What Empire Cannot Erase: Fatemeh Keshavarz-Karamustafa, Omid Safi & Mays Imad

Apr 30, 2026

Fatemeh Keshavarz, poet and professor of Persian language and culture. Omid Safi, scholar of Islamic mysticism and author on radical love. They read Persian poetry, mourn cultural erasure, and explore grief, resilience, and remembrance. They discuss art as everyday resistance, poetry’s role in keeping memory alive, and moral clarity in the face of destruction.

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INSIGHT

War On Iran Targets Culture Not Just Regime

Omid Safi frames the current bombing campaign as not a war in Iran but a war on Iran targeting civilians, culture, and memory.
He cites 16,000 bombing campaigns, attacks on schools and heritage sites, and a genocidal rhetoric to show systemic erasure.

INSIGHT

Grief As Spiritual Pathway To Solidarity

Persian mystical tradition insists on not bypassing grief and linking personal suffering to the suffering of others as a spiritual practice.
Omid Safi reads Saadi's lines that humans are like members of one body to argue compassion as theological ethic.

ADVICE

Light Your Own Lamp And Act Courageously

Light your own lamp: act locally and courageously rather than waiting for everyone else to act, because individual courage multiplies.
Omid Safi invokes Rumi: one lit lamp and one upright person matter more than thousands who bend before injustice.

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Persian Poetry, Radical Love, and the Soul of Iran

“The path to God goes through that most difficult of beings, the human being.”

– Omid Safi

Recorded live at a SAND Community Gathering (April 2026). Watch the full conversation on the SAND Website.

We are watching, once again, what empire does: not only to bodies, but to the long memory of a people; to the libraries and sacred sites; to art, language, and the ruins that hold the oldest threads of human spiritual inquiry.

We are thinking of the civilization that gave us Rumi, Hafez, Omar Khayyam, Forough Farrokhzad — mystics and rebels and lovers of paradox who understood something about the human soul that we are still, centuries later, trying to catch up to.

This gathering invited us to come together: to read poetry aloud, to hear from Iranian voices, to sit with grief and beauty together rather than alone.

We work with political and moral vocabulary shaped by Iranian thinkers such as Ali Shariati, who wrote against domination, spiritual emptiness, and the violence of imposed power.

We make space for what doesn’t fit into headlines or talking points—the complexity of empire, the difference between a government and its people, the authoritarian forces at work not only abroad but here at home. We also gather with the political inheritance of those who taught generations to resist domination and spiritual emptiness, including Ali Shariati.

Guests

Omid Safi is a scholar of the Islamic mystical tradition and professor of Islamic Studies at Duke University. He is the author of Memories of Muhammad and Radical Love: Teachings from the Islamic Mystical Tradition, and teaches online courses on Muslim mysticism. He leads contemplative journeys to Turkey, Morocco, and Mecca/Medina through Illuminated Courses.

Fatemeh Keshavarz is the Roshan Institute Chair in Persian Language and Literature and Director of the Roshan Institute Center for Persian Studies at the University of Maryland. A poet in Persian and English, she is the author of Reading Mystical Lyric, Recite in the Name of the Red Rose, Jasmine and Stars: Reading More Than Lolita in Tehran, and Lyrics of Life: Sa'di on Love, Cosmopolitanism and Care of the Self. She has spoken at the UN General Assembly and received the Peabody Award for her NPR program on Rumi.

Mays Imad, PhD (facilitator) is a neuroscientist, educator, and associate professor at Connecticut College whose work bridges neuroscience, philosophy, and education. An Iraqi immigrant who lived through wars and displacement, she brings both personal and scholarly depth to the themes of trauma, remembrance, and repair through the embodied nervous system.

Timestamps

00:00 — Welcome & framing
00:02 — Mays Imad opens: grief, urgency, and love
00:06 — Introducing Omid Safi & Fatemeh Keshavarz
00:07 — Saadi, Rumi, and the Persian tradition
00:12 — The war on Iran: what is being destroyed
00:21 — Don't bypass grief — the Persian mystics knew this
00:27 — Saadi on truth, power, and interconnection
00:32 — Fatemeh: togetherness, invisibilization, and Iranian resilience
00:38 — Poetry as the Silk Road of imagination
00:52 — War's corruption of language — and poetry as antidote
01:04 — Remembrance as ethical act
01:10 — Intergenerational love & closing

Resources & Links

Omid Safi

Upcoming events:

Fatemeh Keshavarz

Mays Imad

Music featured

Watan (وَطَن — "Homeland") performed by Shaghayegh Amiri, playing the Daf — the ancient Persian frame drum central to Sufi musical tradition
Ali Ghamsari — solo on the Kamancheh (Persian bowed string instrument), taught by Hamidreza Afarideh, music teacher in Tehran

Poets and texts referenced in depth

Rumi (Jalal al-Din Rumi, 1207–1273) — Persian Sufi mystic and poet; his Masnavi opens with pain and grief; central throughout
Sa'di Shirazi (1210–1291) — Iranian Sufi poet; his Golestan (Garden of Roses) is where Iranians learn to read and write; complete English translation by Thackston available; Fatemeh's Lyrics of Life goes deeper on Sa'di
Hafez (14th century) — Persian lyric poet; Fatemeh discusses his use of the word hush as an example of how poetic language restores meaning
Farid ud-Din Attar (born 1150) — author of Mantiq ut-Tayr (The Conference of the Birds / The Parliament of the Fowls) — referenced by Mays in her opening
Abu Sa'id (Abu Sa'id Abi'l-Khayr, 967–1049) — Persian Sufi mystic referenced by Omid: "Don't just write down stories — become someone others want to write down what you say"
Shams of Tabriz — Rumi's spiritual companion; Fatemeh discusses how Shams urged Rumi to live his knowledge
Jamiluddin Aali — Urdu poet whose work was recited in the live chat

Historical & contextual references

Sharif University of Technology, Tehran — described as "the MIT of the Middle East," bombed during the war
Leston Palace, Tehran — UNESCO World Heritage Site, bombed and referenced as a war crime
The Iran-Iraq War (1980–1988) — Fatemeh's personal reference point for civilian life under bombardment
George Orwell's Animal Farm and 1984 — referenced by Omid in discussion of the corruption of language

Next SAND Community Gathering

Voices of the Land: Resistance & Solidarity with Lebanon — April 28th

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