New Books in Medieval History

In the popular imagination, heresy belongs to the Christian Middle Ages in much the way that the Crusades or courtly culture do. Non-specialists in the medieval field may assume that the problem of heresy always existed, uniformly, throughout the period. But as Matthew Gillis shows in Heresy and Dissent in the Carolingian Empire: The Case of Gottschalk of Orbais (Oxford University Press, 2017), in the age of Charlemagne and his descendants, heretics were largely “seen as either distant foreign dangers or the legendary villains of ancient church lore.”That is, until around 840 CE, when one Gottschalk of Orbais began preaching what he called twin predestination. Gottschalk was heavily influenced by Augustine, who had argued that long before time began, God already ordained who would be among the elect and who among the damned. Gottschalk’s twin predestination theology made him into a figure Professor Gillis refers to as a “religious outlaw,” a “heretic in the flesh,” the Carolingian Empire’s foremost religious dissenter.Heresy & Dissent in the Carolingian Empire is a fascinating study of a figure whose meaning has been debated for centuries, but whose own moment in the 840s reveals a world beset with fears of sin and pollution.Matthew Gillis is Assistant Professor of history at the University of Tennessee, Knoxville. Learn more about your ad choices. Visit megaphone.fm/adchoices

A revealing exploration of representative modes of medievalism, Medievalism: A Critical History (Boydell & Brewer; hardcover 2015, paperback 2017), by David Matthews, examines the people, institutions, and moments that have driven societies around the world to reimagine and revive a medieval past. Eschewing shallow comprehensiveness, David Matthews instead offers a careful and extended handling of significant moments of medieval revival.From Sir Walter Scott and Cardinal Newman embracing structures of medieval ceremony in the early nineteen century to today’s medieval reenactments and medieval markets that employ touristic capital by celebrating a medieval inheritance, Matthews explores the positive vision of the romantic middle ages. Imagined as a world of chivalry and preindustrial economy defined by courtesy and noblesse, the romantic medieval offers connection to the land, more primitive, and more peaceful, social relations, to those who long for a world before industrialism and global capitalism. Following the interlaced negative vision of the grotesque middle ages–a world of barbarity and violence, of cruelty, ignorance, superstition, and narrow parochialism–the argument examines the ways in which communities and thinkers recover both grim and grand visions of the medieval, also exploring aspects medievalism that fall outside this neat binary.Medievalism: A Critical History moves deftly from examinations of medieval recovery in statecraft, aesthetics, art, literature, architecture, and the scholarly discipline of medieval studies. Matthews shows that an investment in the medieval has often reached far beyond academic interest in historical detail or popular interest in knights and castles. He pays particular attention to what is here called civic medievalism–attempts by writers and thinkers to recover that part of the middle ages that encouraged trade, labor, and industry, an interest on the part of statesmen and business leaders who find in the middle ages a worthy model of infrastructural expansion and open commerce. Likewise, with careful eye on ways in which being “medieval” can serve as a condemnation, Matthews pays close attention to how the idea of being medieval in the present day has the power to both attract and repel those who see an unevenness of time in our present world.Discussing the ways in which various writers and communities have employed these modes of medievalism to great effect, Medievalism: A Critical History asks readers to consider why we employ the past to do work in the present, and how the pursuit of recovering the past makes that very past a malleable thing. Careful not to exaggerate the significance of medievalism in moments when it was merely one stream of many, while also directing attention to ways in which interest in the medieval world has been underrecognized, David Matthews makes a commendably searching and scholarly contribution to the study of medievalism.Carl Nellis is an academic editor and writing instructor who researches contemporary American community formation around appropriations of medieval European culture. You can learn more about Carl’s work and request an editorial consultation at carlnellis.wordpress.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

In A Remembrance of His Wonders: Nature and the Supernatural in Medieval Ashkenaz (University of Pennsylvania Press, 2017), David I. Shyovitz, Associate Professor of History, and of Jewish and Israel Studies, at Northwestern University, plumbs the worldview and theology of the Hasidei Ashkenaz, the Jewish Pietists, who flourished in the Rhine Valley and in Regensburg in the 12th and 13th centuries. Professor Shyovitz marshals compelling evidence to show that the Pietists submitted both the natural world and the human body to close and disciplined empirical study. While they were fascinated by inexplicable phenomena, bodily transformation, spells and incantations, and even bodily and effluvia and excrement, the Pietists’ fascination was driven by their effort to forge links between the natural world and their theological worldview.David Gottlieb is a PhD Candidate in the History of Judaism at the University of Chicago Divinity School. His research focuses on interpretations of the Binding of Isaac and the formation of Jewish cultural memory. He can be reached at davidg1@uchicago.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received the Whiting Creative Nonfiction Grant for her work on Augustine’s Confessions.Ruden made use of her experience in publishing several book-length translations of pagan literature to write Paul among the People: The Apostle Reinterpreted and Reimagined in His Own Time (Pantheon, 2010). Her translation of Aeschylus’ Oresteia is part of The Greek Plays, a Modern Library collection (2016). She has begun a new translation of the Gospels for The Modern Library, taking into account linguistic, literary, and historical research that has been poorly represented in standard translations.On this program, we talk about her new translation of Augustine’s Confessions, published by The Modern Library in June 2017. Publishers Weekly has called it “delightfully readable while still densely theological. In this lively translation filled with vivid, personal prose, Ruden introduces readers to a saint whom many will realize they only thought they knew.”Garrett Brown has been the host of New Books in Biblical Studies since April 2015. He works as a book publisher and occasionally blogs at noteandquery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

When is war justified? What makes a just war?These are difficult questions to answer, but particularly so for Christians, followers of Jesus, who suffered violence without responding in kind. One philosopher-theologian who wrestled with these issues was Thomas Aquinas. Dr. Gregory Reichberg, research professor at the Peace Research Institute Oslo, explores this subject in his new book Thomas Aquinas on War and Peace (Cambridge University Press, 2017).Not only does this work do an excellent job in probing in an accessible yet deep way Aquinas understanding of just war, Reichberg both reveals aspects of Aquinas thought on war that are rarely examined, such as the connection between the cardinal virtue of fortitude and military service, and connects Aquinas and the just war tradition to contemporary debates about the waging of war. This book is highly recommended for anyone interested in this subject, and it has something to say both to people largely unfamiliar with it, as well as those who have studied the subject at length. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jewish Magic Before the Rise of Kabbalah (Wayne State University Press, 2017) opens new vistas not only on the history of the practice of magic throughout Jewish history, but on the variety and syncretistic depth of such practices. Its author is Yuval Harari, professor in the Department of Jewish Thought and head of the Program of Folklore Studies at Ben Gurion University. Professor Harari’s work challenges perceptions and categorizations of what Jewish magic is, and what its place in the Judaism of late antiquity was. It thus promises to facilitate a reappraisal of the performative practices, the beliefs and rituals, on which Jewish life as we know it is founded. Professor Harari’s work carefully and systematically examines a wide variety of Jewish texts and artifacts, and reveals the extent to which the practice of magic is woven into Jewish ritual, thought, culture, from Late Antiquity through and beyond the Middle Ages.David Gottlieb is a PhD Candidate in the History of Judaism at the University of Chicago Divinity School. His research interests center on the influence of rabbinic midrash on the formation of Jewish cultural memory. He can be reached at davidg1@uchicago.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Medieval Egypt had a rapid influx of Sufis, which has previously been explained through reactionary models of analysis. It was argued that the widespread popularity of Sufism was marked by a public adoption of practices that satisfied the masses in ways the religious elite were not fully addressing. In The Popularisation of Sufism in Ayyubid and Mamluk Egypt, 1173-1325 (Edinburgh University Press, 2015), Nathan Hofer, Assistant Professor at the University of Missouri, critiques the social binary that these assumptions create, as well as, rethinks the mechanisms within the social production of Sufi culture. He explores these concerns in the context of the Ayyubid and Mamluk states and their relationships with Sufi masters and communities. First, a state-sponsored Sufi lodge serves as the site for professionalization of Sufis and the public consumption of Sufi culture that aligns with state objectives. The emergence of the Shādhilīya sufi order serves as a case of the textualization of an idealized sufi identity, and its subsequent popularization through the production of a collective community. Finally, Hofer explores the unique context of Upper-Egyptian Sufism, which relied on charismatic authority and miraculous work in the creation of a community. In our conversation we discussed the notion of Popular Culture in the medieval world, hagiography and biography, miracles, the khanqah of Cairo, state religious sponsorship, professional sufis, and contemporary methods for investigating the past.Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

You find a lot of strange things on late medieval and “Age of Discovery” era maps. Of course there are weird beasts of every sort: dragons, griffins, sea monsters, and sundry multi-headed predators. But you also find a lot of bizarre, well, people. These include giant people, tiny people, one-footed people, people with two heads, and people with no heads at all (their eyes, mouths and noses are in their chests). What is one to make of all these different kinds of humanity? And, more important from a historical point of view, what did Renaissance mapmakers think they were doing when they adorned their cartographical products with them? In her wonderful new book Renaissance Ethnography and the Invention of the Human: New Worlds, Maps, and Monsters (Cambridge University Press, 2016), Surekha Davies offer answers aplenty, and good ones. Listen in. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dilapidated thirteenth-century walls as a playscape for today’s children, medieval relics made as fetish objects for twenty-first century enthusiasts, tourism at “the birthplace of King Arthur,” Harry Potter’s pageantry, Game of Thrones‘ swordplay, the Renaissance Faire, York’s mystery plays, America’s jousts, and Chaucer translated into a panoply languages: the European medieval endures in the global postmodern. In Medieval Afterlives in Contemporary Culture (Bloomsbury Academic; Hardcover 2015, Paperback 2017), Gail Ashton collects the work of 29 scholars studying the ongoing power and pleasure to be found in the ways that we resuscitate and remix remnants of the medieval world. This wide-ranging introduction to the study of contemporary medievalisms engages the questions of authority in interpretation, authenticity in translation and adaptation, and the accessibility of the past that inhere in the many ways that we engage the middle ages in the twenty-first century.Do we think of the medieval, medievalism, and medievalists as a great premodern Other, or do we recognize within the medieval the roots and rhythms of speech and performance that still live in our own time and in our own tongues? How do we arrive at our ideas of the medieval, at the cultural markers we recognize as our own or as someone else’s based on time and distance? What does our ongoing reinterpretation of what makes something “medieval” reveal about how we produce and consume texts, create an identity based on historical claims, and come to feel that we belong to a community with a shared past? Through Medieval Afterlives in Contemporary Culture, Gail Ashton and the scholars that have contributed to this collection invite readers, writers, researchers, and educators to engage these questions by looking at our shared life today through the various ways that we play and replay a medieval past as a present to ourselves.Carl Nellis is an academic editor and writing instructor working north of Boston, where he researches contemporary American community formation around appropriations of medieval European culture. You can learn more about Carl’s work at carlnellis.wordpress.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today’s program, I talk with Scot McKendrick and Kathleen Doyle about their new book, The Art of the Bible Illuminated Manuscripts from the Medieval World, published by Thames and Hudson (and distributed in the United States by W. W. Norton) in November 2016.The book looks at 45 featured manuscripts from across the globe and through 1,000 years of history, including the Lindisfarne Gospels, the Queen Mary Psalter, the Canterbury Royal Bible, the Old English Hextateuch, the Welles Apocalypse, and the Paduan Bible Picture Book, among others. With more than 300 illustrations, which have been meticulously color corrected for this new book, the authors shed light on some of the finest but least-known paintings from the Middle Ages and on the development of art, literature, and civilization as we know it.Dr. Scot McKendrick is the head of Western Heritage Collections at the British Library. His publications include Codex Sinaiticus: New Perspective on the Ancient Biblical Manuscript; Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe; and The Bible as Book: Transmissions of the Greek Text.Dr. Kathleen Doyle is the lead curator of illuminated manuscripts at the British Library. She was the co-curator, with Dr. McKendrick, of an Arts and Humanities Research Council funded exhibition, Royal Manuscripts: The Genius of Illumination, and the lead investigator for the Royal Manuscripts follow-on project, editing with Dr. McKendrick the volume 1,000 Years of Royal Books and Manuscripts.Together the authors also edited Bible Manuscripts: 1,400 Years of Scribes and Scripture, published by the British Library in 2007.To view some of the illuminated manuscripts discussed on this program, visit the British Library’s Digitised Manuscripts at https://www.bl.uk/manuscripts/.You can also follow @blmedieval on Twitter, which is linked to the authors’ Medieval Manuscripts blog.Garrett Brown is the host of New Books in Biblical Studies. He is a publisher and editor and blogs at noteandquery.com. Follow the channel on Twitter @newbooksbible. Learn more about your ad choices. Visit megaphone.fm/adchoices