Tech, Innovation & Society - The Creative Process: Technology, AI, Software, Future, Economy, Science, Engineering & Robotics Interviews

"We are the extreme animal. We're certainly, technologically speaking, there's no comparison to what humans can do among all the animals that make some tools, even though we should keep in mind that for close to 200,000 years, humans who were essentially identical to us had no tools that were more complicated than a bow and arrow.I think the most crucial thing is that while we are such extraordinary tinkerers that we can keep creating unbelievable kinds of technologies, we are not very smart about what we do with those things or seeing them through to the implications of what happens when we do these things. If we were wiser about it, we would conduct ourselves much more differently than the all-out charge that we conduct, where often we just follow some technology along without worrying about the implications of what will happen ultimately, or caring about what will happen ultimately, or denying what is happening as a result of the overuse of those technologies or the overpopulation of the world by human beings. And those are causing many of the problems that we have."Carl Safina’s lyrical non-fiction writing explores how humans are changing the living world, and what the changes mean for non-human beings and for us all. His work has been recognized with MacArthur, Pew, and Guggenheim Fellowships, and his writing has won Orion, Lannan, and National Academies literary awards and the John Burroughs, James Beard, and George Rabb medals. Safina is the inaugural holder of the endowed chair for nature and humanity at Stony Brook University, where he co-chairs the steering committee of the Alan Alda Center for Communicating Science and is founding president of the not-for-profit Safina Center. He hosted the 10-part PBS series Saving the Ocean with Carl Safina. His writing appears in The New York Times, National Geographic, Audubon, CNN.com, National Geographic News, and other publications. He is the author of ten books including the classic Song for the Blue Ocean, as well as New York Times Bestseller Beyond Words: What Animals Think and Feel. His most recent book is Becoming Wild: How Animal Cultures Raise Families, Create Beauty, and Achieve Peace.www.safinacenter.orgwww.carlsafina.orgwww.oneplanetpodcast.orgwww.creativeprocess.infoPhoto: Carl Safina in Uganda

Carl Safina’s lyrical non-fiction writing explores how humans are changing the living world, and what the changes mean for non-human beings and for us all. His work has been recognized with MacArthur, Pew, and Guggenheim Fellowships, and his writing has won Orion, Lannan, and National Academies literary awards and the John Burroughs, James Beard, and George Rabb medals. Safina is the inaugural holder of the endowed chair for nature and humanity at Stony Brook University, where he co-chairs the steering committee of the Alan Alda Center for Communicating Science and is founding president of the not-for-profit Safina Center. He hosted the 10-part PBS series Saving the Ocean with Carl Safina. His writing appears in The New York Times, National Geographic, Audubon, CNN.com, National Geographic News, and other publications. He is the author of ten books including the classic Song for the Blue Ocean, as well as New York Times Bestseller Beyond Words: What Animals Think and Feel. His most recent book is Becoming Wild: How Animal Cultures Raise Families, Create Beauty, and Achieve Peace."We are the extreme animal. We're certainly, technologically speaking, there's no comparison to what humans can do among all the animals that make some tools, even though we should keep in mind that for close to 200,000 years, humans who were essentially identical to us had no tools that were more complicated than a bow and arrow.I think the most crucial thing is that while we are such extraordinary tinkerers that we can keep creating unbelievable kinds of technologies, we are not very smart about what we do with those things or seeing them through to the implications of what happens when we do these things. If we were wiser about it, we would conduct ourselves much more differently than the all-out charge that we conduct, where often we just follow some technology along without worrying about the implications of what will happen ultimately, or caring about what will happen ultimately, or denying what is happening as a result of the overuse of those technologies or the overpopulation of the world by human beings. And those are causing many of the problems that we have."www.safinacenter.orgwww.carlsafina.orgwww.oneplanetpodcast.orgwww.creativeprocess.infoPhoto: Carl Safina in Uganda

"I think what we really face is an even more profound change into this condition where human nature becomes plastic in the sense of malleable, and we then have to think more from the ground up - What is it that ultimately brings value to the world? If you could be literally any kind of being you chose to be, what kind of being would you want to be? What constraints and limitations and flaws would you want to retain because it's part of what makes you, you. And what aspects would you want to improve? If you have like a bad knee, you probably would want to fix the knee. If you're nearsighted, and you could just snap your fingers and have perfect eyesight, that seems pretty attractive, but then if you keep going in that direction, eventually, it's not clear that you're human anymore. You become some sort of idealized ethereal being, and maybe that's a desirable ultimate destiny for humanity, but I'm not sure we would want to rush there immediately. Maybe we would want to take a kind of slower path to get to that destination."Nick Bostrom is a Swedish-born philosopher with a background in theoretical physics, computational neuroscience, logic, and artificial intelligence, as well as philosophy. He is the most-cited professional philosopher in the world under the age of 50.He is a Professor at Oxford University, where he heads the Future of Humanity Institute as its founding director. He is the author of some 200 publications, including Anthropic Bias, Global Catastrophic Risks, Human Enhancement, and Superintelligence: Paths, Dangers, Strategies, a New York Times bestseller which helped spark a global conversation about the future of AI. He has also published a series of influential papers, including ones that introduced the simulation argument and the concept of existential risk.Bostrom’s academic work has been translated into more than 30 languages. He is a repeat main TED speaker and has been on Foreign Policy’s Top 100 Global Thinkers list twice and was included in Prospect’s World Thinkers list, the youngest person in the top 15. As a graduate student he dabbled in stand-up comedy on the London circuit, but he has since reconnected with the heavy gloom of his Swedish roots.https://nickbostrom.comhttps://www.fhi.ox.ac.ukwww.creativeprocess.infowww.oneplanetpodcast.org

Nick Bostrom is a Swedish-born philosopher with a background in theoretical physics, computational neuroscience, logic, and artificial intelligence, as well as philosophy. He is the most-cited professional philosopher in the world under the age of 50.He is a Professor at Oxford University, where he heads the Future of Humanity Institute as its founding director. He is the author of some 200 publications, including Anthropic Bias, Global Catastrophic Risks, Human Enhancement, and Superintelligence: Paths, Dangers, Strategies, a New York Times bestseller which helped spark a global conversation about the future of AI. He has also published a series of influential papers, including ones that introduced the simulation argument and the concept of existential risk.Bostrom’s academic work has been translated into more than 30 languages. He is a repeat main TED speaker and has been on Foreign Policy’s Top 100 Global Thinkers list twice and was included in Prospect’s World Thinkers list, the youngest person in the top 15. As a graduate student he dabbled in stand-up comedy on the London circuit, but he has since reconnected with the heavy gloom of his Swedish roots."I think what we really face is an even more profound change into this condition where human nature becomes plastic in the sense of malleable, and we then have to think more from the ground up - What is it that ultimately brings value to the world? If you could be literally any kind of being you chose to be, what kind of being would you want to be? What constraints and limitations and flaws would you want to retain because it's part of what makes you, you. And what aspects would you want to improve? If you have like a bad knee, you probably would want to fix the knee. If you're nearsighted, and you could just snap your fingers and have perfect eyesight, that seems pretty attractive, but then if you keep going in that direction, eventually, it's not clear that you're human anymore. You become some sort of idealized ethereal being, and maybe that's a desirable ultimate destiny for humanity, but I'm not sure we would want to rush there immediately. Maybe we would want to take a kind of slower path to get to that destination."https://nickbostrom.comhttps://www.fhi.ox.ac.ukwww.creativeprocess.infowww.oneplanetpodcast.org

“Humanity needs to do three things if it wants to continue to flourish, and it will. The three things that humanity needs to do are decarbonize the global economy, drawdown, capture, harvest much of that heat-trapping pollution that we've already pumped into the atmosphere over the past hundred years because as long as it's up in our atmosphere, we're going to have continued warming. And the third thing that humanity needs to do is become more resilient to the impacts of climate change, which unfortunately will continue for the next several generations at least, even as we succeed in decarbonizing the global economy and harvesting that heat-trapping pollution from the atmosphere.So these are the three things that have to happen. These three things will happen. The open question is how rapidly will they happen? Any business that can play a vital role in making any one or two or all three of those things happen, those are businesses that are going to flourish going forward. And any business that's sitting on the side and not contributing to one of those three areas, I really think they will become increasingly irrelevant, if not completely antiquated and increasingly understood to be harmful.”Dr. Mona Sarfaty is the Executive Director and Founder of the Medical Society Consortium on Climate and Health, comprised of societies representing 70% of all U.S. physicians. She founded the Communication in 2016 in conjunction with the George Mason University Center for Climate Change. Under her leadership, the Consortium has grown into a nationwide coalition of societies, organizations, and advocates mobilizing support for equitable policies that address the health impacts of climate change.Edward Maibach is Director of the George Mason University Center for Climate Change Communication, a distinguished University Professor and communication scientist who is expert in the uses of strategic communication and social marketing to address climate change and related public health challenges. His research – funded by NSF, NASA, and private foundations – focuses on public understanding of climate change and clean energy; and the psychology underlying public engagement. In 2021, Ed was identified by Thompson Reuters as one of the world’s 10 most influential scientists working on climate change.https://medsocietiesforclimatehealth.orghttps://twitter.com/docsforclimatewww.climatechangecommunication.org/all/climate-change-american-mind-april-2022/www.climatechangecommunication.org/all/politics-global-warming-april-2022/www.oneplanetpodcast.org

Dr. Mona Sarfaty is the Executive Director and Founder of the Medical Society Consortium on Climate and Health, comprised of societies representing 70% of all U.S. physicians. She founded the Communication in 2016 in conjunction with the George Mason University Center for Climate Change. Under her leadership, the Consortium has grown into a nationwide coalition of societies, organizations, and advocates mobilizing support for equitable policies that address the health impacts of climate change.Edward Maibach is Director of the George Mason University Center for Climate Change Communication, a distinguished University Professor and communication scientist who is expert in the uses of strategic communication and social marketing to address climate change and related public health challenges. His research – funded by NSF, NASA, and private foundations – focuses on public understanding of climate change and clean energy; and the psychology underlying public engagement. In 2021, Ed was identified by Thompson Reuters as one of the world’s 10 most influential scientists working on climate change.“Humanity needs to do three things if it wants to continue to flourish, and it will. The three things that humanity needs to do are decarbonize the global economy, drawdown, capture, harvest much of that heat-trapping pollution that we've already pumped into the atmosphere over the past hundred years because as long as it's up in our atmosphere, we're going to have continued warming. And the third thing that humanity needs to do is become more resilient to the impacts of climate change, which unfortunately will continue for the next several generations at least, even as we succeed in decarbonizing the global economy and harvesting that heat-trapping pollution from the atmosphere.So these are the three things that have to happen. These three things will happen. The open question is how rapidly will they happen? Any business that can play a vital role in making any one or two or all three of those things happen, those are businesses that are going to flourish going forward. And any business that's sitting on the side and not contributing to one of those three areas, I really think they will become increasingly irrelevant, if not completely antiquated and increasingly understood to be harmful.”https://medsocietiesforclimatehealth.orghttps://twitter.com/docsforclimatewww.climatechangecommunication.org/all/climate-change-american-mind-april-2022/www.climatechangecommunication.org/all/politics-global-warming-april-2022/www.oneplanetpodcast.org

"I'm an educator, and I'm interested in educating people about what dinosaurs were really like. One of the ways to do that is through working on exhibits for museums, working with some of these other companies  that make things like exhibits, working with them to try to update their ideas of what dinosaurs were like. Modern exhibits oftentimes have a lot of VR in them and a lot of computer graphics and things like that.So we have to work together with companies that are interested or are doing that sort of thing.  We started working early on with Microsoft to make these virtual dinosaurs that you could put on a VR mask and see these dinosaurs. We also made a little VR game that kids could play and dig up dinosaurs. We're just trying to figure out ways to go beyond what we can do at universities and see if we can figure out ways of just sharing all this new information."Jack Horner is a severely dyslexic, dinosaur paleontologist. He attended the University of Montana for 14 semesters without receiving a degree. He has since received two honorary doctorates of science and a plethora of awards including a MacArthur Fellowship. Jack was Curator and Regent’s Professor of Paleontology at Montana State University in Bozeman, Montana for 34 years. He has more than 300 publications. He was the technical advisor for all of the Jurassic Park/ Jurassic World movies. At Chapman University where he now teaches, Jack encourages his honors students and dyslexic mentorees to challenge their preconceived ideas.https://jackhornersdinosaurs.comHorner Science Groupwww.creativeprocess.infowww.oneplanetpodcast.org

Jack Horner is a severely dyslexic, dinosaur paleontologist. He attended the University of Montana for 14 semesters without receiving a degree. He has since received two honorary doctorates of science and a plethora of awards including a MacArthur Fellowship. Jack was Curator and Regent’s Professor of Paleontology at Montana State University in Bozeman, Montana for 34 years. He has more than 300 publications. He was the technical advisor for all of the Jurassic Park/ Jurassic World movies. At Chapman University where he now teaches, Jack encourages his honors students and dyslexic mentorees to challenge their preconceived ideas."I'm an educator, and I'm interested in educating people about what dinosaurs were really like. One of the ways to do that is through working on exhibits for museums, working with some of these other companies  that make things like exhibits, working with them to try to update their ideas of what dinosaurs were like. Modern exhibits oftentimes have a lot of VR in them and a lot of computer graphics and things like that.So we have to work together with companies that are interested or are doing that sort of thing.  We started working early on with Microsoft to make these virtual dinosaurs that you could put on a VR mask and see these dinosaurs. We also made a little VR game that kids could play and dig up dinosaurs. We're just trying to figure out ways to go beyond what we can do at universities and see if we can figure out ways of just sharing all this new information."https://jackhornersdinosaurs.comHorner Science Groupwww.creativeprocess.infowww.oneplanetpodcast.org

"It's one of our more popular experiences at the GRAMMY Museum. We have something called Mono to Immersive, which actually takes a Bruno Mars and Cardi B performance at the GRAMMY Awards, and we put guests/listeners into a room, and they watch this performance. And we had Grammy-winning engineers mix these performances. What would that Bruno Mars and Cardi B performance sound like if it were mono sound - so records, wax cylinder? Think about that. And then what about on cassette? And then what about on MP3? And then now on streaming? And then what we call immersive, which is surround sound? So we really try to walk visitors through the history of recorded sound and how much technology has changed, not just the recording process, but the listening experience as well."The GRAMMY Museum believes that music is a gateway to learning. Their mission is to explore and celebrate the enduring legacies of the creative process behind all forms of music through immersive and interactive exhibits and essential music education programs. Michael Sticka serves as President/CEO. He’s responsible for the creation of the Museum's growth and sustainability as an independent nonprofit arts organization, overseeing the Museum Foundation™’s national programming, including GRAMMY In The Schools®, grants for music research and preservation and national affiliates. Their many projects include the multimillion-dollar renovation of the Museum in downtown Los Angeles, building the only gallery dedicated to Latin music in California; GRAMMY Museum at Home, a collection of virtual exhibits, artist programs and educational content available free to educators and music lovers worldwide; and their official streaming service COLLECTION:live™. An advocate for accessibility, the GRAMMY Museum became the only museum named as a Certified Autism Center™ in California. Prior to joining the Academy, Sticka consulted for nonprofit organizations and co-founded the Zoot Theatre Company in Dayton, Ohio.Grammymuseum.orgIG, FB, TW: @grammymuseumwww.creativeprocess.infowww.oneplanetpodcast.org

The GRAMMY Museum believes that music is a gateway to learning. Their mission is to explore and celebrate the enduring legacies of the creative process behind all forms of music through immersive and interactive exhibits and essential music education programs. Michael Sticka serves as President/CEO. He’s responsible for the creation of the Museum's growth and sustainability as an independent nonprofit arts organization, overseeing the Museum Foundation™’s national programming, including GRAMMY In The Schools®, grants for music research and preservation and national affiliates. Their many projects include the multimillion-dollar renovation of the Museum in downtown Los Angeles, building the only gallery dedicated to Latin music in California; GRAMMY Museum at Home, a collection of virtual exhibits, artist programs and educational content available free to educators and music lovers worldwide; and their official streaming service COLLECTION:live™. An advocate for accessibility, the GRAMMY Museum became the only museum named as a Certified Autism Center™ in California. Prior to joining the Academy, Sticka consulted for nonprofit organizations and co-founded the Zoot Theatre Company in Dayton, Ohio."It's one of our more popular experiences at the GRAMMY Museum. We have something called Mono to Immersive, which actually takes a Bruno Mars and Cardi B performance at the GRAMMY Awards, and we put guests/listeners into a room, and they watch this performance. And we had Grammy-winning engineers mix these performances. What would that Bruno Mars and Cardi B performance sound like if it were mono sound - so records, wax cylinder? Think about that. And then what about on cassette? And then what about on MP3? And then now on streaming? And then what we call immersive, which is surround sound? So we really try to walk visitors through the history of recorded sound and how much technology has changed, not just the recording process, but the listening experience as well."Grammymuseum.orgIG, FB, TW: @grammymuseumwww.creativeprocess.infowww.oneplanetpodcast.org