New Books in Architecture

The Americans with Disability Act passed in 1990, but it was just one moment in ongoing efforts to craft the meaning and practice of “good design” that put people with disabilities at the center. In their new book, Building Access: Universal Design and the Politics of Disability (University of Minnesota Press, 2017), Aimi Hamraie takes a “sledgehammer to history” in the spirit of one guerrilla activist group that they track in the archives—among many other people, objects, and historical contexts. Hamraie focuses on work around “access-knowledge”—that is, the forms of expertise that were considered legitimate ways of knowing and responding to disability through design. What has counted as legitimate access-knowledge, Hamraie argues, indicates designers’ goals: Was the aim of design to make productive workers, liberal consumers, or structures that materialized a commitment to spacial belonging? Who were the imagined users and how could new political priorities materialize in worlds already built? Answers to these questions made—and continue to remake—our material world and its frictions.  Hamraie brings their training in feminist epistemology to never-before-accessed archival materials, along with an array of historical images and documents. The result is a persuasive, beautiful, and intrepidly researched book. Building Access torques received wisdom in disability studies, history of science, and architectural design, and models how to attend to research, writing, and publishing as a material practice. Hamraie is Assistant Professor at Vanderbilt University’s Center for Medicine, Health & Society, and Director of Vanderbilt’s Critical Design Lab. This interview was a collective effort among Vanderbilt faculty and graduate students in the course New Approaches to STS. For more information about using NBN interviews as part of pedagogical practice, please email Laura Stark or see the essay “Can New Media Save the Book?” in Contexts (2015). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Lawrence Halprin, one of the central figures in twentieth-century American landscape architecture, is well known to city-watchers for his work on San Francisco’s Ghirardelli Square, Seattle’s Freeway Park, downtown Portland’s open-space sequence, the FDR Memorial on the National Mall, and the California planned community of Sea Ranch. Less well known is his distinctive, process-based approach to design—his theoretical commitment, on the one hand, to a dynamic “choreography” of bodies moving through space, and, on the other, the visually arresting notational techniques of “scoring” he devised to represent such movement and carry out his projects in consultation with the public. In City Choreographer: Lawrence Halprin in Urban Renewal America (University of Minnesota Press, 2014), Alison Bick Hirsch addresses Halprin’s built work and community workshops in equal measure, pointing up important tensions that his participatory “Take Part Process” never quite extinguished: between manipulation and facilitation, universality and difference, conscious choice and emergent chance. Through Lawrence Halprin and his wife, the modern dancer Anna Halprin, Hirsch opens onto a broader history of postwar landscape and urban design, and onto some of the complicated politics in which proponents and critics of Urban Renewal alike found themselves immersed. Hirsch has written a decisive work that joins the intellectual, social, political, and aesthetic histories of urbanism. Geographers, historians, and urbanists of many stripes will learn from her able analysis. Peter Ekman teaches in the departments of geography at Sonoma State University and the University of California, Berkeley. He received the Ph.D. from Berkeley in 2016, and is at work on two book projects on the cultural and historical geography of urban America across the long twentieth century. He can be reached at psrekman@berkeley.edu.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Singular Spaces: From the Eccentric to the Extraordinary in Spanish Art Environments (Raw Vision, 2013) is an audacious tome. A comprehensive survey of 45 art environments on the Spanish mainland, it weighs just over eight and a half pounds and contains over 1300 color photographs (with over 4000 more plus site plans on the accompanying CD). Its author, Jo Farb Hernandez, is the Director of SPACES, a non-profit focused on art environments around the world. She first became interested in place-based creative constructions when she was an undergraduate in Wisconsin. In her introduction to Singular Spaces, she recounts how this particular book began: she and her husband were in the process of renovating an old farmhouse they’d purchased in Catalonia. They took a short road-trip to explore the area around their new home and chanced upon “the enormous roadside construction of Josep Pujiula I Vila, at that time one of the largest and most idiosyncratic art environments found worldwide” (16). Shortly thereafter Farb Hernandez began documenting Pujiula’s work while writing another book. In the process she came across more and more such endeavors that demanded her attention. Singular Spaces is devoted to those sites and like them, the book is the product of years of labor and dedication. Singular Spaces features the work of 45 artists, all men. Alongside the photographs and descriptions of the art environments, Farb Hernandez also tells the stories of their creators’ lives, and details the history and development of each project. She also describes the challenges that many of the artists have faced, not least those posed by unhappy neighbors and unsympathetic municipal authorities. In fact, helping the men deal with local adversities has led to Farb Hernandez frequently taking on the role of advocate on behalf of her interlocutors. A recent review in the Journal of American Folklore described Singular Spaces as “incredibly important for those who are interested in architecture, the politics of place and space, folk art and art in general, art and activism, the psychology of creativity, and relationships between tradition and the individual. Jo Farb Hernandez has written more than a survey of eccentric art spaces. She has opened a door to each artist and space so that they may be explored, analyzed, and, in some cases, loved by any who enjoy such contextual art forms.” Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

My students don’t remember Vietnam. That’s hard to believe, for someone born in 1968. But it’s true, nonetheless. High school history courses rarely make it past World War Two. The Cold War and the Berlin Wall are mysteries. And Vietnam, unless someone in their family fought there, is just a country. But most, if not all, of my students have heard of the Vietnam Memorial. They may not know what or who it commemorates. But they’ve seen it on class trips, or in textbooks. And they universally praise its power and simplicity. So, unless you’re my age, it’s hard to imagine the bitterness and divisions which greeted Maya Lin’s memorial. In his new book A Rift in the Earth: Art, Memory and the Fight for a Vietnam War Memorial (Arcade Publishing, 2017), James Reston, Jr. retells this story in a way that brings it alive again. Reston brings a journalist’s eye for character and narrative to the book. Several authors have told this tale, but Reston is by far the best at bringing the story to life. Less interested in putting this memorial into the broader context of memorialization in the 1970s, he instead concentrates on retelling the story and on explaining to a modern audience why it matters. And, when you’ve finished the narrative heart of the book, you suddenly learn why the story seems so personal and important to Reston. Kelly McFall is Professor of History and Director of the Honors Program at Newman University. He’s the author of four modules in the Reacting to the Pastseries, including The Needs of Others: Human Rights, International Organizations and Intervention in Rwanda,1994. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

For most people the field of architecture is not what they think about when discussing artificial intelligence as we describe it today. Yet, architects are a part of the historic foundations of what we call the Internet and now AI. In her new book, Architectural Intelligence: How Designers and Architects Created the Digital Landscape (MIT, 2017), Carnegie Mellon associate professor Molly Wright Steenson, considers four of these designers: Christopher Alexander, Richard Saul Wurman, Cedric Price, and Nicholas Negroponte, to examine how they included elements of interactivity in their projects. In so doing she illuminates how their work influences today’s technology. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

What do gingerbread houses in Haiti teach us about the construction of identity in the French Caribbean? How do hurricanes and earthquakes reveal the connections between the tangible built environment and intangible notions of identity? Architextual Authenticity: Constructing Literature and Literary Identity in the French Caribbean (Liverpool University Press, 2017) examines these questions in a rich body of works from Haiti, Guadeloupe and Martinique. The book proposes two key concepts to aid in our understanding of Caribbean writers’ construction of identity in their literary works. The term “architexture” asks readers to be attentive to the building blocks of the text and the inner workings of literary works that reflect on themselves and reach out beyond their own pages to be in conversation with other writers, other texts, other stories. Authenticity underscores the ever-present specter of the colonial past and the possibilities for drawing on multiple influences (or in Herbeck’s terminology, using multiple building materials) to construct a unique and original Caribbean identity. Drawing on a range of writers including Maryse Conde, Daniel Maximin and Yanick Lahens, this book steps back from a narrow view of the finished edifice and takes in the scaffolding and mortar that holds these narratives together. Jason Herbeck is Professor of French at Boise State University. His research focuses primarily on evolving narrative forms in twentieth and twenty-first-century French and French-Caribbean literatures, and how these forms relate to expressions and constructions of identity. In addition to many articles and book chapters devoted to the literatures and histories of Haiti, Martinique and Guadeloupe, he has also published widely on Albert Camus and is, since 2009, President of the North American Section of the Societe des Etudes Camusiennes. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Resistance in the Francophone World, examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

It’s no secret that we continue to live in the midst of digital revolution that continues to unfold in a rapidly accelerating fashion. Digital connectivity and the Internet of Things make possible not only Smart Homes, but Smart Cities. As with all technological revolutions, the road ahead is equally dotted with possibilities and pitfalls. Liss C. Werner and her colleagues brought together a collection of thinkers and practitioners in the realms of architecture, design, and urban planning to wrestle with questions around ways we might utilize today’s digital design tools to enable more responsive, resilient, and ultimately, inclusive and democratic forms of urban design and governance without tipping the balance over to a technocratic project that might imprison us within its algorithmic logics. All of the contributors to this discussion share the hope that the insights of second-order cybernetics might provide valuable guidance as we attempt to find that particular “sweet-spot” of human/machine interaction. Their insights are gathered together in Cybernetics: State of the Art edited by our guest, Liss C. Werner, and available free online from the Technical University of Berlin. As editor, Werner has skillfully crafted a dialectic arc that allows the productive tensions between digital utopianism and skepticism enabling a provocative investigation of the revolution that is happening whether we like it or not, and might help us find the means to steer its emergence in ways that are most beneficial for all of us and our environment. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

In 1898, a new metropolis emerged from the consolidation of New York City with East Bronx, Brooklyn, Staten Island and the western part of Queens County. In Greater Gotham: A History of New York City from 1898 to 1919 (Oxford University Press, 2017), Mike Wallace describes the first two decades of this city’s expanded history, a period in which it led and embodied the developments that were taking place nationally. As he explains, consolidation was a trend throughout America during this era. Big business was at the forefront of this, as Wall Street provided the financing necessary for numerous industries to form dominant corporate combinations through mergers and takeovers. The enormous wealth controlled by these titans was prominent throughout the city, both in the new skyscrapers rising to dominate the city’s skyline and in the cultural and educational institutions that flourished with infusions of their capital. Similar mergers took place in many sectors and aspects of city life, from entertainment to labor, with even the criminal underworld consolidating in a reflection of the times. Wallace’s book chronicles all of this, as well as the developments in the many communities of a richly diverse city that during these years experienced dramatic growth and changes wrought by a global war. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

As Bruce R. Berglund, points out in his terrific book Castle and Cathedral in Modern Prague: Longing for the Sacred in a Skeptical Age (CEU Press, 2017), the Czech Republic is an odd place, religion-wise. It’s among the most secular in the world, yet Czechs have a long tradition of believing in “Something.” They even have a thing called “Somethingism.” Just what that Something is and what that Something means for Czechs to do, of course, is and long has been the subject of debate. Bruce takes us into the heart of that debate in the interwar period, a time of great intellectual ferment and creativity in what was then Czechoslovakia. It turns out Czech intellectuals (Masaryk being the foremost of them) wanted the Czechs the be guided by Something in all their affairs. Bruce does a great job of telling us why and how. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

The meaning assigned to architecture is complex and varied. Urban architecture is often stripped of meaning when people abandon the neighborhoods or are absent of meaning at the time of their inception. This leaves the people who inhabit the terrain to assign their own meaning to the architecture. Jeffrey Kidder, the author of Parkour and the City: Risk, Masculinity, and Meaning in a Postmodern Sport (Rutgers University Press, 2017) and my guest for this episode, observed the way traceurs in Chicago, Illinois use urban architecture to express masculinity and risk-taking in their performance of parkour. In our interview, we discuss how this study was shaped from his past observations of message carriers, as well as topics such as the impact that history has on the development of parkour in nations around the world, the perception that traceurs have on hyper-masculine males who are viewed as dangerous when performing parkour, and the difference between risk-taking behavior and thrill-seeking behavior. We also learn about his thoughts on the current environment of risk-taking in lifestyle sports and how these sports are different from competitive (or team) sports. Jeffrey Kidder, Ph.D. is an associate professor of sociology at Northern Illinois University in DeKalb, Illinois. Dr. Kidder has focused his research and teaching pursuits on the intersection of cultural sociology and urban sociology. He is currently on a one year sabbatical in Colorado where he is continuing his research on risk-taking behavior and lifestyle sports—this time observing skiers, snowboarders, mountain bikers, climbers, etc. Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He is a graduate of the public policy and public administration program at Walden University. His most recent paper, to be presented at the upcoming American Society for Environmental History conference, is titled “Down Lover’s Lane: A Brief History of Necking in Cars.” You can learn more about Johnston’s work here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture