New Books in African American Studies

Today I talked to Candacy Taylor about her book Overground Railroad: The Green Book and the Roots of Black Travel in America (Abrams Press, 2020).Taylor is an award-winning author, photographer and cultural documentarian. She’s been a fellow at Harvard University under the direction of Henry Louis Gates Jr. and her projects have been funded by organizations ranging from National Geographic to The National Endowment for the Humanities. Her work has received extensive media coverage in places like the PBS Newshour and The New Yorker.This episode covers the African-American travel guidebook made famous by the Academy-award-winning movie Green Book. Taylor’s book more accurately and completely covers the more than 10,000 former black- and white-owned businesses establishments that served black travelers during the era from 1936-1967, when editions of the guidebook helped black motorists find gas stations, restaurants and lodging that catered to them in segregated America. The episode also addresses the reasons why 75% of those sites are now gone, falling victim to everything from urban renewal and redlining to soaring incarceration rates that have devasted black communities across America.Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound (Harvard University Press, 2021) by Dr. Daphne Brooks is a lyrical masterpiece that takes readers on an exhilarating journey through a century of Black sound from Bessie Smith to Beyoncé. In writing alongside the sistas who cared for Black women's musicianship like Pauline Hopkins and Janelle Monaé, Brooks casts contemporary performers as archivists, acclaimed writers as sound theorists, record label originators as music critics, and fans as the vital keepers of Black sound. Brooks’ liner notes are a “requiem” for the oversight of Black women musicians and their intellectual resonance, powerfully uncovering their sonic, visual, and kinesthetic innovations through a Black feminist conceptual lens. On each step of the journey, Brooks presents Black sound women as radical intellectuals, as the creators of modernity, and as the fierce leaders of revolutionary world-making.Amanda Joyce Hall is a Ph.D. Candidate in History and African American Studies at Yale University. She is writing an international history on the global movement against South African apartheid during the 1970s and 1980s. She tweets from @amandajoycehall. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Folklorist Robert L. Stone presents a rare collection of high-quality documentary photos of the sacred steel guitar musical tradition and the community that supports it. The introductory text and extended photo captions in Can’t Nobody Do Me Like Jesus! Photographs from the Sacred Steel Community (University of Mississippi Press, 2020) offer the reader an intimate view of this unique tradition of passionately played music that is beloved among fans of American roots music and admired by folklorists, ethnomusicologists, and other scholars.In 1992, a friend in Hollywood, Florida, introduced Stone to African American musicians who played the electric steel guitar in the African American Holiness-Pentecostal churches House of God and Church of the Living God. With the passion, skill, and unique voice they brought to the instruments, these musicians profoundly impressed Stone. He produced an album for the Florida Folklife Program, which Arhoolie Records licensed and released worldwide. It created a roots music sensation.In 1996, Stone began to document the tradition beyond Florida. He took the photos in this book from 1992 to 2008 in Georgia, the Carolinas, Tennessee, Mississippi, New York, Pennsylvania, Michigan, and Florida, and at concerts in Italy. The images capture musicians as they play for worship services before spirit-filled believers singing, dancing, shouting, praying, and testifying. Stone gives the viewer much to witness, always presenting his passionate subjects with dignity. His sensitive portrayal of this community attests to the ongoing importance of musical traditions in African American life and worship.Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Yomaira C. Figueroa-Vásquez pens towards decolonial freedom. Her recently published book, Decolonizing Diasporas: Radical Mappings of Afro-Atlantic Literature (Northwestern University Press, 2020), uses peripheralized (5) novels, visual/sonic works, poetry, essays, and short stories by diasporic and exiled Afro-Atlantic Hispanophone writers and artists towards “render[ing] legible what these texts offer to subjects who resist ongoing forms of colonialism…” (1). By centering the relationality of Equatorial Guinea, Cuba, Puerto Rico, and the Dominican Republic from the foundations of Ethnic Studies and Women of Color Feminist methodologies, Figueroa-Vásquez holds space for the different ways Afro-descendant peoples are racialized across the Atlantic while simultaneously attending to the anti-Blackness seemingly endemic to the modern world.But what does it mean to decolonize? For Figueroa-Vásquez, “In the contexts of the literature outlined in the texts, I pose that the lifeblood of these worlds takes the shape of decolonizing diasporas – radical Afro-diasporic imaginaries that subvert coloniality and usher in new ways of knowing and being, and interrogate and excavate location and dislocation” (25). By linking the diasporic Afro-Atlantic Hispanophone Caribbean and sub-Saharan Africa to the works of Black, Indigenous, and women of color thinkers, the world of decolonial thought emerges through the pages of Decolonizing Diasporas. It is through the literary poetics and artwork made under conditions of destierro – a theory and methodological formulation set out by the author – which become forces that challenge structures of power that give rise to possibilities of subverting colonial mentalities.Decolonizing Diaspora reads like a detailed manual for decolonization specifically designed for Afro-Atlantic Hispanophone diasporic subjects on their journey of reimaging and creating other worlds. Each chapter builds on the next. Recognizing the intimate impacts of dictatorship, occupation, and coloniality of gender opens up sites of resistance (Ch. 1) that require faithful witnessing (Ch. 2). Faithful witnessing is a necessary action in Figueroa-Vásquez’s conception of destierro as a decolonial method (Ch.3) and in turn, reveals the condition for demanding reparations and reparations of the imagination (Ch. 4). With an emphasis on decolonial love and relations across difference, the possibilities of Afro-Atlantic resistance and futurities beyond coloniality come into clear view (Ch.5). Even then, Dr. Figueroa-Vásquez guides us back to the Introduction of the book with her last vignette “Relations Again,” in which she underscores the relationships between Equatorial Guinea and the Latinx Caribbean islands of Cuba, Puerto Rico, and the Dominican Republic. The reader has no choice but to begin again.Jonathan Cortez is a Ph.D. candidate of American Studies at Brown University. They are a historian of 20th-century issues of race, labor, (im)migration, surveillance, space, relational Ethnic Studies, and Latinx Studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

We are joined today by Alison Phipps, Professor in Gender Studies and the University of Sussex to talk about her newest book, Me, Not You: The Trouble with Mainstream Feminism (Manchester University Press, 2020).The Me Too movement, started by Black feminist Tarana Burke in 2006, went viral as a hashtag eleven years later after a tweet by white actor Alyssa Milano. Mainstream movements like #MeToo have often built on and co-opted the work of women of colour, while refusing to learn from them or centre their concerns. Far too often, the message is not ‘Me, Too’ but ‘Me, Not You’. Alison Phipps argues that this is not just a lack of solidarity. Privileged white women also sacrifice more marginalised people to achieve their aims, or even define them as enemies when they get in the way. Me, not you argues that the mainstream movement against sexual violence expresses a political whiteness that both reflects its demographics and limits its revolutionary potential. Privileged white women use their traumatic experiences to create media outrage, while relying on state power and bureaucracy to purge ‘bad men’ from elite institutions with little concern for where they might appear next. In their attacks on sex workers and trans people, the more reactionary branches of this feminist movement play into the hands of the resurgent far-right.Dr. Phipps is the author of Women in Science, Engineering and Technology: Three Decades of UK Initiatives (Trentham Books, 2008), an examination of the mixed results of the UK’s attempts to address gender disparity STEM fields through policy and The Politics of the Body: Gender in a Neoliberal and Neoconservative Age (Polity Press, 2014) an award-winning look at the way feminists find themselves negotiating a very tight passage between the Scylla and Charybdis of neoconservatives and neoliberals, as well as a bevy or articles on similar issues.Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

As right-wing nationalism and authoritarian populism gain momentum across the world, liberals, and even some conservatives, worry that democratic principles are under threat. In The Spectre of Race: How Discrimination Haunts Western Democracy (Princeton UP, 2018), Michael Hanchard argues that the current rise in xenophobia and racist rhetoric is nothing new and that exclusionary policies have always been central to democratic practices since their beginnings in classical times. Contending that democracy has never been for all people, Hanchard discusses how marginalization is reinforced in modern politics, and why these contradictions need to be fully examined if the dynamics of democracy are to be truly understood.Hanchard identifies continuities of discriminatory citizenship from classical Athens to the present and looks at how democratic institutions have promoted undemocratic ideas and practices. The longest-standing modern democracies —France, Britain, and the United States—profited from slave labor, empire, and colonialism, much like their Athenian predecessor. Hanchard follows these patterns through the Enlightenment and to the states and political thinkers of the late nineteenth and early twentieth centuries, and he examines how early political scientists, including Woodrow Wilson and his contemporaries, devised what Hanchard has characterized as “racial regimes” to maintain the political and economic privileges of dominant groups at the expense of subordinated ones. Exploring how democracies reconcile political inequality and equality, Hanchard debates the thorny question of the conditions under which democracies have created and maintained barriers to political membership.Showing the ways that race, gender, nationality, and other criteria have determined a person’s status in political life, The Spectre ofRace offers important historical context for how democracy generates political difference and inequality.Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

We think we know the story of women's suffrage in the United States: women met at Seneca Falls, marched in Washington, D.C., and demanded the vote until they won it with the ratification of the Nineteenth Amendment. But the fight for women's voting rights extended far beyond these familiar scenes. From social clubs in New York's Chinatown to conferences for Native American rights, and in African American newspapers and pamphlets demanding equality for Spanish-speaking New Mexicans, a diverse cadre of extraordinary women struggled to build a movement that would truly include all women, regardless of race or national origin. In Recasting the Vote: How Women of Color Transformed the Suffrage Movement (The University of North Carolina Press, 2020), Cathleen D. Cahill tells the powerful stories of a multiracial group of activists who propelled the national suffrage movement toward a more inclusive vision of equal rights. Cahill reveals a new cast of heroines largely ignored in earlier suffrage histories: Marie Louise Bottineau Baldwin, Gertrude Simmons Bonnin (Zitkala-Ša), Laura Cornelius Kellogg, Carrie Williams Clifford, Mabel Ping-Hua Lee, and Adelina "Nina" Luna Otero-Warren. With these feminists of color in the foreground, Cahill recasts the suffrage movement as an unfinished struggle that extended beyond the ratification of the Nineteenth Amendment.As we celebrate the centennial of a great triumph for the women's movement, Cahill's powerful history reminds us of the work that remains. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Tavia Nyong’o's Afro-Fabulations: The Queer Drama of Black Life (NYU Press, 2018), examines a broad range of artists and disciplines, from Adrian Piper to Kara Walker to the meaning of the auroch's in the film Beasts of the Southern Wild. Throughout the book, Nyong’o draws the reader's attention to the ways Black and queer artists construct alternative worlds in a context of brutality and discrimination. Negotiating between the twin poles of Afro-futurism and Afro-pessimism, Nyong’o summons the poetic powers of queer world-making that have always been immanent to the fight and play of black life. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The familiar story of Delta blues musician Robert Johnson, who sold his soul to the devil at a Mississippi crossroads in exchange for guitar virtuosity, and the violent stereotypes evoked by legendary blues "bad men" like Stagger Lee undergird the persistent racial myths surrounding "authentic" blues expression. Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White (University of Massachusetts Press, 2020) unpacks the figure of the American blues performer, moving from early singers such as Ma Rainey and Big Mama Thornton to contemporary musicians such as Amy Winehouse, Rhiannon Giddens, and Jack White to reveal that blues makers have long used their songs, performances, interviews, and writings to invent personas that resist racial, social, economic, and gendered oppression. Using examples of fictional and real-life blues artists culled from popular music and literary works from writers such as Walter Mosley, Alice Walker, and Sherman Alexie, Kimberly Mack demonstrates that the stories blues musicians construct about their lives (however factually slippery) are inextricably linked to the "primary story" of the narrative blues tradition, in which autobiography fuels musicians' reclamation of power and agency.Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Jim Crow Sociology: The Black and Southern Roots of American Sociology (U Cincinnati Press, 2020) is an extraordinary new volume that examines the origin, development, and significance of Black Sociology through the accomplishments of early African American sociologists at Historically Black Colleges and Universities (HBCUs) such as Atlanta University, Tuskegee Institute, Fisk University, and Howard University. Black Sociology is a concept that weaponizes the discipline for that which is “right and good" and prioritizes scholar-activist inspired research directed at impacting real world conditions of African Americans.Guided by this approach, this book debunks the idea that the sociology practiced by early African Americans does not exemplify scholarly excellence. Instead, Earl Wright II demonstrates that Tuskegee Institute, under the leadership of Booker T. Washington, established the first applied program of rural sociology. Fisk University, first under the guidance of George Edmund Haynes then Charles S. Johnson, developed one of the earliest and most impactful programs of applied urban sociology. Wright extends our understanding of W. E. B. Du Bois's Atlanta Sociological Laboratory with an articulation of the contributions of women to the first American school of sociology. Jim Crow Sociology forces contemporary scholars to grapple with who are and who are not included in the disciplinary canon. Specifically, this book forces us to ask why early African American sociologists and HBCUs are not canonized. What makes this book most consequential is that it provides evidence supporting the proposition that sociology began in earnest in the United States as a Black and southern enterprise.C.J. Valasek is a Ph.D. Candidate in Sociology & Science Studies at the University of California San Diego. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies