New Books in Communications

Bombastic headlines about science and technology are nothing new. To cut through the constant stream of information and misinformation on social media, or grab the attention of investors, or convince governments to take notice, strident headlines or bold claims seem necessary to give complex, nuanced information some wow factor. But hype has a dark side, too. It can mislead. It can distract. It can blinker us from seeing what is actually going on.From AI, quantum computing and brain implants, to cancer drugs, future foods and fusion energy, science and technology journalist Gemma Milne reveals hype to be responsible for fundamentally misdirecting or even derailing crucial progress. Hype can be combated and discounted, though, if you're able to see exactly where, how and why it is being deployed. Smoke and Mirrors: How Hype Obscures the Future and How to See Past It (Robinson, 2021) is your guide to doing just that.Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Can a subject be sovereign in a hegemony? Can creativity be reined in by forces of empire?The Audacious Raconteur: Sovereignty and Storytelling in Colonial India (Cornell UP, 2020) argues that even the most hegemonic circumstances cannot suppress "audacious raconteurs": skilled storytellers who fashion narrative spaces that allow themselves to remain sovereign and beyond subjugation. The book tells the stories of four Indian narrators who lived in colonial India: a Goan Catholic ayah, a Telugu lawyer from the Raju community, a Tamil brahmin archaeologist, and a librarian from the medara (basket-weavers) caste. These four Indian narrators, through their vigorous orality, maverick use of photography, literary ventriloquism, and bilingualism, dismantle the ideological bulwark of colonialism—colonial modernity, history, science, and native knowledge.This book is open access.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Listen to this interview of Elisa De Ranieri, Editor-in-Chief of Nature Communications. We talk about knowing the research you have done, but communicating the message you want said.Interviewer: "When a submission lands on your desk, or better said, you call it up on your screen, what are you pleased to see, what makes your work easier?"Elisa De Ranieri: "Yeah, well, I guess what makes the job easier for an editor is to receive a paper that is well-written and well-constructed and where the authors are so experienced that they know how to pitch their story. It's nice because it, obviously, spares the editor the trouble of having to unpick what's being said. You know, there are papers where––I'm not saying that they're badly written––but they are so dense because it's not a story, it's a dump of facts, so that you have to start unpicking the facts until you've made your own version of the story that the authors are trying to tell, and only then can you assess that story based on your criteria."Daniel Shea, heads Scholarly Communications, a Special Series on the New Books Network. Daniel is Director of the Writing Program at Heidelberg University, Germany. Just write Daniel.Shea@zsl.uni-heidelberg.de Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In Fiction: A Philosophical Analysis (Oxford University Press, 2020), Catharine Abell draws our attention to the character of Emma Woodhouse. She is handsome, clever, and rich. Or, at least, that's what Jane Austen writes about her in her fictional novel Emma. But why should we consider this a work of fiction, if it says true things about 19th century England? And if it's a fiction, how should we understand and interpret its content? Do we need to know what Austen intended to understand what she says about Emma? And how can we judge the truth of claims about a fictional entity? Do these characters need to exist for us to talk about them? Abell answers these questions in a unifying account of the epistemology and metaphysics of fiction which engages with existing and influential theories. Fictions are institutions governed by rules. On this view, we understand the content of fictive utterances by convention, though we can draw inferences to the best explanation about those utterances to a work's interpretive content, such as why Austen wrote the way she did. For Abell, fictional entities exist in the same way that marriages and corporations do, created by utterances which follow institutional rules, so that we can think and talk about Emma's fictionally having lots of money, even if there was no person "Emma" who had lived nearly twenty-one years in the world with very little to distress or vex her.Malcolm Keating is Assistant Professor of Philosophy at Yale-NUS College. His research focuses on Sanskrit philosophy of language and epistemology. He is the author of Language, Meaning, and Use in Indian Philosophy (Bloomsbury Press, 2019) and host of the podcast Sutras (and stuff). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Leigh Thompson is a Professor of Dispute Resolution and Organizations at the Kellogg School of Management, Northwestern University. An acclaimed researcher, author, and speaker, she has developed several online and in-person courses on negotiation, leading teams, creativity, and virtual collaboration. Leigh is a best-selling author of 10 books including Negotiating the Sweet Spot: The Art of Leaving Nothing on the Table (HarperCollins, 2020).This episode covers why dividing the pie and supposedly win/win solutions aren’t good enough. Myths about negotiations successfully are addressed, as well as the differences between scripted and unscripted negotiations. Specific “hacks” or solutions are raised, including The Anger Hack in personal life negotiations and The Dessert Tray hack in business situations. Finally, how virtual negotiations involves their own dynamics is covered, too.Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. To check out his related “Dan Hill’s EQ Spotlight” blog, visit this site. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Conspiracy theories prove to be popular and widely-spread. As a rule, we do not tend to take them seriously, but it would be wrong to suggest that audiences are not intrigued by them. What can conspiracy theories communicate about those who engage with them and about those who are this way or the other implicated? With Conspiracy Culture: Post-Soviet Paranoia and the Russian Imagination (University of Toronto Press, 2020), Keith A. Livers explores the conspiracy theory on the theoretical and practical levels. The book offers a solid background that helps historicize the conspiracy preoccupations in Russia. By connecting the conspiracy manifestations in Russian culture across the centuries, Livers successfully demonstrates how deeply engrained the conspiracy culture is in Russia. The book analyzes in detail a diverse cultural material that includes, among others, Pelevin’s and Bekmambetov’s works: by combining chronologically diverse material, Livers looks into and dissects the mechanism of the persistent sustainability of conspiracy culture in Russia. An inseparable part of the conspiracy theory is history, which appears to be part of political dimensions: this aspect is extensively commented on by Livers. Conspiracy Culture: Post-Soviet Paranoia and the Russian Imagination complicates the issue of conspiracy culture and brings it to the level of discussion that offers insights into the current position of the Russian Federation on the local and global levels. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In their new collection, Monstrous Women in Comics (University Press of Mississippi, 2020), Samantha Langsdale and Elizabeth Rae Coody put together a critical volume on the ways women are made monstrous in popular culture. This edited volume examines the coding of woman as monstrous and how the monster as dangerously evocative of women/femininity/the female is exacerbated by the intersection of gender with sexuality, race, nationality, and disability. The five sections of this book look at the cultural context surrounding varied monstrous voices: embodiment, maternity, childhood, power, and performance. This volume probes into the patriarchal contexts wherein men are assumed to be representative of the normative, universal subject, such that women frequently become monsters.The collection includes contributions by Novia Shih-Shan Chen, Elizabeth Rae Coody, Keri Crist-Wagner, Sara Durazo-DeMoss, Charlotte Johanne Fabricius, Ayanni C. Hanna, Christina M. Knopf, Tomoko Kuribayashi, Samantha Langsdale, Jeannie Ludlow, Marcela Murillo, Sho Ogawa, Pauline J. Reynolds, Stefanie Snider, J. Richard Stevens, Justin Wigard, Daniel F. Yezbick, and Jing Zhang.Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. She has written extensively on popular culture in the classroom, youth’s out of school literacy practices, music-based pedagogy, and punk, including her book "Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics" (Peter Lang, 2018). She's a diehard Cubs fan and will miss The Winchester Brothers when they are gone. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

On this episode of the New Books Network, Dr. Lee Pierce (s/t) Dr. Dannagal Goldthwaite Young (s/h) about why liberals love satire and conservative love outrage and how the two are merging and diverging in today’s world of media consolidation and political polarization.In Irony and Outrage: The Polarized Landscape of Rage, Fear, and Laughter in the United States (Oxford UP, 2019), Young looks at two distinct genres of communication—irony and outrage—and their respective appeals to liberals and conservatives. Whereas liberal minds lean toward the ambiguity and play of irony, as exemplified in the daily show, conservative minds lean toward certainty and vigilance, as exemplified by Sean Hannity. Young argues that the roles that these two genres play for their viewers are strikingly similar: galvanizing the opinion of the left or the right, mobilizing citizens around certain causes, and expressing a frustration with traditional news coverage while offering alternative sources of information and meaning. One key way in which they differ, however, concludes Young, is in their capacity to be exploited by special interests and political elites.Read Young's article, "The Lincoln Project and the Conservative Aesthetic." We hope you enjoyed listening as much as we enjoyed chatting about this fascinating book. Connect with your host, Lee Pierce, @rhetoriclee on Twitter, Instagram, Facebook and Gmail for interview previews, the best book selfies, and new episode alerts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Today we are joined by Travis Vogan, Associate Professor of Journalism and American Studies at the University of Iowa, and the author of ABC Sports: The Rise and Fall of Network Sports Television (University of California Press, 2018). In our conversation, we discussed the special role that ABC Sports played in the promotion of sports television, the innovations of sports broadcasting executive Roone Arledge, and the collapse of network sport broadcasting in the cable-TV era.In ABC Sports, Vogan traces the cultural impact of ABC Sports rise in the 1950s until its demise in the 1990s. Under the aegis of Roone Arledge, ABC developed a innovative approach to sports programming that changed viewers experiences for the better. They foregrounded narrative, introduced documentary style reporting, developed new film and recording practices. Along the way, the network produced iconic sports programming such as Wide World of Sports and Monday Night Football. They nurtured a range of media personalities including Howard Cosell who helped the network navigate some of the eras most fraught sports coverage including the Munich Olympics Massacre. Their influence revolutionized the aesthetic experience, widening sports TV audiences, transformed the Olympics into a mega-event, introducing new media processes to the fledgling ABC News channel, and propelled ABC from America’s third place network to the top of the charts in the 1970s. Their reliance on costly but glossy production ultimately undid the ABC Sports division. In the 1980s and 1990s, the birth of cable television, especially ESPN, and a hostile takeover of their parent company ended Arledge’s era of sports television innovation but its legacies remain relevant today.Vogan’s work offers insights into the interplay between sports and the media, and it offers insightful ways to think about how the two shaped viewers experiences and provided models for other media enterprises to change the wider media landscape. This book will be of interest to all who study sports and media studies.Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. It will come out with Manchester University Press in 2021. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In Batman and The Joker: Contested Sexuality in Popular Culture (Routledge, 2020), Chris Richardson presents a cultural analysis of the ways gender, identity, and sexuality are negotiated in the rivalry of Batman and The Joker. Richardson's queer reading of the text provides new understandings of Batman and The Joker and the transformations of the Gotham Universe throughout its 80-year existence. In particular, Richardson investigates how artists, writers, and fans engage with, challenge, and interpret gendered and sexual representations of this influential and popular rivalry. Fans of Batman and The Joker will find this work engaging and applicable across a range of scholarly fields and popular interests. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications