

New Books in Popular Culture
Marshall Poe
This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field.
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Discover our 150+ channels and browse our 28,000+ episodes on our website: newbooksnetwork.com
Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: https://newbooksnetwork.substack.com/
Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetworkSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
Episodes
Mentioned books

Aug 29, 2016 • 42min
Jean Chalaby, “The Format Age: Television’s Entertainment Revolution” (Polity, 2015)
Television had been transformed by the rise of the format. In The Format Age: Television’s Entertainment Revolution Jean Chalaby, Professor of International Communication at City University London, charts the beginnings of the format for TV shows, through the globalization of the trade in TV formats, to conclude with reflections on the future of local and global TV markets. The book uses an eclectic set of theoretical frames, including Global Value Chains, World Systems Theory and work of the Annales School, to chart the political economy of the TV format. Using a wide range of examples, detailed case studies of local markets and local production systems (including the UK), the book shows how the format is now crucial to the modern television industry encompassing everything from the game show to the long form drama. The book will be of interest to all media and communications scholars, as well as anyone keen to know why we have the sorts of television programmes we have on our screens. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Aug 27, 2016 • 53min
John Jodzio, “Knock Out” (Soft Skull Press, 2016)
John Jodzio, oft and rightly compared to George Saunders, is lauded by Chuck Klosterman as “the best best kind of modern fiction writer: a thematic traditionalist who feels totally new.” It’s no wonder this hilarious and profound Minneapolis writer has cultivated a cult following who flock to his reading events. His most recent collection Knock Out: Stories (Soft Skull Press, 2016) features a cast of complex, compelling, and strange characters (an alcoholic bed and breakfast owner, a recovering meth addict and a kidnapped tiger, an agoraphobic mother raising her baby completely indoors, a former soap opera star paralyzed in a human cannon ball stunt gone bad, and a son trying to keep the opium den family business afloat– just to name a few) who ultimately reveal their own raw humanity, as well as our shared emotional experience without the baggage of sentimentality. Jodzio walks a tightrope between comedic gold and hitting the sweet spot of crack-your-ribcage-open-and-shatter-your-heart-like-a-geode. These artfully crafted stories are difficult to put down, and Jodzio’s plotting and pacing are so spot on that it’s a deceptively quick read. It’s only on rereading that we see how hard each sentence is working to reveal the world anew to us as readers.
Barbara Harroun is an Assistant Professor at Western Illinois University. Her work can be found at Fiction Southeast, Watershed Review, Rappahannock Review and Iron Horse Literary Review, among others. She can be found at barbaraharroun.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Aug 24, 2016 • 1h 4min
Stephen Lee Naish, “Create or Die: Essays on the Artistry of Dennis Hopper” (Amsterdam UP, 2016)
Stephen Lee Naish first became aware of Dennis Hopper watching David Lynch’s Blue Velvet, jumpstarting what would become a long examination of Hopper’s ambitions and creative output as an actor, filmmaker, photographer, sculptor, and painter. In his book, Create or Die: Essays on the Artistry of Dennis Hopper (Amsterdam University Press, 2016), Naish places Hopper’s work in its social and political context , showcasing the diverse career of a talented visual artist and pioneer in the American independent film movement.
Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Aug 13, 2016 • 54min
Jennifier Keishin Armstrong, “Seinfeldia: How a Show About Nothing Changed Everything” (Simon and Schuster, 2016)
Seinfeld is often referred to as the greatest television show of all time. Although this may be debated, there few who would argue that it holds a prominent place in television history and popular culture. In her new book, Seinfeldia: How a Show About Nothing Changed Everything (Simon and Schuster, 2016), author Jennifer Keishin Armstrong presents the history of Larry David and Jerry Seinfeld’s “silly little show” from its struggling beginnings to its life today beyond the screen. Keishin Armstrong brings readers behind-the-scenes of Seinfeld’s inception and into the world of a show which blurs the lines between television and reality. Well-researched and thoughtfully written, Seinfeldia introduces readers to the many levels of Seinfeld’s success. From David and Seinfeld’s unorthodox way of running a television show and the writers’ negotiating for their bit in a script to the myriad of ways Seinfeld is still relevant in todays popular culture, Seinfeldia presents a thorough and easy to read history of a show that has impacted television, culture, and fandom even almost 20 years after it first aired on network television. Those who fans will appreciate Keishin Armstrong’s commitment to showing all the details that went into such classic episodes as “The Junior Mint” and “The Contest” and those who are not may start to learn a little about why Seinfeld has such staying power.
Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Aug 12, 2016 • 52min
Michelle Cruz Gonzales, “The Spitboy Rule: Tales of Xicana in a Female Punk Band” (PM Press, 2016)
In her new book The Spitboy Rule: Tales of a Xicana in a Female Punk Band (PM Press, 2016), Michelle Cruz Gonzales tells her story as a member of a feminist hardcore punk band. The band, Spitboy, emerged in the early 90s in the Bay Areapunk scene. The book provides an insider’s view of the scene, what it was like touring, and how a young Xicana found herself in a genre of music that typically identifies itself as male and white.
Gonzales reflects on the gender and racial politics that shaped punk music and explores her political and racial awakening while performing in the band. She discusses how audiences responded to an all-women band and the roots of Spitboy’s conflict with the riot Grrrl bands. The Spitboy Rule is an unflinchingly honest look at Gonzales’s life in Spitboy and offers tremendous insight into the 90s punk scene. The podcast delves deep into all of these questions and explores Gonzalez’s recent career as a professor and writer.
Michelle Cruz Gonzales writes memoir and fiction and teaches English at Las Positas College. Born in East LA in 1969, MCG grew up in Tuolumne, a tiny California Gold Rush town. She played drums and wrote lyrics for three bands during the 1980s and 1990s: Bitch Fight, Spitboy, and Instant Girl. Gonzales currently lives in Oakland, California with her family. She blogs at https://pretty-bold-mexican-girl.com and some of her solo music can be heard at https://soundcloud.com/michelle-gonzales-52.
Richard Schur, Professor of English at Drury University, is the host for this podcast. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Jul 21, 2016 • 59min
Sue Matheson, “The Westerns and War Films of John Ford” (Rowman and Littlefield, 2016)
While John Ford made films of more general subjects, he is best known for his movies that illustrated the American West and life during wartime. In her book, The Westerns and War Films of John Ford, Sue Matheson examines what was so special about his works, as well as how his films represented Ford’s view of America. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Jun 23, 2016 • 43min
Bert Ashe, “Twisted: My Dreadlock Chronicles” (Agate Bolden, 2015)
What’s missing from contemporary discussions of aesthetics and representation within the natural hair movement? Bert Ashe generously offers a response in Twisted: My Dreadlock Chronicles, an unprecedented account of black male identity as seen through our culture’s perceptions of hair. In this personal story that weaves together the cultural and political history of dreadlocks with the authors own mid-life journey to lock his hair, Ashe addresses the significance of black hair in the 20th and 21st centuries through an engaging and humorous literary style. Professor Ashe’s research focuses on late twentieth-century and early twenty-first century literature and culture. He teaches and writes about contemporary American culture, primarily post-Civil Rights Movement African American literature and culture (often referred to as post-blackness or the post-soul aesthetic), as well as the black vernacular triumvirate of black hair, basketball, and jazz. His first book, From Within the Frame: Storytelling in African-American Fiction (Routledge, 2002) tracks the development of the African American frame text, from Charles Chesnutt’s The Conjure Woman through John Edgar Wideman’s Doc’s Story. Dr. Bert Ashe is Associate Professor of English at the University of Richmond. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Jun 15, 2016 • 1h 2min
Ed Berlin, “King of Ragtime: Scott Joplin and His Era” (Oxford UP, 2016)
Few composers dominate a genre of music as completely as did Scott Joplin. From the publication of his iconic Maple Leaf Rag in 1899 onward his ragtime compositions came to serve as the soundtrack of his age. Yet Joplin aspired to be recognized not just as a successful writer of popular tunes but as a respected composer of classical music, an ambition that led him to write a ballet and two operas. In a new edition of his biography of Scott Joplin, King of Ragtime: Scott Joplin and His Era, the eminent ragtime scholar Ed Berlin reveals many new details that sharpen our understanding of Joplin’s life and the times in which it was lived. Tracing his life from his childhood in rural Texas to his death in New York City in 1917, he describes Joplin’s career as a musician and composer, setting it within the context of an African American community seeking to define its place within American society. Through his extensive research, Berlin sheds new light on Joplin’s personal life, his business affairs, and the public reception of his music, helping us to better understand the impact and legacy of this great American artist. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Jun 13, 2016 • 48min
John Brian King, “Nude Reagan” (Spurl Editions, 2016)
Nude Reagan (Spurl Editions, 2016) is John Brian King’s second book of photography. His first book, LAX: Photographs of Los Angeles 1980-84, was published by Spurl Editions in 2015. For his most recent book, King photographed twenty-three nude female models with a Fujifilm Instax Mini 8 camera in an empty Palm Springs office space. Each model wore the same Ronald Reagan mask, striking any pose she liked. Deliberately unsettling, these photographs depict Reagan as a demon and specter haunting the modern world. Evoking the dead conservative president, the models wear the hideous dark-eyed mask anemic and wrinkled and morph into unerotic, freakish wraiths. The colors of the photographs accentuate these figures’ eerie qualities: the camera’s unpredictable flash turns the bland office backdrop alternately into a mold green, a muddy gray, a brilliant white, or a dense, all-encompassing black setting. The womens’ shadows are sometimes starkly present, and at other times disappear. King was influenced by such disparate sources as Conrad Veidt’s The Man Who Laughs; Reagan’s own frozen, Brylcreem-lathered countenance; artist Maurizio Cattelan’s sardonic approach to politics in art; and Ralph Eugene Meatyard’s Southern Gothic photographs of masked children.
JOHN BRIAN KING is a Los Angeles native who graduated with a degree in photography from the California Institute of the Arts. He designed the film titles for over thirty films, including Boogie Nights, Punch-Drunk Love,and The Ring. He wrote and directed the feature film Redlands, an examination of creativity and horror in relation to photography. His book LAX: Photographs of Los Angeles 1980-84 was featured in the Los Angeles Times, Slate, Impose Magazine, LCeil de la Photographie, Yet Magazine, It’s Nice That, AnOther Magazine, and more. Nude Reagan is available through Spurl Editions. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Jun 8, 2016 • 56min
Yago Colas, “Ball Don’t Lie! Myth, Genealogy and Invention in the Cultures of Basketball” (Temple University Press, 2016)
Leading up to this year’s NBA Finals, sports media outlets offered their take on the most important storylines of the series between the Cavaliers and Warriors. Who will claim his place as the game’s greatest current player, LeBron James or Stephen Curry? How will Cleveland fill the role of underdog? Can Golden State establish themselves as a new dynasty in the sport?
This term “storylines” has been appearing regularly in American sports media as of late, especially before big match-ups. Attention to storylines is based on the notion that the media-generated narratives surrounding an event are themselves worthy of analysis and interpretation. In other words, the storylines are the story. University of Michigan professor Yago Colas acknowledges the importance of these narratives in our understanding of sports. But rather than discussing narratives in order to gauge which ones are more “true,” as sports pundits do, he looks at the prejudices and moral assumptions at the root of our sports storylines. As Yago explains in his book–Ball Don’t Lie! Myth, Genealogy, and Invention in the Cultures of Basketball–(Temple University Press, 2016), narratives in sports, just like narratives in literature or politics, are grounded in particular ways of seeing the world. In his examination of the history and culture of basketball, he shows how storylines pass those perspectives on, from one generation of fans to the next. We learn that the narratives surrounding the 2016 NBA Finals are nothing new, even though the names and uniforms are different. The storylines we read and hear today are variations on those that have been present in basketball culture for decades. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture


