Soundcheck

Both old and new, Austin-based band Black Pumas is centered around guitarist and producer Adrian Quesada and 27-year-old songwriter Eric Burton. Grammy Award-winning Quesada has played in Grupo Fantasma and Brownout, and accompanied artists from Prince to Daniel Johnston. Burton grew up in church and then got heavily involved in musical theater. He arrived in Austin in 2015 after busking his way across the country from Los Angeles, and connected with Quesada on the phone. From idea to session to self-titled debut album, they've been making music that is neither retro nor derivative, with influences ranging from Sam Cooke to Neil Young and Ghostface Killah. Now a touring machine, Black Pumas brings their skillful combination of folky strum, sticky funk, dusty psych, and old soul to an in-studio session. (From the Archives, 2019.)Set list: 1. Colors 2. Black Moon Rising 3. Oct 33 

Listen to music from American musicians, the harpist Ashley Jackson and the Oklahoma-based Cherokee singer and songwriter Ken Pomeroy. Both sets come from our Soundcheck series of live performances and interviews, available as a twice-weekly podcast, wherever you get podcasts. With her clever guitar playing and powerful stories, Oklahoma-based Cherokee singer and songwriter Ken Pomeroy draws on brutal honesty and the songwriting skills she has honed since she was 11 years old. She’s already found herself on the big screen and small when her song “Wall of Death” made its way onto the Twisters soundtrack, while Hulu’s Reservation Dogs featured her soul-mining gem, “Cicadas.” Pomeroy touches on her Native American heritage (mentioning coyotes – a troubling omen) and somewhat painful, personal past, as she plays songs from her 2025 album Cruel Joke (Rounder Records), in-studio.Ken Pomeroy Set list: 1. Stranger 2. Days Getting Darker 3. Flannel CowboyThen, listen to harpist, soloist, collaborator (Harlem Chamber Players), educator, and arranger Ashley Jackson as she presents music from her 2025 album called Take Me To The Water (Decca Records). In the American spiritual tradition, water is a powerful metaphor for freedom and for moving from this life to the next. Jackson’s record takes listeners on a watery journey through works by Debussy, the jazz harpist Alice Coltrane, blues, and some classic spirituals. As Jackson declares in a statement about the record, ”Water is something that we all need. It sustains us, it gives us life. Take Me to the Water reminds us we have a choice: we can let water be the thing that divides us, or, it can allow us to come together through our shared humanity.” She plays some of her arrangements of spirituals on a sculpted maple harp, in-studio.Ashley Jackson’s Set list: 1. River Jordan 2. Deep River II 3. Take Me to the Water I

Ye Vagabonds are brothers Brían and Diarmuid Mac Gloinn. They grew up in rural Carlow but moved to Dublin in 2012 and became known on the traditional Irish, blues and folk scenes in the city, playing folk songs as well as their own original material, (Bandcamp). They’re part a wave of bands who’ve remade or extended the folk tradition; they’ve also collaborated with members  of the Dublin new music group Crash Ensemble. Their award-winning music is a traditional mix of traditional Irish and European music, old time American tunes, sibling harmonies, and the music of the 1960s folk revival. Ye Vagabonds are working on their fourth album due in 2026, to be called All Tied Together, and they’ll play some of their new songs, in-studio.Set list: 1 On Sitric Road 2. The Flood 3. DannyTitle "Backwards to Go Forwards" by Myles O'ReilyPhoto courtesy of Aiken Promotions 

Cochemea is a sax player, composer and arranger who spent some years playing vintage-style soul with Sharon Jones & The Dap Kings, as well as stints with Amy Winehouse, David Byrne, hip hop duo Run The Jewels and dozens more. Born Cochemea Gastelum into an Indigenous Yaqui family in California, he’s found time over the past few years to release three albums of his own music, the latest being Vol. III: Ancestros Futuros. These albums don’t attempt to untangle the knot of Indigenous, Spanish, and American cultural interactions over the centuries, instead using them as musical source material. With a lightly processed alto sax sound and lots of percussion, Cochemea and his band create songs that usually don’t have words, although wordless vocals, chanted or sung, are part of the sonic tapestry. The result is music that is not only beyond category, it almost seems beyond time, as the album title suggests. Cochemea and his band have filled our studio, mostly with percussion instruments to play a live set. (-John Schaefer)Set list: 1. Otros Mundos 2. Ancestros Futuros 3. Omeyocan

The now London-based Polish pianist and composer Hania Rani quickly attracted fans with her 2019 album of solo piano works in the post-classical style, a blend of classical lyricism and minimalist patterns. Her later albums expanded to include electronics, and her voice; she is equally versed in the music of composers like Philip Glass and bands like Radiohead. But her new record is something different – a four part piano concerto with orchestra, called Non Fiction, which is a reflection on the human cost of war. The work was recorded at Abbey Road Studios, with a 45-piece orchestra and experimental instrumentalists Rakhi Singh (Manchester Collective), Jack Wylie (Portico Quartet), and percussionist/composer Valentina Magaletti. Hania Rani performs the piano part of the opening movement of the piece Non Fiction, and other original works, in-studio. Set list: 1. Non-Fiction I - Sonore 2. Nostalgia 3. F Major

Master violinist/vocalist/composer L. Shankar (aka Shenkar) has spent the past four decades developing a personal style that ranges from strict Indian classical music to Western instrumental pop although usually he lands somewhere in the middle. Since playing his first solo concert at the age of seven, he has gone on to accompany many of South India’s leading vocalists and become a major soloist. Schooled in voice, violin, and the drums, he has composed new ragas and folk songs, and played with countless other master musicians. In the 1970s, with John McLaughlin, Zakir Hussain, Vikku Vinayakram, and Ramnad Raghavan, he co-founded the legendary Indo-jazz group Shakti. In the 1980s, he introduced a custom-made 10-string double violin capable of covering the whole range of the orchestra’s string section from violin to double bass. He has collaborated with Frank Zappa and Peter Gabriel and has continued to expand the international audience for Indian music, often combining North Indian (Hindustani) and South Indian (Carnatic) styles, (Robert Browning Associates program notes, 2022). L. Shankar performs original works, in-studio.Set list: 1. Ananda Nadamadum Tillaj Sankara 2. Ganapathiye Varuvaai  3. Shamudu

The Australian-born musician and songwriter Tommy Emmanuel is a virtuoso guitarist and Grammy winner who has played with everyone from the legendary Chet Atkins to younger guitarists like Jason Isbell and Billy Strings. Long based in Nashville, he’s been releasing solo albums pretty regularly since 1979.  His new record is called Living In The Light, and fuses his pop, jazz, classical, and roots influences into a daring collection of intimate and cinematic storytelling. Tommy Emmanuel, Certified Guitar Player, plays and tells tales, rough edges and all, in our studio. Set list: 1. Black and White To Color 2. Little Georgia 3. Drowning Heart

The Barr Brothers, the indie-folk-rock band from Montreal, have just released their first album in eight years called Let It Hiss. Brad Barr, the band’s singer, guitarist and songwriter is a versatile collaborator and risk-taker who revels in making unusual sounds. The latest songs can be folk-leaning, or may draw from the blues and American songwriting; they represent a reckoning with vulnerability, truth, with helpings of gratitude and humility. And while Andrew couldn’t be here for this session, Brad Barr, along with Stuart Bogie on sax and clarinet and Shahzad Ismaily on bass play (and improvise a bit) on some songs from the new album, in-studio. Set list: 1. Naturally 2. Another Tangerine 3. Run Right Into It

The Portuguese singer and songwriter Carminho is one of the leading singers in the style known as fado – the deeply soulful, melancholy music that is somewhat akin to Spanish flamenco or American blues. She has collaborated with the iconic Brazilian musician Caetano Veloso, performed for the late Pope Francis, recorded with Steve Albini, and made a special appearance in the film Poor Things, by Yorgos Lanthimos, where she sings from a balcony accompanying herself on the teardrop-shaped Portuguese guitar. Carminho has a new album called Eu Vou Morrer de Amor ou Resistir – I’ll die of love, or I’ll resist.  Accompanied by classical guitar, Portuguese guitar, and acoustic bass guitar, she performs in-studio.Set list: 1. Canção à ausente 2. Saber 3. Lá vai Lisboa

The Mexican singer Silvana Estrada made an immediate impression with her debut LP Marchita back in 2022. Quickly hailed as a unique voice in Latin music for her blend of jazz, chamber music, and traditional folk, Estrada took her time making her follow-up album, and it appears to have been time well-spent: Vendrán Suaves Lluvias, or “there will come soft rains,” is a heartfelt, elegant, quietly melodic album full of songs about love, lost love, and what it takes to just keep on keeping on. Silvana Estrada performs some of these latest songs in intimate arrangements on cuatro, accompanied by musician Joe Grass on guitar and pedal steel, in-studio. Set list: 1. Dime 2. No Te Vayas Sin Saber 3. Good Luck, Good Night