New Books in Western European Studies

Thomas Kemple‘s new book is an extraordinarily thoughtful invitation to approach Max Weber (1864-1920) as a performer, and to experience Weber’s work by attending to his spoken and written voice. Intellectual Work and the Spirit of Capitalism: Weber’s Calling (Palgrave Macmillan, 2014) looks carefully at the literary structure and aesthetic elements of Weber’s arguments, considering how the texts offer an “allegorical resource for thinking sociologically.” Kemple argues that the formal structure of Weber’s ideas is inseparable from the content, and that understanding one is crucial for understanding the other. As a way into that formal structure, in each chapter Kemple offers an ingenious visual diagram that acts as a kind of “talking picture,” simultaneously evoking the cinematic elements of Weber’s own work and giving readers another tool for engaging the performative aspects of it. Kemple’s book is particularly attentive to the ways that Weber’s performance is shaped by a close engagement with the work of other writers, musicians, and thinkers, from Goethe and Tolstoy to Machiavelli and Martin Luther, and from the Bhagavadgita to The Valkyries. In addition, Marianne Weber – Max’s “wife, intellectual partner, and posthumous editor” – is an important presence throughout the book in helping us understand and read Weber’s work anew. Kemple’s thoughtful and beautifully written analysis helps us understand not just Weber’s own work, but also the value of that work for attending to issues of our own present. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Despite being Germany’s most famous literary lion, in 1786 Johann Wolfgang von Goethe had to jump on a mail coach incognito to begin his travels to Italy (of course, he asked permission first from his patron the duke Karl August). InThe Bells in Their Silence: Travels through Germany (Princeton University Press, 2006), Michael Gorra takes the reader on a reverse journey, for it is by slipping in “incognito” that we will begin to find Germany in all its imponderables. The result of a year’s sabbatical residence in Hamburg, this book is a deep and discursive exploration of a country with millennia of history, and it explores how Germany’s dark role during the twentieth century weaves in and out of the everyday in the twenty-first. The travel companions Gorra invites along are an exceptional group: Thomas Mann, Walter Benjamin, W. G. Sebald, Bruce Chatwin. They all have looked at traveling through a kaleidoscopic lens and do not follow the linear as much as channel the essence of physical, historical, and cultural motion. Gorra states the unlikelihood of there ever being a book called A Year in Schleswig-Holstein or Under the Nordrhein-Westfälische Sun. This is the land of school trips to war memorials commemorating the dead of all sides. Of burnt-out buildings that remain so and become part of the landscape. The fiercest debates now about outsiders may be about the East Germans whose integration into the reunited Germany began following the fall of the Berlin Wall in 1989. Even Berlin itself is hard to define because it is still in the throws of becoming. Since 1852, it has undergone almost constant change. City maps show nine different iterations between 1902 and 1949. And more momentous change is taking place now, for Berlin has become the newest “destination” global city. Perhaps no German painting is more mysterious than “The Wanderer Above the Sea of Fog,” the 1817 work by David Caspar Friedrich. In using it to open “The Bells in Their Silence: Travels Through Germany,” Gorra suggests that for Germany, the quest is a more appropriate approach than a road map in the search for clarity. A Pulitzer-Prize finalist in biography, Michael Gorra is the Mary Augusta Jordan Professor of English Language and Literature at Smith College. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Hugo Frey‘s new book, Nationalism and the Cinema in France: Political Mythologies and Film Events, 1945-1995 (Berghahn Books, 2014) distinguishes between a national cinema (films made in France) and a nationalist cinema motivated by the specific agenda to promote une certaine idee de la France. Working with ideas about “political mythology” and the “film event,” Frey analyses a series of films and filmmakers, including: Michel Audiard, Jean-Luc Godard, Claude Lelouch, Jean-Pierre Melville, Marcel Pagnol, Jean Renoir, Jacques Tati, and Francois Truffaut. Contributing to a vast and complex field of work on the cinema in France since 1945, Nationalism and the Cinema in France offers readers an analysis of French “metafilms” (films about film and filmmaking) in the postwar period; the representation of French history and modernity; the conversation between French cinema and Hollywood  (and France and the United States more generally); the complex relationship between French film, nationalism, and empire; antisemitism; and the politics of the extreme Right up to the mid-1990s. In our conversation, Hugo and I consider the legacies of the fifty year period covered in the book, including the links between the issues discussed in its pages and more contemporary struggles over national identity and difference. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Aristotle Tziampiris is The Emergence of Israeli-Greek Cooperation (Springer, 2015). Tziampiris is Associate Professor of International Relations and Director of the Center for International and European Affairs at the Department of International and European Studies at the University of Piraeus. The recent fiscal debt crisis in Greece has drawn world attention to the country’s position in global affairs. Rather than pursue the financial situation, Tziampiris investigates the foreign policy making of Greece, particularly its changing relationship with Israel and Turkey. Greece and Israel have had a distant relationship for much of the last 50 years, but recent politics for both countries have moved the two toward a budding friendship. Tziampiris bases his argument and key findings on high-level original interviews which lend the book a degree of legitimacy and significance. Based on these conversations with Greek and Israeli diplomats, he points to the Gaza Freeodm Flotilla as the point where leaders from the two countries began to rebuild their bi-lateral relationship. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

I won’t speak for you, but I find it utterly remarkable that the British were able to “rule” India. Britain, of course, is a small island off a small continent some significant distance from most of its colonies. India, in contrast, is essentially a continentunto itself and the home of an ancient, sophisticated civilization. How could the tiny UK “rule” an entire continental civilization? Happily, Dhara Anjaria gives us some answers in her excellent Curzon’s India: Networks of Colonial Governance, 1899-1905 (Oxford University Press, 2014).In a word, the Brits didn’t rule Indiaalone, at least when they were ruling India well. Through the lens ofGeorge Nathaniel Curzon, 1st Marquess Curzon of Kedleston, Anjaria tells the tale. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Nick Wilding‘s new book is brilliant, thoughtful, and an absolute pleasure to read. Galileo’s Idol: Gianfrancesco Sagredo and The Politics of Knowledge (University of Chicago Press, 2014) takes an unusual approach to understanding Galileo and his context by focusing its narrative on his closest friend, student, and patron, the Venetian Gianfrancesco Sagredo. Though most readers might be familiar with Sagredo largely as one of the protagonists of Galileo’s 1632 Dialogue upon the Two Main Systems of the World, here he takes center stage. In order to bring Sagredo to life and help us understand his significance both for Galileo and for early modern science in context more broadly conceived, Wilding has worked with an impressive range of materials that include poems, paintings, ornamental woodcuts, epistolary hoaxes, intercepted letters, murder case files, and more. After a chapter that reads like a detective story as Wilding tracks down and expertly reads missing portraits of Sagredo, subsequent chapters explore the Venetian’s role in major disputes involving the Jesuits, his family’s mining interests, his time as treasurer for a fortress and a consul to Syria, and his performance as a “rich, old, slightly batty widow” in the context of a rather hilarious epistolary hoax. We also come to understand Galileo anew, as Wilding pays careful attention to his use of scribal publication to control and disseminate his writing and the relationship between instrument and text in his work. (In one wonderful chapter, Wilding reads woodcuts associated with the Sidereus nuncius in order to reframe how we understand the history of production and publication of this text in the context of transalpine book smuggling.) Along the way, the chapters make significant interventions in the historiography of science, suggesting ways that Sagredo helps us think anew about the use of visual sources, the agency of “intermediaries and go-betweens” in creating their own networks, the importance of understanding the sense of humor of our historical actors, the social nature of early modern authorship, and the need to reassess the historiography of the global scientific network of the Jesuits. There are also some really, horribly, wonderfully bad puns. (Consider yourselves forewarned.) Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

You’d be hard pressed to find anyone who knows anything about European history–and European diplomatic history in particular–who doesn’tknow a little something about the Congress of Vienna. That “little something” is probably that the Congress fostered a post-war (Napoleonic War, that is) settlement called the “Concert of Europe” that lasted, roughly, until the outbreak of World War I in 1914. That’s a good sound bite. But, as Brian Vick shows in his lively, fascinating bookThe Congress of Vienna: Power and Politics after Napoleon (Harvard University Press, 2014), a lot more than diplomatic toing-and-froing went on in Vienna. The diplomats and their huge entourages, well, partied a lot. The ate (generally well), drank (often too much) and “consorted” (to put it diplomatically). As Vick demonstrates, this setting has a distinct impact on the negotiations and their eventual outcome. In vino veritas? Listen in. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In the annals of cold war history Italy is rarely seen as a crucial locale.  In his stimulating new book, The United States, Italy, and the Origins of Cold War: Waging Political Warfare (Cambridge University Press, 2014), Kaeten Mistry reveals how events in Italy proved surprisingly crucial in defining a conflict that dominated much of the twentieth century.  For the United States, it marked the first intervention in the postwar era to influence events abroad through political warfare, the use of all measures ‘short of war’ in foreign affairs.  Drawing particular attention to the Italian election of 18 April 1948, he explains how the campaign for the first national election of the newfound Italian republic marked a critical defeat for communism in the early cold war.  The United States utilized a range of overt and covert methods against Marxist political and social power.  Political warfare seemingly outlined a way to tackle communist strength more widely. Analyzing American political warfare efforts against the Italian left allows Mistry to advance a number of important arguments.  He shows how U.S. efforts were largely improvised and many key decisions ad hoc.  While officials in Washington like George F. Kennan worked to institutionalize political warfare, Italian actors and a host of non-governmental organizations played a crucial role in the defeat of the Italian left, even if they did not always share the same agenda as American officials.  Mistry emphasizes Italian agency, explaining how Christian Democrat Prime Minister Alcide De Gasperi pursued his own agenda to protect national sovereignty.  The Vatican had its own objectives, as did trade unions, citizen groups, and multinational corporations.  Other actors held a less rigid view of the Cold War than their American counterparts.  In short, political warfare was more than an American story yet U.S. officials and commentators lined up to praise the election campaign as a distinctly American success.  Mistry argues that this ‘perception of success’ contributed to an expanded use of political warfare, as U.S efforts turned to subverting communist power in Eastern Europe and, later, the Global South. The work is a refreshing reminder of how foreign policy is rarely under the control of elite figures in Washington.  Rather, it is subject to negotiation with various foreign and non-governmental actors.  When viewed in this light, Mistry’s work is a useful reminder that governments will almost always invite trouble when they assume the ‘success’ of their efforts to shape events abroad, overlooking the role and motives of other peoples and groups, to make the case for intervention elsewhere.  Enjoy. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In Muslims in the Western Imagination (Oxford University Press, 2015), Sophia Rose Arjana explores a variety of creative productions–including art, literature, film–in order to tell a story not about how Muslims construct their own identities but rather about how Western thinkers have constructed ideas about Muslims and monsters. To what extent are these imaginary constructs real? Is it possible for one’s imagination to create things that are more telling than what is actually real? Arjana’s monograph is compelling, in part, because of the plethora of examples she offers–from a range of cultures and time periods–to help us understand just how deeply stereotypes and fears run in the very fabric of Western imaginations. She demonstrates, in fact, that it’s not just Muslims who are portrayed in troubling ways, but also characters that seem foreign to any extent. Dracula, for example, pushes boundaries between Muslim and Jewish–and is also not quite human; in this way, Arjana draws important parallels between the historically contingent categories of anti-Semitism and Islamophobia. Arjana also draws on films, such as Star Wars and 300, while noting that not all Orientalist imagery is necessarily offensive, even if some of it clearly is for many people. Whether the book ultimately conveys despair or optimism about the current state of cultural affairs will likely vary from reader to reader. It remains clear, however, that Arjana meticulously and artfully portrays a long continuum of how certain types of people have seen themselves as civilized and human, precisely in relation to an inhuman or “post-human” contrast that fits somewhere in the category of Muslim monsters. Given the wide range of popular cultural icons that Arjana explores in her carefully written, rich, and provocative monograph appeals at once to fields such as literature, gender studies, art history, religious studies, and political science. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

American policymakers and scholars alike have looked to the rapid transformation of Germany, specifically West Germany, from a defeated Nazi state into a thriving democracy as one of the most successful postwar reconstructions of the twentieth century. Scholars have variously credited an influential U.S. occupation or Germans’ own revulsion at their Nazi past as the cause of the success. Udi Greenberg, Assistant Professor of History at Dartmouth College, pushes scholars to rethink these common explanations for the transformation in his new book The Weimar Century: German Emigres and the Ideological Foundation of the Cold War (Princeton University Press, 2015), Greenberg shows how a small group of German emigres, who came of age during Germany’s Weimar Republic, provided the intellectual leadership for West Germany’s postwar reconstruction as a democratic republic. The book focuses on five individuals, Protestant political thinker Carl J. Friedrich, Socialist theoretician Ernst Fraenkel, Catholic journalist Waldemar Gurian, liberal lawyer Karl Loewenstein, and international relations expert Hans Morgenthau. Each of these emigres became important leaders in the intellectual transformation of Germany and were key figures in facilitating a collaboration between American occupiers and Germany citizens. Beyond their role in the democratization of West Germany, Greenberg also shows that these emigres were key architects of the Cold War order. These emigres saw democracy and anti-communism as closely linked, an interpretation they brought not only to the reconstruction of Germany, but also to Cold War projects across the globe. These men became key players in U.S. Cold War policymaking in Korea, Latin America, and beyond. In doing so, they gained influential roles in at the center of American power and helped shape the early Cold War for better and worse. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies