New Books in African American Studies

In recent years, the treatment of African Americans by police departments around the country has come under increased public scrutiny. As any student of the longer historical relationship between law enforcement and people of color will know, this relationship has been the subject of tension and scrutiny at many moments in the past as well. In his new book, Policing Los Angeles: Race, Resistance, and the Rise of the LAPD (University of North Carolina Press, 2018), Max Felker-Kantor examines this multi-racial relationship in the key city of Los Angeles. The book begins with the uprising of the Watts neighborhood in August 1965, where decades of frustration with urban poverty and racial discrimination along with anger at racist police practices exploded in violence. The book then traces the subsequent decades of policing and anti-police abuse activism. During this time, reforms were common, yet real change was often difficult to achieve as symbolized by the 1992 rebellion, sparked by some of the same issues that caused the previous Watts uprising.In this episode of the podcast, Felker-Kantor discusses this history of policing and importantly, the way LA communities of color mobilized to reshape law enforcement in the city. He highlights both the achievements and limitations of their reform. He also discusses both the possibilities and limits of urban political reformers working within city government and the ways in which the police themselves became a political force. Finally, Felker-Kantor discusses some of the little-used archival sources he examined for this project in light of the notorious difficulty historians have faced obtaining access to law enforcement records for histories of policing.Christine Lamberson is an Associate Professor of History at Angelo State University. Her research and teaching focuses on 20th century U.S. political and cultural history. She’s currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at clamberson@angelo.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Islam in American has been profoundly shaped by the Black Muslim experience. However, Black Muslims are often marginalized both within their own religious communities and in public discourse about Muslim Americans. Su'ad Abdul Khabeer, Associate Professor at the University of Michigan, attends to this erasure by centering Black Muslims to investigate the relationship between race, religion, and popular culture. In Muslim Cool: Race, Religion, and Hip Hop in the United States (NYU Press, 2016) she offers a rich ethnography of Muslims in Chicago, many of whom are involved with the Inner-City Muslim Action Network. IMAN and members of its community regularly perform “Muslim Cool,” a blueprint for being Muslim in America that is steeped in Blackness. Abdul Khabeer’s research helps us understand how Black Muslims have shaped Islam in America in general despite intra-communal tensions around anti-Blackness. In our conversation we discuss new approaches to Hip Hop, the loop of Muslim Cool, opinions about music in Islam and its use among Afrodiasporic Muslim communities, Black Muslim women’s veiling habits and its adoption by non-Black Muslims, Muslim Dandies and formulations of masculinity, state sponsored cultural diplomacy trips and Muslim hip hop artists, Sapelo Square as an effort to produce materials about Black Muslims, and how family histories can enrich the archives of Black Muslim Americans.Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Between 1822 and 1857, eight Southern states barred the ingress of all free black maritime workers. According to lawmakers, they carried a 'moral contagion' of abolitionism and black autonomy that could be transmitted to local slaves. Those seamen who arrived in Southern ports in violation of the laws faced incarceration, corporal punishment, an incipient form of convict leasing, and even punitive enslavement. The sailors, their captains, abolitionists, and British diplomatic agents protested this treatment. They wrote letters, published tracts, cajoled elected officials, pleaded with Southern officials, and litigated in state and federal courts. By deploying a progressive and sweeping notion of national citizenship - one that guaranteed a number of rights against state regulation - they exposed the ambiguity and potential power of national citizenship as a legal category. Ultimately, the Fourteenth Amendment recognized the robust understanding of citizenship championed by Antebellum free people of color, by people afflicted with 'moral contagion’. In his new book Moral Contagion: Black Atlantic Sailors, Citizenship, and Diplomacy in Antebellum America(Cambridge University Press, 2019), Michael A. Schoeppner tells their story. Listen in.Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Racquel J. Gates’ new book, Double Negative: The Black Image and Popular Culture (Duke University Press, 2018), interrogates understandings of African-American representations on screen.  This book is an important analysis of the concepts of negative and positive representations, especially in regard to the narrow space that these binary classifications create. Gates takes on not only the concept of representation, but also the texts where the images are presented, leading the reader through a variety of popular culture venues. Double Negative presents a careful typology of negativity, with extensive and diverse examples of each distinct variation. This analysis also integrates texts that are often dismissed or undermined. Instead, Gates provides valuable and nuanced interpretations of genres, reclaiming popular culture artifacts that are often excluded from scholarly or critical analysis. Gates explores many of the less respectable images and presentations of African-Americans, considering not only the images themselves and the narratives in which they are presented, but also the historical context in which the popular culture artifacts are engaged and consumed. Double Negative also takes up a metanalysis of celebrity in context of representation, especially in the entwining of race and gender. This is a fascinating book, examining important political questions and understandings through popular culture texts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Today, I spoke with LaTanya McQueen, whose new collection of essays reckons with intriguing and timely questions about history, race, family, place, and self. It’s called And It Begins Like This(Black Lawrence Press, 2018), and I immediately found myself asking, “What’s it? What’s this?” Not until over halfway through the book did McQueen make the answer clear, when she writes: “There is a story I once believed and it begins like this—a woman named Leanna Brown was a slave to Bedford Brown, Senator of North Carolina. Sometime during her enslavement she had a relationship with a white man who lived on a neighboring farm, and the results of their relationship produced three children, one of them my ancestor.” McQueen’s book is, in part, her attempt to learn the full and complicated truth of this story, to discover, as much as the record will allow, the history of her great-great grandmother. This search, it turns out, asks her no less than to grapple with the history of race relations in the United States and the ways in which it manifests in her own life and family. And It Begins Like This is a clear-eyed and powerful account not only of the experience of being an African American woman right now, but also a testament to the importance of this experience and the insight it brings for all Americans.Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at eric@ericlemay.org.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Histories of the British occupation of Havana in 1762 have focused on imperial rivalries and the actions and decisions of European planters, colonial officials, and military officers. In her stunning revision, The Occupation of Havana: War, Trade and Slavery in the Atlantic World (University of North Carolina Press, 2018), Elena Schneider restores the central roles of enslaved Africans in all stages of the story. The relevance of the slave trade and the multiple and essential roles of African and African descended people in battle and in urban life emerge in this beautifully written account. In the aftermath, their valor and loyalty were omitted from contemporary accounts and the ensuing historiography. This book draws from a wide range of sources and multiple archives in a careful narrative that connects the Atlantic worlds of Spain, London, Havana, Kingston and the colonial United States, and zooms in on the enslaved individuals that made that world possible. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Bridging women’s history, the history of the South, and African American history, this book makes a bold argument about the role of white women in American slavery. In her new book They Were Her Property: White Women as Slave Owners in the American South (Yale University Press, 2019) historian Stephanie E. Jones-Rogers draws on a variety of sources to show that slave‑owning women were sophisticated economic actors who directly engaged in and benefited from the South’s slave market. Because women typically inherited more slaves than land, enslaved people were often their primary source of wealth. Not only did white women often refuse to cede ownership of their slaves to their husbands, they employed management techniques that were as effective and brutal as those used by slave‑owning men. White women actively participated in the slave market, profited from it, and used it for economic and social empowerment. By examining the economically entangled lives of enslaved people and slave‑owning women, Jones-Rogers presents a narrative that forces us to rethink the economics and social conventions of slaveholding. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In an empire built on racial slavery, what roles do blood purity and citizenship play in the creation of subject citizens? This is one of the many questions broached by Dr. Brooke Newman in her new book A Dark Inheritance: Blood, Race, and Sex in Colonial Jamaica (Yale University Press, 2018), Newman tells the story of how racial mixing affected the status of many different groups of people in colonial Jamaica. In doing so, Newman interrogates how notions of race were largely dependent on government’s role in shaping the meaning(s) of it. Largely, such discussions were based on the sexual violation and rape of enslaved women. Such violations were exacerbated by British print culture’s dissemination of what could only be termed a sort of modern-day rape tourism. A Dark Inheritance ultimately shifts our understandings of British notions of race, sex, and national belonging.Adam McNeil is a PhD student in History, African American Public Humanities Initiative and  Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Candis Watts Smith and Christina Greer are the editors of Black Politics in Transition: Immigration, Suburbanization, and Gentrification (Routledge, 2019). Smith is assistant professor of public policy at the University of North Carolina; Greer is associate professor of political science and American Studies at Fordham University.Black Politics in Transition examines the role of three themes—immigration, suburbanization, and gentrification—in Black politics today. Immigration has resulted in demographic changes in Black populations throughout the US. In addition, the movement of Black populations out of the cities to which they migrated a generation ago—a reverse migration to the American South or a movement from cities to suburbs shifts the locus of Black politics. At the same time, middle class and white populations are returning to cities, displacing low income Blacks and immigrants alike in a process of gentrification. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

On this episode of the New Books Network, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric at SUNY Geneseo--interviews Dr. Anne Cheng (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an inimitable work of critique: Second Skin: Josephine Baker and the Modern Surface (Oxford University Press, 2017). Moving fluidly and with suspense through Baker’s performances, personal journals, museums, architectural designs, and the lyrics of Cole Porter--to name a few--Cheng draws on the oft-studied but little considered Josephine Baker as a figure of articulation for the nuanced contradictions of primitivism, modernism, and theory. Through Baker, Cheng invites us to reconsider the mutual imbrication of object/subject, surface/depth, and exploitation/fascination. Cheng’s careful eye and beautiful command of texture illustrates that dissolving Baker into pure particularity--into pure surface--is the best way to capture her unique agency. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies