New Books in Asian American Studies

In the spring of 1942, the United States government forced 120,000 Japanese Americans from their homes in California, Oregon, Washington, and Arizona and sent them to incarceration camps across the West. Nearly 14,000 of them landed on the outskirts of Cody, Wyoming, at the base of Heart Mountain.Behind barbed wire fences, they faced racism, cruelty, and frozen winters. Trying to recreate comforts from home, many established Buddhist temples and sumo wrestling pits. Kabuki performances drew hundreds of spectators—yet there was little hope.That is, until the fall of 1943, when the camp’s high school football team, the Eagles, started its first season and finished it undefeated, crushing the competition from nearby, predominantly white high schools. Amid all this excitement, American politics continued to disrupt their lives as the federal government drafted men from the camps for the front lines—including some of the Eagles. As the team’s second season kicked off, the young men faced a choice to either join the Army or resist the draft. Teammates were divided, and some were jailed for their decisions.Bradford Pearson's The Eagles of Heart Mountain: A True Story of Football, Incarceration and Resistance in World War II America (Atria, 2021) honors the resilience of extraordinary heroes and the power of sports in a sweeping and inspirational portrait of one of the darkest moments in American history.Paul Knepper used to cover the Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All was published in September 2020. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

As right-wing nationalism and authoritarian populism gain momentum across the world, liberals, and even some conservatives, worry that democratic principles are under threat. In The Spectre of Race: How Discrimination Haunts Western Democracy (Princeton UP, 2018), Michael Hanchard argues that the current rise in xenophobia and racist rhetoric is nothing new and that exclusionary policies have always been central to democratic practices since their beginnings in classical times. Contending that democracy has never been for all people, Hanchard discusses how marginalization is reinforced in modern politics, and why these contradictions need to be fully examined if the dynamics of democracy are to be truly understood.Hanchard identifies continuities of discriminatory citizenship from classical Athens to the present and looks at how democratic institutions have promoted undemocratic ideas and practices. The longest-standing modern democracies —France, Britain, and the United States—profited from slave labor, empire, and colonialism, much like their Athenian predecessor. Hanchard follows these patterns through the Enlightenment and to the states and political thinkers of the late nineteenth and early twentieth centuries, and he examines how early political scientists, including Woodrow Wilson and his contemporaries, devised what Hanchard has characterized as “racial regimes” to maintain the political and economic privileges of dominant groups at the expense of subordinated ones. Exploring how democracies reconcile political inequality and equality, Hanchard debates the thorny question of the conditions under which democracies have created and maintained barriers to political membership.Showing the ways that race, gender, nationality, and other criteria have determined a person’s status in political life, The Spectre ofRace offers important historical context for how democracy generates political difference and inequality.Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

This unique episode features a dual/duel interview with two authors whose recent books focus on the overlapping contexts and theories of Game Studies and Asian American Studies. The first is Tara Fickle and her book The Race Card: From Gaming Technologies to Model Minorities (NYU Press, 2019), which investigates the ways Asian Americans have had to fit roles, play games, and follow rules in order to be seen as valuable in the US. The second author is Christopher B. Patterson, who discusses his book Open World Empire: Race, Erotics, and the Global Rise of Empire (NYU Press, 2020), which asks similar questions to theorize ways of seeing games as queer erotics, as expressions of empire, and as withholding “The Asiatic.” During this duel/dual interview, each author asks the other questions about their books, with the goal of having a broader conversation about the various concepts that both books play with.Christopher B. Patterson is an Assistant Professor in the Social Justice Institute at the University of British Columbia. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Intertwining autobiography and ethnography, Clara Han’s touching new book Seeing Like a Child: Inheriting the Korean War (Fordham University Press, 2020) asks how scholarship can be transformed from a child’s perspective. Through a critique of anthropological practices that assume fully formed “I” in its emphasis on self-reflexivity as well as the prioritization of pre-established epistemological categories in the scholarship on transgenerational trauma, Han shows how distinction between historical and ordinary events breaks down as the violence of war is seeped into everyday lives. The make-believe world interlocks with mundane details of the everyday as a child constructs the world around them through languages that are differently encoded with trauma and joy from the legacy of the war.Divided into four parts, “Part I: Loss and Awakenings” enters into how the trauma of father’s isan kajok (dispersed families) intersect with the memories of illness and affliction of Han’s mother. “Part II: A Future in Kinship, a Future in Language” depicts the process of reconnecting with kin through language while “Part III: The Kids” discusses how sibling relations play an integral role in the inheritance of the Korean War. “Part IV: Mother Tongue” delves into Han’s daughter’s learning about death, loss, and affliction through Han’s father. “Epilogue” further asks how the process of inheriting the trauma of war is gendered and how self-knowledge can lead to anthropological knowledge. Han’s beautifully written and insightful work will be helpful for scholars who are thinking critically about boundaries of knowledge and disciplines, transgenerational trauma and war, and the formation of diasporic communities.Clara Han is Associate Professor of Anthropology at John Hopkins University. Her research interests include care and violence, the catastrophic and the everyday, and kinship relations in Chile and South Korea.Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Can we ever overcome the epistemological barrier to conceptualizing Asian women not as particular cases but as theories, and can women of color academics be heard in this process? This is one of the central questions Laura Hyun Yi Kang grapples with in her groundbreaking book, Traffic in Asian Women (Duke University Press, 2020). Kang, in conversation with works such as Kuan-Hsing Chen’s Asia as Method: Towards Deimperialization, contests the uses of Asian women as a bounded unit of knowledge and proposes “start[ing] off from ‘Asian women’ as an imperial effect and multivalent discourse of intra-Asian contestation and transpacific nonknowing” (35). Contesting the limitation of rendering a generalized group as a bounded unit legible for academics’ expertise and dissection, Kang proceeds to examine “unexpected transfigurations” and “investments in sympathies” of Asian women in three categories that became important for knowledge dissemination within and by the universities, NGOs and UN agencies: “Traffic in women,” “sexual slavery,” and “violence against women.” Further, Kang critically analyzes how the contours of human rights and women’s rights discourses as well as political economy shaped compensation, truth disclosure, and memorialization of “comfort women” transnationally. Through the figure of Asian women, Kang critiques the ways in which capitalist and imperialist global governance has shaped international justice and discourses of redress, drawing a boundary in the knowledge production of Asian women in their complexity, nuance, and unknowability. Kang's work is critical for any scholars who are interested in the questions of interdisciplinarity, critical area and empire studies, justice, transnational feminism, critical university studies, cultural production and social movement. Laura Hyun Yi Kang is a Professor of Gender and Sexuality Studies at University of California, Irvine. Her previous book, which contends with the problem of disciplinarity, is Compositional Subjects: Enfiguring Asian/American Women (Duke University Press, 2002) and lays out some of the grounds of the discussions that continues in her new book, Traffic in Asian Women. Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Enter the Wu-Tang. Return to the 36 Chambers. People listening to these albums by the Wu-Tang Clan and its members likely never knew about Sophia Chang: a Korean-Canadian woman who worked with members like RZA, ODB and Method Man. Q-Tip of A Tribe Called Quest called Sophia Chang “an integral part of the golden era of hip-hop.”The Baddest Bitch in the Room (Catapult, 2020) charts Sophia Chang’s life, from her childhood in Vancouver, through time in New York’s hip-hop scene and travels between the United States and China managing martial arts, through to the present day.Sophia Chang is the music business matriarchitect who managed Ol’ Dirty Bastard, RZA, GZA, D’Angelo, Raphael Saadiq, Q Tip, and A Tribe Called Quest as well as working with Paul Simon. She did marketing at Atlantic, A&R at Jive, A&R Admin at Universal, as well as serving as General Manager of RZA’s Razor Sharp Records, Cinematic Music Group, and Joey Bada$$’ Pro Era Records. Sophia is currently a screenwriter and author developing numerous TV properties, including a scripted series at FX based on her memoir “The Baddest Bitch in the Room”. She trained with and managed a Shaolin Monk, who became her partner and father of her children. She produced runway shows for Vivienne Tam and "Project Runway All Stars," and recently created Unlock Her Potential, a program that provides mentorship for women of color.In this interview, Sophia and I talk about her life: her time in the music business, her relationship with hip-hop, and her transition to martial arts and other cultural activities. We talk about what spurred her to tell her own story, and what it was like to be an Asian woman working in these spaces.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, where you can find its review of The Baddest Bitch in the Room. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

The Peculiar Afterlife of Slavery: The Chinese Worker and the Minstrel Form (Stanford University Press, 2020) explores how antiblack racism lived on through the figure of the Chinese worker in US literature after emancipation. Drawing out the connections between this liminal figure and the formal aesthetics of blackface minstrelsy in literature of the Reconstruction and post-Reconstruction eras, Caroline H. Yang reveals the ways antiblackness structured US cultural production during a crucial moment of reconstructing and re-narrating US empire after the Civil War.Ultimately, The Peculiar Afterlife of Slavery shows how the Chinese worker manifests the inextricable links between US literature, slavery, and empire, as well as the indispensable role of antiblackness as a cultural form in the United States.Dr. Caroline Yang is an Associate Professor in the Department of English at the University of Massachusetts Amherst.Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

In a bustling city-center of Seoul, women in yellow vests protesting over the “final” resettlement between the Japanese and Korean governments every Wednesday is an iconic sight, testifying to the strength and resilience of the “comfort women” movement. In her award-winning book Embodied Reckonings: “Comfort Women,” Performance, and Transpacific Redress (University of Michigan Press, 2018), Elizabeth Son examines a long neglected aspect of the “comfort women” advocacy movement: embodied practices of the former “comfort women” and activists as they protest against the historical amnesia of sexual slavery. Through a transpacific framework, Son shows how the “comfort women” movement holds Asian American and Asian activists together as they collectively address America’s imperialist past and seek redress against militarized sexual violence. Son’s monograph takes the reader to the materiality, physicality, and aurality of the Wednesday demonstrations as the collective presence of former “comfort women” and activists refuse the label “post” of post-colonial, and counter the forced historical amnesia of “comfort women” history. Son further examines the testimonies of “comfort women” during the Women’s Tribunal, which was organized transnationally to highlight the failure of Tokyo Tribunal and other international organizations in recognizing sexual slavery as a crime. Transpacific redressive theater further critiques cultural amnesia, and transpacific memorials connect “comfort women” from formerly colonized nations as well as Japan to rise in solidarity against the universal atrocity of the war. In examining embodied aspects of transpacific redress of the “comfort women” movement, Son’s work asks important questions surrounding the limits/possibilities of transpacific alliances, historical erasure of sexual slavery and the violent legacy of militarized imperialism.Elizabeth Son is Associate Professor and the Director of the Interdisciplinary PhD in Theatre and Drama (IPTD) Program at Northwestern University. She was an inaugural Mellon/ACLS Scholars & Society fellow, and was a scholar-in-residence at KAN-WIN: Empowering Women in the Asian American Community. She continues to partner with KAN-WIN as a crisis hotline volunteer and co-founding member of their “comfort women” justice advocacy team. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

In Writing Across the Color Line: U.S. Print Culture and the Rise of Ethnic Literature, 1877-1920 (University of Massachusetts Press, 2020), Lucas A. Dietrich investigates how ethnic literatures took shape in the U.S. context and how writers of color intervened in the “mainstream” writing. Interestingly, this intervention was framed through specific genres and techniques, including satire and parody towards the mainstream narratives. The book brings our attention to the most prominent ethnic writings of the second half of the nineteenth century while taking into consideration the negotiations in which both the writers and the publishers participated. What is compelling about this research is the dialogical approach that Dietrich undertakes to explore the ways in which the ethnic writers were, in fact, accepted into what could be described as the dominant mainstream writing of white writers. Writing Across the Color Line contains rich materials which demonstrate not only how the writers of color established dialogue with the leading publishing venues, but also how their works shaped the American readership of the end of the nineteenth century and the beginning of the twentieth century. Dietrich also offers his insights concerning the influences of the nineteenth-century ethnic writers on their counterparts of the twentieth century. In this regard, Writing Across the Color Line: U.S. Print Culture and the Rise of Ethnic Literature, 1877-1920 is a thought-provoking commentary on multiethnic literature in the U.S. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

In Camps: Vietnamese Refugees, Asylum Seekers and Repatriates (University of California Press, 2020) is an in-depth study of the fate of the nearly 800,000 Vietnamese refugees who left their country by boat, and sought refugee in Southeast Asia and the Pacific. The experiences of these populations and the subsequent policies remain relevant today; Who is a refugee? Who determines their status? And how does it change over time?Jana K. Lipman takes the reader to visit camps in Guam, Malaysia, the Phillipines and Hong Kong, drawing out the politics, policies and how these impacted refugees rights to remain, be resettled or repatriated. She draws out the tensions between the UN High Commissioner for Refugees and the US government, drawing into focus the direct impact this had on the day-to-day lives of those stuck in camps.Her research is the first major work to pay close attention to first-landing host sites, with particular emphasis on Vietnamese activism in the camps and as part of the diaspora. The work will unsettle conventionally accepted accounts of Southeast Asian migration to the US. It reveals how first asylum seeker sites caused UNHCR to reshape international refugee policy. It is a gripping read; historical and also somewhat anthropological, it raises concerns of humanitarianism, human rights and Asian American studies to confront the legal and moral dilemmas, and the obligations that continue to face the US and all host countries of refugees and asylum seekers. It causes the reader to recall the humanity of those seeking asylum, and question current government policies. Though the plight of the Vietnamese refugees is specific, the human need for certainty and safety are universal. This is essential reading in relation to any refugee policy, and human rights and humanitarianism more broadly.Jana K. Lipman is an Associate Professor of History at Tulane University. She is a scholar of U.S. foreign relations, U.S. immigration, and labor history. Her first book was Guantánamo: A Working-Class History between Empire and Revolution. Jane Richards is a doctoral candidate in Human Rights Law at the University of Hong Kong. Her research interests include disability, equality, criminal law and civil disobedience. You can find her on twitter @JaneRichardsHK where she avidly follows the Hong Kong’s protests and its politics.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies