
The New Yorker: Fiction Valeria Luiselli Reads Julio Cortázar
Valeria Luiselli, MacArthur Fellow and prize-winning novelist, reads and discusses Julio Cortázar’s “The Night Face Up.” She talks about Cortázar’s formal playfulness, his mixing of ritual and modern time, and how the story creates perplexity through sensory detail, translation choices, and surprising tonal shifts.
01:11:42
Cortázar As Generational Teacher
- Valeria Luiselli credits Julio Cortázar as a foundational influence for her generation, teaching writers to see philosophy as fiction and to write with contagious gaze.
- She describes Cortázar as sentimental education: everyone wanted to write and fall in love the way his characters did.
Reading Cortázar In Boarding School
- Valeria first read The Night Face Up as a teenager and reread it while in boarding school in India with a group of Latin American students.
- Reading in Spanish with peers gave her rootedness and sparked her first deep love of literature.
Flower Wars As Ritual Framework
- The Flower Wars (Las Guerras Floridas) were ritualized Aztec conflicts with strict rules that culminated in prisoners used for human sacrifice.
- Cortázar uses that ritual framework to structure the story's alternate timeline and stakes.
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Intro
00:00 • 3min
Why Valeria Chose Cortázar
02:35 • 2min
Cortázar's Appeal to Young Writers
04:30 • 1min
First Encounters with the Story
05:56 • 1min
Explaining the Flower Wars
07:09 • 2min
Valeria Reads the Story
09:14 • 21min
Context and Publication Details
30:11 • 23sec
Ad break
30:35 • 3min
Narrative Voice and Immediate Opening
33:20 • 50sec
Sensorial Detail vs. Philosophical Roots
34:10 • 3min
Dreams, Glitches, and the X-ray Motif
36:50 • 2min
Humor and 'Moteka' Joke
39:00 • 1min
Ritual Time Versus Linear Time
40:23 • 3min
Interpreting Parallel Timelines
43:13 • 3min
Time, Continuity, and Perplexity
46:36 • 5min
Exile, Ghostliness, and Emotional Distance
51:37 • 4min
Civilization, Barbarism, and Modern Absurdity
55:15 • 4min
Observation, Agency, and Modern Mediocrity
59:21 • 4min
Economy of Style and Tension
01:03:00 • 4min
Translation Choices and Differences
01:07:13 • 5min
Epigraph, Domesticating Translation, and Reader Access
01:11:53 • 3min
Closing Thoughts on Cortázar's Gift
01:14:37 • 1min
Outro
01:15:45 • 1min

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The collection helped introduce Anglophone readers to Cortázar's work, including stories that probe temporality, identity, and the uncanny.
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Valeria Luiselli joins Deborah Treisman to discuss “The Night Face Up,” by Julio Cortázar, which was published in The New Yorker in 1967. Luiselli is the author of five books, including the nonfiction book “Tell Me How It Ends: An Essay in 40 Questions” and the novels “The Story of My Teeth” and “Lost Children Archive,” which won the 2020 Andrew Carnegie Medal for Excellence in Fiction. Her new novel, “Beginning Middle End,” will be published in July.
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