New Books in Medieval History

New Books Network
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Oct 27, 2016 • 1h 2min

Andrew Cole, “The Birth of Theory” (U. of Chicago Press, 2014)

Was Hegel a medieval thinker?In The Birth of Theory (University of Chicago Press, 2014), Andrew Cole puts forward a reexamination of Hegelian dialectics that embeds Hegel in a long tradition of medieval dialectical thinking and suggests that it is precisely Hegel’s engagement with medieval modes of thought that make his work a productive source for Marx and the later thinkers who develop dialectical thinking into theory as we know it today. The Birth of Theory challenges readers with insights won from strenuous contests with the writing of history, philosophy, religion, literature, and political economy. As he makes the case for rereading Hegelian dialectics based on the essentially feudal social and economic organization of Germany in Hegel’s moment, Cole drives at the arbitrary distinctions between medieval and modern but also those between dialectical and anti-dialectical thinking, writing a long arc of intellectual history that renegotiates theory’s relationship to Plato, Aristotle, Plotinus, Hegel, Marx, Heidegger, Deleuze and many others in between (xviii).Along the way, the argument asks readers to dispense with a host of critical cliches as it winds deftly between close readings of Pseudo-Dionysius and Nietzsche’s Birth of Tragedy to comparative readings of Hegel on the Eucharist and Marx on the commodity, closing with focused and revelatory attention on the legacy established by Hegel in using medieval genres in response to the modern condition.Carl Nellis is an academic editor and writing instructor working north of Boston, where he researches contemporary American community formation around appropriations of medieval European culture. You can learn more about Carls work at carlnellis.wordpress.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Sep 30, 2016 • 57min

Christopher Woolgar, “The Culture of Food in England, 1200-1500” (Yale UP, 2016)

Food was central to the lives of people in England during the Middle Ages in ways different than it is today. As Christopher Woolgar reveals in his book The Culture of Food in England, 1200-1500 (Yale University Press, 2016), it had a cultural significance that permeated nearly aspect of their society. Using a vast range of legal, archaeological, and literary sources, he explains what the English ate during the late Middle Ages, how they ate it, and what their food meant to them. The choices of food available to people typically varied based on wealth and locale, helping to define the class and status of their consumers within English society. Yet Woolgar shows that food often served as a form of connection as well, with the experience of eating within the context of elaborate settings such as celebratory feasts was an important experience of bonding within and between various groups. Together these various choices and settings gave foods and their consumption a particular social and cultural significance that defined the lives of the people who ate them as peasants, townspeople, clergy or elites. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Sep 21, 2016 • 35min

Ahmed Ragab, “The Medieval Islamic Hospital: Medicine, Religion, Charity” (Cambridge UP, 2015)

In his shining new book The Medieval Islamic Hospital: Medicine, Religion, and Charity (Cambridge University Press, 2015), Ahmed Ragab, Assistant Professor of Religion and Science at Harvard Divinity School, charts the institutional and intellectual history of hospitals or bimaristans in medieval Egypt and the Levant. A central argument of this book is that hospitals in Islamdom were more than just institutions where the sick were treated; hospitals also served as important sites of communal services and congregation, as urban architectural monuments, and as symbols and expressions of a rulers political authority. By exploring an astonishing variety and number of sources, Ragab provides an unparalleled window into the aspirations and operations that defined the medieval Islamic hospital. This splendid new book will be of great interest to students of medieval Islamic history, religion and science, medical history, and the study of Islam and religion more broadly. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Sep 21, 2016 • 55min

E.R. Truitt, “Medieval Robots: Mechanism, Magic, Nature, and Art” (U. of Pennsylvania Press, 2015)

“Any sufficiently advanced technology is indistinguishable from magic.”Clarke’s third law, coined in 1973, expresses the difficulty that people of any era have in reconciling the bounds of current knowledge with our experiences in a world full of marvels. In a fascinating investigation of role of automata in the culture of the medieval Latin west, E.R. Truitt’s Medieval Robots: Mechanism, Magic, Nature, and Art (University of Pennsylvania Press, 2015) traces the story of automata from their early appearance in the Latin west as gifts of foreign courts, to the literary manifestations of these objects, to the eventual creation of elaborate mechanical automata in the middle of the thirteenth century. Along the way, this history examines the nature of marvels, the constitution of natural knowledge, the text-based transformation of Latin intellectual culture, definitions of life and death, the spectacle of court, and the mechanics of the universe (8, 9). The cast of characters, both fictional and factual, embraces writers, travelers, and natural philosophers ranging from Liudprand of Cremona (c. 920 972), Pope Sylvester II (c. 946 1003) and Fr. William of Rubruck (c. 1220 1293), to Sir John Mandeville, witness of marvels mechanical and divine, and a Charlemagne whose stay in Constantinople brings him face to face with a pagan rulers powers of astral science that test the potentials of Charlemagne’s piety.Our conversation about Truitt’s comprehensively researched and highly readable book ranges over C-3PO’s medieval forebears in the alabaster chamber, the religious rehabilitation of disembodied talking heads, the role of clocks and clockwork in the discourse shift from natural philosophy to mechanical engineering, and the political significance of lewd mechanical monkeys covered in rotting badger pelts. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Sep 2, 2016 • 1h 6min

Neil Kent, “Crimea: A History” (Hurst/Oxford UP, 2016)

In 2014 Crimea shaped the headlines much as it did some 160 years ago, when the Crimean War pitted Britain, France and Turkey against Russia. Yet few books have been published on the history of the peninsula. For many readers, Crimea seems as remote today as it was when colonized... Learn more about your ad choices. Visit megaphone.fm/adchoices
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Jul 25, 2016 • 48min

Paul M. Cobb, “The Race for Paradise: An Islamic History of the Crusades” (Oxford UP, 2014)

The Crusades loom large in contemporary popular consciousness. However, our public understanding has largely been informed from a western perspective, despite the fact that there is a rich textual tradition recording its history in Muslim sources. Paul M. Cobb, Professor of Near Eastern Languages and Civilizations at the University of Pennsylvania, remedies this problem in The Race for Paradise: An Islamic History of the Crusades (Oxford University Press, 2014) by presenting the fullest and most readable account of the Crusades relying on Islamic sources. Cobb expands the geographical and chronological boundaries of the Crusades by placing traditional conflicts within Muslim accounts of Frankish aggression. In general, medieval Muslims were not overly concerned with Europe and ongoing relationships between Christians and Muslims only really existed in the Mediterranean context. European expansion into Muslim lands throughout the Middle Ages marked a different phase of encounter,but these incursions were not always clearly demarcated by religious boundaries. Cobb illustrates the often competing logic behind political alliances, military aggression and intervention, or discursive justification. The Race for Paradise does a wonderful job of presenting the narrative in a new light and dissolving many of the assumptions about pre-modern conflicts that have been produced by one-sided accounts of the Crusades. In our conversation we discussed the Frankish conquests, the significance of Jerusalem, Mediterranean Muslims communities, Arabic sources, notions of jihad, Frankish rule in the Levant, Saladin and his political heirs, thinking about the Crusades today, and making an audio book.Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Jul 15, 2016 • 1h 11min

John Freed, “Frederick Barbarossa: The Prince and the Myth” (Yale UP, 2016)

For all of his importance as a medieval ruler, there are surprisingly few biographies in English of the German emperor Frederick Barbarossa (c. 1122-1190). John Freed fills this gap with his new book, Frederick Barbarossa: The Prince and the Myth (Yale University Press, 2016), which offers readers both an account of Frederick’s life and his posthumous image as a German ruler. Freed begins by describing the historical background of 12th century Germany, setting Frederick’s succession to the throne within the context of medieval dynastic politics. From there he recounts Frederick’s campaigns against both the papacy and the Italian communes, his subsequent efforts to strengthen his rule in Germany, and his death in the Near East while participating in the Third Crusade. Though an undercurrent of frustrated ambition ran throughout many of his efforts, Frederick nonetheless became a symbol of a united Germany by the 19th century and, in the process, achieved a stature as a sovereign that belied the complicated realities of the world in which he lived. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Jul 12, 2016 • 51min

Aisha Geissinger, “Gender and the Construction of Exegetical Authority: A Rereading of the Classical Genre of Qur’an Commentary (Brill, 2015)

Aisha Geissinger’s monograph, Gender and the Construction of Exegetical Authority: A Rereading of the Classical Genre of Qur’an Commentary (Brill, 2015), contributes to the growing field of intersections between gender studies and Qur’anic studies. Unlike some recent studies that have explored the role of gender in the Qur’an itself or in applications of the Qur’an, Professor Geissinger takes a step back to explore how exegetes (broadly conceived) have historically understood the relevance and importance of gendered sources, in terms their authority to make sense of the Qur’an. What does it mean, for example, when a particular Qur’an commentary mentions a hadith with women in the isnad, while other commentaries do not? Are these rhetorical moves intentional? Were they significant in their time? In order to address these questions and others, Geissinger looks at traditional works of exegesis, sections on exegesis in hadith compilations, and literature on the virtues of the Qur’an among other topics all the while engaging with a rich breadth of modern and premodern scholarship, ranging from Bukhari to Judith Butler. The footnotes are extensive, the prose is clear, and the book well-organized. The monograph will likely appeal to a number of disciplines, especially Islamic history, Qur’anic studies, and gender studies.Elliott Bazzano is Assistant Professor of Religious Studies at Le Moyne College. His research and teaching interests include theory and methodology in the study of religion, Islamic studies, Qur’anic studies, mysticism, religion and media, and religion and drugs. His academic publications are available here. He can be reached at (bazzanea@lemoyne.edu). Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Jul 5, 2016 • 53min

Miranda Brown, “The Art of Medicine in Early China: The Ancient and Medieval Origins of a Modern Archive” (Cambridge UP, 2015)

Miranda Brown‘s new book takes a sustained look at the role and significance of the medical fathers in the historiography of Chinese medicine. Paying careful attention to the ubiquity and persistence of figures including Bian Que, Chunyu Yi, Liu Xiang, Zhang Ji, and more, The Art of Medicine in Early... Learn more about your ad choices. Visit megaphone.fm/adchoices
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Jan 19, 2016 • 1h 19min

Jennifer Bain, “Hildegard of Bingen and Musical Reception: The Modern Revival of Medieval Composer” (Cambridge UP, 2015)

Hildegard of Bingen was many things: a religious leader, a prolific letter-writer, a visionary prophet, possibly a compiler of medical lore, and certainly one of the most important composers of the 12th century. In recent years, Hildegard’s reception in academic circles has, for good and compelling reasons, focused on her status as a powerful, educated, and brilliantly creative woman in an era when few women were afforded such opportunities. But this has not been Hildegard’s only legacy.Jennifer Bain‘s recent book, Hildegard of Bingen and Musical Reception: The Modern Revival of Medieval Composer (Cambridge University Press,2015), charts the 19th-century reception of Hildegard’s life and music, and in doing so provides valuable perspective on the version of Hildegard that we know and love today. As Bain demonstrates, Hildegard has been in an almost constant state of revival since the early 19th century, and at every turn she has meant something different: depending on the interests of the scholars who were reviving her (who were, themselves, grappling with very specific historical circumstances, including the long-term fallout of the Napoleonic wars and the very long-term fallout of the Protestant Reformation), Hildegard has been important as a German, a Catholic, a Benedictine, and a mystic, as well as as a woman.Further reading/listening:For listeners who are unfamiliar with Hildegard’s music, here is LaReverdie’s recording of one of the melodies mentioned in the interview: O virga ac diadema.There are also three publications by Prof. Bain which expand on issues that we discussed in this interview:“Hildegard on 34th Street: Chant in the Marketplace.” Echo: A Music-Centered Journal 6, no. 1 (2004).“Hildegard, Hermannus, and Late Chant Style.” Journal of Music Theory 52, no. 1 (2008).“Hooked on Ecstasy: Performance ‘Practice’ and the Reception of the Music of Hildegard of Bingen,” in The Sounds and Sights of Performance in Medieval and Renaissance Music: Essays in Honour of Timothy J. McGee, ed. Brian Power and Maureen Epp (Aldershot: Ashgate, 2009), 253-273. Learn more about your ad choices. Visit megaphone.fm/adchoices

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