-day exhibition and conference spotlighting the technologies and techniques behind sound for picture, from production to playback. This event took place on September 16th, 2017 at Sony Pictures Studios. Immersive sound experiences are breaking traditional barriers and reaching consumers in more ways than ever before, and with platforms such as Dolby Atmos, DTS:X and Auro3D, content creators are engaging their audiences with the help of superior audio. But how does it all come together, on time and under budget? Learn how content creators are expanding and streamlining their workflows to meet the demands of multiple content delivery formats. Moderator: Jonathan Deans, CTO, Westlake Pro Bill Johnston, VP of Engineering, Formosa Group Brian Riordan, Re-recording Mixer and President, Levels Audio Kurt Howell, National Manager for Focusrite Marti Humphrey, Re-recording Mixer and President of The Dub Stage Jeremy Davis, Re-recording mix Technician, Sony Dan Sperry, Senior Manager, Content Services Group at Dolby Laboratories

Mix Magazine presents the fourth annual Sound for Film and TV event, an all-day exhibition and conference spotlighting the technologies and techniques behind sound for picture, from production to playback. This event took place on September 16th, 2017 at Sony Pictures Studios. From Mic to Mix MIX Panel Series - Mixing Hear from production and post production experts in Feature Films and TV as they discuss their specific crafts in production, editing, and re-recording. Learn what each wants from the other, and why. Moderator: Karol Urban, Re-recording Mixer CAS Panelists: Steve Tibbo, CAS; Ed Moskowitz, CAS; Scott Millan, CAS; Jesse Ehredt, Sound Editorial Assistant and Recordist; Steve Rivkin, ACE; Teri E. Dorman

Mix Magazine presents the fourth annual Sound for Film and TV event, an all-day exhibition and conference spotlighting the technologies and techniques behind sound for picture, from production to playback. This event took place on September 16th, 2017 at Sony Pictures Studios. Tom Holkenborg, aka Junkie XL, is a Grammy-nominated and multi-platinum producer, musician, and composer whose versatility puts him on the cutting edge of contemporary music, as well at the vanguard of exciting new film composers. His film scoring credits include Mad Max Fury Road, Deadpool, Black Mass, Divergent, Brimstone, and the forthcoming Justice League and Dark Tower.

Mix Magazine presents the fourth annual Sound for Film and TV event, an all-day exhibition and conference spotlighting the technologies and techniques behind sound for picture, from production to playback. This event took place on September 16th, 2017 at Sony Pictures Studios. One Soundtrack, Multiple Formats: Preparing Immersive Audio for Any-Sized Screen There are big budgets and small budgets, big productions and small productions—but no matter the size or scale of the project, the audio team has to create high-quality sound for multiple delivery formats, immersive and stereo. As the demands increase, so do the challenges facing post-production sound artists. This panel will outline how sound supervisors approach different type budgets and different type formats, from 5.1 stems to immersive tracks for Theatrical, Television, and home theater and streaming delivery. The key is that workflows and decision-making need to be flexible and innovative. Moderator: Mark Mangini Panelists: Andrew De Cristofaro, Tony Lamberti, Jay Jennings, David Rowe, Juliann Slater

This week we chat with Supervising Editor and Sound Designer Eric Norris about the sound work crafted by the sound team on Spider-Man: Homecoming Directed by Jon Watts. Thrilled by his experience with the Avengers, young Peter Parker returns home to live with his Aunt May. Under the watchful eye of mentor Tony Stark, Parker starts to embrace his newfound identity as Spider-Man. He also tries to return to his normal daily routine -- distracted by thoughts of proving himself to be more than just a friendly neighborhood superhero. Peter must soon put his powers to the test when the evil Vulture emerges to threaten everything that he holds dear.

They had their first date in a Berkeley, Calif., hi-fi store in 1967, the Summer of Love, to listen to the newly released Sgt. Pepper’s Lonely Hearts Club Band. Speakers for Steve Miller at Monterey Pop followed. Then the Dead, Metallica, Celine, Ed Sheeran and so many others. Now 50 years later, John and Helen Meyer, co-founders of Meyer Sound, are embarking on a yearlong, worldwide tribute to music, love and sound, visiting customers and celebrating a history of quality audio. Mix editor Tom Kenny interviews the Meyers from the Don Pearson Theater in the company’s Berkeley headquarters.