The World in Time / Lapham’s Quarterly

“There is no place like a bed for confidential disclosures between friends,” Ishmael tells us in “A Bosom Friend,” chapter ten of Moby Dick, excerpted in the “Friendship” issue of Lapham’s Quarterly. “Man and wife, they say, there open the very bottom of their souls to each other; and some old couples often lie and chat over old times till nearly morning. Thus, then, in our hearts’ honeymoon lay I and Queequeg—a cozy, loving pair.” In an extended, three-part installment of our intermittent series on Moby Dick and the history of the sea, this episode of The World in Time considers the novel’s love story—the story of Queequeg and Ishmael’s friendship and marriage—as well as the novel’s dedication to Nathaniel Hawthorne. Novelist and essayist Alexander Chee joins Donovan Hohn to talk about chapter four, “The Counterpane,” in which Queequeg and Ishmael, having just met, spend the night together. Melville scholar and historian Aaron Sachs closely reads the ideological, philosophical, political, and ecological implications of chapter 72, “The Monkey-Rope,” wherein we find Ishmael and Queequeg tethered to each other by a hemp line, Ishmael aboard the Pequod, Queequeg balancing perilously atop the carcass of a slaughtered whale. Finally, novelist Caleb Crain goes swimming around in the Platonic mysteries of chapter 110, “Queequeg in His Coffin.” Both Chee and Crain propose that the entire novel, dedicated to Hawthorne, might be read as “a love letter.” See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“Religion gives people certainty and it gives people solace,” says Brenda Wineapple in this week’s episode of The World in Time. “And according to William Jennings Bryan, it gives you a moral center, too, which would make impossible the cruelties of, say, World War One, which horrified him. But that kind of intolerable meaninglessness is something Clarence Darrow, too, feels so strongly. He said, and I’m paraphrasing: everybody needs their dope, whatever it is, whether it’s the church or whether it’s drugs or whether it’s sex. He’s open-minded about that. He's basically saying life is hard. Life is very hard. There are a lot of things we don’t understand. Whatever makes you feel better. One of the poignancies of Darrow’s life is that it was hard for him to feel better. He wanted people to feel better. There was so much cruelty in the world. I wonder if, in his heart of hearts, Bryan also couldn’t stand that meaninglessness.”   This week on the podcast, Donovan Hohn speaks with Brenda Wineapple, longtime member of the Lapham’s Quarterly editorial board, about her new book, Keeping the Faith: God, Democracy, and the Trial that Riveted a Nation, which narrates and excavates the history of The State of Tennessee v. John Thomas Scopes. That case, tried and adjudicated in 1925, was, in Wineapple’s estimation, the “trial of the century,” pitting Clarence Darrow, the renowned labor lawyer, against William Jennings Bryan, the “boy orator” and three-time Democratic presidential nominee. As Wineapple’s book reveals, many of the conflicts that animated the courtroom drama in Dayton, Tennessee—between democratic majority rule and academic freedom, between the pursuit of scientific truth and the consolations of faith—are with us still, a century after the verdict in the Scopes trial was delivered. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“There’s nothing more extraordinary than the world we live in,” says Elizabeth Kolbert in this week’s episode of The World in Time. “We are extremely tied up as humans for whatever reason. We have obviously evolved to pay a lot of attention to our fellow humans. But if we look beyond that, even for an instant, we see that the world is an absolutely amazing place. We are surrounded by species that all have long and rich evolutionary histories. They also have extraordinary talents that we can only appreciate by actually learning something about them. That parasitic wasp—it’s just another sort of pesky wasp or whatever. But if you delve into its life cycle, you find that every species has its own form of genius.” This week on the podcast, Donovan Hohn speaks with Elizabeth Kolbert—New Yorker staff writer and Pulitzer Prize–winning author of The Sixth Extinction—about her new book, Life on a Little-Known Planet: Dispatches from a Changing World, which introduces us to a bestiary of creatures and to a gallery of natural scientists, and transports us to points remote, from the Arctic to New Zealand. Kolbert shares the stories and the thinking behind the field trips that the book collects, dwelling at length on “Talk to Me,” her 2023 New Yorker piece for which she joined the cetologists using machine learning to decipher—or so they hope—the communications of whales. The episode concludes with Kolbert’s firsthand account of a sperm whale’s birth, a scene that calls to mind Melville’s own visit to a whale nursery in “The Grand Armada,” chapter 87 of Moby Dick. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“Father Mapple is in some strange, almost obscure way, a kind of negative double for Ahab,” says novelist and critic Charles Baxter in this episode of The World in Time. “Like Ahab, he is speaking from a great height. He begins his sermon by issuing orders. He tells all the congregants to sit down. And, you know, they have to listen to him. What other choice do they have? But what is important to me in ‘The Sermon’ is that he—how can I put this? He is the person who wants to bring a sense of proportion. And Ahab is the person who wants you to give up any sense of proportionality. It’s almost impossible to put things into perspective with Ahab. Father Mapple kind of supplies a warning and a possible lens for a reading of the entire novel. What Mapple is saying in his sermon, starting from the Book of Jonah, is that we have to learn humility. It is no use to flee from God. God will find us. And the last paragraph of ‘The Sermon’ is one of the most beautiful things, I think, that Melville ever wrote.” Charles Baxter, author most recently of Blood Test: A Comedy and Wonderlands: Essays on the Life of Literature, visits The World in Time to talk with Donovan Hohn about the politics and the mysteries of charisma in Moby-Dick. The conversation dwells on Chapter 9: “The Sermon,” in which Father Mapple, from his cockpit of a pulpit, pilots a congregation of New Bedford whalers through the theological storms of the Book of Jonah. Baxter and Hohn consider whether the novel affirms what Father Mapple preaches. They contrast his humble leadership with Captain Ahab’s narcissistic yet magnetic charisma. And they consider what both Ahab and a showman like P.T. Barnum might reveal about the charismatic confidence men who command our attention and our country today. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“They were against all categories,” says Nicholas Boggs of James Baldwin and the men he loved in this week’s episode of The World in Time. “They really were outsiders, all of them. Sometimes people think, oh, well, he was just drawn to these men who were essentially straight, like he had some kind of complex or something. Maybe. But he was also just drawn to these crazy outsiders. As Yoran Cazac put it, they were ‘eating the same substance,’ and they happened to be of different nationalities and races and even sexualities. I appreciate that they had these complicated relationships where they saw each other across difference for who they were and what they shared. It’s what sustained Baldwin. It’s what enabled him to write. It’s what he wrote about.” This week on the podcast, Donovan Hohn speaks with biographer Nicholas Boggs about Baldwin: A Love Story, a book three decades in the making. The episode follows James Baldwin on his transatlantic commutes, introducing listeners to four formative—and transformative—friendships with “crazy outsiders” that sustained Baldwin and that organize this new biography. We meet painter Beauford Delaney, the “spiritual father” and artistic mentor Baldwin found in Greenwich Village. In post-war Paris, we meet Lucien Happersberger, the Swiss émigré who would become Baldwin’s lover, muse, and lifelong friend. We meet Engin Cezzar, the “blood brother” who created for Baldwin a home in Istanbul. Finally, Boggs introduces us to Yoran Cazac, the French painter with whom Baldwin collaborated on his “child’s story for adults,” Little Man, Little Man, which Boggs helped bring back into print. Along the way, Boggs and Hohn dwell on the meaning of love in Baldwin’s life and work, and on his yearning for a home “by the side of the mountain, on the edge of the sea.” Hohn and Boggs also spend time with Otto Friedrich, who befriended Baldwin during his Paris years and would become Lewis Lapham’s editor and mentor. The episode concludes with a selection of entries about Baldwin from the journal Friedrich kept in 1949 See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Join writer and biographer James Marcus, known for his insightful work on Ralph Waldo Emerson, as he explores the dynamic relationship between Emerson and Melville. The discussion unveils the contrasting literary styles of these titans and delves into Emerson's multifaceted identity, echoing his transcendentalist beliefs. Marcus highlights the importance of reevaluating timeless quotes, while also exposing the philosophical tensions in Melville's characters. The conversation culminates in an examination of individualism versus community, showcasing Emerson's evolving understanding of interconnectedness.

Matthew Hollis, a poet and translator of The Seafarer, shares insights on this poignant 10th-century Anglo-Saxon poem. He discusses the emotional turmoil of isolation at sea and the timeless themes of belonging and moral choices, resonating deeply with modern audiences. The conversation explores the poem’s improbable survival and its rich soundscape, enhanced by multimedia elements. Hollis also reflects on the challenges of translating ancient poetry while preserving its musicality and depth, emphasizing the cultural significance of the sea in Anglo-Saxon society.

Francine Prose, the editor-at-large of The Quarterly and acclaimed author, dives deep into Melville's Moby Dick, particularly its iconic first chapter, 'Loomings.' She passionately argues why 'Call me Ishmael' is a masterclass in narrative authority. Prose and host Donovan Hohn explore Ishmael’s complex character, the influence of American sermons on Melville's style, and the themes of solitude, freedom, and friendship illustrated through nautical imagery. Their riveting analysis reveals layers of meaning that resonate with both literary heritage and contemporary relevance.

Roger Berkowitz, a writer and academic director at the Hannah Arendt Center, takes a deep dive into the thoughts of Hannah Arendt and Henry David Thoreau on civil disobedience. He distinguishes between living under tyranny versus totalitarianism, emphasizing the necessity of political action for freedom. Their discussions illuminate the contrast between individual dissent and collective action. Berkowitz also reflects on Arendt's critical views of American politics and the role of citizen assemblies in promoting active democracy.

Join writers Wyatt Mason, Richard J. King, and Aaron Sachs as they dive deep into the layers of 'Moby Dick.' Wyatt reflects on the emotional connection readers have with the whale, while Richard discusses Ahab’s tumultuous relationship with the sea. Aaron analyzes Melville’s influence on modern literature and environmental narratives. The conversation touches on teaching Melville to incarcerated students, showcasing the novel’s timeless relevance. Explore the intricate blend of humor and seriousness in Melville’s work, making it resonate with contemporary challenges.