New Books in Technology

From its earliest years, the United States was a nation of tinkerers: men and women who looked at the world around them and were able to create something genuinely new from what they saw. Guided by their innate curiosity, a desire to know how things work, and a belief that anything can be improved, amateurs and professionals from Benjamin Franklin to Thomas Edison came up with the inventions that laid the foundations for America's economic dominance. Recently, Americans have come to question whether our tinkering spirit has survived the pressures of ruthless corporate organization and bottom-line driven caution. But as Alec Foege shows in The Tinkerers, reports of tinkering's death have been greatly exaggerated.Through the stories of great tinkerers and inventions past and present, Foege documents how Franklin and Edison's modern-day heirs do not allow our cultural obsessions with efficiency and conformity to interfere with their passion and creativity. Tinkering has been the guiding force behind both major corporate-sponsored innovations such as the personal computer and Ethernet, and smaller scale inventions with great potential, such as a machine that can make low-cost eyeglass lenses for people in impoverished countries and a device that uses lasers to shoot malarial mosquitoes out of the sky. Some tinkerers attended the finest engineering schools in the world; some had no formal training in their chosen fields. Some see themselves as solo artists; others emphasize the importance of working in teams. What binds them together is an ability to subvert the old order, to see fresh potential in existing technologies, and to apply technical know-how to the problems of their day.As anyone who has feared voiding a warranty knows, the complexity of modern systems can be needlessly intimidating. Despite this, tinkerers can – and do – come from anywhere, whether it's the R&D lab of a major corporation, a hobbyist's garage, or a summer camp for budding engineers. Through a lively retelling of recent history and captivating interviews with today's most creative innovators, Foege reveals how the tinkering tradition remains, in new and unexpected forms, at the heart of American society and culture. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Ines Mergel, assistant professor of public administration at the Maxwell School of Citizenship and Public Affairs and the School of Information Studies (iSchool) at Syracuse University, is the author of Social Media in the Public Sector: A Guide to Participation, Collaboration and Transparency in the Networked World (Jossey-Bass 2012). This timely and insightful book can be read by a host of audiences, from the scholar to the practitioner. The book relates the development of social media technologies to the open government movement of the last generation. It demonstrates how government agencies can better integrate tools such as Twitter and Facebook into their operations. In doing so, agencies can open a door to public input and deliberation. This is a book that should be read by political scientists interested in how federal agencies grown and change, but also by those in federal agencies who want to respond to calls for greater openness. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Many of us in the western world don’t rely on bills and coins as much as we used to, yet the idea of cash money is still an ever-present constant in our minds. How often have you stopped to consider the idea of what “money” actually is on a larger scale, or where our changing habits could lead us? In his book The End of Money – Counterfeiters, Preachers, Techies, Dreamers, and the Coming Cashless Society (Da Capo Press, 2012), David Wolman examines our commitment to cash, its advantages and drawbacks, how it facilitates crime and poverty, even its health and environmental issues. With an engaging and accessible style he prompts us to rethink the notion of money, how it works, and what forms it could take in the future. Wolman starts with a short history of cash, beginning with the official introduction of paper money to the Chinese monetary system in the 13th century and Marco Polo’s reaction to it 100 years later. Next we follow him around the globe to get a cross-cultural picture of cash today – including explorations of the cultural heritage and emotional value of cash, of an increasing trend in developing countries of people using their cellphones to transfer money to both businesses and family, and of counterfeiting and anti-counterfeiting technology. Along the way he enlists a wide variety of people to help illustrate these concepts: a Georgia pastor who views the end of cash as a sign of the End Times, a convicted counterfeiter (or “Monetary Architect”, depending on who you’re talking to), a coin collector with an ambivalent attitude toward coins, and a British “digital money guru” who views money as a menace. David Wolman is a contributing editor at Wired magazine. You can follow him on Twitter at @DavidWolman. He is, in his own words, a “…guy who’s interested in seemingly small, simple, straightforward topics that in fact, when you put them under the microscope, are anything but simple.” This book is an excellent example of that, and an engrossing read. In our interview he spoke of his year-long experiment to go without using coins or bills at all, the meaning of privacy and security as it relates to money in a digital world, and what he sees as the future of “money”. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Have you ever illegally downloaded a song from the internet? How about illicitly burned copies of a CD? Made a “party tape?” Bought a bootleg album? You may have done these things, but have you purchased a bootlegged song-sheet? In Pop Song Piracy: Disobedient Music Distribution Since 1929 (University of Chicago, 2011) Barry Kernfeld fills us in on the history of disobedient music reproduction and distribution since, well, before the advent of recording technology. Along the way he discusses the above mentioned disobedient distribution techniques along with a few others: fake books, music photocopying, and pirate radio round out the book. Kernfeld suggests that the history of pop music piracy is never ending, with battles of different types of disobedience taking similar forms: the music “monopolists” (song owners) attempting to enact prohibitions on illegal production and distribution, the failed containment of said production and distribution systems and, finally, the assimilation of disobedient forms into the mainstream production and distribution industries. Barry Kernfeld is on the staff of the Special Collections Library of the Pennsylvania State University. He is the author of The Story of Fake Books: Bootlegging Songs to Musicians and What to Listen for in Jazz, and he is the editor of The New Grove Dictionary of Jazz. He is also a professional jazz saxophonist playing in Jazza-ma-phone and a clarinetist in local musical theater productions. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Popular culture is replete with warnings about the dangers of technology. One finds in recent films, literature, and music cautions about the myriad ways in which technology threatens our very humanity; most frequently, the lesson is that the attempt to harness technology for the betterment of the world always backfires. It’s no wonder, then, that when it comes to biomedical technologies that promise to enhance human physical and cognitive capacities, many people tend to express deep unease or opposition. But once one recognizes that technological enhancement, including biomedical enhancement, is ubiquitous throughout human history (from the technologies involved with cooking and storing food, to medicine and therapy, to even literacy itself), one wonders whether the common concerns are warranted. In Better than Human: The Promise and Perils of Enhancing Ourselves (Oxford University Press, 2011), Allen Buchanan surveys the contemporary enhancement debate, offers a diagnosis of what drives some of the views that he finds untenable, and proposes a nuanced view that fully recognizes the moral risks inherent in the enhancement enterprise. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

“Guns don’t kill people; people do.” That’s a common refrain from the National Rifle Association, but it expresses a certain view of our relations to the things we make that also affects our thinking about the scope of ethics. On this traditional view, human persons are moral agents, and artifacts, or products of technology in general, are just tools; they have no moral significance in and of themselves. In his new book, Moralizing Technology: Understanding and Designing the Morality of Things (University of Chicago Press, 2011), Peter-Paul Verbeek, professor of philosophy at the University of Twente and Delft University, The Netherlands, argues persuasively that this traditional view is no longer tenable. Instead, we need to understand the moral role of technology as one of active mediation, and of ourselves as technologically mediated moral agents. Ultrasound, for example, isn’t just a matter of peeking into the womb; the fetus becomes a potential patient, the womb becomes an environment for moral decisions, and the parents become responsible for making these newly relevant decisions. In general, if “ought” implies “can”, and if what we can do is expanded and conditioned by technology, then the range and nature of moral decisions and actions must also be expanded and conditioned by technology, and the designing of technology itself can be seen explicitly as having an important moral dimension. In Moralizing Technology, Verbeek spells out this new view of the moral relevance of artifacts and some of its implications for moral subjects, technological design, and ethical theory. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Daqing Yang‘s Technology of Empire: Telecommunications and Japanese Expansion in Asia, 1883-1945 (Harvard University Asia Center, 2011) is a gift to both historians of East Asia and scholars of science and technology studies (STS). Yang’s book dissects the body of the Japanese empire from 1853-1945 to reveal its pulsing “nerve system” in a network of communication technologies that extended well into Northeast and Southeast Asia. This extraordinarily rich and well-documented account moves from the first public demonstration of a working electric telegraph with the arrival of Commodore Matthew Perry, to the Japanese acceptance of the Potsdam Declaration. Along the way, Yang’s book offers wonderful glimpses of a range of sources that include the North China Telegraph and Telephone Co. company song, an adventure-action-romance film about telecommunications-enabled espionage, and experiments in early fax technology. We spoke for an hour (and could have spoken for many more) about this fascinating history of techno-imperialism. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

One hallmark of important art, in any medium, is a thoughtful relation with artistic precursors. Every artist reckons with heroes and rivals, influences and nemeses, and the old work becomes a part of the new. In Adam Bradley’s seminal monograph on hip-hop lyrics, Book of Rhymes, legendary MC Mos Def describes his desire to participate in posterity: “I wanted it to be something that was durable. You can listen to all these Jimi records and Miles records and Curtis Mayfield records; I wanted to be able to add something to that conversation.” In the last thirty years, technology has transformed the conversation between past and present musicians: it is now possible to quote a previous work not only note for note, but byte for byte. The turntable and the sampler are the hip-hop artist’s quintessential instruments. The culture of hip-hop bricolage, coupled with intense commercial pressures in the recording industry and an inevitable proliferation of rip-off artists, has created difficult challenges for copyright law and for the concept of licensing. Several cultures must adapt to each other, and often they are doing so in the courtroom. In a study both comprehensively theoretical and rich with the voices of musicians and producers, Kembrew McLeod and Peter DiCola have addressed together both the legal and the cultural implications of digital sampling in the music industry. Creative License: The Law and Culture of Digital Sampling (Duke University Press, 2011), in tandem with related multimedia projects from the Future of Music Coalition, lays out what they have learned and suggests a way forward for the industry in the digital age. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

In his new book The Googlization of Everything (And Why We Should Worry) (University of California Press, 2011), Siva Vaidhyanathan, professor of media studies and law at the University of Virginia, takes a close look at the powerful influence Google has on our society. He believes that by valuing popularity over accuracy, Google dictates what information is most useful to users, thereby changing societal perceptions of what information is relevant. In our interview, we talked about how Vaidyanathan’s American Studies training informed his analysis of Google, the problem of Google’s use in authoritarian countries, and how Google emerged out of nowhere to defeat all other search competitors. Read all about it, and more, in Vaidhyanathan’s illuminating new book. Please become a fan of “New Books in Public Policy” on Facebook, if you haven’t already. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

A recent editorial in the Moscow Times declared that in Moscow “the car is king.” Indeed, one word Muscovites constantly mutter is probka (traffic jam). The boom in car ownership is transforming Russian life itself, and for some not necessarily for the better. “The joy of personal mobility — that is, automobile ownership — has completely eclipsed the value of community life. But the joy of car ownership has long ceased being a joy and has instead become a burden, with traffic jams causing frequent delays, smog and even clogged sidewalks. We have created an environment that is environmentally, socially and economically harmful.” While the detrimental effects of the car have only recently hit Russia, the automobile’s political, economic, and cultural significance dates from the early Soviet period. According to Lewis Siegelbaum‘s recent book Cars for Comrades: The Life of the Soviet Automobile (Cornell UP, 2008), what the Soviets called “automobilism” had multiple meanings. It represented a particularly Soviet understanding of modernity, one rooted in the promise of the socialist system itself. The car also symbolized power and freedom. Power in that the elite usually had cars and, during the Great Terror, cars came to be equated with the secret police. The car meant freedom in that those citizens lucky enough to get one expanded their “private” sphere through greater mobility and leisure. As Siegelbaum shows, the Soviet car may have been an unobtainable luxury for the vast majority of Soviet citizens, but its effects on the Soviet imagination were deep and long lasting. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology