New Books in Technology

Nicco Mele is the author of The End of Big: How the Internet Makes David the New Goliath (St. Martin’s Press, 2013). He is Adjunct Lecturer in Public Policy at the Kennedy School’s Shorenstein Center on the Press, Politics, and Public Policy, Harvard University. Mele writes as a technology expert and as a witness to history. He served as a campaign staffer for the Howard Dean for President Campaign in 2003. He and his colleagues implemented many of the web-based campaign innovations that resulted in President Obama winning the 2008 presidential election and define the modern American political campaign. Mele links that experience with radical social changes brought about by the internet. His title thesis, The End of Big, suggest that big institutions in nearly every sector of our lives (business, government, news) have been eroded and, in some cases, supplanted by smallness. An enthusiast for technology, Mele also cautions against the risks associated with this transformation. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

It’s getting warmer, there ain’t no doubt about it. What are we going to do? Most folks say we should cut back on bad things like carbon emissions. That would probably be a good idea. The trouble is we would have to cut back on all the good things that carbon emissions produce, like big houses, cool cars, and tasty food imported from far-away places. We don’t want to do that. So what’s a global citizen to do? One idea is to take control of the environment, engineering-wise. Why cut back when we can simply manage the carbon-cycle a bit like we manage the climate in hothouses? In Earthmasters: The Dawn of the Age of Climate Engineering(Yale UP, 2013), Clive Hamilton surveys the proposals big-thinking engineers have dreamed up to control the carbon-cycle on a truly massive scale. Some are wacky, others less so, but all are, well, very bold. Does any of it make sense? Can any of it be done? Hamilton investigates. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

“The humans are dead.” Whether or not you recognize the epigram from Flight of the Conchords (and if not, there are worse ways to spend a few minutes than by looking here, and I recommend sticking around for the “binary solo”), Dominic Pettman‘s Human Error: Species-Being and Media Machines (University of Minnesota Press, 2011) will likely change the way you think about humanity, animals, machines, and the relationships among them. Pettman uses a series of fascinating case studies, from television programs to films to Sufi fables to pop songs, to explore the notion of Agamben’s “anthropological machines” and the human being as a “technospecies without qualities” in a modern mediascape that includes Thomas Edison’s film Electrocuting an Elephant, Werner Herzog’s Grizzly Man, and the interplanetary soundscape created by NASA (among many, many others). We recently gathered over Skype to talk about some of the major thematic and argumentative threads snaking through this book and Pettman’s recent exploration of totems in Look at the Bunny: Totem, Taboo, Technology (Zero Books, 2013). Both books take on the varied ways that love, technology, identity (both human and not), and economies have been transformed in a world that includes pacifist Orcs, voices without bodies, ecologies without nature, reptile-doctors, and pixelated lovers. Enjoy! During our conversation, Pettman mentions a film about the zigzag totem that can be found here. Cabinet Magazine, which also comes up in the course of our conversation, can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Humans understand the world through stories, some short and some long. But what happens when the stories become so short that they, well, aren’t stories at all? In Present Shock: When Everything Happens Now (Current, 2013), Douglas Rushkoff explores this question. He points out that always-on, always “new” digital communications have essentially locked us into an ever-more data-rich “moment,” one from which we cannot really escape. The past becomes a few minutes ago; the future a few minutes hence. Of course it’s always always been “now” (as Buddhists will tell you), but now the “now” is far more captivating than ever before. What’s it all mean? Rushkoff explains. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

There are pigeons, cats, and Martians here. There are CT scanners, dentures, computers large enough to fill rooms, war games, and neural networks. In Biomedical Computing: Digitizing Life in the United States (Johns Hopkins University Press, 2012), Joe November mobilizes this ecology of instruments and objects, people and programs, in a story that maps out the early years of the introduction of computers to biology and medicine from 1955 to 1965. As computing technology was gradually integrated into different spaces of biomedicine that were characterized by agents with very different agendas (a set of processes not without significant contestation), biomedicine and computing transformed one another. Life itself was changed as a result, as the objects of biomedical computing were translated into the kinds of system-entities that computers could describe. The historian of technology who reads November’s book will find fascinating stories of machines like LINC, ENIAC, and UNIVAC. The historian of science will find accounts of the ways that military funding shaped the computerization of biomedicine, windows into the mid-century work supported by the NIH, stories of the transformation of diagnostic medicine in the US, and chapters from the history of crystallography and molecular biology. The historian of networks and computing will find analyses of the importance of operations research, expert systems, and transdisciplinary research practices to the work of some of the central figures in the history of the computational sciences. In addition to all of this, November’s book can also be read as a history of the modern personal computer. (There are also men in RNA-themed neckties sprinkled throughout the early part of the story.) Enjoy the interview, and imagine as you listen that you’re here with me at the National Humanities Center, Skyping with Joe as a thunderstorm booms overhead, rain falls loudly outside the window, and brilliant humanities scholars share excited conversation about their work outside the door. It was a special afternoon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

History is in many respects the story of humanity’s quest for transcendence: to control life and death, time and space, loss and memory. When inventors or companies effectively tap into these needs products emerge that help define their times. The Kodak ‘Brownie’ allowed average consumers – without the knowledge of chemistry or math of a Matthew Brady – to capture powerful images. Ford’s Model T gave the ‘working man’ the ability to travel further and faster than wealthy aristocrats of previous generations. The Timex watch made time accessible to anyone with a few bucks, whether they had interest in philosophical debates about the meaning of time or not. The Glock handgun is on this list of iconic products and while it did not democratize deadly force like the AK-47 it has made its own mark on the American psyche. The Glock has become the standard bearer for American handguns, placing it at the center of some of the most important conflicts of our times from gun control to globalization. It was initially invented for the Austrian army, but its many innovations and the growing belief that American cops were outgunned by criminals made it first popular with law enforcement, and then later with gun enthusiasts of all types. Tupac Shakur praised the Glock and was later murdered with one. Municipalities railed against the Glock then later helped flood the streets with them. Paul Barrett‘s Glock: The Rise of America’s Gun (Broadway, 2013) is the story of a gun, but in a nation of 300 million guns, it tells a much larger story. Paul was kind enough to speak with us. I hope you enjoy. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

In The Telegraph in America, 1832-1920 (Johns Hopkins University Press, 2012), David Hochfelder provides a taut and consistently intelligent history of the telegraph in American life. The book is notable for both its topical breadth—encompassing war, politics, business, journalism, and everyday life—as well as its focused, argument-driven chapters. Hochfelder describes how the telegraph’s important role in the Civil War set the stage for Western Union’s postwar dominance, which in turn provoked persistent efforts to nationalize and regulate telegraphy up through World War I. Hochfelder lingers on two of the telegraph’s principal clients, newspapers and businessmen, focusing in the latter case on the crucial importance of the telegraph-enabled stock “ticker” for modern financial capitalism. The book traces the telegraph’s effect not just on institutions but also the lived experience of ordinary people, who came to hunger for breaking news and real-time stock updates. The patterns of communication established by the telegraph live on, Hochfelder concludes, in the billions of texts and emails sent along fiber-optic cables—our own wire. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Robert W. McChesney, the celebrated political economist of communication, takes the Internet, industry and government head-on in his latest book, Digital Disconnect: How Capitalism is Turning the Internet Against Democracy (The New Press, 2013). Digital Disconnect builds on McChesney’s previous works, spinning forward his scholarship to construct a remarkably current look at the Internet’s corporate and political landscape. “Almost all of the other books on the Internet, some of which are very good, sort of try to take a larger view of it,” McChesney says during the interview. “Because of where I’m coming from, because of my interests, I think that’s the one thing I could inject that draws from my past research, where I can speak with greater authority, that’s really not talked about by anyone else.” McChesney uses the book to argue that the Internet has become a hub of “numbing commercialism,” largely the result of failed government policies. Writes McChesney: “When the dust clears on this critical juncture, if our societies have not been fundamentally transformed for the better, if democracy has not triumphed over capital, the digital revolution may prove to have been a revolution in name only, an ironic, tragic reminder of the growing gap between the potential and the reality of human society.” Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Somewhere along the line, C.W. Anderson became fascinated with digital journalism and the culture that surrounds it: engaged publics, social networks, and the challenges to “legacy” media. Rebuilding the News: Metropolitan Journalism in the Digital Age (Temple University Press, 2013) is the fascinating product of Anderson’s research into the Philadelphia journalism scene during the first decade-plus of the 21st Century. Once a thriving hub of traditional journalism, Philadelphia has become a living case study of the collision of digital media practices. Anderson’s ethnographic research and spot-on academic interpretation paints a vivid picture of a sometimes innovative, sometimes meandering journalism scene. Although we are at the beginning of the digital journalism era, in Rebuilding the News Anderson nonetheless walks us through the new ecosystem, what seems to be working, what doesn’t, and where we go from here. “Given all of the pain journalism has experienced in the past decade and a half,” Anderson writes, “it would be a shame to waste this moment.” Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology