Horror Movie Talk

Synopsis Night of the Living Dead is a zombie movie about a group of strangers who are funneled into a farmhouse and forced to work together for survival. Ben, our protagonist played by Duane Jones is a strong and courageous man who takes it upon himself to lead the group as they struggle to escape the zombie hoard entrapping them in the home. Through twists and turns they learn that friendship was what they really needed all along. Review of Night of the Living Dead Night of the Living Dead is a foundational horror movie that deserves to be a classic. It has a classic zombie movie feel and did a lot to inspire zombie movies in the future. Despite my enjoyment of the film, there are still points in the movie that feel slow, and the dialogue seems to repeat itself a lot when trying to explain the situation. The makeup isn’t always very convincing, at least not compared to modern zombie movies, but it’s almost refreshing to see zombies that aren’t completely covered in blood and gore. Duane Jones gives a fantastic performance as Ben, and it’s easy to root for his strong character. Judith O’Dea’s acting is a little over the top for me at times, and her character becomes pretty annoying, but hey maybe if I was in a zombie apocalypse I’d be just as scared and useless as her.  Score 8/10

Immaculate, starring Sydney Sweeney is the new religious horror film that we’ll be reviewing today, and it goes hard at the end, so stay tuned. Synopsis Immaculate tells the story of a young American woman with heavy naturals named Cecilia joining a convent in Italy. It’s slowly revealed to Sister Cecilia that the convent isn’t as immaculate as it seems. The priest and other nuns seem to have ulterior motives for bringing Cecilia there. Once she discovers the convent’s dark and mysterious secrets, it’s too late. She be pregonate. Review of Immaculate Immaculate is a Catholic horror movie that somehow avoids all the tropes associated with that label. There’s no exorcism, no devil, and not even a  strong supernatural element. This subversion of expectations alone makes it an interesting horror movie. Structurally, the film is sound, but it feels more like a framework and not fully fleshed out. The themes and implications of the story aren’t fully explored. There is a lot of fertile ground here, in terms of exploring faith, devotion, obedience, and authority that are only skimmed over.  I wasn’t a big fan of Sydney Sweeney’s acting in the first half of the film. Her demeanor and vibe brought too much 21st century ambivalence for a character that is essentially a religious zealot. However, she won me over with her acting in the latter half of the film. The film goes pretty hard with the gore and body horror, but what else would you expect from a movie about pregnancy? We are given an early taste with a graphic leg breaking scene in the prologue, and the final moments of the film are some of the most visceral that I’ve seen in a while. The worst and most distracting element of the film was the sound. The score was terrible, and felt like it was out of a low budget student film. The Foley sound was almost comical with prolonged and impossibly loud creaks and squelches. Score 7/10

Synopsis Two American tourists David and Jack are hiking through Europe when they are attacked by a giant wolf in the northern moorlands of Britain. A month later during the full moon, David turns into a werewolf. But not any ordinary, this one is louder, friendlier, individualistic, and more confident than British werewolves. It wreaks havoc on London, biting and slashing through town while being openly patriotic. Review of An American Werewolf in London An American Werewolf in London is a classic 80’s horror movie that stands the test of time. Director John Landis brings the humor he is known for from Animal house and Blues Brothers, and combines it with the horror that he brought to behind the scenes of Twilight Zone: The Movie. The cast of relative unknowns David Naughton and Griffin Dunne bring a convincing casualness as college friends, and really sell the humor. The real star of the show is Rick Baker’s practical effects, and the werewolf transformation stands as the gold standard of metamorphoses on camera. While the film does have humor, I would more describe it as casual. Which is a great contrast to the gory violence and disturbing dreamy jump cuts that pop out at you throughout. The film isn’t too ambitious and keeps the plot to a basic monster movie reminiscent of the old universal horror movies, but it is spiced up with quirky 80’s flavor. Score 10/10

Synopsis Imaginary is a PG-13 horror film about Jessica, an artist and author who recently married Max and joined his family, becoming a stepmother to two girls. When Jessica’s father is moved into a retirement home, the family moves into Jessica’s childhood house in hopes of finding a fresh start. As the family settles in, the youngest daughter, Alice, appears to have a new imaginary friend whom she spends all her time talking to. The family soon finds that this new friend is anything but imaginary as it begins to wreak havoc on the household. The movie is directed by Jeff Wadlow and written by Wadlow, Greg Erb, and Jason Oremland. Review of Imaginary This might be one of the worst movies I’ve ever seen. The script is not subtle at all, and none of the characters talk like real human beings. It’s almost like the writers knew what they wanted to tell the audience but had no idea how to convey their thoughts other than having the characters say them outright. The acting ranges from okay to downright awful, and somehow the best actor of them all might have been Piper Braun, the actress who plays the little girl. The movie could have been a tight hour and 20 minutes but chooses to drag on another 25 minutes at the end, making it feel like you’ve been in the theater for hours. Still, despite all my criticisms, there were a couple of scenes that I enjoyed, so I can’t fully commit to giving this movie a 1.  Score 2/10

Synopsis When a single dad who owes child support decides to rob a rich family’s home while he thinks they’re on vacation, he unexpectedly gets locked inside of a major house of horrors, with a sadistic mask wearing man who has already decided to wreak another kind of havoc on this family’s home. Review of The Collector The Collector (2009) is a quintessential aughts horror film. The quick cuts, the over the top gore, the good guy who is actually kind of seedy but has a good heart protagonist, the Saw-like green glow of some of the scenes is representative of the era it came out into. This movie came out the same year as Jennifer’s Body, The Human Centipede, Drag Me to Hell, Dead Snow, The Uninvited and many more very famous and quite renowned horror films. Although the critics didn’t like this one, with a 29% on Metacritic and Rotten Tomatoes, I think that this movie deserves some love.This movie is definitely a hidden gem, with only a $3 mil budget, compared to other horror from the same year, with budgets as high as $30 mil. Even though critics hated it, it was a box office success, grossing over $10 mil. It’s fun, it’s inventive, there are a lot of unexpected twists and turns that keep you captivated. Although it isn’t the best movie I’ve ever seen, it has rewatchable value and it has a pretty great sequel, The Collection. If you like gore, if you like interesting kills and action packed scary movies, this one’s for you. Score 7/10

Synopsis A cop named Daniel drives an injured man to an understaffed hospital after he finds him bleeding in the woods. Upon arrival, Daniel realizes this will not be just another day on the job as he is quickly forced to draw his weapon on a nurse, who attacks him in a manic rage. Before Daniel can call for help, the hospital is surrounded by unknown figures in hoods who won’t come inside, but won’t let anyone leave either. Wackiness ensues. Silliness abounds.  Review of The Void The Void is some sort of hodge-podge that pulls from many different movies, creating a wild ride that barely gives the viewer time to breathe. The creature designs remind me of a monster you might have to fight in a doom video game, which is definitely a good thing, and the acting is for the most part, pretty good. Some of the twists and turns this movie takes feel a little forced to me, coming out of nowhere with what seemed like zero foreshadowing, yet instead of feeling shocked and blindsided I kind of just was like, “Oh okay. I guess that’s happening now”. I couldn’t tell if the movie was trying to say something about pregnancy, miscarriages, and losing a child. It seemed a little like it was, I just dont know how losing a child connects to triangles, pyramids, and drug-fueled sex binges, but that’s just me. Overall it’s an interesting movie, worth a watch but not a must-see for me.  Score 7/10

Before X and Pearl, Ti West brought us this 70’s horror callback. Synopsis Twelve years before the success of movies X and Pearl, Ti West’s first breakout feature film The House of the Devil was released. This film follows Samantha, played by Jocelin Donahoe, a broke college student trying to find a new apartment to get away from her annoying roommate. She finds a job posting that just says “Baby$itter wanted” and decides to give it a shot. After she gets into contact with a robotic creepy disembodied voice on the phone about the job, she decides to take it and have her friend, director of Barbie, take her to the house. Once she arrives to babysit, she realizes that this is not a typical babysitting job, and everyone who lives in this house is off their rocker. But, they’re paying her four times more than she asks for, so she decides it’s worth it. A scary old house in the middle of nowhere while caring for a supposed elderly woman that likes to keep to herself, where her only contact with the outside world is the pizza man, on the night of a lunar eclipse, what could go wrong? So much more than Samantha could have ever thought. Review of The House of the Devil After loving X and Pearl, I decided to give Ti West’s first movie a shot, and I was not disappointed. Like X and Pearl, Ti West’s editing and direction of the film is something to be revered, with his jump cuts and long shots and bone chilling zooms and set dressing, this makes for a good horror movie. It has everything a horror fan would want: pretty girls, lots of blood, a good setup for scares, a creepy attic, a weird old lady, satanic rituals, a friend who doubts the validity of the situation, and a final girl. It is shot on 16mm which gives the film a vintage horror feel, the way it was filmed and the story that was set up kind of reminded me of the original Black Christmas. Even the main characters looked alike. It is a bit slower to get into the action, but you know once you’re in it you’re in for a treat. All in all, this film is good, it is scary, it is artful, and I love seeing how directors started and how they have grown since their first films. I loved every second of it. I was scared, even upon the second watch. Score 9/10

Critics are split on this new movie from Zelda Williams and Diablo Cody, but We’re nearly unanimous, Lisa Frankenstein is a good time and you should go see it in theaters. Synopsis Set in the late 80’s, Lisa is the weird new girl in school dealing with the grief of her mothers death and life in a new family with a wicked stepmother and kind of nice yet condescending stepsister. She spends her free hours talking to herself and pining for love in a Bachelor’s cemetery, which is totally a thing. She has the hots for the editor of the school newspaper, and while chatting with him at a party, she drinks a spiked drink and goes into a psychedelic trip during a thunderstorm. Using 80’s logic, the lightning resurrects Lisa’s favorite grave resident unbeknownst to her. From there, it’s that age old tale of the goth girl that keeps a reanimated corpse in the friendzone while they murder people for parts.  Review of Lisa Frankenstein Lisa Frankenstein is a mess, but it’s a fun mess. As of recording, it sits at a solid 50% critics score on Rotten Tomatoes, and I’m honestly not surprised. I predict this one will be divisive, but could ultimately become a cult classic from it’s bizarre campy charm. The premise feels straight from the early filmography of Tim Burton, but unlike Burton, the freshman director Zelda Williams struggles with keeping a consistent style and tone throughout the film. Her background is in music videos, and it really shows in some of the narrative style of the movie, which relies heavily on visual shorthand more than hard earned character development and cause and effect. The script written by Diablo Cody of Juno and Jennifer’s Body fame is the highlight of the film. It taps into a level of snarky and campy humor rarely seen outside of 80’s teen romcoms. Like her other scripts, this one features sharp dialogue and amusing non-sequiters from supporting characters that makes the world fun to watch. The acting is great. Kathrine Newton who plays Lisa shifts from weird nerd to self assured goth murderess with aplomb. Cole Sprouse does great with comedic timing as the mute creature. Liza Soberano walks the line between condescension and likability really well as the step sister. Carla Gugino was the best at bringing the appropriate amount of camp to the stepmother. The main flaws in the movie are the disjointed tone and the arbitrariness of the plot. It would have been nicer to have more effort put into the setups for the major plot shifts and character changes. Without properly establishing cause and effect, the movie can feel confusing. But here’s the thing. With all the nitpicks I could pick at, I was smiling and chuckling throughout the whole movie. I thought it was a blast, and I give it a lot of points for originality.  Score 8/10

Synopsis Four petty criminals who film their violent crimes are strapped for cash, so they find a job to break into a creepy old house to steal a mysterious VHS tape. Once they’re inside, they slowly realize that this excursion might not be worth the money, as there is a dead man waiting for them in front of a wall of TVs and about a hundred tapes to go through. As they watch them, we see the tapes from their point of view and get to see what scares are in store every step of the way. Review of VHS VHS is a 2012 film with nine directors, with the most notable being Ti West (of X and Pearl), David Bruckner (The Ritual, The Night House), Adam Wingard (You’re Next), Matt Bettinelli-Olpin and Tyler Gillet (Ready or Not and Scream 2022). This gaggle of directors comes together to launch their careers through five different tapes plus the main backdrop storyline to create a classic anthology film that sparked a franchise. This movie is included in the mumble-gore movement of the late aughts and early 10s, and perhaps is the most famous to come out of the genre. I have seen this film no less than six times, and while I rewatched it for this episode I realized that I knew it so well that I probably didn’t have to watch it again to recount it beat by beat and give it a score. To me, this is a modern horror classic. I really enjoy this movie, how it switches from a slowburn creep out to a ghost story to a slasher and so on. I think it is a great movie to get you into horror, it is a great movie to revisit, it is a great movie period. I am thoroughly entertained through every part of it, and even though not every tape is my favorite, I think all of it is very effective as a scary movie and I love the ambiguous ending. To quote my boyfriend when I told him what movie we were reviewing, “Oh so it’s a true syd classic.” It might be nostalgia, it might be the genotype, but whatever it is, I really love this movie.   Score 9/10

Synopsis Suspiria (1977) (not to be confused with Suspiria 2018) is a movie about a young American woman named Suzie who relocates to Germany to join a prestigious dance academy. As Suzie begins to adjust to her new life, she stumbles into a world of conspiracy that seems to surround her school and the dance instructors. People start to go missing while Suzie and her friend Sara attempt to put the pieces together. When the school’s staff start to show their true colors, Suzie must investigate the history of the academy before whoever is murdering the dancers makes her the next target. In the end, they all get more Suspiria than they bargained for.  Review of Suspiria (1977) Suspiria is directed by Dario Argento and stars Jessica Harper as Suzie. The movie, now considered a horror classic, uses unconventional lighting and color, which gives the movie a unique feeling and adds to the suspenseful atmosphere. The dialogue is kind of goofy at times, but to me, that is part of the charm. My problem with Suspiria is that with a run time of only an hour and 40 minutes, it somehow feels like a 2 hour + movie. The scenes drag on, probably to linger on the beautifully designed shots, and the plot is minimal compared to the 2018 remake, which expands on and adds ideas to the original. However, I say all of that just for the sake of being critical. I actually really enjoy this movie.  Score 8/10