New Books in African American Studies

In this episode, I interview R.A. Judy, professor of Critical and Cultural Studies at the University of Pittsburgh, about his book Sentient Flesh: Thinking in Disorder, Poiēsis in Black, which was published by Duke University Press in 2020. In Sentient Flesh R. A. Judy takes up freedman Tom Windham’s 1937 remark “we should have our liberty 'cause . . . us is human flesh" as a point of departure for an extended meditation on questions of the human, epistemology, and the historical ways in which the black being is understood. Drawing on numerous fields, from literary theory and musicology, to political theory and phenomenology, as well as Greek and Arabic philosophy, Judy engages literary texts and performative practices such as music and dance that express knowledge and conceptions of humanity appositional to those grounding modern racialized capitalism. Operating as critiques of Western humanism, these practices and modes of being-in-the-world—which he theorizes as “thinking in disorder,” or “poiēsis in black”—foreground the irreducible concomitance of flesh, thinking, and personhood. As Judy demonstrates, recognizing this concomitance is central to finding a way past the destructive and dominative force of the ontology of racial capitalism that still holds us in thrall.Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

What does it mean to be an American? The story of the African American past demonstrates the difficulty of answering this seemingly simple question. If being "American" means living in a land of freedom and opportunity, what are we to make of those Americans who were enslaved and who have suffered from the limitations of second-class citizenship throughout their lives? African American history illuminates the United States' core paradoxes, inviting profound questions about what it means to be an American, a citizen, and a human being.Jonathan S. Holloway's The Cause of Freedom: A Concise History of African Americans (Oxford University Press, 2021) considers how, for centuries, African Americans have fought for what the black feminist intellectual Anna Julia Cooper called "the cause of freedom." It begins in Jamestown in 1619, when the first shipment of enslaved Africans arrived in that settlement. It narrates the creation of a system of racialized chattel slavery, the eventual dismantling of that system in the national bloodletting of the Civil War, and the ways that civil rights disputes have continued to erupt in the more than 150 years since Emancipation. The Cause of Freedom carries forward to the Black Lives Matter movement, a grass-roots activist convulsion that declared that African Americans' present and past have value and meaning. At a moment when political debates grapple with the nation's obligation to acknowledge and perhaps even repair its original sin of racialized slavery, The Cause of Freedom tells a story about our capacity and willingness to realize the ideal articulated in the country's founding document, namely, that all people were created equal.Marshall Poe is the founder and editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

William Still looms large in the history of the Underground Railroad, both for his role coordinating the Eastern Line and the records he maintained of the fugitives he saved. In William Still: The Underground Railroad and the Angel at Philadelphia (University of Notre Dame Press, 2021), William C. Kashatus provides his readers with both an account of Still’s life and a comprehensive database compiled from the many interviews his subject conducted with the runaway slaves he assisted. Himself the son of former slaves, Still grew up in the free black community of Philadelphia, at that time the largest in America. Employed by the Philadelphia Anti-Slavery Society (PASS), Still worked alongside many of the leading figures of the abolitionist movement throughout the 1850s, playing a vital role in helping people escape from bondage. Though Still left PASS in 1861 for a successful career in business and philanthropy he remained a prominent figure in the postwar civil rights movement, while his authorship of the first published history of the Underground Railroad provided subsequent generations with a priceless resource about the hundreds of people he aided. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The Case for Identity Politics: Polarization, Demographic Change, and Racial Appeals (University of Virginia Press, 2020) dives into the discussion and debate surrounding the 2016 primary and how Donald Trump was ultimately nominated by the Republican Party to be their standard bearer and then elected president. But this is not the center of the book—though it is a very important data point. Christopher Stout, Associate Professor of Political Science at Oregon State University, came to this question about identity politics and how this understanding of rhetorical and political levers is at play with different groups of voters in the United States, through the work of Charles Hamilton and considerations of the idea of deracialized strategies in American politics. Hamilton, who has written a forward to The Case for Identity Politics, co-authored, with Kwame Toure, the 1967 text Black Power: The Politics of Liberation, bringing forward this deracialization thesis that provides the jumping off point for Stout’s research and analysis. Stout discusses this concept of the deracialization of political rhetoric and campaigns, especially by Democratic presidential candidates over the past thirty or forty years. The Case for Identity Politics explores the nuances of policy appeals that center on race and policy appeals that deracialize the policy itself. Stout, in examining these different paths over the past decades, also traces some of the changes within American political parties, most particularly within the parties themselves and whom the parties see and respond to as their base supporters. This is a rich, detailed, and methodologically diverse study of identity politics, and how identity, particularly racial identity, has worked within politics in the United States, operating differently at state/local levels and national levels.Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Brian Foster, self-identified Black boy from rural Mississippi, joins us today for a conversation about his book, I Don't Like the Blues: Race, Place, and the Backbeat of Black Life (The University of North Carolina Press, 2020). In this interview, he shares with us how his experiences growing up in, leaving and returning home to Mississippi shaped his storytelling. Foster first began this ethnographic project as a doctoral student in Sociology at UNC Chapel Hill. As he tells us, the project started as an exploration of educational inequality and race. It became something very different as he let himself be guided by the stories and experiences of the community he was researching. Brian tells us about a few of the folks he met while living in Clarksdale who shaped the direction and core ideas of this book; their stories highlighted perplexing and sometimes uncomfortable contradictions about what it meant to love and not like the Blues. We learn about Clarksdale, MI and the unique history of the Mississippi Delta, the development of the Blues Commission and Blues tourism as an effort to combat declining manufacturing and agricultural industries, the significance of the Blues to the Delta region, and the contradictions between investing in the Blues and investing in Black communities. We discuss storytelling, examining positionality in ethnographic research and how Foster sees Blues Epistemology as a lens to prioritize seeing Black Southerners as complex human rather than constructed caricatures.I Don’t Like the Blues tells us an often-overlooked history of a community who has come to be defined as just one thing – Black Southerners – by just one thing – the Blues. By taking us into the homes, cars, backyards and neighborhoods of Black Clarksdalians, Foster gives us the stories and the framework for thinking about how race, place and community development has shaped the lives of Black folks in contemporary Mississippi.Recently, his public writing “How We Got Here” on his Mississippian family and the tradition of hog slaughter, was developed into an award-winning short film. You can learn more about Brian’s ongoing work on his website. Nafeesa Andrabi a 4th year Sociology PhD student with specialization in Race/Ethnicity and Health/Illness. I am currently a Biosocial Fellow at Carolina Population Center. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

This ambitious work explores the literary and cultural production about Russian peasants and African Americans in the post-emancipation period. Brickell Bellows draws on visual images from advertisements to oil paintings as well as novellas, novels, pamphlets, and reports in English and Russian. The abolition of Russian serfdom in 1861 and American slavery in 1865 transformed both nations as Russian peasants and African Americans gained new rights as subjects and citizens. During the second half of the long nineteenth century, Americans and Russians responded to these societal transformations through a fascinating array of new cultural productions. Analyzing portrayals of African Americans and Russian serfs in oil paintings, advertisements, fiction, poetry, and ephemera housed in American and Russian archives, Amanda Brickell Bellows argues that these widely circulated depictions shaped collective memory of slavery and serfdom, affected the development of national consciousness, and influenced public opinion as peasants and freedpeople strove to exercise their newfound rights. While acknowledging the core differences between chattel slavery and serfdom, as well as the distinctions between each nation's post-emancipation era, Bellows highlights striking similarities between representations of slaves and serfs that were produced by elites in both nations as they sought to uphold a patriarchal vision of society. Russian peasants and African American freedpeople countered simplistic, paternalistic, and racist depictions by producing dignified self-representations of their traditions, communities, and accomplishments. American Slavery and Russian Serfdom in the Post-Emancipation Imagination (UNC Press, 2020) provides an important reconsideration of post-emancipation assimilation, race, class, and political power. Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

This ambitious work explores the literary and cultural production about Russian peasants and African Americans in the post-emancipation period. Brickell Bellows draws on visual images from advertisements to oil paintings as well as novellas, novels, pamphlets, and reports in English and Russian. The abolition of Russian serfdom in 1861 and American slavery in 1865 transformed both nations as Russian peasants and African Americans gained new rights as subjects and citizens. During the second half of the long nineteenth century, Americans and Russians responded to these societal transformations through a fascinating array of new cultural productions. Analyzing portrayals of African Americans and Russian serfs in oil paintings, advertisements, fiction, poetry, and ephemera housed in American and Russian archives, Amanda Brickell Bellows argues that these widely circulated depictions shaped collective memory of slavery and serfdom, affected the development of national consciousness, and influenced public opinion as peasants and freedpeople strove to exercise their newfound rights. While acknowledging the core differences between chattel slavery and serfdom, as well as the distinctions between each nation's post-emancipation era, Bellows highlights striking similarities between representations of slaves and serfs that were produced by elites in both nations as they sought to uphold a patriarchal vision of society. Russian peasants and African American freedpeople countered simplistic, paternalistic, and racist depictions by producing dignified self-representations of their traditions, communities, and accomplishments. American Slavery and Russian Serfdom in the Post-Emancipation Imagination (UNC Press, 2020) provides an important reconsideration of post-emancipation assimilation, race, class, and political power. Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

JeVon McCormick was born the son of a black pimp father and a white orphan mother. Hear how, as a nine year old, he critiqued the way his father managed prostitutes, to his rejection of concepts such as “hope” and “luck”. When he was in juvenile detention neither of his parents knew where he was. His journey from toughest of upbringings to fame and fortune is unforgettable and inspiring. Kimon and Richard never spoke to an entrepreneur with a history like his. We are sure you will find it as compelling as we did. The lessons that he shares from his journey about saving, adaptation, learning by doing, the power of asking questions, accountability, and responsibility can benefit entrepreneurs and leaders the world over. McCormick’s book I Got There: How a Mixed-Race Kid Overcame Racism, Poverty, and Abuse to Achieve the American Dream tells his story.About our guest JeVon McCormick is the son of a black pimp and a white mother, and was raised in the most dreadful conditions, three times jailed before he was an adult. His book, I Got There, tells the harrowing story of his struggle to succeed despite the over whelming odds stacked against him Today, he’s the CEO of a multi-million dollar publishing company that was recently ranked the #1 Top Company Culture inAmerica by Entrepreneur Magazine. JeVon is the President and CEO of Scribe Media, a publishing company that helps individuals from a variety of backgrounds write, publish, and market their books. Scribe Media has worked with more than 1700 authors, including members of The Nobel Peace Prize Committee, Nassim Taleb and David Goggins, whose blockbuster book Can’t Hurt Me has sold over 2 million copies. JeVon is an author and highly sought after keynote speaker, delivering the message that “Everyone Has A Story” to enthusiastic audiences across the country. JeVon is passionate about conscious entrepreneurship and creating opportunities for at-risk youth. He has mentored young men and women in the juvenile justice system, as well as those in lower economic communities. JeVon currently serves as a board member for Conscious Capitalism and the StartEdUp Foundation. His story and work have been featured on CNBC, and in Entrepreneur, Forbes, and Inc. magazines.https://scribemedia.com/https:... The NBN Entrepreneurship and Leadership podcast aims to educate and entertain, sharing insights based on the personal story of our carefully selected guests aiming for the atmosphere of an informal conversation in a bar or over a cup of coffee. Follow our channels on Facebook, Linkedin and Twitter.View the episode on Youtube here. You can listen to the episode on the NBN here.About Kimon Fountoukidis Twitter LinkedinKimon is the founder of both Argos Multilingual and PMR. Both companies were founded in the mid 90s with zero capital and both have gone on to become market leaders in their respective sectors. Kimon was born in New York and moved to Krakow, Poland in 1993. Listen to his story here.About Richard Lucas Twitter LinkedinRichard is a business and social entrepreneur who founded or invested in more than 30 businesses, including investments in Argos Multilingual, PMR and, in 2020, the New Books Network. Richard has been a TEDx event organiser, supports the pro-entrepreneurship ecosystem, and leads entrepreneurship workshops at all levels: from pre- to business schools. Richard was born in Oxford and moved to Poland in 1991. Read more here. Listen to his story in an autobiographical TEDx talk here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Duke University officially integrated its student body in the early 1960s, but the University itself did little to make students of color feel as though Duke was their academic home. During this decade, black students organized, agitated, protested, and finally took the bold step of occupying the University's main administrative building for one harrowing day, all in an effort to bring equality and rights to this historically white university campus. In his deeply researched book, Point of Reckoning: The Fight for Racial Justice (Duke University Press, 2021) Theodore D. Segal tells the story of the students, administrators, and activists who forced Duke to acknowledge and address its segregation and disparity.Lane Davis is a doctoral candidate in the Graduate Program in Religious Studies at Southern Methodist University where he studies American religious history. Find him on Twitter @TheeLaneDavis Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Damaged: Musicality and Race in Early American Punk (University Press of Mississippi, 2020) is the first book-length portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. Drawing on musical analysis, archival research, and new interviews, Damaged provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era.Evan Rapport outlines the ways in which punk developed out of dramatic changes to America’s cities and suburbs in the postwar era, especially with respect to race. The musical styles that led to punk included transformations to blues resources, experimental visions of the American musical past, and bold reworkings of the rock-and-roll and rhythm-and-blues sounds of the late 1950s and early 1960s, revealing a historically oriented approach to rock that is strikingly different from the common myths and conceptions about punk. Following these approaches, punk itself reflected new versions of older exchanges between the US and the UK, the changing environments of American suburbs and cities, and a shift from the expressions of older baby boomers to that of younger musicians belonging to Generation X. Throughout the book, Rapport also explores the discourses and contradictory narratives of punk history, which are often in direct conflict with the world that is captured in historical documents and revealed through musical analysis.Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies