New Books in Popular Culture

While black men have been portrayed in film for over a hundred years, they have often been stereotyped or portrayed very badly. In her book Black Hollywood: From Butlers to Superheroes, the Changing Role of African American Men in the Movies (Praeger, 2015), Kimberly Fain reviews the changing aspect of these roles and the African American actors who played them. Going decade by decade, she chooses specific films that do a particularly good job of showing these shifts. She also talks about how African American men began to use their popularity in other entertainment fields to give them power in the film industry. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The origins of world music can be found in early ethnographic recordings as anthropologists and ethnomusicologists sought to record the songs of lost or dying cultures. In Modernity’s Ear: Listening to Race and Gender in World Music (NYU Press, 2015), Roshanak Kheshti explores how these origins shape how listeners hear world music today. Kheshti did fieldwork at Kinship Records, a pseudonym of a world music label, and examined how world music gets record, produced, marketed, and sold. Full of theoretical insights, Modernity’s Ear focuses on how listening and the ear have become key sites for the production of racial and gender identities and how listeners come to hear their own desires. Kheshti challenges earlier scholarly studies that criticize world music for appropriating ethnic sounds. Instead, she considers how music allows listeners to incorporate a wide range of sounds into their own culture. For example she discusses how Vampire Weekend, an alternative rock band, drew on Afro pop in their music. For Kheshti, this is a key example of how listeners came to make world music their own. The book concludes with a discussion of Zora Neale Hurston’s recordings of African American folk songs and tales. Kheshti argues that Hurston understood all too well the dominant paradigms around such folk recordings, which viewed such recordings as valuable because they were authentic sounds. Hurston, however, refused such a position and chose to preform African American folk songs and stories herself rather than record “authentic” native voices. For Kheshti, Hurston’s decision demonstrates potential agency and the ability for world music performers to shape how they get heard. Roshanak Kheshti is Associate Professor of Ethnic Studies and affiliate faculty in the Critical Gender Studies Program at the University of California, San Diego. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Adam Kucharski, who won the 2012 Wellcome Trust Science Writing Prize, has delivered another winner in an area rife with both winners and losers. The Perfect Bet: How Science and Math Are Taking the Luck Out of Gambling (Basic Books, 2016) is a brilliant, fascinating, and sometimes slightly terrifying look at how math and science are not just conquering gambling, the algorithms that math has devised and the computerized means of implementing them are paradoxically simultaneously removing risk and creating a lot more of it. Jim Stein is an emeritus professor of mathematics at California State University, Long Beach. As has been noted, the word ’emeritus’ comes from the Latin ‘ex’ — meaning ‘out’ — and ‘meritus’ — meaning ‘ought to be’. Despite that, Jim still teaches a course a semester, either at CSULB or El Camino Community College. He is the author of L.A. Math: Romance, Crime and Mathematics in the City of Angels, Cosmic Numbers: The Numbers That Define the Universe, The Paranormal Equation, How Math Can Save Your Life, The Right Decision, and How Math Can Save the World. He responds to any and all emails addressed to jim.stein@csulb.edu Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Symbols have meanings that change depending upon the cultural context. But how do we discuss symbols, their meanings, and their cultural contexts without an adequate vocabulary? Phillip Penix-Tadsen, assistant professor of Spanish at the University of Delaware and author of the new book Cultural Code: Video Games and Latin America (MIT Press, 2016), offers insight in to how culture is signified in video games, with a particular emphasis on Latin America. In Cultural Code, Penix-Tadsen examines how Latin America is represented in some of the most popular of games, as well as how Latin American developers, themselves, represent their various countries. In so doing, Penix-Tadsen investigates the emergence of video games as cultural currency, and advances a vocabulary for describing how culture is integrated in to all aspects of gaming. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Looking for a cheery, encouraging guide to improving your life? A reminder that nothing is really all that bad, and you can still pick yourself up and make a big success of yourself? Look elsewhere! In their new book You Blew It! (Penguin, 2015), writers Josh Gondelman and Joe Berkowitz dash those dreams against the rocks of reality, and instead point out that you’ve seriously blown it already, in every aspect of life from love and sex to roommates and career choice. And don’t forget family. Oh, how we sometimes wish we could forget family. We’re kidding. Kind of. Gondelman and Berkowitz have hardly ruined their own lives – Gondelman is a stand-up comedian and Emmy-nominated writer for “Last Week Tonight with John Oliver,” and Berkowitz is a writer and editor for Fast Company. Their book is a fast and funny guide to the many pitfalls of everything from parties to Facebook. They list out friendships to avoid (the “Never Carries Cash Friend” and “Suddenly Got Really Religious Friend” are two examples) and advise you on how not to compliment someone (never tell someone she “cleans up nicely,” or tell him he looks like a random celebrity he may or may not find attractive). Gondelman and Berkowitz join podcast host Gael Fashingbauer Cooper (who was once told she looked like Marie Osmond and still doesn’t know what to make of that) to discuss lives ruined and not ruined. Tune in and travel with them down the many roads to social disaster. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In his new book Going to the Palais: A Social and Cultural History of Dancing and Dance Halls in Britain, 1918-1960 (Oxford University Press, 2016), cultural historian James Nott charts the untold history of dancing and dance halls in Britain in the first half of the twentieth century. This exploration reveals the transformations of working-class communities, and of the changing notions of femininity, masculinity and leisure that occur in this period. To do so, Nott navigates us skillfully between the perspectives of the dance hall owners, dance teachers and innovators. He them leads us to consider the point of view of enthusiastic jiving individuals. Finally, we take our place on the sidelines with the onlookers and killjoys alarmed by this ‘craze.’ This kaleidoscope of voices and images illuminates the role of the dance hall as a social space. It is argued that the dance hall brought together men and women in search of fun, but also provided them with a safe space to try out identities and behaviors. Nott claims that the spread and success of the dance hall reached the whole country. He situates it within the democratization process of British culture that was led by commercialism in the 1920s and 1930s, and even more so after the Second World war. Nott points to the American origins of the music and dances that dominated the dance hall. But also suggest that a national style was forged on the dance-floor and via the business models and publicity methods of the institution. Consequently, he maintains, a uniquely British space was born. The story of the rise and fall of the dance hall is constructed through its economic history. Its financial success and decline are analyzed with sources from the day’s trade press, the archives of individual companies and the regulation and licensing records of towns and cities. The cultural role of the dance hall is revealed through its representation in local and national press. Oral interviews, contemporaneous social surveys and Mass Observation reports are woven together to construct the experience of going to the palais. The result is a superb analysis of gender and race relations, as well as a fascinating look at an industry that had once rivaled cinema as an ultimate pastime. Dr James Nott is a social and cultural historian at the University of St Andrews. He is the author of Music for the People: Popular Music and dance in Interwar Britain (OUP, 2002) and co-editor of Classes, Politics and Cultures: Essays in British History in Honour of Ross McKibbin (OUP, 2011). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

What do Tony Soprano and Archie Bunker have in common? Alan Sepinwall, longtime TV writer and critic, knows that the 1970s comedic bigot and 2000s Jersey mob boss are not as different as we may think. Both broke new ground in TV and made viewers sit up and take notice, although in very different ways. In his newly revised book, The Revolution Was Televised: How The Sopranos, Mad Men, Breaking Bad, Lost and Other Groundbreaking Dramas Changed TV Forever (Touchstone, revised edition December, 2015), Sepinwall takes readers on a spin through 12 television shows that changed the medium forever. The book takes readers behind-the-scenes of 12 groundbreaking TV dramas, including “Oz,” “Deadwood,” “The Wire,” “The Shield,” and of course “Breaking Bad.” Sepinwall isn’t in it to merely recap the plots – he speaks to the writers, actors and directors who made the shows happen, and puts their information together with his own insights to show how this new form of drama developed. Sepinwall also discusses how his book, at first self-published, became a New York Times favorite, and shares what he’s added to this new version. (Spoiler alert—don’t listen if you still don’t know how “The Sopranos” ended, but do tune in if you want Alan’s incisive take on Tony’s family’s final fade-to-black.) You’ve seen the shows – now go behind the curtain with Sepinwall and podcast host Gael Fashingbauer Cooper as they remember the characters and plots that ushered in this new golden age of television. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The concept sounds simple: Maris Kreizman‘s Slaughterhouse 90210: Where Great Books Meet Pop Culture (Flatiron Books, 2015), based on her popular Tumblr, pairs up classic celebrity and television images with relevant quotes from literature. But the blend of high and low culture makes for a delightful and insightful read. Here is where Kurt Vonnegut meets Brenda Walsh, summing up life in the 90210 zip code via one of his most iconic “Slaughterhouse-Five” lines. Where a Joan Didion essay written decades before Taylor Swift was ever born sings out new insight into the pop star’s famously personal lyrics. And where a Joseph Heller quote from “Catch-22” sums up Donald Trump quite nicely, political ambitions and all. Kreizman, a former book editor and current publishing-outreach lead at Kickstarter, joins fellow pop-culture junkie Gael Fashingbauer Cooper for a gleeful troop through the book, discussing favorite quote-photo pairings and why they work so well. Kreizman also shares behind-the-scenes info on the photos she wishes were in the book, and reveals which new shows would’ve fit nicely. (“Empire” is really all a big Dostoevsky novel when you get down to it, if ninenteenth-century Russia had hip-hop labels and private jets.) A book concept that may at first seem like a gimmick proves itself to be a rich new lens through which to view the relationship between modern entertainment and celebrity and literary wisdom of the ages. Sartre meets Seinfeld here, and they have a lot in common. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In the late nineteenth century, Jewish immigrants inspired by Zionism began to settle in Palestine. Their goal was not only to establish a politically sovereign state, but also to create a new, modern, Hebrew nation. With the establishment of the State of Israel in 1948, the Zionist movement realized its political goal. It then sought to acculturate the multitude of Jewish immigrant groups in the new state into a unified national culture. Yael Raviv highlights the role of food and cuisine in the construction of the Israeli nation. Raviv’s book, Falafel Nation: Cuisine and the Making of National Identity in Israel (University of Nebraska Press, 2015) examines how national ideology impacted cuisine, and vice versa, during different periods of Jewish settlement in Palestine and Israel. Early settlers, inspired by socialist ideology and dedicated to agricultural work, viewed food as a necessity and treated culinary pleasure as a feature of bourgeois culture to be shunned. Working the land, and later buying “Hebrew” agricultural products, however, were patriotic performances of the nation. With increased Jewish migration, the situation changed. Cuisine emerged as an aspect of capitalist consumer culture, linked to individual choice and variety. As Israel became more cosmopolitan, its food scene grew. Israeli institutions professionalized cooking and emphasized ethnic diversity. Culinary pleasure, no longer shunned, even moved into the public sphere, as picnics and barbeques became a national obsession. Food Nation takes us on a historical journey through a century of Jewish foodways in Palestine and Israel, highlighting their essential role in creating an Israeli nation. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

From Ronald Reagan through Gilberto Gil to Donald Trump, our media channels are filled with celebrities vying for the highest political posts. In A Genre Approach to Celebrity Studies (Palgrave Macmillan, 2015), cultural historian Nahuel Ribke explores the historical trajectory that led to the current mass movement of celebrities into electoral politics. The book is a comparative project made up of short case studies. The range is impressive; it begins with the transition of Israeli models into the Israeli parliament, the meteoric rise of a charismatic journalist to the head of the treasury in Israel, goes on to Gilberto Gil’s tenure as minister of culture in Brazil and explores the contrasting political paths of the previously successful salsa partnership of the musicians Ruben Blades and Willie Colon. The book then moves on to North America to explore the American pattern of celebrity politics. The book ends with a return to Brazil and Argentina to look at two fascinating stories of ‘ordinary’ people-turned celebrities-turned politicians. In addition to its contribution to the fields of celebrity and genre studies, this book is a vibrant narrative, bristling with the energy of its subjects. Nahuel Ribke is a lecturer at the University of Tel Aviv, The Sverdlin Institute for Latin American History and Culture and Seminar Hakibutzim College, Depatment of Film and Communication. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture