Native America Calling

Michael Steven Wilson (Tohono O’odham) was a lay pastor on the Tohono O’odham Nation in the early 2000s when he started putting out water for migrants crossing the U.S.- Mexico border. He considered it a religious and ethical calling, but it put him at odds with U.S. immigration officials, his church, and his own Native nation. Growing up in Tucson, Ariz. in the 1950s, Wilson endured racism and poverty. He witnessed injustice in Central America while serving in the military — and he confronted questions about his Christian faith while in seminary school in the 90s. His experiences and observations informed his decision to help relieve the suffering of the migrants risking their lives to cross the Sonoran Desert. They are also documented in the memoir, “What Side Are You On?” Wilson is our August Native in the Spotlight.   Break 1 Music: Willie’s Ghost Riders (song) Gertie & the T.O. Boyz (artist) Break 2 Music: Real Things (song) Joe H Henry (artist) Real Things (album)

After 103 years, the Santa Fe Indian Market remains the biggest draw for Native artists, potters, and jewelry makers as well as those who appreciate and collect their work. More than 1.000 juried participants come from hundreds of Native communities, offering a hugely diverse range of inspiring work. We’ll take a small sample of that creativity and check in on the outlook for Native arts and arts education. GUESTS Lily Hope (Tlingit), Chilkat and Ravenstail weaver and artist Jamie Schulze (Northern Cheyenne / Sisseton Wahpeton Oyate), executive director of Southwestern Association for Indian Arts (SWAIA) Shelly Lowe (Diné), president of the Institute of American Indian Arts Dan Vallo (Acoma Pueblo), 2024 SWAIA Best of Show winner and multimedia artist Monica Raphael (Anishinaabe and Sicangu Lakota), quill and beadwork artist     Break 1 Music: C.R.E.A.M. [Instrumental] (song) Wu-Tang Clan (artist) Enter the Wu-Tang: 36 Chambers [Instrumentals] (album) Break 2 Music: The Gift of Life (song) Randy Wood (artist) The Gift of Life (album)

News consumers have a constant stream of information at their fingertips, but how reliable is it and how do people check the facts? Indigenous journalists are a means to bring balanced viewpoints to newsrooms that typically have limited interaction with Indigenous populations. As the annual gathering of the Indigenous Journalists Association gets underway in Albuquerque, N.M., we’ll discuss how journalism is changing and how Indigenous journalists are responding to new pressures for transparency, fact-checking, and bias. GUESTS Angel Ellis (Muscogee), director of Mvskoke Media and on board of directors for Indigenous Journalists Association and Oklahoma Media Center Shaun Griswold (Laguna, Jemez and Zuni Pueblo), correspondent at High Country News and Native News Online Nancy Marie Spears (Cherokee), Indigenous Children and Families Reporter for The Imprint Hattie Kauffman (Nez Perce), journalist and first Native American to file a report on a national news broadcast   Break 1 Music: On the Road Missing Home (Corn Dance) (song) Sheldon Sundown (artist) Hand Drum/Smoke N’ Round Dance (album) Break 2 Music: The Gift of Life (song) Randy Wood (artist) The Gift of Life (album)

The summer of 1945 saw three nuclear explosions that ushered in a new era of experimentation, development, and fear when it comes to the potential for such a powerful weapon. Native people are among those suffering the most from the consequences of that path. The first test of the atomic bomb at the Trinity site in New Mexico, and the subsequent use of the bombs on Hiroshima and Nagasaki, signaled the U.S. Government’s new push to develop nuclear weapons, fueled by millions of tons of uranium ore mined near Native land in New Mexico and Arizona. And ongoing nuclear tests exposed thousands of Native people in the Southwest and in Alaska to dangerous levels of radiation. We’ll explore the ongoing effects on Native people of nuclear weapons and power development, in this encore presentation. GUESTS Marissa Naranjo (Santa Clara Pueblo), deputy director of Sovereign Energy and board member for Honor Our Pueblo Existence (HOPE) Loretta Anderson (Laguna Pueblo), co-sponsor of the Southwest Uranium Miners Coalition Post-71 Tina Cordova, co-founder and executive director of the Tularosa Basin Downwinders Consortium   Break 1 Music: Atomic (song) Sunburnt Stone (artist) El Navaho (album) Break 2 Music: I Am the Beginning and the End (song) Dorothy Tsatoke (artist) Native American Healing Songs Come to me Great Mystery (album)

Another year and another record revenue report for the tribal gaming industry. The annual report by the National Indian Gaming Commission finds slot machines, table games, sports betting, and other enterprises reaped $43.9 billion in 2024. That’s up more than $2 billion from the previous year. But there are potential setbacks on the horizon that could affect gaming, including flagging consumer confidence, confusing foreign trade policies, and federal government’s diminished regard for tribal sovereignty. We’ll get a status update and a look ahead for tribal gaming. GUESTS Ernie Stevens Jr. (Oneida Nation of Wisconsin), chairman of the National Indian Gaming Association Derrick Beetso (Navajo), professor of practice and executive director of Indian Gaming and Self-Governance at Arizona State University   Break 1 Music: Happy Sundance (song) Dallas Arcand (artist) Modern Day Warrior (album) Break 2 Music: The Gift of Life (song) Randy Wood (artist) The Gift of Life (album)

Hopes to fix the Santee Sioux Nation’s lack of clean drinking water faded as federal funding for a pipeline project is increasingly tangled in government turmoil. Tribal citizens are forced to drink bottled water to avoid the high levels of manganese in well water. On the Navajo Nation, dozens of people’s water wells are contaminated with chemicals, like benzene, associated with the oil and gas drilling industry. There are many mysterious, uncapped wells that could be contributing to the problem. They are just two of the problems tribal citizens are having when it comes to accessing the most basic resource. GUESTS Heather Tanana (Diné), initiative lead of the Universal Access to Clean Water for Tribal Communities and law professor at the University of Denver Nicole Horseherder (Navajo), executive director of Tó Nizhóní Ání Kameron Runnels (Santee Sioux), vice chairman of the Santee Sioux Nation Jerry Redfern, staff reporter for Capital & Main   Break 1 Music: The Four Essential Elements [Diigo Bee’iináanii] (song) Radmilla Cody (artist) K’é Hasin (album) Break 2 Music: The Gift of Life (song) Randy Wood (artist) The Gift of Life (album)

Sitting Bull is remembered for strong leadership and resistance against the U.S. government, but a series of songs by and about him reveal another side to the renowned Lakota leader. Courtney Yellow Fat (Standing Rock Sioux Tribe) has been sifting through oral and written history to identify the songs that are known to the tribe, but only recently attributed to Sitting Bull. Yellow Fat and others are recording those songs through the Densmore/Lakota Songs Repatriation Project. (Photo: KUYI radio) And Hopi radio station KUYI is marking 25 years on the air. The celebration comes amid new uncertainty about the future of many public and tribal radio stations. We’ll talk with the station manager about the milestone for the station and the role community radio plays for Hopi citizens. GUESTS Courtney Yellow Fat (Hunkpapa Lakota), chief cultural consultant and co-producer with the Densmore/Lakota Songs Repatriation Project John Eagleshield Jr. (Hunkpapa Lakota), singer Samantha Honani Molina (Hopi), KUYI general manager   Break 1 Music: Fearless I Live by Chief Sitting Bull (song) Courtney Yellow Fat (artist) Break 2 Music: I Am the Beginning and the End (song) Dorothy Tsatoke (artist) Native American Healing Songs Come to me Great Mystery (album)

Some Native Americans are already bracing for next year’s semiquincentennial with worries about how patriotism might cloud historical accounts from a Native perspective. Now, the Trump Administration is promoting a program to teach “the first principles of the Founding” in classrooms. The program uses money previously meant to help low-income and underserved students. It’s part of President Donald Trump’s push to end what he says is the “radical indoctrination” of public school students. We’ll talk about what’s being done to include Native voices into an accurate accounting of history. GUESTS Jason Dropik (Bad River Band of Lake Superior Chippewa Indians), National Indian Education Association (NIEA) executive director Julia Wakeford (Muscogee and Yuchi), NIEA policy director Dr. Sandy Grande (Quechua), professor of political science and Native American and Indigenous studies at the University of Connecticut Lenzy Krehbiel-Burton (Cherokee), member of the Alpha Pi Omega Sorority   Break 1 Music: Reservation of Education (song) XIT (artist) Silent Warrior (album) Break 2 Music: I Am the Beginning and the End (song) Dorothy Tsatoke (artist) Native American Healing Songs Come to me Great Mystery (album)

The summer of 1945 saw three nuclear explosions that ushered in a new era of experimentation, development, and fear when it comes to the potential for such a powerful weapon. Native people are among those suffering the most from the consequences of that path. The first test of the atomic bomb at the Trinity site in New Mexico, and the subsequent use of the bombs on Hiroshima and Nagasaki, signaled the U.S. Government’s new push to develop nuclear weapons, fueled by millions of tons of uranium ore mined near Native land in New Mexico and Arizona. And ongoing nuclear tests exposed thousands of Native people in the Southwest and in Alaska to dangerous levels of radiation. We’ll explore the ongoing effects on Native people of nuclear weapons and power development. GUESTS Marissa Naranjo (Santa Clara Pueblo), deputy director of Sovereign Energy and board member for Honor Our Pueblo Existence (HOPE) Loretta Anderson (Laguna Pueblo), co-sponsor of the Southwest Uranium Miners Coalition Post-71 Tina Cordova, co-founder and executive director of the Tularosa Basin Downwinders Consortium   Break 1 Music: Atomic (song) Sunburnt Stone (artist) El Navaho (album) Break 2 Music: I Am the Beginning and the End (song) Dorothy Tsatoke (artist) Native American Healing Songs Come to me Great Mystery (album)

The Shinnecock Nation in New York is in an ongoing legal battle to have their fishing rights recognized. A lawsuit brought forward by a Shinnecock tribal citizen argues the tribe has never ceded their right to fish in any treaty or agreement. The tribe has no treaty with the federal government, but instead with British colonists from the 1600s. This case could possibly affirm the tribe’s unended aboriginal claim to fish in the Hamptons. We’ll talk with Shinnecock citizens about what’s at stake with the case as it moves forward in federal district court. GUESTS Taobi Silva (Shinnecock), fisherman Riley Plumer (Red Lake Nation), attorney Randy King (Shinnecock), former chairman of the Shinnecock Nation Board of Trustees Ashley Dawn Anderson (Cherokee Nation), Tribal Water Institute Fellow at the Native American Rights Fund   Break 1 Music: C.R.E.A.M. [Instrumental] (song) Wu-Tang Clan (artist) Enter the Wu-Tang: 36 Chambers [Instrumentals] (album) Break 2 Music: I Am the Beginning and the End (song) Dorothy Tsatoke (artist) Native American Healing Songs Come to me Great Mystery (album)