New Books in Communications

Ben-Hur (1959), Jaws (1975), Avatar (2009), Wonder Woman (2017): the blockbuster movie has held a dominant position in American popular culture for decades. In American Blockbuster: Movies, Technology, and Wonder (Duke University Press, 2020), Charles R. Acland charts the origins, impact, and dynamics of this most visible, entertaining, and disparaged cultural form. Acland narrates how blockbusters emerged from Hollywood's turn to a hit-driven focus during the industry's business crisis in the 1950s. Movies became bigger, louder, and more spectacular. They also became prototypes for ideas and commodities associated with the future of technology and culture, accelerating the prominence of technological innovation in modern American life. Acland shows that blockbusters continue to be more than just movies; they are industrial strategies and complex cultural machines designed to normalize the ideologies of our technological age.Charles R. Acland is Distinguished University Research Professor of Communication Studies at Concordia University, Montreal. He is the author of Swift Viewing: The Popular Life of Subliminal Influence and Screen Traffic: Movies, Multiplexes, and Global Culture, and coeditor of Useful Cinema, all also published by Duke University Press. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The name Cancún brings to mind tourism, resorts, beaches, sun, and fun. In her book, Stuck With Tourism: Space, Power, and Labor in Contemporary Yucatan (University of California Press, 2020), Matilde Córdoba Azcárate reveals the processes of labor, extraction, and reorganization that make places such as Cancún a tourism site. Dr. Azcárate examines four tourist sites across the Mexican Yucatán Peninsula, including resorts in Cancún and Temozón, a nature preserve in Celestún, and guayabera shirt production in Tekit. She documents the ways in which tourism rearranges space in a given local in order to produce the experiences that tourists seek. Attention to labor shows how workers get stuck with tourism as a source of economic support in that it provides a wage on which to live. Yet, at the same time such work takes its toll on the body and limits the ability to imagine alternative futures. Tourism has come to act as a form of development that appears to have no way out, thus leaving us stuck with it as a means of travel as well as a means of subsistence. Azcárate moves beyond understanding tourism as an experience or a site of consumption, to demonstrate that tourism instills its own ordering processes around space and labor that operate to commodify nature, experiences, styles, and people in order to produce leisure for the few. This book would be of interest to those in Anthropology, Communication studies, Tourism studies, Labor Studies, and Latin American Studies.Matilde Córdoba Azcárate is an Assistant Professor in the Department of Communication at the University of California, San Diego. Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Welcome to The Academic Life. You are smart and capable, but you aren’t an island, and neither are we. So we reached across our mentor network to bring you podcasts on everything from how to finish that project, to how to take care of your beautiful mind. Wish we’d bring in an expert about something? Email us at dr.danamalone@gmail.com or cgessler@gmail.com. Find us on Twitter: The Academic Life @AcademicLifeNBN.In this episode you’ll hear: an overview of the publishing process (from the author side), what makes a strong proposal, common mistakes to avoid when approaching a university press, and advice for both aspiring and seasoned authors.Our guest is: Kimberly Guinta, Editorial Director at Rutgers University Press. In addition to managing the editorial program for the press, she is responsible for acquiring books in the areas of Anthropology, Women’s and Gender Studies, and Caribbean and Latin American Studies. Kim arrived at Rutgers University Press in 2015 from Routledge, where she spent 15 years acquiring in U.S. and Latin American History.Your host is: Dr. Dana Malone, a higher ed scholar and practitioner. She specializes in relationships, gender, sexuality, and religious identities as well as assessment planning. Dana met Kim Guinta in 2015 when Kim served as the acquiring editor for Dana’s book, From Single to Serious. Things that make Dana’s heart happy include making delicious, healthy food, doing yoga, having inspiring conversations, and wandering the coastline of the Jersey shore.Listeners to this episode might be interested in: Ask UP Publishing programs in NYC: Pace University NYU Columbia Rachel Toor, The Chronicle of Higher Education, columns on publishing  From Dissertation to Book (2nd ed.) by William Germano Getting it Published: A Guide for Scholars and Anyone Else Serious about Serious Books (3rd ed.) by William Germano Revising Your Dissertation: Advice from Leading Editors (updated ed.) by Beth Luey Handbook for Academic Authors (5th ed.) by Beth Luey Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In Pleasure in the News: African American Readership and Sexuality in the Black Press (University of Illinois Press, 2020), Dr. Kim Gallon examines how Black newspaper editors and journalists created and fostered Black sexual publics during the 1920s and 1930s. She demonstrates that editors strategically elected to publish stories about marital scandals, divorces, homosexuality, and gender non-conformity, imagining that this coverage was a source of pleasure and debate for Black readers. Gallon argues that this editorial practice actually exposed class, gender, and sexuality divisions between different groups of African Americans. At the same time, this coverage revealed the tenuous position of lesbians, gay men, and female impersonators in a public sphere that sometimes silenced and marginalized their voices. Along with advancing racial solidarity, which Gallon takes as the Black presses’ starting point, the press revealed the diversity of Black people and created a discursive space in which sexual knowledge was produced, debated, and enjoyed. To learn more about Professor Gallon’s digital scholarship and stay informed about how her work is meeting the demands of our moment, follow @BlackDigitalHum and @COVIDBlk on Twitter.Amanda Joyce Hall is a Ph.D. Candidate in History and African American Studies at Yale University. She is writing an international history on the global movement against South African apartheid during the 1970s and 1980s. She tweets from @amandajoycehall. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Living in an age awash with information can sometimes obscure its extraordinary fragility. Indeed, as Richard Ovenden demonstrates in Burning the Books: A History of the Deliberate Destruction of Knowledge (Harvard University Press, 2020), the burning of books and the looting of archives has long been a tool for controlling access to information and the power that it offers. Many rulers throughout history have deliberately targeted libraries and archives for plundering and destruction, knowing that doing so limits the ability of their victims to benefit from the knowledge therein. Ordinary individuals have often engaged in similar actions on a smaller scale in an attempt to control public perceptions of themselves and how they will be remembered. Ovenden shows how these efforts highlight the role that libraries and archives have long served in society, both as repositories of information and as institutions that work to ensure that knowledge and the power that comes from it is available to everyone and not just the few who seek to limit it for their own benefit. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Sharon Marcus’s new book, The Drama of Celebrity (Princeton UP, 2020), sets out to help us understand celebrity culture and how it has shifted and evolved since its contemporary inception in the early 1800s. Marcus highlights the celebrity concept throughout western history, indicating some of the same dynamics at work in classical Greece that we see in our current popular culture landscape. This culture has three components that are generally all present in some form: the celebrities themselves, who may achieve that role through some form of performance or other attention-generating experience or event, a media of some kind (radio, newspaper, magazines, social media) that focuses attention on individual celebrities, and the fans or citizens who engage with the celebrities. Marcus delineates this “three-legged stool” of celebrity culture and notes that while aspects of it have changed over the years—especially the form of media—the structure and foundation continues to operate as an interactive ecosystem. Marcus opens up her tracing of this culture with Sarah Bernhardt, who embodied a kind of prototype of what we see and consider modern celebrity culture. With Bernhardt as an iconic example as well as a Virgil-like guide, Marcus explores contemporary celebrity, and also the critique of celebrity, asking the question of how we should understand these phenomena in the age of Trump, both in the United States and elsewhere.The Drama of Celebrity also dives into the racial and gender dynamics that have long been at work in the value placed on those who achieve fame and celebrity status. Without shifting the thesis to focus only on the role of gender and celebrity, Marcus teases out the dichotomous approach to male celebrity and female celebrity, and the different standards that are applied to both the individual celebrity themselves and their fans. As we move through different media and different performative formats that promote or garner an individual fame and celebrity, Marcus also compels the reader to consider the opposing ideas of American individualism and the production of mass culture, and how these antithetical dimensions are united within celebrity culture. This is a fascinating examination of the idea and the mechanics of celebrity and will be of interest to a broad array of readers.Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

It comes as little surprise that Hollywood films have traditionally stereotyped Arab Americans, but how are Arab Americans portrayed in Arab films, and just as importantly, how are they portrayed in the works of Arab American filmmakers themselves? In Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation (Syracuse University Press, 2020), Waleed F. Mahdi offers a comparative analysis of three cinemas, yielding rich insights on the layers of representation and the ways in which those representations are challenged and disrupted. Hollywood films have fostered reductive imagery of Arab Americans since the 1970s as either a national security threat or a foreign policy concern, while Egyptian filmmakers have used polarizing images of Arab Americans since the 1990s to convey their nationalist critiques of the United States. Both portrayals are rooted in anxieties around globalization, migration, and US-Arab geopolitics. In contrast, Arab American cinema provides a more complex, realistic, and fluid representation of Arab American citizenship and the nuances of a transnational identity. Exploring a wide variety of films from each cinematic site, Mahdi traces the competing narratives of Arab American belonging—how and why they vary, and what’s at stake in their circulation. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Edward Wilson-Lee's book A Catalogue of Shipwrecked Books: Christopher Columbus, His Son, and the Quest to Build the World’s Greatest Library (Scribner, 2018) details the life of Hernando Colón as he sailed with his father, Christopher Columbus, on Columbus’s final voyage to the New World, which was a journey of disaster, bloody mutiny, and shipwreck. After Columbus’s death in 1506, eighteen-year-old Hernando sought to continue—and surpass—his father’s campaign to explore the boundaries of the known world by building a library to collect everything ever printed. Colon’s library was a vast holding organized by summaries and catalogues—which was really the very first database for exploring a diversity of written matter. Hernando traveled extensively and obsessively amassed his collection based on the groundbreaking conviction that a library of universal knowledge should include “all books, in all languages and on all subjects,” even material often dismissed. The loss of part of his collection to another maritime disaster in 1522 set off the final scramble to complete this sublime project, and such was a race against time in realizing a vision of near-impossible perfection.Dr. Edward Wilson-Lee teaches early modern literature, Shakespeare, and medieval literature for University of Cambridge’s Sidney Sussex College.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Bombastic headlines about science and technology are nothing new. To cut through the constant stream of information and misinformation on social media, or grab the attention of investors, or convince governments to take notice, strident headlines or bold claims seem necessary to give complex, nuanced information some wow factor. But hype has a dark side, too. It can mislead. It can distract. It can blinker us from seeing what is actually going on.From AI, quantum computing and brain implants, to cancer drugs, future foods and fusion energy, science and technology journalist Gemma Milne reveals hype to be responsible for fundamentally misdirecting or even derailing crucial progress. Hype can be combated and discounted, though, if you're able to see exactly where, how and why it is being deployed. Smoke and Mirrors: How Hype Obscures the Future and How to See Past It (Robinson, 2021) is your guide to doing just that.Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Marissa J. Moorman's book Powerful Frequencies: Radio, State Power, and the Cold War in Angola, 1931–2002 (Ohio University Press, 2019) narrates Angolan history with the radio at its center. From its 1930s beginnings, radio has been used by actors as disparate as Portuguese settlers, guerrilla liberation movements, African nationalists and the postcolonial state to project and contest power across Angola’s sparsely populated territory. Moorman’s account pays special attention to the immateriality of radio, the clandestine and intimate experience of “listening in” while also attending to the technological—and techno-political—foundations on which that act of imagination relies.Elisa Prosperetti is a Visiting Assistant Professor in African history at Mount Holyoke College. Her research focuses on the connected histories of education and development in postcolonial West Africa. Contact her at here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications