Off the Page: A Columbia University Press Podcast

Founded in 1676 during a cosmopolitan early modern period, Mindröling monastery became a key site for Buddhist education and a Tibetan civilizational center. Its founders sought to systematize and institutionalize a worldview rooted in Buddhist philosophy, engaging with contemporaries from across Tibetan Buddhist schools while crystallizing what it meant to be part of their own Nyingma school. At the monastery, ritual performance, meditation, renunciation, and training in the skills of a bureaucrat or member of the literati went hand in hand. Studying at Mindröling entailed training the senses and cultivating the objects of the senses through poetry, ritual music, monastic dance, visual arts, and incense production, as well as medicine and astrology.Dominique Townsend investigates the ritual, artistic, and cultural practices inculcated at Mindröling to demonstrate how early modern Tibetans integrated Buddhist and worldly activities through training in aesthetics. Considering laypeople as well as monastics and women as well as men, A Buddhist Sensibility: Aesthetic Education at Tibet's Mindröling Monastery (Columbia UP, 2021) sheds new light on the forms of knowledge valued in early modern Tibetan societies, especially among the ruling classes. Townsend traces how tastes, values, and sensibilities were cultivated and spread, showing what it meant for a person, lay or monastic, to be deemed well educated. Combining historical and literary analysis with fieldwork in Tibetan Buddhist communities, this book reveals how monastic institutions work as centers of cultural production beyond the boundaries of what is conventionally deemed Buddhist.Jue Liang is scholar of Buddhism in general, and Tibetan Buddhism in particular. My research examines women in Tibetan Buddhist communities past and present using a combination of textual and ethnographical studies.

Why does a clarinet play at lower pitches than a flute? What does it mean for sounds to be in or out of tune? How are emotions carried by music? Do other animals perceive sound like we do? How might a musician use math to come up with new ideas?This book offers a lively exploration of the mathematics, physics, and neuroscience that underlie music in a way that readers without scientific background can follow. David Sulzer, also known in the musical world as Dave Soldier, explains why the perception of music encompasses the physics of sound, the functions of the ear and deep-brain auditory pathways, and the physiology of emotion. He delves into topics such as the math by which musical scales, rhythms, tuning, and harmonies are derived, from the days of Pythagoras to technological manipulation of sound waves. Sulzer ranges from styles from around the world to canonical composers to hip-hop, the history of experimental music, and animal sound by songbirds, cetaceans, bats, and insects. He makes accessible a vast range of material, helping readers discover the universal principles behind the music they find meaningful.Written for musicians and music lovers with any level of science and math proficiency, including none, Music, Math, and Mind: The Physics and Neuroscience of Music (Columbia UP, 2021) demystifies how music works while testifying to its beauty and wonder.Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at galina.limorenko@epfl.ch.

One Hundred Years of Solitude is a revered classic today fifty five years after it was first published in 1967. Today I talked to Alvaro Santana Acuña a sociologist and historian who describes the ingredients that went into manufacturing the success of this book. In Ascent to Glory: How One Hundred Years of Solitude Was Written and Became a Global Classic (Columbia UP, 2020), Alvaro Santana-Acuña first deconstructs the “fake news” surrounding García Márquez and then describes the cultural brokers, the literary cognoscenti of the Boom, the gatekeepers, the Spanish publishing industry and the Casa de las Americas who made the One Hundred Years of Solitude a bestseller across generations. The multitudinous references in this book are part of the archives that Alvaro Santana-Acuña has curated for an exhibition “Gabriel Garcia Márquez – The Making of a Global Writer” by the Harry Ransom Center at the University of Texas, Austin which will run till January 2022.Minni Sawhney is a professor of Hispanic Studies at the University of Delhi

In Humanist Reason: A History, an Argument, a Plan (Columbia UP, 2021), Eric Hayot develops the concept of “humanist reason” to understand the nature and purpose of humanist intellectual work and lays out a serious of principles that undergird this core idea. Rather than appealing to familiar ethical or moral rationales for the importance of the humanities, Humanist Reason lays out a new vision that moves beyond traditional disciplines to demonstrate what the humanities can tell us about our world.Eric Hayot is Distinguished Professor of Comparative Literature and Asian Studies at Penn State University, where he is also Director of the Center for Humanities and Information. His books include Chinese Dreams: Pound, Brecht, Tel quell (U of Michigan P), The Hypothetical Mandarin: Sympathy, Modernity, and Chinese Pain (Oxford UP), On Literary Worlds (Oxford UP), The Elements of Academic Style: Writing for the Humanities (Columbia UP), and, most recently, Humanist Reason (Columbia UP), published in 2021. He edited and co-edited numerous books and in 2018 he published with Lea Pao a translation of Peter Janich’s What is Information? (U of Minnesota P).Bryant Scott is a professor in the Liberal Arts department at Texas A & M University at Qatar.

Political Scientists Amy Fried (University of Maine) and Douglas B. Harris (Loyola University Maryland) have a new book, At War with Government: How Conservatives Weaponized Distrust from Goldwater to Trump (Columbia UP, 2021), that looks at the question of distrust within American politics and how that distrust has moved from healthy skepticism to a weapon to be used to divide citizens and undermine the entire governmental system in the United States. Part of this is an historical examination, starting with the basic skepticism about power that was present in North America even before the Founding period. But the thrust of the book traces this distrust of government over the past half century, and highlights how it has become more overt, and more of a rhetorical tool used, in particular, by members of the Republican Party and the conservative movement.Fried and Harris explain how this narrative of distrust in government has been used as an organizing umbrella for the contemporary Republican Party, as the strategic glue that holds together social conservatives, economic conservatives and libertarians, and national security hawks. This is the same organizing umbrella that was also implemented by politicians, especially in the use of the Southern Strategy, to pull the southern states into the Republican coalition over the past half century. This weaponization of distrust has been used, as the authors, note, in four different areas that can be seen again and again across historical periods during the last fifty years; these four areas include building organization, winning elections, securing policy gains, and moving functional power into the political institutions when they are controlled by the GOP. This use of distrust has also been woven into the conservative political identity, pulling in racial components and advocacy against the government itself to continue to build this political coalition. Fried and Harris make use of a lot of different archival sources to examine and explain how conservative elites have used this distrust strategically to help turn out voters, build the political organization, and construct a rhetorical narrative that indicts the American political system. At War with Government: How Conservatives Weaponized Distrust from Goldwater to Trump helps to explain not only the rise of Donald Trump, but also the asymmetrical polarization in which voters now find themselves in the U.S. system, and how Trump and those who preceded him capitalized on American distrust of and skepticism towards government.Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.

The concept of revolution marks the ultimate horizon of modern politics. It is instantiated by sites of both hope and horror. Within progressive thought, “revolution” often perpetuates entrenched philosophical problems: a teleological philosophy of history, economic reductionism, and normative paternalism. At a time of resurgent uprisings, how can revolution be re-conceptualized to grasp the dynamics of social transformation and disentangle revolutionary practice from authoritarian usurpation?Eva von Redecker reconsiders critical theory’s understanding of radical change in order to offer a bold new account of how revolution occurs. She argues that revolutions are not singular events but extended processes: beginning from the interstices of society, they succeed by gradually re-articulating social structures toward a new paradigm. Developing a theoretical account of social transformation, Praxis and Revolution incorporates a wide range of insights, from the Frankfurt School to queer theory and intersectionality. Its revised materialism furnishes prefigurative politics with their social conditions and performative critique with its collective force.Von Redecker revisits the French Revolution to show how change arises from struggle in everyday social practice. She illustrates the argument through rich literary examples—a ménage à trois inside a prison, a radical knitting circle, a queer affinity group, and petitioners pleading with the executioner—that forge a feminist, open-ended model of revolution.Praxis and Revolution: A Theory of Social Transformation (Columbia UP, 2021) urges readers not only to understand revolutions differently but also to situate them elsewhere: in collective contexts that aim to storm manifold Bastilles—but from within.Eva von Redecker is a German critical theorist and public philosopher, currently based at the University of Verona as the recipient of a Marie Skłodowska-Curie fellowship. She was previously a research associate at Humboldt University of Berlin and she has also taught at Goethe University Frankfurt and the New School.Lucy Duggan is a writer and translator. She is the author of the novel Tendrils (2014).Fulya Pinar is a PhD candidate in the department of Anthropology at Rutgers University. Her work focuses on alternative economies, refugee care, and migration in Turkey.

What happened to the Buddhist scholars who stayed behind in Tibet and China after the Fourteenth Dalai Lama and thousands of Tibetans fled from the People’s Liberation Army in 1959?In Lineages of the Literary: Tibetan Buddhist Polymaths of Socialist China (Columbia University Press 2021), Nicole Willock discovers through the stories and writings of the “Three Polymaths” (Tib. mkhas pa mi gsum) of socialist China that contrary to common assumptions, Tibetan Buddhist leaders active in the People’s Republic of China were not mere political “collaborators.” Willocks reveals in the book that the three Buddhist polymaths, Tséten Zhabdrung (1910 – 1985), Mugé Samten (1914 – 1993), and Dungkar Rinpoché (1927 – 1997) alternately safeguarded, taught, adapted, celebrated, and discarded religious epistemes, practices, and institutions in a post-Cultural Revolution PRC.The title of the “Three Polymaths” is often used to refer to Mar Shakyamuni, Yo Géjung, and Tsang Rabsel, who according to Tibetan Buddhist historiography, preserved the Buddhist monastic lineage from the tyrannical king Langdarma (d. 842) one millennium ago. Willock points out that since the early 1980s, the title of the “Three Polymaths” has been passed on to the twentieth-century Buddhist scholars Tséten Zhabdrung, Mugé Samten, and Dungkar Rinpoché, who became not only heroes to many Tibetans in China but also cultural icons symbolizing both the survival and the continuance of Tibetan culture in the post-Mao era.In Lineages of the Literary, Willock explores the Three Polymaths’ writings from a wide range of literary genres, including more traditional ones such as autobiographical life writing (Tib. byung ba brjod pa) and Buddhist poetry, as well as modern innovations such as encyclopedia entries (Tib. tshig mdzod) and academic essays (Tib. dpyad rtsom). Willock argues that the writings of the Three Polymaths highlight the way they adapt and disregard religious epistemes for the purposes of revitalizing Tibetan culture in their own fashion.Interestingly, the Three Polymaths’ writings do not engage explicitly with the social-political contexts of their lives. What is revealed instead, Willock argues, is how these three Tibetan Buddhist leaders acted as moral agents who strategically deployed Buddhist epistemes to impart varying visions of Tibetan culture in the post-Mao era. Taking Saba Mahmood’s idea of “moral agency,” Willock finds that “[T]he culturally specific disciplines and religious epistemes that [the Three Polymaths] accessed in their unique subject positions as male Géluk Buddhist elites allowed them, unlike many other leaders in post-Mao China, to cross state-imposed divides between secular and religious institutions that might otherwise have been impossible to bridge.”Daigengna Duoer is a Ph.D. student at the Religious Studies Department, University of California, Santa Barbara. Her dissertation is a digital humanities project mapping transnational and transregional Buddhist networks connecting twentieth-century Inner Mongolia, Manchuria, Republican China, Tibet, and the Japanese Empire.

What happens when the human brain, which evolved over eons, collides with twenty-first-century technology? Machines can now push psychological buttons, stimulating and sometimes exploiting the ways people make friends, gossip with neighbors, and grow intimate with lovers. Sex robots present the humanoid face of this technological revolution―yet although it is easy to gawk at their uncanniness, more familiar technologies based in artificial intelligence and virtual reality are insinuating themselves into human interactions. Digital lovers, virtual friends, and algorithmic matchmakers help us manage our feelings in a world of cognitive overload. Will these machines, fueled by masses of user data and powered by algorithms that learn all the time, transform the quality of human life?Robert Brooks, Artificial Intimacy: Virtual Friends, Digital Lovers, and Algorithmic Matchmakers (Columbia UP, 2021) offers an innovative perspective on the possibilities of the present and near future. The evolutionary biologist Rob Brooks explores the latest research on intimacy and desire to consider the interaction of new technologies and fundamental human behaviors. He details how existing artificial intelligences can already learn and exploit human social needs―and are getting better at what they do. Brooks combines an understanding of core human traits from evolutionary biology with analysis of how cultural, economic, and technological contexts shape the ways people express them. Beyond the technology, he asks what the implications of artificial intimacy will be for how we understand ourselves.Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at galina.limorenko@epfl.ch.

In the early eighteenth century, the noblewoman Ōgimachi Machiko composed a memoir of Yanagisawa Yoshiyasu, the powerful samurai for whom she had served as a concubine for twenty years. Machiko assisted Yoshiyasu in his ascent to the rank of chief adjutant to the Tokugawa shogun. She kept him in good graces with the imperial court, enabled him to study poetry with aristocratic teachers and have his compositions read by the retired emperor, and gave birth to two of his sons. Writing after Yoshiyasu’s retirement, she recalled it all—from the glittering formal visits of the shogun and his entourage to the passage of the seasons as seen from her apartments in the Yanagisawa mansion.In the Shelter of the Pine is the most significant work of literature by a woman of Japan’s early modern era. Featuring Machiko’s keen eye for detail, strong narrative voice, and polished prose studded with allusions to Chinese and Japanese classics, this memoir sheds light on everything from the social world of the Tokugawa elite to the role of literature in women’s lives. Machiko modeled her story on The Tale of Genji, illustrating how the eleventh-century classic continued to inspire its female readers and provide them with the means to make sense of their experiences. Elegant, poetic, and revealing, In the Shelter of the Pine is a vivid portrait of a distant world and a vital addition to the canon of Japanese literature available in English.Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.

Robert Hellyer’s Green with Milk and Sugar: When Japan Filled America's Tea Cups (Columbia UP, 2021) is a tale of American and Japanese teaways, skillfully weaving together stories of Midwesterners drinking green tea (with milk and sugar, to be sure), the recent and complex origins of Japan's love of now-ubiquitous sencha, Ceylon tea merchants exploiting American racism, Chinese tea production expertise, and the author’s own family history in the Japan-America tea trade going back to the nineteenth century. Transnational histories and commodities histories are notoriously delicate dances, but Hellyer has produced a very readable and eye-opening look at the modern history and culture of tea. Green with Milk and Sugar will be of interest to a diverse group of historians—scholars of North America, East Asia, commerce and trade, food, etc.—but also to a general audience who will be pulled in by the author’s personal connections as well as the delightfully jargon-free narrative.Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.