New Books in Literature

Lucy Kilgore has her bags packed for her escape from her rural Tennessee upbringing, but a drunken mistake forever tethers her to the town and one of its least-admired residents, Jeptha Taylor, who becomes the father of her child. Together, these two young people work to form a family, though neither has any idea how to accomplish that, and the odds are against them in a place with little to offer other than tobacco fields, a bluegrass bar, and a Walmart full of beer and firearms for the hunting season. Their path is harrowing, but Lucy and Jeptha are characters to love, and readers will root for their success in a novel so riveting that no one will want to turn out the light until they know whether this family will survive.Elizabeth Chiles Shelburne, the author of Holding Onto Nothing (Blair, 2019), grew up reading, writing, and shooting in East Tennessee. After graduating from Amherst College, she became a writer and a staff editor at the Atlantic Monthly. Her nonfiction work has been published in the Atlantic Monthly, Boston Globe, and Globalpost, among others. She worked on this novel in Grub Street’s year-long Novel Incubator course, under Michelle Hoover and Lisa Borders. Her essay on how killing a deer made her a feminist was published in Click! When We Knew We Were Feminists, edited by Courtney E. Martin and J. Courtney Sullivan. She lives outside Boston with her husband and four children. When she’s not kid-wrangling, Elizabeth enjoys doing CrossFit.If you enjoyed today’s podcast and would like to discuss it further with me and other New Books network listeners, please join us on Shuffle. Shuffle is an ad-free, invite-only network focused on the creativity community. As NBN listeners, you can get special access to conversations with a dynamic community of writers and literary enthusiasts. Sign up by going to www.shuffle.do/NBN/joinG.P. Gottlieb is the author of the Whipped and Sipped Mystery Series and a prolific baker of healthful breads and pastries. Please contact her through her website (GPGottlieb.com) if you wish to recommend an author (of a beautifully-written new novel) to interview, to listen to her previous podcast interviews, to read her mystery book reviews, or to check out some of her awesome recipes. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Winner of the Walt Whitman Award, Emily Skaja’s Brute (Graywolf Press, 2019) is a stunning collection of poetry that navigates the dark corridors of trauma found at the end of an abusive relationship. “Everyone if we’re going to talk about love please we have to talk about violence,” writes Skaja in the poem “remarkable the litter of birds.” She indeed talks about the intersections of both love and violence, evoking a range of emotional experiences ranging from sorrow and loss to rage, guilt, hope, self discovery, and reinvention. These poems reflect the present moment — ripe with cell phones, social media, and technologies that shift the way humans interact with each other — while maintaining a mythic quality, with the speaker feeling like a character struggling to survive in a surreal fairytale world.Skaja recommends: Spinning Silver by Naomi Novik, My Dark Vanessa by Kate Russel, Long Live the Tribe of Fatherless Girls by T Kira Madden, and Sabrina & Corina: Stories by Kali Fajardo-Anstine.Emily Skaja was born and raised in rural Illinois. Her first book, BRUTE, won the Walt Whitman Award from the Academy of American Poets (and was published by Graywolf Press in 2019). She holds an MFA from Purdue University and a PhD in Creative Writing and Literature from the University of Cincinnati. Emily is the recipient of a 2019 Literature Fellowship from the National Endowment for the Arts. Her poems have been published in Best New Poets, Blackbird, Crazyhorse, FIELD, and Gulf Coast, among other journals. She is also the Poetry Co-Editor of Southern Indiana Review, and she lives in Memphis.You can join New Books in Poetry in a discussion of this episode on Shuffle by joining here.Andrea Blythe bides her time waiting for the apocalypse by writing speculative poetry and fiction. She is the author of Your Molten Heart / A Seed to Hatch (2018) a collection of erasure poems created from the pages of Trader Joe’s Fearless Flyers, and coauthor of Every Girl Becomes the Wolf (Finishing Line Press, 2018), a collaborative chapbook written with Laura Madeline Wiseman. She is a cohost of the New Books in Poetry podcast and is a member of the Science Fiction and Fantasy Poetry Association and the Horror Writers Association. Learn more at: www.andreablythe.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In science fiction, “near future” usually refers to settings that are a few years to a few decades off. But Craig DiLouie’s Our War (Orbit, 2019)—about a second U.S. civil war that starts after the president is impeached and convicted but refuses to step down—feels as if it might be only weeks away.Born in the U.S., DiLouie now lives in Calgary, Alberta. He is the author 18 books of science fiction, fantasy, horror and thrillers.Our War came out in August, a month before the U.S. House of Representatives launched its impeachment inquiry. When he started writing in 2017, “I was looking at the growing polarization in America and political tribalization, which is considered one of the five precursors to civil war,” DiLouie says. “I hope it stays in fiction.”The story is told through the eyes of a young brother and sister who are used as soldiers by opposite sides. He set the book in Indianapolis because “it's a quintessential American city… a very blue city in a sea of red, rural areas.”He says he strove to be even-handed, focusing less on politics and more on the human impact of civil war. “At any given time, there's hundreds of thousands of [children] fighting around the world,” says DiLouie, who read reports from the U.N. as part of his research into the psychology of child solders. A child soldier’s “loyalty is not based on an ideology… They end up staying and fighting because the militia becomes their family.”While the conflict in the book eventually ends, DiLouie makes clear that the children’s scars—physical and psychic—will last a lifetime.Rob Wolf is the host of New Books in Science Fiction and the author of The Alternate Universe and The Escape. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Popular public conception of war has a long and problematic history, with its origins in ancient texts like The Art of War to bestselling books like Tim O’Brien’s The Things They Carried. Though many stories depicting the brutality of war—and its toll on soldiers and civilians alike—are written in the spirit of anti-war sentiment, these works often inadvertently frame combat as exciting and dramatic while painting individual soldiers as heroes on the battlefield. But the reality of war is much more nuanced than the typical narratives might have you believe. In truth, life in a war zone is often much more frustrating and tedious than most civilians can fathom. So what are the ethics of writing about war? What are the responsibilities of writers depicting war in their work?Winner of the Association of Writers and Writing Programs Award for Creative Nonfiction, writer Steven Moore’s stunning debut, The Longer We Were There: A Memoir of a Part-Time Solider (University of Georgia Press, 2019), considers these questions with both a wry sense of humor and a sharp analytical eye. Moore’s narrative deftly weaves his deployment experiences in Afghanistan with commentary from great critical minds like Joan Didion, Maggie Nelson, Tim O’Brien, and Tobias Wolff in an attempt to tell the sprawling story of the war in Afghanistan from the perspective of a part-time soldier.Today on the New Books Network, join us as we sit down with Steven Moore to learn more about The Longer We Were There.Zoë Bossiere is a doctoral student at Ohio University, where she studies creative writing and rhetoric & composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its upcoming anthology, The Best of Brevity (Rose Metal Press, 2020). For more NBn interviews, follow her on Twitter @zoebossiere or visit her online at zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

As you may know, university presses publish a lot of good books. In fact, they publish thousands of them every year. They are different from most trade books in that most of them are what you might called "fundamental research." Their authors--dedicated researchers one and all--provide the scholarly stuff upon which many non-fiction trade books are based. So when you are reading, say, a popular history, you are often reading UP books at one remove. Of course, some UP books are also bestsellers, and they are all well written (and, I should say, thoroughly vetted thanks to the peer review system), but the greatest contribution of UPs is to provide a base of fundamental research to the public. And they do a great job of it.How do they do it? Today I talked to Kathryn Conrad, the president of the Association of University Presses, about the work of UPs, the challenges they face, and some terrific new directions they are going. We also talked about why, if you have a scholarly book in progress, you should talk to UP editors early and often. And she explains how! Listen in.Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In her new novel Pigs (Red Hen Press, 2019), Johanna Stoberock has written a lyrical fable about an island that receives all the world’s garbage. That garbage, both physical and psychological in the forms of dreams and memories, is consumed by six enormous, voracious pigs. Four filthy, starving children wearing rags and living in squalor are responsible for sorting the trash, feeding the pigs and taking care of each other, while the island’s adults indulge in fantasies, gorge themselves, and live in the comfort of a huge mansion. Although this isn’t the first time that pigs are depicted in literature, it is probably the first time their presence forces readers to consider how much trash we create, how difficult it is to dispose of it, and how we are going to cope with a world in which recycling is too expensive, refugees are treated as disposable, and the earth is facing the crisis of climate change.Originally from New York, Johanna Stoberock completed her undergrad education at Wesleyan, earned an MFA in Fiction at the University of Washington, and lived in NYC until moving with her family to Walla Walla in 2005. Author of the novel City of Ghosts, she has received many honors, and in 2016 was named runner-up for the Italo Calvino Prize for Fiction. Her work has appeared in the New York Times, the Best of the Net anthology, and Catamaran, among others. When she is not writing, Stoberock teaches academic writing, is an avid duplicate bridge player and loves watching large birds like herons while out walking in her area of rural Eastern Washington. She also loves owls, which can be spotted in her neighborhood only in winter.If you enjoyed today’s podcast and would like to discuss it further with me and other New Books network listeners, please join us on Shuffle. Shuffle is an ad-free, invite-only network focused on the creativity community. As NBN listeners, you can get special access to conversations with a dynamic community of writers and literary enthusiasts. Sign up by going to www.shuffle.do/NBN/joinG.P. Gottlieb is the author of the Whipped and Sipped Mystery Series and a prolific baker of healthful breads and pastries. Please contact her through her website (GPGottlieb.com) if you wish to recommend an author (of a beautifully-written new novel) to interview, to listen to her previous podcast interviews, to read her mystery book reviews, or to check out some of her awesome recipes. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Tamara J. Madison, both on the page and in voice, is magical. In her most recent collection, Threed, This Road Not Damascus (Trio House, 2019), she seamlessly bridges the gap between past and present while remaining grounded in the here and now. Via her use of religion, familial history, and rhythm she is able to give voice to those women who oft times were forced to remain silent in order to survive. It is through her poetry that these women, and those still to come, are allowed to be wholly free. Madison creates a new mythology here. A mythology that begins to lay the groundwork for us to create the worlds in which we want to move. She leaves us with the lingering sense that the makings of the universe are in our hands. All we need to do is mold it and name it.Tamara J. Madison is an internationally traveled author, poet, performer, and editor currently teaching as a professor of English and Creative Writing at Valencia College in Orlando, Florida. Her critical and creative works have been published in various journals and magazines including Poetry International, Tidal Basin Review, Web del Sol, and Linden Avenue. She has also been published in several anthologies: Temba Tupu, Check the Rhyme, Seattle Poets and Photographers, and SisterFire. Her most recent publication is a full-length poetry collection, Threed, This Road Not Damascus. An earlier manuscript of the book was short-listed for the 2015 Willow Books Literature Award. She is the author of Collard County, A Collection of Short Stories. Her collection, Kentucky Curdled (poetry and essay) is available in paperback, on Kindle , and poetry audiobook.A consummate performance poet and spoken word artist, Tamara has performed for numerous stages and television. Her melodic poetry and spoken word are featured in the award winning, Naked Voice currently available on CD Baby. She has also performed and recorded as bilingual vocalist and poet (French/English) with Juba Collective of Chicago under master musician and composer, Kahil El’Zabar. To contact her for readings, workshops, and updates, visit her home on the web at here on Instagram @tamarajmadison.Born and raised in Northeast Ohio, Athena Dixon is a poet, essayist, and editor. She is Founder of Linden Avenue Literary Journal, which she launched in 2012. Athena's work has appeared in various publications both online and in print. She is the author of No God In This Room, a poetry chapbook, published by Argus House Press. Her work also appears in The BreakBeat Poets Vol. 2: Black Girl Magic (Haymarket Books). She writes, edits, and resides in Philadelphia. Learn more about Athena here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Writing novels—never mind entire series—takes determination, persistence, imagination, and craft. Charles Todd has added to those natural challenges the joys and complications of creating a single persona from a mother/son team. In A Cruel Deception (William Morrow, 2019), the eleventh in their beloved Bess Crawford series, the strengths of their long collaboration are on full display.Bess, a British nurse, worked with the wounded throughout the First World War. In A Cruel Deception, the war has ended, and Bess faces the future with some trepidation. So it comes almost as a relief when her former matron requests help finding Lawrence Minton, the matron’s son, who has gone missing during the peace talks in Paris.The search goes well, and Bess tracks Minton to a rural farmhouse, where she confronts him with his addiction to laudanum. He wants nothing to do with her efforts to cure him. Despite his refusal to heal, she soldiers on, aided by a young Frenchwoman who loves him. Bess soon realizes that the root of Minton’s troubles lies in the past, but where?Only then does it become clear that Minton has an enemy, one who will stop at nothing to settle old scores.If you like this book as much as I did, check out Charles Todd’s Ian Rutledge mysteries (twenty to date), the latest of which, A Divided Loyalty, is due out in February 2020.C. P. Lesley is the author of nine novels, including Legends of the Five Directions (The Golden Lynx, The Winged Horse, The Swan Princess, The Vermilion Bird, and The Shattered Drum), a historical fiction series set during the childhood of Ivan the Terrible, and Song of the Siren, published in 2019. Find out more about her at http://www.cplesley.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

While all fiction writers can pull characters from their imaginations and commit them to the page, most readers can’t do what Charley Sutherland can: pull characters from the page and commit them to the real world.Sutherland’s fantastical ability is at the center of H.G. Parry’s debut novel The Unlikely Escape of Uriah Heep (Redhook, 2019). It is both a mystery (Sutherland and his brother must find and stop a stranger who shares Sutherland’s ability but is using it for nefarious ends) as well as a celebration of literary criticism.While the ability to bring characters to literal life might seem like a wonderful talent, it's been a problem for Sutherland. Ever since he was little, he has tried—with the encouragement of his family—to suppress the urge.“There's a long tradition of characters with magical abilities who are being told to keep it hidden and to stay normal, and it comes from the fact that a lot of people grow up feeling like what makes them special is something that's weird or strange, and they try and keep it in,” Parry says. “The other side of it, though, is that books are incredibly powerful and there's a real danger to stories and storytelling. When you bring something into the world, it's got the power to do extraordinary things, the power to save the world or to harm it. And there's a real responsibility that comes with reading, interpreting and storytelling.”Like Sutherland, Parry has a Ph.D. in English literature (her research focused on children’s fantasy, his on Charles Dickens). She lives in Wellington, New Zealand (where the The Unlikely Escape is set) and teaches English literature, film, and media studies.Rob Wolf is the author of The Alternate Universe and The Escape. A former journalist, he directs communications at a non-profit dedicated to justice reform. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Welcome to New Books in fantasy and adventure, a podcast channel on the New Books Network. Today we’ll be talking with Emily Roberson about her debut YA novel, Lifestyles of Gods and Monsters (Farrar, Straus and Giroux, 2019), a mythological retelling.In this modern version of the myth of Theseus and Ariadne, Ariadne is a complacent Daddy‘s girl when we meet her. As her father’s favorite, she’s spared the humiliation her sisters accede to when they star in their own reality TV show, the Paradoxes. Sure, Daddy might have a martini-stocked bar in each room of his fabulous palace, as well as a sacrificial altar for augury in case the mood to sacrifice a dove seizes him. But when your mother is infamous for coupling with a bull, while hidden in wooden cow statue, Father looks like the better bet, even if he does have an agenda for everyone.Ariadne is also the Keeper of the Labyrinth, which means that every year she leads the chosen Athenians into the Labyrinth for their televised demise. Each year, the fourteen Athenians come to Crete to be feted, each one sure that he or she will be the one to defeat the Minotaur, and each year the slaughter is televised to diminishing audience interest. That all changes the year Theseus, the illegitimate son of the King of Athens, arrives in Crete intent on preventing further deaths. Ariadne finds herself attracted to Theseus, a serious and authentic young man, who happens to eb gorgeous as well. However, their developing romance soon becomes more fodder for the reality show her family stars in, and Ariadne must face some hard truths about her life.Emily has been a bookseller in Little Rock, a newspaper reporter in Vicksburg, a marketing manager in Boston, and a writer in Chapel Hill and Dallas. She graduated from Brown University and has a master’s degree in English from the University of Texas at Austin. She now lives in Little Rock, Arkansas with her husband, three sons and no pets. You can find her on the web at on instagram @robersonemilym and on twitter @RobersonEmily.Gabrielle Mathieu is the author of the historical fantasy Falcon series and the upcoming epic fantasy, Girl of Fire.  You can follow her on Twitter to get updates about new podcasts and more @GabrielleAuthor, or visit her website at gabriellemathieu.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature