New Books in African Studies

Italy's current crisis of Mediterranean migration and detention has its roots in early twentieth century imperial ambitions. Stephanie Malia Hom's new book Empire's Mobius Strip: Historical Echoes in Italy's Crisis of Migration and Detention (Cornell University Press, 2019) investigates how mobile populations were perceived to be major threats to Italian colonization, and how the state's historical mechanisms of control have resurfaced, with greater force, in today's refugee crisis.What is at stake in Empire's Mobius Strip is a deeper understanding of the forces driving those who move by choice and those who are moved. Hom focuses on Libya, considered Italy's most valuable colony, both politically and economically. Often perceived as the least of the great powers, Italian imperialism has been framed as something of "colonialism lite." But Italian colonizers carried out genocide between 1929–33, targeting nomadic Bedouin and marching almost 100,000 of them across the desert, incarcerating them in camps where more than half who entered died, simply because the Italians considered their way of life suspect. There are uncanny echoes with the situation of the Roma and migrants today. Hom explores three sites, in novella-like essays, where Italy's colonial past touches down in the present: the island, the camp, and the village.Empire's Mobius Strip brings into relief Italy's shifting constellations of mobility and empire, giving them space to surface, submerge, stretch out across time, and fold back on themselves like a Mobius strip. It deftly shows that mobility forges lasting connections between colonial imperialism and neoliberal empire, establishing Italy as a key site for the study of imperial formations in Europe and the Mediterranean.Beth Windisch is a national security practitioner. You can tweet her @bethwindisch Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Gillian Glaes’s African Political Activism in Postcolonial France: State Surveillance and Social Welfare (Routledge, 2018) examines the experiences and agency of African immigrants in France from 1960 through the 1970s. Focused on the Africans who migrated to work and live in France during the post-decolonization period, the book tracks continuities with the colonial past while remaining attentive to changes in the French and wider global economies, the politics of the Cold War, and the emergence of new social movements. Sensitive to the challenges faced by individual Africans and their communities in France, including struggles with employment and working conditions, racism, housing, and health, the book highlights the relationship between the state and these immigrants, arguing that immigrants played meaningful roles in shaping public and social welfare policies during this period.In its six chapters, the book moves from an analysis of the work of the Union générale de Travailleurs sénégalais en France (UGTSF) to rent strikes, protests, and other forms of political activity and community building within the African immigrant population concentrated in Paris and its surrounding banlieues. While the first part of the book is focused on African and their responses to immigrant life, the latter chapters zoom in on issues of state surveillance and policy, including various efforts to police African activisms, bodies, movement, and settlement. While the book will certainly fascinate those interested in issues of immigration and race in postcolonial France, it also holds broader implications for how we think about the history and power of vulnerable populations during this period and in its wake. As the author indicates in the book’s concluding pages, this history can help us to think more carefully and critically about the politics of immigration and refugees within and beyond France in our current moment of crisis including the displacement and precarity of millions of people around the world.Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. She is the author of Future Tense: The Culture of Anticipation in France Between the Wars (2009). Her current research focuses on the history of French nuclear weapons and testing since 1945. Her most recent article, '"No Hiroshima in Africa": The Algerian War and the Question of French Nuclear Tests in the Sahara' appeared in the Spring 2019 issue of History of the Present. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Alex Lichtenstein, Associate Professor of History at Indiana University, discusses his new book with co-author Rick Halpern, Margaret Bourke-White and the Dawn of Apartheid (Indiana University Press, 2016) photojournalism, and writing transnational histories of labor and social justice movements.As a photographer for Life and Fortune magazines, Margaret Bourke-White traveled to Russia in the 1930s, photographed the Nazi takeover of Czechoslovakia in 1938, and recorded the liberation of Buchenwald at the end of WWII. In 1949, Life sent her to South Africa to take photographs in a country that was becoming racially polarized by white minority rule. Life published two photo-essays highlighting Bourke-White’s photographs, but much of her South African work remained unpublished until now. Here, these stunning photographs collected by Alex Lichtenstein and Rick Halpern offer an unparalleled visual record of white domination in South Africa during the early days of apartheid. In addition to these powerful and historically significant photographs, Lichtenstein and Halpern include two essays that explore Bourke-White's artistic and political formation and provide background material about the cultural, political, and economic circumstances that produced the rise and triumph of Afrikaner nationalism in South Africa. This richly illustrated book brings to light a large body of photography from a major American photographer and offers a compelling history of a reprehensible system of racial conflict and social control that Bourke-White took such pains to document.Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

In Benjamin Breen's The Age of Intoxication: Origins of the Global Drug Trade (University of Pennsylvania Press, 2019), we are transported back to a time when there was no such thing as "recreational" and "medicinal" drugs. People ate Egyptian mummies. Tobacco apparently cured cancer. And the book has many more fascinating stories. Focusing in on the Portuguese colonies in Brazil and Angola and on the imperial capital of Lisbon, Breen deftly explores the process by which novel drugs were located, commodified, and consumed. And Breen demonstrates that drugs have been entwined with science and empire from the very beginning. Just like today.Benjamin Breen is an Assistant Professor in the History Department at the University of California, Santa Cruz.Lucas Richert is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

The Nigerian novelist Chinua Achebe's 1958 Things Fall Apart transformed the world by vividly imagining the story of an African community in English, the language of the colonizers, and yet on its own terms. It transformed not only the English language but allowed millions of readers to enter into a civilization and worldview that is at once highly specific yet resonant with universal themes. Manthia Diawara, the Mali-born and European and American-educated renowned filmmaker, most recently An Opera of the World, and author of many books himself, including We Won’t Budge: An African Exile in the World, explains why Things Fall Apart ranks among the great novels of all time. Manthia brings the book powerfully to life, and shows how reading this book brings you face-to-face with the great challenges and joys faced by all humans at all times. Read more.Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

The companion publication to the 2019-2020 traveling exhibition Caravans of Gold, Fragments in Time: Art, Culture, and Exchange across Medieval Saharan Africa (Princeton University Press, 2019, published in association with the Mary and Leigh Block Museum of Art, Northwestern University) tells the story of how trade routes across the Saharan Desert facilitated the movement of people, ideas, and objects between the 8th and the 16th century. Not your typical exhibition catalogue, Caravans of Gold is a selection of chapters that reach across academic fields and genres of writing, seeking to evoke the exhibition’s central themes, including cultural movement, archaeological fragments, and global connection. We talk to the exhibition’s curator and the publications’s editor, Kathleen Bickford Berzock, about this expansive project. The conversation ranges from the exhibition’s conception, how the catalogue was designed in relation to it, and best practices associated with building a project like this one. Moreover, Kathleen details the major themes and questions associated with the exhibition. What is the “medieval”? How can we understand historical movements across the Sahara? How does religion –specifically, Islam– play a role in this project?Kathleen Bickford Berzock is Associate Director of Curatorial Affairs at the Block Museum of Art at Northwestern University. She is the author of For Hearth and Altar: African Ceramics from the Keith Achepohl Collection and the coeditor of Representing Africa in American Art Museums: A Century of Collecting and Display.Exhibition Schedule:Aga Khan Museum, TorontoSeptember 21, 2019–February 23, 2020Smithsonian National Museum of African Art, Washington, DCApril 8–November 29, 2020Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Miriam Driessen, author of 'Tales of Hope, Tastes of Bitterness: Chinese Road Builders in Ethiopia', discusses the bitterness and lack of support experienced by Chinese road builders in Ethiopia. She explores the varied experiences and aspirations of Chinese workers, the resistance and agency of African workers, and the complexities of Chinese presence in Africa. The podcast also delves into the role of local state courts in regulating Chinese presence and the day-to-day experiences on the ground in Ethiopia.

They were throwing garbage in the streets.Rosalind Fredericks makes sense of the garbage-scape of Dakar, Senegal in the wake of the 2007 trash “revolts” against the city and country’s uneven and failing garbage infrastructure—and puts into readers’ senses the smelly, sticky, full-sensory politics of waste management in the Global South.Garbage Citizenship: Vital Infrastructures of Labor in Dakar, Senegal (Duke University Press, 2018) brings together studies of infrastructure with scholarship on labor to make a case for understanding, not infrastructure and labor, but laboring bodies as infrastructure. The book breaths fresh life into the moribund concept of neoliberalism to show how civic care, like household care, fell unevenly in Dakar on the bodies of women, youths, and economically precarious workers. Their bodies carried the scars, as well as the stigma, of governments’ piecemeal moves over three decades to keep the labor force that was managing waste both flexible and disposable—at times devolving responsibility onto individuals and informal sectors in the name of modernity, community, and Islamic piety.Garbage Citizenship is based on Fredericks’ political ethnography of Senegal and the book includes vivid, beautiful photos of people, machines, and garbage laboring together—and, at times, collaborating in their refusal to be governed. (Just check out the cover image!) With workers always in mind, Fredericks makes space for hope, tells us where she is working now, and, in this generous interview, suggests how we can give breathing room to social justice, too.Fredericks is Associate Professor of Geography and Development Studies at New York University. The interview was conducted collaboratively by Laura Stark and students in her Vanderbilt seminar, History of Global Health: Emma Dahill, Savannah Larkin, Andrew Medland, Hailey Silver, Jesse Pullen, Gavin Yuan and Claudia Vial.For ideas and resources on how to include the New Books Network in your classroom, feel free to email Laura Stark at laura.stark@vanderbilt.edu or see Stark’s essay “Can New Media Save the Book?” in Contexts (2015). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

We’ve all heard that a picture is worth a thousand words, but what if we don’t understand what we’re looking at? Social media has made charts, infographics, and diagrams ubiquitous―and easier to share than ever. We associate charts with science and reason; the flashy visuals are both appealing and persuasive. Pie charts, maps, bar and line graphs, and scatter plots (to name a few) can better inform us, revealing patterns and trends hidden behind the numbers we encounter in our lives. In short, good charts make us smarter―if we know how to read them.However, they can also lead us astray. Charts lie in a variety of ways―displaying incomplete or inaccurate data, suggesting misleading patterns, and concealing uncertainty―or are frequently misunderstood, such as the confusing cone of uncertainty maps shown on TV every hurricane season. To make matters worse, many of us are ill-equipped to interpret the visuals that politicians, journalists, advertisers, and even our employers present each day, enabling bad actors to easily manipulate them to promote their own agendas.In How Charts Lie: Getting Smarter about Visual Information (W. W. Norton, 2019), data visualization expert Alberto Cairo teaches us to not only spot the lies in deceptive visuals, but also to take advantage of good ones to understand complex stories. Public conversations are increasingly propelled by numbers, and to make sense of them we must be able to decode and use visual information. By examining contemporary examples ranging from election-result infographics to global GDP maps and box-office record charts, How Charts Lie demystifies an essential new literacy, one that will make us better equipped to navigate our data-driven world. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Caroline Wanjiku Kihato's Migrant Women of Johannesburg: Everyday Life in an In-Between City (Palgrave MacMillan, 2013) is a book about home and not-home, eloquently told about the hopes and dreams, fears and hardships of migrant women trying to make life and livelihoods in inner city Johannesburg. The result is an honest, raw and poignant ethnography of life “in-between” home and away, urban and rural, local and global, of what mobility means to those who seek the security of home in an unwelcoming place.Susan Thomson is associate professor of peace and conflict studies at Colgate University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies