New Books in Literature

Michael Allan‘s In the Shadow of World Literature: Sites of Reading in Colonial Egypt (Princeton University Press, 2016) challenges traditional perceptions of world literature: he argues that the disciplinary framework of world literature levels the differences between different types of literature. He uses colonial Egypt as a geographic focus of inquiry and demonstrates how literary traditions changed the act of reading: his examples include the Rosetta Stone and translations of the Qur’an. He thus demonstrates that literary reading (to be distinguished from how reading was conceptualized in Egypt before the colonial period) requires different ethical capacities and sensibilities and how they were gradually institutionalized by different genres of texts. NA Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

The Asylum of Dr. Caligari (Tachyon Publications, 2017) is a deft little novel, is a perfect fit for people who are not just interested in fantasy, but also history, art, geography and linguistics. If you are a man, and appreciate an elegant woman wearing lace and jewelry more than a bronze bikini-clad babe with a vacuous stare, you might also appreciate the work of James Morrow. Like T. Coraghessan Boyle, but with more palatable characters, and less heft, James Morrow draws on actual historical figures in his novel. While there was no country of Weizenstaat, which would mean ‘Wheat State,’ there was certainly a Blue period for Pablo Picasso, and a painting by Duchamp called ‘Nude Descending a Staircase.’ As a German speaker, and someone who grew up in an apartment filled with my father’s art books, I got a lot of knowing chuckles out of terms such as Farbenmensch which refers to a man who comes to life out of a painting, or the description of Picasso throwing the narrator, an aspiring artist, down the stairs. I would say this is less a fantasy novel, in the usual modern sense, than an allegory about war and the patriotic frenzy that inspires men to lay down their life. Set at the outbreak of World War I, the novel contrasts those who see the true horror of war, including the narrator, a lunatic, and a gay couple, with those who wish to profit from it. Its clear that Morrow, an elderly gentleman, has strong pacifist leanings which were probably exercised as far back as the Vietnam war. The famous poet Wilfred Owen implied ironically in his anti-war poem ‘Dulce e Decorum est,’ that it was sweet to die for ones country in the trenches, choking on chlorine gas. That Morrow seems to agree is indicated in passages such as this rant ascribed to Caligari, the villain: at long last the architects of the Great War can look back on their many accomplishments: a devastated France, a demoralized Britain, a ransacked Germany, a receiving line of corpses stretching from Armentires to Zanzibar. The construction of the sentences is often intricate, like the example above. Many phrases are a delight, and I was amused, edified, and illumined. Be aware the pleasures in this book are more to be found in the musings on art, history, and philosophy. The plot is an elegant scaffolding on which to hang these gems of observation. Gabrielle Mathieu is the author of the historical fantasy Falcon series (The Falcon Flies Alone, and the upcoming The Falcon Strikes.) She blogs about travel and her books at http://gabriellemathieu.com/. You can also follow her on Twitter to get updates about new podcasts and more: @GabrielleAuthor. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Fiona Helmsley‘s Girls Gone Old (We Heard You Like Books, 2017) is wildly honest, intense in its personal and cultural inquiry, and often brilliantly hilarious. Helmsley uses her keen eye, rich life experience, and incredible humor to get readers to consider and swallow hard truths, while also considering the wider cultural implications. A friend’s questions regarding the subject matter of her work (often continued reflection upon the complexity of her youth), posed on the night before her 40th birthday, acted as a springboard for this collection, and the 2016 presidential election results of cemented the deal. Helmsley has crafted sophisticated essays about the confluence of the late 20th-century television, art, and sexual fantasy; addiction and illness; school shootings and serial killers; family; Andy Warhol; ‘Mork and Mindy’; and the sleazy (yet sexy) misogyny of Axl Rose…” She stares down what many would avert our eyes from, and probes, with curiosity and openness the many contours of shame, until it becomes a terrain of connection for her readers. Fiona Helmsley’s writing can be found online at websites like The Rumpus, Jezebel, The Weeklings, The Hairpin, PANK and in various anthologies like Ladyland and The Best Sex Writing of the Year. A multiple Pushcart nominee, her book of essays and stories, My Body Would be the Kindest of Strangers was released in 2015. Barbara Lawhorn is an Assistant Professor at Western Illinois University. She’s into literacy activism, walking Banjo (the best dog in the history of the universe), running, baking and eating bread, and finding the wild places, within and in the world. Her most recent work can be found at The Longleaf Pine, BLYNKT, Nebo: A Literary Magazine, and Naugatuck River Review. Her favorite creative endeavors are her kids, Annaleigh and Jack.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In Alternative Kinships: Economy and Family in Russian Modernism (Northern Illinois University Press, 2017), Jacob Emery presents literary texts as intersections of aesthetic, social, and economic phenomena. Drawing particular attention to the texts that emerge under the influence of burgeoning Soviet ideology, Jacob Emery discusses aesthetic developments and repercussions caused and initiated by the programs aimed at the redefinition of economy and society. The spheres of family and economy appear to not only absorb changes and transformations instigated by the strengthening of communist rhetoric, but also to exercise influences on the formation and on the development of Soviet literature, reshaping the aesthetic continuum and revealing the collision of paradigms and epistemes. While focusing on the texts that illuminate the peculiarities of Russian Modernism (Andrei Bely’s Petersburg, Yuri Olesha’s Envy), Alternative Kinships also includes a detailed discussion of Nathaniel Hawthorne’s The House of the Seven Gables, Miroslav Krleza’s The Return of Filip Latinovicz, and Isak Dinesen’s stories. This comparative attempt discloses intricate interconnections not only between literatures and cultures but between ideologies and political programs as well. Jacob Emery points out, “Like the authors of Russian modernism, Hawthorne, Krlea, and Dinesen are concerned with alternative kinships that take shape at a moment of crisis in the history of hereditary castes: the rise of Jeffersonian democracy, the fall of the Austro-Hungarian aristocracy, and, in Dinesen’s historical fiction, a preoccupation with inheritance mechanisms in the period just before and after the French Revolution “(10-11). Literature appears to respond to political developments, which bring forth crucial shifts, redefining the areas of the familiar and of the conventional. As Alternative Kinships demonstrates, Soviet literature offers an array of intriguing possibilities for reshaping family relationships. In addition, these experiments are inextricably connected with the Soviet economic endeavors. One of the fascinating family experiments that Jacob Emery extensively comments on is “milk kinship,” which, under the Soviet regime,” aimed to replac[e] traditional ideas of kinship” (113). State-run milk banks, Emery argues, is “the metaphor of a transcendental mother supplying a universal family” (115). Russian modernism generates a number of scenarios, portraying not only the redefinition of social and economic relations but also the transformation of the individual: alternative kinships call for New Men and Women. Alongside family relationships, which respond to economic, political, ideological modifications, Alternative Kinships also touches upon hereditary memory: family is inseparable from the memory that reveals itself in multiple ways. Aesthetic and literary interconnections that Jacob Emery outlines through the analysis of gothic and modernist texts initiate a conversation about cultural memory: literary texts demonstrate the interconnectedness of the aesthetics, history, society, and the individual. Literature as a complex construct that incorporates a number of components and fragments, which establish a variety of relationships, can be illustrated with the image of mirror, which is closely analyzed in Alternative Kinships. Mirror is actively employed to show family relationships and to reveal the potential of a literary text to absorb and to respond to the environment. Revealing the dynamics of family and economy relationships across times and cultures, Alternative Kinships contributes to the discussion of international modernism(s), Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

The State of Florida might have been designed for Prohibition. Its long coastline, its proximity to the Caribbean sources of rum, and (in 1922) its vast stretches of undeveloped coastline made it a perfect target for smuggling. No wonder that lines of ships lay just outside US waters waiting for the intrepid and criminally minded to ferry each cargo of illicit liquor to land. So Virginia Fitzwilliam discovers firsthand when she travels to the town of Cocoa Beach, then called simply Cocoa, with her two-year-old daughter, Evelyn. Virginia has received news that her estranged husband, Simon, has died in a fire and left his estate and business to her. But when she reaches Cocoa, she soon discovers that Simon’s executors agree on one thing: widows should collect checks and not ask awkward questions, including what really goes on in the company warehouse after dark. Only her sister-in-law shows the slightest sympathy for Virginia and her struggle to understand not only what happened to Simon but what his legacy means for her and their daughter. Told in overlapping narratives that contrast Virginia’s past as an ambulance driver in World War I and her early history with Simon to her troubling reintroduction to the man she thought she loved, Beatriz Williams creates in Cocoa Beach: A Novel (HarperCollins, 2017) what she describes as a Gothic novel in a new, more modern setting. I would describe it more as a psychological thriller, one dominated by a rich and complex cast of characters whose all too human interactions never fail to pull the reader along. C. P. Lesley is the author of six novels, including Legends of the Five Directions (The Golden Lynx, The Winged Horse, and The Swan Princess), a historical fiction series set in 1530s Russia, during the childhood of Ivan the Terrible. Find out more about her at http://www.cplesley.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In The Last Good Man (Mythic Island Press, 2017), Linda Nagata uses a brisk and bracing writing style to immerse us into the lives of private military contractors, in the near future. The team, basically moral individuals, work in conjunction with individually guided, robotic weapons and surveillance equipment. If Katheryn Bigelow, the director of Zero Dark Thirty, wrote a speculative fiction novel, it might be something like this. Wasting no words, the story stays right on track, concentrating on army veteran True Brighton as she and her teammates undertake a dangerous mission, which wakes old wounds. For True, painful memories of her son’s death resurface, while her boss, Lincoln, must come to terms with a past decision he made for the greater good of the unit. True’s anguish and her questions about right action are absorbing and affecting. On another level, the story works as speculative fiction, inviting us to consider a future where AI combat replaces human soldiering more and more. The point of direct AI involvement is to spare the lives of soldiers, but as the novel shows, that goal isn’t always as simple as it sounds. Gabrielle Mathieu is the author of the historical fantasy Falcon series (The Falcon Flies Alone, and the upcoming The Falcon Strikes.) She blogs about travel and her books at http://gabriellemathieu.com/. You can also follow her on Twitter @GabrielleAuthor. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Sarah Ladipo Manyika’s second novel, Like a Mule Bringing Ice Cream to the Sun (Cassava Republic Press, 2016), is an excellent addition to the larger, and ever-expanding, genre of Nigerian literature. The novella begins slowly, teasing out details of the main character’s life as she interacts with the people of her San Francisco neighborhood. Morayao Da Silva, the main protagonist, is an elderly Nigerian woman, who is positive, youthful and independent. A fall interrupts her independence and forces her to become dependent on others, which exposes to the reader a hidden loneliness to her cheer and allows Morayo to reflect back on her life of world travel and eventual limitations brought about by age. Each character in this book, from the young mother named Sunshine, to the older African American man visiting his dementia-afflicted wife at the rehabilitation center, allows the reader to get deeper insight into the world of Morayo, while also exploring other character’s insights on the protagonist from an outside perspective. Overall this is a complex and nuanced read. The meandering pace is a testament to the lived experience, and the reader is rewarded for their patience with a thoughtful and satisfying character study. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

It’s A Love Story. Set in the 1800s, Ruth’s Redemption (Lift Every Voice, 2012), is an unusual depiction of the lives of slaves and free blacks in pre-Civil War America. Although a slave, Bo is educated. When he gets his freedom, he becomes a property owner of a farm. He purchases slaves only to grant them their freedom. As a man of God and widower, his life changes when the proud and hard-hearted slave girl, Ruth, appears. Ruth has never known a man like Bo. She wants freedom from slavery, from men and from her past. She is drawn to Bo but not to his Godly devotion. Bo is unwillingly attracted to Ruth. Can their relationship and love push through the personal and cultural hardships? Does love really heal all wounds? A gripping novel, Ruth’s Redemption is a story of love, forgiveness, and redemption. Surrounding the events of the Nat Turner Rebellion the light of God’s unconditional love shines into the darkness of a woman’s heart, a mans violent mission and a cultures cruel and socially accepted inhumanity. Banks creates a love story between, woman and self, woman and God as well as man and woman. Marlene considers herself a Kingdom Writer/Word Warrior with a style of storytelling that does not box comfortably in the usual categories. She blends engaging plots, stand out characters with memorable historical events through a Christian lens. Although known for her historical storytelling with a romantic edge, she writes multiple genres including contemporary, mystery, and nonfiction. Storytelling is a gift from God, a passion she uses for His glory and Kingdom purposes. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Rise of the Dungeon Master: Gary Gygax and the Creation of D and D (Nation Books, 2017) by David Kushner and illustrated by Koren Shadmi is a gorgeous depiction of the late E. Gary Gygax’s life and times. Gygax’s story and the tale of D and D’s genesis is ideally suited to the graphic novel format, and Kushner — who met and even gamed with Gygax — conveys these twin narratives well. Shadmi’s illustrations blend the mundane with the fantastical, and the striking cover art alone is sure to win Rise of the Dungeon Master a place on many comic collectors’ shelves. I happily recommend it to anyone looking for a short overview of the subject, and certainly anyone with a love of both comic books and D and D. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Josie Flint, known as Jaybird, narrates her story of life in Atlanta during the turbulent South as Jim Crow laws come to an end. Her school desegregates. The country meanders through new ideas brought about by the Civil Rights movement. And the perfect childhood Jaybird treasured is shattered. The narrative alternates between Josie’s childhood and thirty-five years later when her grandmother, Annie Jo, dies. A family secret brings a new heartache for Josie as she struggles to rise against tragedy with grace while maintaining family loyalty. Not only does Jaybird’s Song (Kathy Wilson Florence, 2017) have strong female characters, but also the turbulent 1960s South is its own character. Additionally, for the modern woman, Jaybird’s Song grapples with sexuality and aggression from the opposite sex in a time before trigger warnings and rape culture awareness. Florence notes she too dealt with an embarrassing sexual incident as a child which she has not told her parents, even as an adult. “Why do girls feel guilt and not tell?” Florence’s novel tackles the perplexity of coming to age and the obstacles in the maternal matrix of mothers and daughters. Kathy Wilson Florence lives in Dunwoody, Georgia with her husband and two daughters. She is a full-time Realtor with her husband. Durning her off hours, Florence runs her own graphic design, copywriting and marketing business, Right Brain Communications, and writes novels. She was a weekly columnist for the Dunwoody Crier newspaper for 16 years where she penned Over the Picket Fence. A collection of favorite columns can be found in her first book, You’ve Got a Wedgie Cha Cha Cha. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature