New Books in Technology

New Books Network
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Aug 10, 2015 • 1h 10min

Alexandra Minna Stern, “Telling Genes: The Story of Genetic Counseling in America” (Johns Hopkins University Press, 2012)

Due in part to lobbying efforts on behalf of the human genome project, human genes tend to be thought of in light of the present–genetic components of human disease and differential risks associated with genetic individuals–before the future, what gets passed on to later generations. However, public understanding of genetics did not merely radiate from laboratories, as Alexandra Minna Stern‘s book, Telling Genes: The Story of Genetic Counseling in America (Johns Hopkins University, 2012) shows. Before the age of genetic sequencing and mass-produced tests, physicians from various specialties provided genetic counseling on an ad-hoc basis, most of which took the form of reproductive advice. Medical genetics had only been established in the 1960s, with the shadow of eugenics still looming large over a field that was now more inclined toward description of heritable conditions than prescription of reproductive sanctions and sterilization. The founding of the first master’s program in genetic counseling in 1969 established the institutional and intellectual basis for a new kind of health care professional, one that would further the reorientation of medical genetics toward patient-centered care. Stern’s book connects this emergent professional identity to the broader history of genetic and eugenic programs in the United States. So, while this is a history focused on how the distinct profession of genetic counseling emerged as an alternative to traditional medical authority, it is firmly situated within the conflicts that have persistently plagued the development and application of human genetic knowledge. This orientation toward fundamental tensions is reflected by the book’s structure. While she begins with a historical overview of genetic counseling as a profession, the rest of the book is organized around issues; genetic risk and the questionable efficacy of disease apprehension; the politics of race inherent in population knowledge; the fundamental role played by disability in the understanding of inherited disorders; the gender politics of genetic counseling as a challenge to the medical establishment; therapeutic ethics; and the emergence of prenatal testing. This highly readable whirlwind tour through the complex ethical and historical landscape of genetic counseling rewards those new to the history of genetics by virtue of its accessibility, along with those more familiar through the vast amounts of new source material it blends in seamlessly with broader frames. If you enjoy this book, look out for a new edition of Eugenic Nation, Stern’s first book on the politics of eugenics. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology
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Aug 10, 2015 • 1h 7min

Janet Vertesi, “Seeing like a Rover: How Robots, Teams, and Images Craft Knowledge of Mars” (U of Chicago Press, 2015)

Janet Vertesi‘s fascinating new book is an ethnography of the Mars Rover mission that takes readers into the practices involved in working with the two robotic explorers Spirit and Opportunity. Based on two years of immersive ethnography from 2006-2008, Seeing like a Rover: How Robots, Teams, and Images Craft Knowledge of Mars (University of Chicago Press, 2015) focuses on the visuality of the mission, exploring “how scientists and engineers on Earth work with the digital images” sent by their robots to make sense of Mars and to work together to explore it. Vertesi proposes a way of understanding image-making practices as a kind of teamwork: learning to see like a rover, here, is an embodied, skilled, social achievement. Building on Wittgenstein’s notion of seeing as, Vertesi conceptualizes these imaging practices in terms of an analytic framework of drawing as: the Rover scientists “use digital tools to draw Mars as consisting of different kinds of materials or surfaces, with implications for future viewings and for team relations.” From mapping Mars to robot funerals, it’s a wonderful study for readers interested in space exploration, visual studies, sociology, and STS alike! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology
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Jul 17, 2015 • 1h 3min

Jonathan Coopersmith, “Faxed: The Rise and Fall of the Fax Machine” (Johns Hopkins UP, 2015)

Jonathan Coopersmith‘s new book takes readers through the century-and-a-half-long history of the fax machine and the technologies that shaped and were shaped by it, from Alexander Bain’s 1843 patent to the computer-based faxing of the end of the 20thcentury. Faxed: The Rise and Fall of the Fax Machine (Johns Hopkins University Press, 2015) chronicles the transformations of fax wrought by a range of industries and technologies in the context of world wars and global economic changes. In Coopersmith’s able hands, the history of the fax machine substantively informs a number of fields and disciplines that might not seem immediately related to it: these include visual studies (as newspapers and the military helped drive the development of fax markets and technology thanks to the need for rapid transfer of images in times of war and beyond) and East Asian studies (as fax machines can be traced through the history of modern homes and businesses in Japan). Coopersmith tells a story of fax as a story of repeated failures that were nevertheless productive and germinal, whether they resulted from competition from other technologies and industries, compatibility problems in a fracturing market, or foundation-laying for the acceptance of the email and internet technologies that would ultimately surpass it. It’s a fascinating and elegantly told story of a technology that was, for many years, a constant element of the living and working spaces of many of our lives. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology
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Jun 28, 2015 • 57min

Christian Fuchs, “Culture and Economy in the Age of Social Media” (Routledge, 2015)

Social media is now a pervasive element of many people’s lives. in order to best understand this phenomenon we need a comprehensive theory of the political economy of social media. In Culture and Economy in the Age of Social Media (Routledge, 2015), Christian Fuchs, a professor of social media at the University of Westminster, brings together a range of media, social and economic theorists to explain social media. Using Raymond Williams to draw attention to the material conditions of control, production and use of social media, including case studies from the USA and China. Most notably the book insists on understanding the international division of labour behind the seemingly ephemeral aspects of online interactions. The book is essential reading for all of those active online, as well as those working in the political economy and critical theory traditions. It is available here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology
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Jun 14, 2015 • 37min

Jenifer Van Vleck, “Empire of the Air: Aviation and the American Ascendancy” (Harvard UP, 2013)

[Re-posted with permission from Who Makes Cents?] Today’s guest discusses the history of aviation and how this provides a lens to interpret the history of capitalism and U.S. foreign relations across the twentieth century. Amongst other topics, Jenifer Van Vleck tells us how the airline industry helped solve various political and logistical challenges for the U.S. government during World War II and how the airlines relied on the government and vice-versa. Jenifer Van Vleck is Assistant Professor of History and American Studies at Yale University. She is author of Empire of the Air: Aviation and the American Ascendancy (Harvard University Press, 2013). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology
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Jun 8, 2015 • 1h 14min

Charis Thompson, “Good Science: The Ethical Choreography of Stem Cell Research” (MIT Press, 2013)

Charis Thompson‘s Good Science: The Ethical Choreography of Stem Cell Research (MIT Press, 2013) is an important book. Good Science explores the “ethical choreography” of the consolidation of human embryonic stem cell research in the first decade of the twenty-first century, drawing important implications for the possible futures of stem cell research by looking carefully at its past and developing an approach to what Thompson calls “good science.” The book compellingly argues that “a high level of political attention to the ethics of the life sciences and biomedicine…is a good thing for science and democracy,” especially as we have now reached “the end of the beginning of human pluripotent stem cell research.” Part I of the book (Stem Cell Biopolitics) explores early attention to the embryo debate. Ch. 2 looks at stem cell research as it’s widely understood to engage ethical concerns, describing the “pro-curial frame” of stem cell research in the period under scrutiny, when promoting stem cell innovation involved aspirations to be pro-cure and there was an ethical focus on the procurement of stem cells and cell lines for research. Pt. II of the book (Stem Cell Geopolitics) looks at what happened domestically as the debate over stem cells moved from the federal to the state levels and back in the US, and then turns to consider transnational circuits that were crucial to those practices and conversations. Ch. 3 looks at three phases that made up the beginning of human pluripotent stem cell research in the US: the time around President Bush’s 2001 policy, the period when states “seceded” from that policy (exemplified by California’s Proposition 71), and the period around Obama’s 2009 policy. Ch. 4 looks at the transnational geopolitics of stem cell research in an era when stem cell research became increasingly international and research advocates were deeply concerned with international competition and “brain drain.” Thompson takes readers into laboratory environments in South Korea and Singapore in order to undermine a popular rhetorical binary of East/West that contrasted an “East” that had a pro-science spirit and lack of concern with the moral status of the embryo, and a “West” that had been taken over by anti-science religious fanatics and technophobes. Pt. III of the book (Thinking of Other Lives) looks carefully at questions of research subjecthood. Ch. 7 focuses on human-human relationships and practices of donation at a time when a number of norms came under renewed scrutiny – including altruism, anonymity, and the alienation of tissue from donors – and this led to the conclusion that the old model for donation wasn’t working. In this context, there were increasing demands for reciprocity in various forms, and Thompson considers various models in California that rethought the relationships between donor/recipient and biomaterial/bioinformation. Ch. 6 focuses on the logic of using animals as substitutive research subjects for human-focused research, and calling for a move away from using animals as research subjects and toward using in vitro systems instead. To do all of this, Thompson develops a methodology she calls “triage” which we talk about early in the interview. Good Science is a wonderful and critical book, and well worth reading and teaching widely! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology
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Jun 1, 2015 • 39min

John Sharp, “Works of Game: On the Aesthetics of Games and Art” (MIT Press, 2015)

That games, particularly video games, could be viewed as art should come as no surprise. And yet, a debate exists over what is and should be considered art with respect to games. In his new book, Works of Game: On the Aesthetics of Games and Art (MIT Press, 2015), John Sharp offers context for the discussion of games and art. To do so, Sharp presents case studies of “Game Art,” “Art Games,” and “Artists’ Games” in an explication of three communities of practice that provide the foundation for the discussion of games and art. Game Art examines the use of games as tools for the creation of art. Sharp, then, examines the Art Game movement that pushes video games into the domain of other humanistic art forms. Finally, Artists’ Games examines the use of video games as an artistic medium that combines the aesthetics of artists and game developers. Sharp also discusses the potential for the the merging of the values of traditional artists and gaming communities. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology
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May 26, 2015 • 1h 7min

Greg Siegel, “Forensic Media: Reconstructing Accidents in Accelerated Modernity” (Duke UP, 2014)

Greg Siegel‘s new book is a wonderfully engaging and meticulously researched account of a dual tendency in modern technological life: treating forensic knowledge of accident causation as a key to solving the accident, and treating this knowledge as the source for the future improvement of both technology and civilization. Forensic Media: Reconstructing Accidents in Accelerated Modernity (Duke University Press, 2014) argues that accidents, forensics, and media have been central to the emergence and evolution of this tendency. The chapters of the book trace the forms of media (graphic, photographic, electronic, and digital) that have been crucial forensic mediation since the nineteenth century, a period when the accident became “technologically modern” and the relationship between progress and catastrophe was transformed by the rise of “forensic rationality.” A series of fascinating case studies guides readers through the nature and implications of this transformation by introducing the rise of the forensic engineer, the inscribing apparatus of Charles Babbage, the “black box” technology of the flight-data recorder and the cockpit voice recorder, and the high-speed cinematography that offered a way of mapping and making sense of vehicle collision in the 1950s. There are some extremely moving moments nestled in the narratives of these cases, including a must-read discussion of last words and cockpit voice recorders in Chapter 3. Forensic Media is not only a gripping read, but will make a great addition to the syllabi for upper-level courses that treat any combination of STS, technology studies, media studies, and studies of modernity Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology
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May 25, 2015 • 33min

Jon L. Mills, “Privacy in the New Media Age” (University Press of Florida, 2015)

That privacy in the digital age is an important concept to be discussed is axiomatic. Cameras in mobile phones make it easy to record events and post them on the web. Consumers post an enormous amount of information on social media sites. And much of this information is made publicly available. A common question, then, is what can people truly expect to be be private when so much information is accessible. In his new book Privacy in the New Media Age (University Press of Florida 2015), Jon L. Mills (University of Florida, Levin College of Law), discusses another issue related to privacy in the digital environment: the conflict between privacy and freedom of expression. In so doing, Mills examines how the law, particularly in the United States, is always chasing advances in technology, and discusses how countries in the European Union have attempted to tackle this matter. Throughout the book he discusses famous court cases that illustrate the issues with privacy and new media in an attempt to come to a resolution for the dispute. Just listen. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology
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May 18, 2015 • 39min

Myles W. Jackson, “The Genealogy of a Gene: Patents, HIV/AIDS, and Race” (MIT Press, 2015)

What happens when you allow human materials to become property? More specifically, how does granting monopoly rights over genetic material affect the potential for innovation and research on treatments of disease related to those genes? In his new book, The Genealogy of a Gene: Patents, HIV/AIDS, and Race (MIT Press, 2015), Myles W. Jackson (NYU) considers this question by examining the history of the sequencing and patenting of the CCR5 gene, which was found to have an important role in HIV/AIDS viral infection. In doing so, Jackson chronicles the challenges to the granting of property rights over materials that occur naturally, and the legal and policy arguments both for and against allowing patents on these materials. But the book is more than just an examination of the instability of patent law. On the contrary, Jackson provides an interdisciplinary examination of the history of CCR5, which analyzes the role of race, culture, medicine and other fields, to examine of the wider impact of science and science policy on society. Just listen. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

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