New Books in Middle Eastern Studies

Connections between France and North Africa have long been shaped by colonialism, nationalism, and economics. This intercultural relationship has also been mediated through the arts. In Muslim Women in French Cinema: Voices of Maghrebi Migrants in France (Liverpool University Press, 2016), Leslie Kealhofer-Kemp, Assistant Professor of French at the University of Rhode Island, examines one population who has often been left out of these cultural formations. Kemp focuses on the representation of first-generation Maghrebi women in France in documentaries, short films, feature films, and telefilms. Her analysis revolves around filmic textual analysis and the production, audience reception, and distribution of these art forms in contemporary French society. Kemp is attuned to filmic genre conventions, narrative structures, and formal techniques that media producers and artists use to both appeal to large mainstream audiences while challenging dominant stereotypes about Muslims. In our conversation we discussed views of North Africans in French society, means for recovering voice in film, the role of religion in French cinema, the mediation of subjects in documentary films, the role of objects in voicing difference, expressing agency of women protagonists, the goals of dialogue and voiceover versus body language or non-verbal communication, and film’s ability to challenge dominant stereotypes in France. Kristian Petersen is an Assistant Professor of Religious Studies at the University of Nebraska Omaha. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Spanning several decades, the work of Ella Shohat, a Professor of Cultural Studies and Middle Eastern Studies at New York University, has introduced conceptual frameworks that fundamentally challenged conventional understandings of Israel, Palestine, Zionism and the Middle East. On the Arab-Jew, Palestine, and Other Displacements (Pluto Press, 2017) gathers together her most influential political essays, interviews, speeches, testimonies and memoirs, as well as previously unpublished material. Shohat’s transdisciplinary perspective illuminates the cultural politics in and around the Middle East. Juxtaposing texts of various genres written in divergent contexts, the book offers a vivid sense of the author’s intellectual journey. Yaacov Yadgar is the Stanley Lewis Professor of Israel Studies at the University of Oxford. His most recent book is Sovereign Jews: Israel, Zionism and Judaism (SUNY Press, 2017). You can read more of Yadgar’s work here.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Studies of Arab nationalism populate the field of Middle Eastern studies, perhaps even overpopulate it. However, what Adam Mestyan does in Arab Patriotism: The Ideology and Culture of Power in Late Ottoman Egypt (Princeton University Press, 2017) is very different: he looks specifically at patriotic sentiment, not nationalism per se, and its specifically Ottoman roots. Using archival sources in both Arabic and Ottoman Turkish, Mestyan ties together the public sphere, the press, leadership, and even opera to show us how the homeland is portrayed and thought of in late Ottoman and then later, colonial Egypt. This in turn allows us to understand how patriotism would later influence the development of nationalism in the twentieth century. Adam Mestyan is a historian of the modern Middle East and is assistant professor at Duke University. He was a junior fellow at the Society of Fellows at Harvard and taught at Oxford after getting his doctorate in history from Central European University. He is involved in many digital humanities projects, including a bibliography of nineteenth-century Arabic-language periodicals. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

The Syrian Revolution, which began in March 2011, has since resulted in what can be described as a civil war, the deaths of hundreds of thousands of people, and the forced migrations of millions of Syrians. This story has been told countless times in news media. However, less known is the story of the Syrian artists who have portrayed the revolution with all of its nuances. miriam cooke’s Dancing in Damascus: Creativity, Resilience and the Syrian Revolution (Routledge, 2017) tells that story, beginning before the revolution and continuing until the present. Through cooke’s work, we see how oppression can beget creativity and how art in the Syrian context can create public memory. cooke brings together different mediums to show how different conversations cut through the Syrian artistic community and how Syrians relate to one another. Dancing in Damascus is comprehensive, provocative, and hopeful. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

We’ve featured a few books on fashion and the Muslim world recently, all part of an effort to re-orient the study of women in the Muslim and Arabic-speaking worlds. Elizabeth Bucar’s Pious Fashion: How Muslim Women Dress (Harvard University Press, 2017) uses three different Muslim populations, Iran, Indonesia and Turkey, to look at what Muslim women wear and how it reflects individual agency. What’s so original about Bucar’s contribution is that it emphasizes how women dress, versus simply what they wear. Bucar looks at bad style, new media, global fashion, and religious authority in an account that gives agency to the subjects. But the book isn’t simply about Muslim women, but all women and is at its best when reminding the reader how dress functions in their own society. Elizabeth Bucar is Associate Professor of Philosophy and Religion at Northeastern University. She was previously Assistant Professor of Religious Studies at the University of North Carolina, Greensboro. She is a religious ethicist who studies sexuality, gender, and moral transformation within Islamic and Christian traditions and communities and she received her PhD in religious ethics from the University of Chicago. Nadirah Mansour is a graduate student at Princeton Universitys Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Over the past century, virtually every Iranian—whether living in Iran or in the diaspora—has been exposed, to one degree or another, to certain commonly held nationalistic beliefs about what it means to be Iranian. These beliefs include the idea that Iranians are an “Aryan” race; that pre-Islamic Iran was a sort of golden age, marked by a glorious Persian Empire; and that this pure Iranian “soul” was subsequently “polluted” by the arrival of Arab culture, language and even religion in the seventh century. As Reza Zia-Ebrahimi shows in his deftly argued new book, The Emergence of Iranian Nationalism: Race and the Politics of Dislocation (Columbia University Press, 2016), these nationalistic myths are largely a modern invention—a phenomenon he describes as “dislocative nationalism.” Following a “traumatic encounter with Europe” in the nineteenth century, Zia-Ebrahimi argues, Iranians were left searching for explanations for their perceived backwardness vis-a-vis western civilization. And the answer increasingly offered by modernist intellectuals was that the genius of Persian civilization had been degraded by the invasion of an alien other—in the form of Arabs and Islam. These ideas, which borrowed heavily from contemporary European racial thinking of the time, were adapted and hybridized by Iranian intellectuals keen to cast Persians as a master race, superior to the Semitic Arabs. And in the twentieth century, they were enthusiastically taken up by the Pahlavi state as part of its drive towards secularization and western-style modernity. Zia-Ebrahimi calls these ideas “dislocative” because they suggest—implicitly and sometimes explicitly—that Iran’s physical location, in the middle of a region dominated by Arabs and Islam, is a mere accident of geography, and that Iranians are actually Europeans manques. The persistence of such dislocative ideas about Iranian nationhood, which continue to animate much of the chauvinistic discourse indulged in by Iranians both sympathetic and antagonistic to the Islamic Republic, makes them ripe for critical enquiry, and Zia-Ebrahimi offers a long-overdue assessment of the phenomenon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Kevan Harris is the author of A Social Revolution: Politics and the Welfare State in Iran (University of California Press, 2017). Harris is assistant professor of sociology at the University of California, Los Angeles. Much scholarship has focused on understanding the Iranian revolution of 1979, especially in relation to other nations in the Middle East and those further away in the West. The Islamic Republic of Iran is an interesting foreign policy study, but of less interest for studies of the political development of the state. Absent from this conventional interest is the ways that the Iranian government has adopted and implemented social policy, before and after the revolution. Based on extensive fieldwork, Harris shows how the government since 1979 took welfare state institutions of the pre-revolutionary regime and expanded programs for health, education, and aid. His descriptions of the provision and administration of healthcare services in rural regions of Iran is especially interesting. These findings place Iranian development into conversation with studies in sociology, political science, and area studies of the varying paths of state development in Latin America, Asia, and Africa. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Marie Grace Brown’s Khartoum at Night: Fashion and Body Politics in Imperial Sudan (Stanford University Press, 2017) is in many ways a history of fashion in Sudan, but in so many ways, its much more than that. It is the story of women in Sudan, as well as the story of their bodies and movement. Brown weaves together women’s education, women’s health, activism and more through the tobe, a popular, modest form of dress that wrapped around a woman’s head and body. She reads textiles like texts and challenges us to both read existing primary sources differently and seek out new primary sources. Khartoum at Night shows us how the centrality of the tobe shaped everyday life, but how the tobe itself was shaped by continuity and rupture in Sudanese society. What we have as a result is a story that gives agency to its actors and ultimately, the story of imperial Sudan. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

In her new book Pilgrimage in Islam: Traditional and Modern Practices (Oneworld Publications, 2017), Sophia Rose Arjana explores the diverse array of pilgrimage practices in the Muslim world. Pilgrimage in Islam is often synonymous with the hajj, or the pilgrimage to Mecca, but Arjana’s study deconstructs this normatively held assumption by taking her readers on a journey across various sacred spaces throughout the contemporary global context. Her itineraries in this book beautifully illuminate the ways in which mobility around the sacred varies, challenging any easy categorizations scholars and students may apply in the study of Islamic pilgrimages and sacred spaces. Her book moves us beyond sectarian binaries, notions of mystical or Sufi rituals, and gendered norms, to help us deconstruct labels that have been conventionally used by Religious Studies scholars. Arjana’s text is a valuable resource for undergraduate students, but also for graduate students, as it provides provocative case studies and theorizations on pilgrimages, spatiality, and ritual performances in Religious Studies. M. Shobhana Xavier is an Assistant Professor of Religion at Ithaca College. Her research areas are on contemporary Sufism in North America and South Asia. She is the author of Sacred Spaces and Transnational Networks in American Sufism (Bloomsbury Press, 2018) and a co-author of Contemporary Sufism: Piety, Politics, and Popular Culture (Routledge, 2018). More details about her research and scholarship may be found here and here. She may be reached at mxavier@ithaca.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

How does a group become defined as white? And does that group define themselves that way as well? Neda Maghbouleh‘s new book, The Limits of Whiteness: Iranian Americans and the Everyday Politics of Race (Stanford University Press, 2017), uses interview and ethnographic data to better understand how Iranian Americans perceive themselves and are perceived. “Caught in the chasm between formal ethno-racial invisibility and informal hypervisibility,” Iranian Americans often straddle a space in which they are sometimes defined as white but other times not. Through the voices and experiences of 80 young people, Maghbouleh exposes the reader to the inner workings of their lives at school, at home, and abroad. By comparing and contrasting experiences in different social systems and situations, the reader becomes immersed in the lives of these youth and is connected to their racialized experiences. At home, these youth are often told that they are white and that they should be proud of their heritage; however, the youth know these stories would not be understood or accepted by peers. At school, the youth are quite often “browned” and bullied by peers and others outside their homes. Maghbouleh also examines the interesting scenario of the “flip side” when the youth travel to Iran, elaborating on their experiences there where they sometimes feel too “American.” This book does a stellar job of grounding findings within the stories of those interviewed. Additionally, it builds up the historical background for the reader, using important legal cases, in which the whiteness of Iranians and other groups are tried, to set the stage for present day experiences of Iranian Americans. Overall, this book presents a solid overview and understanding of the ways in which Iranian American youth experience race in America. This book is rich with information and stories, but completely accessible to the lay reader or even scholars who do not study race. This book would be good for upper level undergraduate Sociology classes and the perfect addition to a graduate level Sociology of Race class. Sarah E. Patterson is a postdoc at the University of Western Ontario. You can tweet her at @spattersearch. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies