Tonebenders Podcast

Get an educated head start on your Oscar Pool this year! Go on a deep dive into each nominated film in the Best Sound Category at this year's Academy Awards. Featuring interviews with the sound teams behind One Battle After Another, F1: The Movie, Sinners, Sīrat, and Frankenstein. ______SPONSORS: Great sound leads to great storytelling. With Sound Ideas Memberships, you get full online access to the largest professional sound library in the world. Choose the tier that fits your needs, including up to unlimited downloads on the royalty-free use of hundreds of thousands of sounds. From cinematic impacts and detailed ambiences to everyday essentials and specialty effects, it’s all ready to preview and download on demand. Just head to https://sound-ideas.com/pages/memberships to find the Membership that’s right for you. ________ MORPHOSIS is a powerful neural timbre-matching tool designed for audio professionals. It works by applying the tonal qualities of one sound source, onto a second sound in surprisingly effective ways. I think where Tonebenders listeners will be most interested is in what it can do with sound effects and voices. Head to https://www.hal-audio.com/product/morphosis/ now and use the promo code TONEBENDERS25 to get 25 percent off your purchase of Morphosis until March 31st. Episode Notes: https://tonebenderspodcast.com/353-2026-oscar-pool-sound-category-round-up/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

Supervising Sound Editor Laia Casanovas flew in from Spain to join Tonebenders in front of a packed theatre in Toronto. Laia shows real enthusiasm while talking about her Oscar nominated sound work on Sirāt. She discusses "worldizing" the music featured in the film to match the homemade sound systems depicted on screen, as well as the role wind sounds plays to ramp up tension and how the vehicle's engines presented unexpected audio problems for Laia and her team to solve. Listeners in LA, don't forget to come out to the 4th Annual Tonebenders' Los Angeles Sound Design Meet-up, Presented by The Motion Picture Sound Editors. This Thursday, March 5th 2026, 7pm. We will be at All Season Brewery (800 S La Brea Ave) in Hollywood. I hope to see you there. ______SPONSORS: Great sound leads to great storytelling. With Sound Ideas Memberships, you get full online access to the largest professional sound library in the world. Choose the tier that fits your needs, including up to unlimited downloads on the royalty-free use of hundreds of thousands of sounds. From cinematic impacts and detailed ambiences to everyday essentials and specialty effects, it’s all ready to preview and download on demand. Just head to https://sound-ideas.com/pages/memberships to find the Membership that’s right for you. ________ MORPHOSIS is a powerful neural timbre-matching tool designed for audio professionals. It works by applying the tonal qualities of one sound source, onto a second sound in surprisingly effective ways. I think where Tonebenders listeners will be most interested is in what it can do with sound effects and voices. Head to https://www.hal-audio.com/product/morphosis/ now and use the promo code TONEBENDERS25 to get 25 percent off your purchase of Morphosis until March 31st. Episode Notes: https://tonebenderspodcast.com/352-sirat-live/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

Tony Villaflor, re-recording mixer who shaped the film’s Atmos mix. José Antonio García, production sound mixer who captured on-set sound and tricky car recordings. Christopher Scarabosio, supervising sound editor and designer with many industry nods. They discuss widening the screen with Atmos, wiring and planting for a riot, crafting an unconventional car chase, balancing chaotic score and dealing with noisy VistaVision cameras.

Jeremy Bowker, sound designer who crafted effects and environments for Zootopia 2, and David Fluhr, supervising re-recording mixer who led the final mixes and international workflows, discuss balancing comedy, horror, and action in an animated soundscape. They talk mixing big music with effects, designing impossible car sounds, planning Atmos and stems, and prepping international and dialogue mixes.

To celebrate Mark Mangini's upcoming Lifetime Achievement Award from the Motion Picture Sound Editors, I sat down with him to stroll down memory lane. We dig into all the films that he has been nominated for Golden Reels on over the years. That is a lot of films! 23 nominations in total. In this part 2 of the conversation we go from the late 80s up to modern day, covering films like Aladdin, The Green Mile, Mad Max: Fury Road, Dune and many more. We also talk a bit about some of the upcoming films Mark has been working on recently. Make sure you check out part one as well, just go back one episode in the feed. You can purchase tickets to attend the Golden Reels by going to https://mpse.org/event-6300024. ______SPONSORS: If you work in sound design, post, or game audio, you already know how much time the right library can save you. For the month of February, get 50% off any Sound Ideas Membership Tier, no matter which level of access you need. That’s half off the entire professionally recorded sound effects catalog, from cinematic and broadcast to hard-to-find specialty sounds. Just head to http://sound-ideas.com/ and use the promo code TONEBENDERS50 at checkout. ______ If you are interested in field recording, you should know about the O-Mini P48 and the brand new O-Mini PIP miniature omni-directional electret microphones. Each one is hand made by Chris Trevino, a practicing field recordist, and a really engaged member of the sound community. He puts a lot of work into making and testing each mic to ensure they live up to his high standards. They are ultra-sonic capable, which makes manipulating your recordings with them a lot of fun. They are also extremely affordable. At $150us for the P48 & $130 for the PIP, they offer a lot of value for a stereo matched pair. Find out more at https://www.chrisatrevino.com/store _______ Episode Notes: https://tonebenderspodcast.com/349-mark-mangini-pt-2/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

Mark Mangini will be receiving the Motion Picture Sound Editors Lifetime Achievement Award at this years's Golden Reel ceremonies. To celebrate this honour, Mark and I sat down in Formosa's Stage 6 for a fascinating talk about all the projects for which he has been nominated at the Golden Reels over the years. In this part 1, Mark discusses his early work starting with all time classics like Raiders Of The Lost Ark, Poltergeist, Gremlins and Star Trek: The Voyage Home. Part 2 will be coming out in a few days where we cover the rest of his career to present day. You can purchase tickets to attend the Golden Reels by going to https://mpse.org/event-6300024 ______SPONSORS: If you work in sound design, post, or game audio, you already know how much time the right library can save you. For the month of February, get 50% off any Sound Ideas Membership Tier, no matter which level of access you need. That’s half off the entire professionally recorded sound effects catalog, from cinematic and broadcast to hard-to-find specialty sounds. Just head to http://sound-ideas.com/ and use the promo code TONEBENDERS50 at checkout. ______ If you are interested in field recording, you should know about the O-Mini P48 and the brand new O-Mini PIP miniature omni-directional electret microphones. Each one is hand made by Chris Trevino, a practicing field recordist, and a really engaged member of the sound community. He puts a lot of work into making and testing each mic to ensure they live up to his high standards. They are ultra-sonic capable, which makes manipulating your recordings with them a lot of fun. They are also extremely affordable. At $150us for the P48 & $130 for the PIP, they offer a lot of value for a stereo matched pair. Find out more at https://www.chrisatrevino.com/store _______ Episode Notes: https://tonebenderspodcast.com/348-mark-mangini-pt-1/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

Skip Lievsay, veteran supervising sound editor and re-recording mixer who has worked with the Safdie and Coen brothers, talks about crafting the ping-pong effects and keeping them simple. He contrasts collaborating with the Safdies together versus separately. He explains using background audio like racetrack radio to anchor time and place without distracting the audience.

Wicked For Good pushed the Oscar nominated sound team from last years blockbuster, Wicked, to go further into the sonic world of Oz. Continuing the idea that every sound making it into the film had to have an Ozian twist to it. Nancy Nugent Title (Supervising Sound Editor), John Marquis (Supervising Sound Editor/Sound Designer/Re-Recording Mixer), Jack Coleman (Supervising Music Editor) and Simon Hayes (Production Sound Mixer) tell us about all the obstacles and challenges they met to complete this massive project. The music and sound effects departments worked really closely together in post, while production sound was constantly thinking about what would be needed by the audio post team. Wicked For Good is the culmination of a massive project where sound was an integral part of the the entire production. ______SPONSORS: As the New Year begins, Sound Ideas is offering its largest sale to date. For a limited time, receive 55% off professionally recorded sound effects and music libraries. This New Year promotion applies across their esteemed catalog, making it an ideal moment to expand or update your professional collection with authentic audio and a proven standard of quality. The Sound Ideas New Year Sale is available now for a limited time– so visit https://sound-ideas.com/ now! _______ Episode Notes: https://tonebenderspodcast.com/346-wicked-for-good/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead and edited/mixed by Therese Gylfe & Tove Lidman for TnT Sound Design

This interview was recorded live, in front of a packed house, at the Glen Glenn Film Center in Hollywood California. F1: The Movie presented a multitude of complex challenges for it's sound team, as the race cars have to sound huge and immediate and the music had to be "driving" as well. Then you add in the dialog and crowds and you are dealing with a monstrous brew of editorial and mix obstacles. Joining Tim on stage from F1 are Gary Rizzo (re-recording mixer), Al Nelson (supervising sound editor), Gwen Yates Whittle (supervising sound editor) and Gareth John (production sound mixer). They discuss their experiments with recording the cars, the involvement of Lewis Hamilton, the many levels of futz on the voices during the races and lots more._______SPONSORS: As the New Year begins, Sound Ideas is offering its largest sale to date. For a limited time, receive 55% off professionally recorded sound effects and music libraries. This New Year promotion applies across their esteemed catalog, making it an ideal moment to expand or update your professional collection with authentic audio and a proven standard of quality. The Sound Ideas New Year Sale is available now for a limited time– so visit https://sound-ideas.com/ now! _______ Episode Notes: https://tonebenderspodcast.com/345-f1-the-movie-live/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

Join sound experts Lee Orloff, David Acord, Chris Boyes, and Tim Blanc as they unveil the sonic secrets behind the latest Superman film. Lee shares his challenges capturing on-set dialogue amidst visual effects. David discusses crafting unique sounds for pocket dimensions, while Chris highlights the delicate balance of mixing intense action sequences. Tim emphasizes the importance of preserving dialogue amid the chaos, revealing how they created clarity in a world of superhero sound. Together, they redefine what it means to be the Man of Steel in audio!