New Books in Architecture

It rose against the Texas sun in all its architectural audacity: a domed stadium big enough to cover a baseball field. When it opened in 1965, the Houston Astrodome defied engineering precedent and forever changed professional sports. Today, its legacy today is complicated, and its future remains uncertain.Robert Trumpbour and Kenneth Womack tell the story of this groundbreaking building in The Eighth Wonder of the World The Life of Houston's Iconic Astrodome (University of Nebraska Press, 2016). The book won the Seymour Medal from the Society for American Baseball Research in 2017.Trumpbour is professor of communications at Penn State University. He is also the author of The New Cathedrals: Politics and Media in the History of Stadium Construction (Syracuse Univ. Press, 2006). Womack is a dean and professor of English at Monmouth University, and the author of several books, including Long and Winding Roads: The Evolving Artistry of the Beatles (Bloomsbury, 2007). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

McKenzie Wark’s new book offers 21 focused studies of thinkers working in a wide range of fields who are worth your attention. The chapters of General Intellects: Twenty-One Thinkers for the Twenty-First Century (Verso, 2017) introduce readers to important work in Anglophone cultural studies, psychoanalysis, political theory, media theory, speculative realism, science studies, Italian and French workerist and autonomist thought, two “imaginative readings of Marx,” and two “unique takes on the body politic.” There are significant implications of these ideas for how we live and work at the contemporary university, and we discussed some of those in our conversation. This is a great book to read and to teach with! Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

With the passage of the Secure Fence Act in 2006, the U.S. Congress authorized funding for what has become the largest domestic construction project in twenty-first century America. The result? Approximately 700 miles of fencing, barricades, and walls comprised of newly built and repurposed materials, strategically placed along the 1,954-mile international border between the United Mexican States and the United States of America. At an initial cost of $3.4 billion, the most current estimates predict that the expense of maintaining the existing wall will exceed $49 billion by 2032. Envisioned solely as a piece of security infrastructure—with minimal input from architects and designers—the existing barrier has also levied a heavy toll on the lives of individuals, communities, municipalities, and the surrounding environment. In Borderwall as Architecture: A Manifesto for the U.S.-Mexico Boundary (UC Press, 2017), Professor Ronald Rael proposes a series of architectural designs that advocate for the transformation of the existing 700-mile-wall into a piece of civic infrastructure that makes positive contributions to the social, cultural, and ecological landscapes of the U.S.-Mexico borderlands. As both a muse and act of political protest, Rael’s designs challenge us to question the efficacy of the current barrier, while simultaneously stoking our imagination concerning its future. David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of the U.S.-Mexico Borderlands, the development of multi-ethnic/racial cities, and the evolution of Latina/o identity and politics. His research centers on the relationship between Latina/o politics and the metropolitan development of Orange County, CA throughout the 20th century. You may follow him on Twitter @djgonzoPhD. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Pamela Woolner, senior lecturer in education at Newcastle University, joins us in this episode to discuss her edited volume, School Design Together (Routledge, 2014). Pam is an expert in understanding and developing learning environments, particularly the use of participatory research methods to engage and empower users to share their experiences and knowledge. My conversation with Pam begins with her background in psychology and how her early research studying the use of visuals in math then led her to her research on school environments. In the interview, Pam reflects on the genesis of the book: a 2011 conference to bring together a diverse collective of architects, designers, educators, and researchers at the conclusion of the UK’s Building Schools for the Future programme. For those unfamiliar with learning environments research, a common question is, “Which comes first, the innovative space or innovative teaching?” To answer this question, Pam discusses the complexity of school change, and describes using a cyclical approach that engages a range of participants, at different levels of participation, and at different times in the process. Throughout our conversation, Pam shares her insight about the ways the physical environment is linked to change in schools. Julie Kallio is a graduate student in Educational Leadership and Policy Analysis at the University of Wisconsin – Madison. Her research interests include educational change, innovation and improvement networks, physical spaces of schools, and participatory design. You can find more about her work on her website, follow her on twitter, or email her at jmkallio@wisc.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Laura Neitzel’s The Life We Longed for: Danchi Housing and the Middle Class Dream in Postwar Japan (MerwinAsia, 2016) is a chronicle of the large, government-sponsored housing projects called danchi that were built during Japan’s high-growth years, roughly 1955 until the first oil shock in the early 1970s. Though only a minority of Japanese lived in the danchi, they took on an outsized place in the public imagination of and aspirations for the ideal new “bright life” of postwar Japan. The danchi, built by the Japan Housing Corporation (JHC) to accommodate the rush of families relocating to the cities during this transformational period, were the symbol of a new “democratic” middle-class life freed from the “feudal” past, a great social and architectural experiment, and the source of enormous social cathexis. Drawing on a wide range of sources from government white papers to popular women’s magazines, and paying close attention to the danchi as an everyday revolution of the everyday, to both the positive and negative views of the danchi, and to their relationship to contemporaneous social imaginaries of democratic-capitalist affluence around the world, Neitzel paints a clear and concise portrait of the danchi as aspiration, but also paradoxically as a kind of nostalgia a longed-for life that never really was. The book provides a clear and sensitive look at danchi as modern design and design for modernity, as a fantasy of middle-class life and a middle-class fantasy, warts and all. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Beginning in the mid-1800s, Paris experienced an unprecedented growth in the development of parks, squares, and gardens. This greenspace was part of Napoleon III’s plan for a new, modern Paris and a France restored to glory on the international stage.  Adolphe Alphand, as director of the newly established park service, brought his own democratic and egalitarian vision to urban planning.  In Planning the Greenspaces of Nineteenth-Century Paris (Louisiana State University Press, 2015), Dr. Richard S. Hopkins examines the urban landscape of Paris from the Second Empire through the Third Republic as an expression of France’s revolutionary past in which disparate groups—from planners, reformers, and engineers to neighborhood residents and park visitors—came together to create, define, and negotiate this new public space. Richard S. Hopkins is an Assistant Professor of History at Widener University. He teaches courses in European, urban, environmental, and gender history. His research focuses on the social and cultural history of modern France, urban space, and the relationship between the individual and state authority. He is co-editor of the book Practiced Citizenship: Women, Gender, and the State in Modern France, University of Nebraska Press (forthcoming January, 2019). Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Seoul, as any listener who has visited will recognize, can be a pretty overwhelming place. This is well recognized by Ross King, Professorial Fellow in the Faculty of Architecture, Building and Planning at the University of Melbourne, who notes that cities like this “are experienced as disaggregated places, always already fragmented, bits, moments, feelings, memories” (p. 131). But in his richly illustrated and luxuriously produced book Seoul: Memory, Reinvention and the Korean Wave (University of Hawaii Press, 2018), Professor King does an expert job of ‘reading’ (p. 15) this megalopolis with deftness and elegance, interpreting the multiplicity of faces which it presents to visitor and local alike. Drawing not only on observations of architecture and urban form, his own areas of expertise, King also offers insights from historiography, literature, film, religion, television and popular culture as they relate to the city. Bringing these into dialogue, he builds up a sophisticated picture of the myriad influences and symbolisms at play in Seoul’s urban landscape, and shows how they are layered, juxtaposed and entangled. Reading Seoul, we thus come to apprehend the city in its Korean, its Asian, and its global contexts. Equally importantly, we also learn how to see it as a crucible of overlapping and contending histories, and of successive developmental modernist projects, most recently those tied the ‘Korean Wave’. Anyone interested in Asian modernization at large, urban planning, and more generally in how national and urban transformations fit into wider social and cultural contexts will find a great deal to engage with here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Toufoul Abou-Hodeib‘s A Taste for Home: The Modern Middle Class in Ottoman Beirut (Stanford University Press, 2017) is a welcome addition to the scholarship on the urban history of Beirut precisely because it exceeds the disciplinary boundaries of urban history: A Taste for Home tells the story of late Ottoman Beirut through the middle class and their sense of self. Abou-Hodeib uses domesticity as a category of analysis to look at how the middle class functioned and what it aspired to be in the midst of the late Ottoman period. However, the book also succeeds wildly because it treats a local context within the global setting, taking seriously the intersecting themes of global capitalism and consumer culture, themes of domesticity and taste. Over the course of the book, leisure and urban development are also shown to be key elements in the development of the middle class, defining the city for generations to come. A Taste for Home will be critical for conversations for many years to come on class, the economy, the city, and the home in the study of the Middle East and the Ottoman Empire. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Folklore scholar Joseph Sciorra is the Director for Academic and Cultural Programs at the John D. Calandra Italian American Institute in Queens College which is part of the City University of New York.  He’s also a Brooklyn-born and -raised Italian American and in this episode of the New Books in Folklore podcast, he talks about his latest book, Built with Faith: Italian American Imagination and Catholic Material Culture in New York City (University of Tennessee Press, 2015) which “offers a place-centric, ethnographic study of the religious material culture of New York City’s Italian American Catholics” (xiv). A transdisciplinary work, albeit firmly grounded in folklore scholarship and based on ethnographic research conducted over 35 years, this book is a comprehensive study of the myriad ways in which a people express their personal religious faith in tangible, dynamic, and often public forms.  The resulting yard shrines, sidewalk altars, elaborate presepi (Nativity scenes), and other manifestations – which also include extravagant Christmas light adornments of domestic exteriors, The Our Lady of Mount Carmel Grotto in Rosebank, Staten Island, and a series of Brooklyn religious processions – usually receive no kind of official sanction. In fact, they are more likely to provoke disdain than approbation in most quarters.  Nonetheless, they allow residents to both meaningfully relate to and actively construct the city in a way that is unique to “New York” and also speak to a vernacular Italian-American ethos that sets great store by the concept of lavoro ben fatto, or “work done well”. In Built with Faith, Sciorra gives prominence to the voices of the creators of this landscape of devotional material culture, voices which he has captured over decades in formal interviews as well as less formal ‘phone conversations, and casual street-side chats. He also takes pains to present the history of the sorts of displays that are his subject. In addition, the volume includes numerous photographs of the sites in question, often taken by the author himself. As noted by another New Books in Folkore interviewee, Luisa Del Giudice, in her review for the Journal of American Folkore: “Sciorra has vividly demonstrated why the study and practice of such material culture is important and how individual human creativity informed by a spiritual and cultural core becomes an act of both personal and community identity. These art forms may not have much social capital, but Sciorra does. As Director of Academic and Cultural Programs at the John D. Calandra Italian American Institute of New York, editor (Italian American Review), blogger (“Joey Skee,” for i-Italy), noted scholar and cultural activist, Sciorra, through Built with Faith, will make a high impact beyond the disciplines of vernacular culture; art and architecture; migration and ethnic, urban, religious studies; and beyond New York City. This is definitely a carefully crafted work—that is, un lavoro ben fatto.” Cindy R. Lobel, writing for the Vernacular Architecture Forum’s Buildings and Landscapes journal, is similarly effusive: “Built with Faith makes a fine contribution to the literature on landscape, material culture, immigration, ethnic studies, and urban studies. It offers important information on the kinds of approaches Italian American New Yorkers have taken toward shaping the built environment of New York through their religious and cultural practices. Sciorra documents and offers wonderful thick descriptions of Italian American mat... Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

In Curated Decay: Heritage Beyond Saving (University of Minnesota Press, 2017), geographer Caitlin DeSilvey offers a set of alternatives to those who would assign a misplaced solidity to historic buildings and landscapes in order then to “preserve” or “conserve” them. DeSilvey reimagines processes of material decay, which always intermingle natural and cultural landscapes, as more animate, eventful, productive, and worthy of affirmation than prevailing practice would have it. Her narrative wends through Montana, Vermont, Germany’s Ruhr Valley, and numerous English sites, each of them rendered at close range, in lithe, sometimes experimental prose. Through these encounters, and with a remarkably light touch, she thinks in a key recognizable alongside, but never subservient to, many strands of recent geographic thought on the force or vitality of nonhuman matter. Curated Decay is an ethical intervention, too, posing difficult questions about vulnerability, rights, care, repair, maintenance, and how we might better respond to environments as they weather and fragment. Just this week, happily, the book was just awarded the Historic Preservation Book Prize by the Center for Historic Preservation at the University of Mary Washington. It will satisfy a wide and curious readership across diverse domains of theory and practice, and because the lines of questioning it opens are not easily closed down, it will stoke debate for some time to come. Peter Ekman teaches in the departments of geography at Sonoma State University and the University of California, Berkeley. He received the Ph.D. from Berkeley in 2016, and is at work on two book projects on the cultural and historical geography of urban America across the long twentieth century. He can be reached at psrekman@berkeley.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture