New Books in Middle Eastern Studies

In the recent past, anti-Muslim hate crimes and rhetoric have surged across America and Europe. Much of this public discourse revolves around questions of assimilation and where Muslim positions on sexuality and gender fit into national unity. In Sexagon: Muslims, France, and the Sexualization of National Culture (Fordham University Press, 2017), Mehammed Amadeus Mack, Assistant Professor of French Studies at Smith College, explores the politicization of Muslim minority sexuality in France in various cultural domains. Whether in literature, journalistic media, or activist endeavors the general portrayal of Muslims in these contexts is structured around unmodern attitudes towards sexuality. It is assumed that African and Arab minorities in France are regressive, patriarchal, and intolerant of homosexuality. Through his study of a number of cultural arenas of representation Mack demonstrates that sexual identities are often unclear, hidden, or in flux. In our conversation we discussed sexuality and French identity, aspects of non-gendered virility, homosexual clandestinity and the possibility of queer identities, girl gangs, psychoanalysis and Islam, the literary trope of the Arab Boy, cinematic representations of ethnic sexualities, the management and surveillance of sexuality, the role of pornography in the sexualization of Muslims, gay-interest publications, the continued sexual demonization of Muslims in the current social climate in France and Europe, and the literary production of Eurabia. Kristian Petersen is an Assistant Professor of Religious Studies at the University of Nebraska, Omaha. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Literacy is often portrayed as a social good. Composing Egypt: Reading, Writing, and the Emergence of a Modern Nation, 1870-1930 (Stanford University Press, 2016), Hoda Yousef has a different take on it, portraying it as a tool. Yousef uses reading and writing to interrogate how new social practices were changing Egypt in the late nineteenth and early twentieth centuries, demonstrating how they were used to further divide or fracture the public sphere. Literate, illiterate, and semi-literate Egyptians all engaged in the written word via different means, be they petition-writers, those who appealed to scribes, or coffee-house frequenters who all gathered to hear a newspaper be read. Ultimately, it was the emergence of this diversely literate population that shaped the Egyptian nation that emerged in the twentieth century. Hoda Yousef is assistant professor at Denison University, previously she served as an assistant professor of history at Franklin and Marshall College. She is a historian of the modern Middle East and the Islamic World with a focus on cultural and social history and gender in society, with degrees from Georgetown and Duke Universities. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Abu Nasr Al-Farabi (c. 872 – c. 950) a philosopher who wrote on politics, metaphysics, and logic as well as mathematics, psychology, and music, was known by Jews, Christians, and Muslims as the “second teacher,” second only to Aristotle. Although little of his biography is known, we have many of his works that were instrumental in preserving and adapting the Greek philosophical heritage in an Islamic idiom in the Middle Ages. Until the work of Leo Strauss and his students, Alfarabi was largely a forgotten figure to modern scholars. Today’s podcast is a discussion with Alexander Orwin about his new book Redefining the Muslim Community: Ethnicity, Religion, and Politics in the Thought of Alfarabi (University of Pennsylvania Press, 2017), a synthetic study across Alfarabi’s disparate oeuvre that weaves a thematic treatment of notions such as language, nationhood, religion, and politics with an analysis of each of his works in turn. Using the term umma (literally “nation,” although inclusive of terms like civilization or community) as a keyword, Orwin shows how Alfarabi strove to recast the Islamic umma as a community in both a religious and cultural sense. This not only provides a gateway into understanding Alfarabi’s works more broadly, but spotlights his competing loyalties to religion and philosophy. In rethinking the political thought of Plato and Aristotle and demonstrating that their vision of politics was not rendered obsolete by the Islamic faith, Alfarabi, and thereby Orwin, engages in a discourse around nationhood that precedes nationalism and comes to terms with diversity across ethnic, religious, and state boundaries. Alexander Orwin is an assistant professor of Political Science at Louisiana State University. Moses Lapin is a graduate student in the departments of History and Philosophy at the Hebrew University in Jerusalem, he will be interning this summer at Yoyodyne. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Mihri Hatun: Performance, Gender-Bending, and Subversion in Ottoman Intellectual History (Syracuse University Press, 2017) by Didem Havlioglu is at once an intellectual history and biography of sorts of Mihri Hatun, a fifteenth century Ottoman poet. It considers the question of what happens when a woman enters a field dominated by men; in this case, poetry. Using her own poetry and biographical dictionaries (the tezkire genre), Havlioglu contextualizes Mihri and tries to understand her as a product of her own time and as someone who understood her multiple roles in society well enough to subvert them. Didem Havlioglu is Instructor of Asian and Middle Eastern Studies at Duke. Her interests include Modern/Ottoman Language and Literature, Islamic Aesthetics, Women and Gender in the Middle East, Women Writers in the Intellectual History of the Middle East. She received her Ph.D. from the University of Washington. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

In Enemies and Neighbors: Arabs and Jews in Palestine and Israel, 1917-2017 (Atlantic Monthly Press, 2017), Ian Black, the former Middle East Editor of the Guardian, offers a comprehensive view of the past and present of what would ultimately become known as the Israeli-Palestinian conflict. Drawing on a range of sources, the book aims to offer a balanced and clear narrative of a history that has become infamously contested. Yaacov Yadgar is the Stanley Lewis Professor of Israel Studies at the University of Oxford. His most recent book is Sovereign Jews: Israel, Zionism and Judaism (SUNY Press, 2017). You can read more of Yadgar’s work here.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

The study of Palestine and Israel has been largely shaped by the politics of the conflict and thus, many scholars start with political history, often using Israeli state sources. Maha Nassar, in Brothers Apart: Palestinian Citizens of Israel and the Arab World (Stanford University Press, 2017), looks specifically at the larger context of Palestinian citizens of Israel, those Palestinians who stayed behind after the 1948 war simultaneously created the state of Israel and created refugees out of thousands of Palestinians. Brothers Apart looks at their position within Israeli society, their intellectual production, and their relationship to the greater Arab world. Nassar also examines the relationship between different ideologies amongst these Palestinian citizens of Israel, as well as the issue of Palestinian resistance. She thus tells the story of a people who are caught between different intellectual and political commitments, yet who are also dedicated to fighting for their rights within Israeli society and for the greater Palestinian cause. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Who are the American Jews behind many of the Israeli settlements in the West Bank? This is the question that Dr. Sara Hirschhorn, Research Lecturer at the University of Oxford, seeks to answer in her new book City on a Hilltop: American Jews and the Israeli Settler Movement (Harvard University Press, 2017). By analyzing archival documents along with periodicals, internet sources, and a wealth of self-conducted interviews, Hirschhorn concludes that many American-Israeli settlers are not the messianic, ultra-right-wing fanatics that stereotypes suggest. Instead, the majority come from liberal American backgrounds, are highly-educated, and have conservative—but rarely Orthodox—Jewish backgrounds. What is more, she argues, their actions, motives, and self-conceptualizations are reflective of the evolution of American and Israeli Jewish identities over time. Sara Hirschhorn is University Research Lecturer in Israel Studies at the University of Oxford and Sidney Brichto Fellow at the Oxford Centre for Hebrew and Jewish Studies. Robin Buller is a PhD Candidate in History at the University of North Carolina at Chapel Hill. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

In the Arab world, photography is often tied to the modernizing efforts of imperial and colonial powers. However, indigenous photography was itself a major aspect of the cultural and social lives of Middle Eastern societies in the late nineteenth and early twentieth centuries. Stephen Sheehi’s The Arab Imago: A Social History of Indigenous Photography 1860-1910 (Princeton University Press, 2016) tells that story, focusing primarily on portraiture and those that took portraits. Sheehi examines the formalism of portraits in relation to changing notions of class, questioning whether or not portrait photography were creating new forms of sociability or vice versa. But photography is also another way Arab modernity was in relation to Ottomanism: The Arab Imago looks at how portrait studios developed in Istanbul and beyond, often operated by Armenian and Greek Orthodox photographers. The Arab Imago integrates photography, modernity, and the banal to give us one of the first histories of photography in the Middle East. Stephen Sheehi is the Sultan Qaboos bin Said Chair of Middle East Studies and Director of the Program of Asian and Middle Eastern Studies (AMES) at the College of William and Mary. He is Professor of Arabic Studies as well, and holds a joint appointment in AMES and the Arabic Program in the Department of Modern Languages and Literatures. He did his doctorate at Michigan. His work largely examines cultural, intellectual, art history, and the political economy of the late Ottoman Empire and the Arab Renaissance (al-nahdah al-arabiyah). Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Sufism, like many terms in the study of Islam, can be difficult to define and even more difficult to handle, but Alexander Knysh, in Sufism: A New History (Princeton University Press, 2017), has produced a primer that will both challenge and reinforce many of the assumptions we’ve made in the study of Islamic mysticism. Knysh walks us through how to define Sufism, the origins of Sufism (including the influence of the Hellenic world), how texts fit into our consideration of Sufism, contemporary developments in Sufism, and more. He places this within the framework of outsiders and insiders (to Sufism), challenging us to understand better how the study of Sufism itself came into being. The entire book itself is in conversation, not simply with theoretical debates in Islamic studies and the study of religion, but also the greater field of history. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

The French-Algerian War that erupted in 1954 ended with the emergence of an independent Algeria in 1962, but it was not until decades later that a broader French public turned its attention with vigor to the violence and pain of that conflict. Indeed, the French state only officially recognized the war as a war in 1999. Claire Eldridge‘s From Empire to Exile: History and Memory Within the Pied-noir and Harki Communities, 1962-2012 (Manchester University Press, 2016) interrogates the war’s legacies by focusing on the French settlers and the native military and civilian auxiliaries who fled Algeria in the thousands as French colonialism there came to an end. Examining pied-noir and harki grassroots collective mobilization and memory activism in France after 1962, From Exile to Empire shows that, while the war may have been repressed and silenced in a variety of ways in French society, the conflict was far from “forgotten” for these communities. Addressing material concerns including housing, poverty, and forms of indemnity, and attempting to preserve their cultures and histories, community associations forged new identities in France while advocating for the recognition of their suffering and their positive contributions to the nation and its (former) empire. Divided into two parts, the book covers the memory work of these communities from 1962 to 1991, and then from the early 1990s up to the 50th anniversary of the end of the conflict in 2012. Drawing on a wide range of pied-noir and harki sources, From Empire to Exile has much to offer those interested in the history of the war and its aftermaths. It will also make fascinating reading for anyone concerned with popular and community memory in the wake of traumatic and violent pasts more generally. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as “hazy”). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies