New Books in Literary Studies

Readers of all ages know E. B. White’s work. Charlotte’s Web is the first book many children are read aloud. Elements of Style remains an essential reference book. Almost everyone has a favorite writing by White: his legendary essays; his humorous New Yorker captions and columns; his short stories about New York City; Stuart Little; The Trumpet of the Swan. Some Writer! The Story of E.B. White (Houghton Mifflin Harcourt, 2016) is the first illustrated biography of this great American literary icon. Using her signature collage technique and in prose worthy of White himself, award-winning children’s book creator Melissa Sweet brings to life the writer, reporter, poet, animal lover, and doting father. His personal letters, photographs, and family memorabilia, all beautifully woven together with Sweet’s detailed artwork, help capture the essence of the man himself, not just his accomplishments. Melissa Sweet has illustrated nearly 100 children’s books from board books to picture books and non-fiction titles. She received Sibert Medals for Balloons over Broadway and The Right Word: Roget and His Thesaurus by Jen Bryant; Caldecott Honor Medals for both A River of Words and The Right Word: Roget and His Thesaurus; and two New York Times Best Illustrated citations. Learn more at: http://www.melissasweet.net. Susan Raab is president of Raab Associates, an internationally recognized agency that specializes in marketing literature, products and initiatives that help improve the lives of young people. Clients have included National Geographic, Scholastic, the International Board on Books for Young People, and bestselling authors and illustrators. Susan is marketing advisor for the Society of Children’sBook Writers and Illustrators (SCBWI). She’s also a journalist reporting on publishing, education and human rights. Her work as a broadcast correspondent has been hosted by the University of Connecticut, and by the University of Florida’s Recess Radio, a program syndicated to 500 public radio stations. Her many interviews, including with Art Spiegelman, Jon Scieszka, Norton Juster, Laurie Halse Anderson and many others talking about art and literature can be heard here. Follow Susan at: https://twitter.com/sraab18 Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

“Artaud lived with his neck placed firmly in the noose.” -Bauhaus* David Shafer’s new biography, Antonin Artaud (Reaktion Books and the University of Chicago Press, 2016), situates the life of this enigmatic and fascinating figure in historical context. From his bourgeois family background, through a life that included a variety of physical and mental health challenges, drug use, and institutionalization, Shafer traces the ways that Artaud’s intellectual and artistic development was shaped by broader historical and political events and forces. An actor of stage and screen, a poet, and theatre director, Artaud emerges in these chapters as the embodiment of the French revolutionary tradition in the cultural realm. Shafer traces his subjects geographic movements from his Mediterranean origins to the streets of Paris, and on to other destinations, Mexico and Ireland among these. In addition to these sites, Artaud held in his imagination a number of other locales, including the physical and cultural landscapes of an East that informed his critique of Western society and its traditions. Throughout the book, Shafer takes Artaud on his own terms, avoiding judgments and hasty conclusions about the ideas, beliefs, and experiences of his protagonist. The result is an empathetic, yet still critical, biography of an icon of the world of performance. Readers not familiar with Artaud’s far-reaching influence across the domains of art, music, literature, theatre, and film up to the present will find much in these pages to justify his consideration as one of the most important cultural players of the last century. *After our interview, David shared the link to Aural Assault, a blog post on Artaud and music that he wrote for the Reaktion Books website. In it, he discusses the music he listened to while writing the biography, as well as the links between Artaud and musicians like Richard Hell and Patti Smith. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. A historian of culture and politics in the twentieth century, her current research focuses on the representation of nuclear weapons and testing in France since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send her an email. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In The Making and Breaking of Soviet Lithuania: Memory and Modernity in the Wake of War, published by Routledge, Violeta Davoliute calls Lithuania an improbably successful and paradoxically representative case study of 20th century modernization and nation-building? As she traces the rushed and often violent process of modernization in post-World War II Lithuania, Davoliute demonstrates how cultural elites wove together nationalist and communist ideologies to shape the emerging Soviet Lithuania. She argues that writers Petras Vaiciunas and Justis Paleckis used a poetics of reconstruction to integrate Lithuania’s medieval past into a broader Soviet narrative of the future and that this engagement the development of indigenous pro-Soviet cultural elites. Davoliute then looks at the rustic turn in the 1970s and makes the case that cultural conservatives were able to provide an alternative aesthetic of authentic identity, not based on Soviet Lithuanian modernity but on a discourse of trauma and deracination. Her analysis ends with a look at the relationship between establishment intellectuals and deportees as exemplified by role of Justinas Marcinkevicius in the publication of Dalia Grinkeviciutes memoirs of deportation to Siberia at age 14. Violeta Davoliute is a Senior Researcher in the Faculty of History at Vilnius University and the Lithuanian Cultural Research Institute. She was the 2015-2016 Joseph P. Kazickas Associate Research Scholar at Yale University. Davoliute has also been a Senior Researcher at the Lithuanian Institute of Literature and Ethnography, where she worked on mass population displacements and deportations from Lithuania to the Soviet gulag. She completed her Ph.D. at the University of Toronto in 2004. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The discovery of the Dead Sea Scrolls revealed a world of early Jewish writing larger than the Bible, from multiple versions of biblical texts to revealed books not found in our canon. Despite this diversity, the way we read Second Temple Jewish literature remains constrained by two anachronistic categories: a theological one, Bible and a bibliographic one, book. The Literary Imagination in Jewish Antiquity (Oxford UP, 2016) suggests ways of thinking about how Jews understood their own literature before these categories had emerged. In many Jewish texts, there is an awareness of a vast tradition of divine writings found in multiple locations that is only partially revealed in available scribal collections. Ancient heroes such as David are imagined not simply as scriptural authors, but as multidimensional characters who come to be known as great writers who are honored as founders of growing textual traditions. Scribes recognize the divine origin of texts such as the Enoch literature and other writings revealed to ancient patriarchs, which present themselves not as derivative of the material that we now call biblical, but prior to it. Sacred writing stretches back to the dawn of time, yet new discoveries are always around the corner. Using familiar sources such as the Psalms, Ben Sira, and Jubilees, Eva Mroczek tells an unfamiliar story about sacred writing not bound in the Bible. In listening to the way ancient writers describe their own literature rife with their own metaphors and narratives about writing The Literary Imagination in Jewish Antiquity also argues for greater suppleness in our own scholarly imagination, no longer bound by modern canonical and bibliographic assumptions. The Literary Imagination in Jewish Antiquity is already making its mark on the study of Jewish Antiquity and biblical studies broadly conceived. A panel of scholars recently convened at the annual Society of Biblical Literature meeting to discuss the impact of the work on the study of Second Temple literature. And It was announced just this week that Dr. Mroczek’s work was awarded the prestigious Manfred Lautenschlaeger Award for Theological Promise. The accolade if given by the University of Heidelberg. Please join me in congratulating Dr. Mroczek and welcoming her to the New Books Network. Phillip Sherman is Associate Professor of Religion at Maryville College in Maryville, TN. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Culinary Shakespeare: Staging Food and Drink in Early Modern England (Duquesne University Press, 2016) is a collection of essays that offers new dimensions for reading and understanding Shakespeare’s plays. Responding to a rich scholarship on Shakespeare, the authors shift the centers and margins of literary discourse to illuminate aspects that were previously dismissed as insignificant. In Culinary Shakespeare, food is theorized as a territory where multiple dimensions intersect and overlap: aesthetic, social, national, political, etc. As the authors of the introduction section state, “This culinary Shakespearean moment, by crystalizing question about knowledge, power, ethics, colonialism, labor, and desire, introduces us to the grave importance of food in the early modern period and to the dangers of ignoring eating as an ontological and epistemological phenomenon” (1). A part of everyday life, food reflects the individuals engagements with the world and others, revealing intricacies of communication and world-view construction. In Shakespeare’s plays, food is copiously visible and, at the same time, exquisitely subtle. As the essays demonstrate, Shakespeare offers a variety of food engagements ranging from traditional English cuisine and exotic delicatessens to drinking, feasting and banqueting. The three parts of the collection guide readers through the levels Shakespeare’s gastronomic representations permeate: Local and Global; Body and State; Theatre and Community. The three chapters coherently illustrate the idea framed by the introduction note: “For Shakespeare, the culinary is primary” (3). Although the statement may sound categorical, it nevertheless draws attention to textual layers that contain essential information not only about Shakespeare’s plays, but also about society and the community in Early Modern England. Describing food subtleties, the contributors discuss how Shakespeare address the issues of economy and nationhood. Highlighting the perspectives that were underrepresented in the traditional scholarship, Culinary Shakespeare also invites new engagements with literature and literary criticism. Revealing shifting nature of centers, the collection provides tools for reading texts as entities that participate in and absorb a diversity of discourses. David B. Goldstein is associate professor of English at York University in Toronto. Amy L. Tigner is associate professor of English at the University of Texas, Arlington. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Dilapidated thirteenth-century walls as a playscape for today’s children, medieval relics made as fetish objects for twenty-first century enthusiasts, tourism at “the birthplace of King Arthur,” Harry Potter’s pageantry, Game of Thrones‘ swordplay, the Renaissance Faire, York’s mystery plays, America’s jousts, and Chaucer translated into a panoply languages: the European medieval endures in the global postmodern. In Medieval Afterlives in Contemporary Culture (Bloomsbury Academic; Hardcover 2015, Paperback 2017), Gail Ashton collects the work of 29 scholars studying the ongoing power and pleasure to be found in the ways that we resuscitate and remix remnants of the medieval world. This wide-ranging introduction to the study of contemporary medievalisms engages the questions of authority in interpretation, authenticity in translation and adaptation, and the accessibility of the past that inhere in the many ways that we engage the middle ages in the twenty-first century. Do we think of the medieval, medievalism, and medievalists as a great premodern Other, or do we recognize within the medieval the roots and rhythms of speech and performance that still live in our own time and in our own tongues? How do we arrive at our ideas of the medieval, at the cultural markers we recognize as our own or as someone else’s based on time and distance? What does our ongoing reinterpretation of what makes something “medieval” reveal about how we produce and consume texts, create an identity based on historical claims, and come to feel that we belong to a community with a shared past? Through Medieval Afterlives in Contemporary Culture, Gail Ashton and the scholars that have contributed to this collection invite readers, writers, researchers, and educators to engage these questions by looking at our shared life today through the various ways that we play and replay a medieval past as a present to ourselves. Carl Nellis is an academic editor and writing instructor working north of Boston, where he researches contemporary American community formation around appropriations of medieval European culture. You can learn more about Carl’s work at carlnellis.wordpress.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Like so many Americans, I’m a big fan of the undead. I look forward to a night of nail-biting when a new episode of The Walking Dead airs and I get excited when Hollywood gears up for the next big-budget film featuring zombie hordes. I also love those rarer literary takes on the undead, such as Colson Whitehead’s Zone One, and I even published my own riff on the genre entitled The Cliffs, which imagines what those familiar zombies might do in the Appalachian foothills where I live. If you share my enthusiasm for people not quite alive and not quite dead and, well, not quite people, you’re in for a post-Halloween treat. Medieval historian and former grave-digger Scott Bruce has assembled an anthology of tales about the undead that shows were not alone. Readers have been fascinated by spirits, ghosts, apparitions, demons, and zombies since the start of Western literature. Bruce’s anthology, The Penguin Book of the Undead: Fifteen Hundred Years of Supernatural Encounters (Penguin, 2016) begins with Homer’s Odyssey and ends with Hamlet, but between those classic stories, he gives us selections from a vast and surprising range of sources: histories, hagiography, personal letters, theological treaties, sagas, and collections of miracles and marvels. In these selections, which are by turns fascinating, surprising, heartbreaking and sometimes freaky, the undead have never been so fresh, so lively. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

On today’s program, I talk with Scot McKendrick and Kathleen Doyle about their new book, The Art of the Bible Illuminated Manuscripts from the Medieval World, published by Thames and Hudson (and distributed in the United States by W. W. Norton) in November 2016. The book looks at 45 featured manuscripts from across the globe and through 1,000 years of history, including the Lindisfarne Gospels, the Queen Mary Psalter, the Canterbury Royal Bible, the Old English Hextateuch, the Welles Apocalypse, and the Paduan Bible Picture Book, among others. With more than 300 illustrations, which have been meticulously color corrected for this new book, the authors shed light on some of the finest but least-known paintings from the Middle Ages and on the development of art, literature, and civilization as we know it. Dr. Scot McKendrick is the head of Western Heritage Collections at the British Library. His publications include Codex Sinaiticus: New Perspective on the Ancient Biblical Manuscript; Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe; and The Bible as Book: Transmissions of the Greek Text. Dr. Kathleen Doyle is the lead curator of illuminated manuscripts at the British Library. She was the co-curator, with Dr. McKendrick, of an Arts and Humanities Research Council funded exhibition, Royal Manuscripts: The Genius of Illumination, and the lead investigator for the Royal Manuscripts follow-on project, editing with Dr. McKendrick the volume 1,000 Years of Royal Books and Manuscripts. Together the authors also edited Bible Manuscripts: 1,400 Years of Scribes and Scripture, published by the British Library in 2007. To view some of the illuminated manuscripts discussed on this program, visit the British Library’s Digitised Manuscripts at https://www.bl.uk/manuscripts/. You can also follow @blmedieval on Twitter, which is linked to the authors’ Medieval Manuscripts blog. Garrett Brown is the host of New Books in Biblical Studies. He is a publisher and editor and blogs at noteandquery.com. Follow the channel on Twitter @newbooksbible. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Christian Lange’s Paradise and Hell in Islamic Traditions (Cambridge University Press, 2015), which was recently awarded the British-Kuwaiti Friendship Society’s Book Prize, presents a rich, challenging, and meticulous account of how Muslims have conceptualized the spiritual world across the centuries. (Lange also edited a related volume with Brill, 2016, Locating Hell in Islamic Traditions.) With great perspicacity, the author explores Sunni and Shi’i views on his topic as well as Sufi understandings with attention to contrast and similarity amongst the schools of thought that he studies. In order to disrupt assumptions about popular conceptions, Professor Lange frequently employs the term “Otherworld” instead of perhaps more expected terms like afterlife. On this note, one of the arguments the author presents throughout the monograph, based on his extensive research, is that Islamic traditions have often articulated this Otherworld as something connected to the material world, even if it is also transcendent in important ways. Thus one of the books many strengths is its ability to present challenging paradoxes in ways that are accessible, while grounded in textual tradition. In addition to drawing upon numerous textual canons, including Quran and Hadith, Professor Lange also makes effective use of art as well modern data analysis in order to observe things like how many times a key word for Paradise and Hell (e.g., al-Janna or al-Nar) appears in various texts. And in order to complement his lucid yet erudite writing, the author includes tables and images to help guide the reader. The organization of the book, moreover, with its clear subsections and chapter themes, will prove helpful for educators and researchers looking to explore particular facets of the book’s topic, even if the arrangement of the book also allows for it to naturally build on its previous sections. This engaging book will likely interest scholars and teachers of classical Islamic thought, soteriology, textual hermeneutics, and art history among other areas. Elliott Bazzano is Assistant Professor of Religious Studies at Le Moyne College. His research and teaching interests include theory and methodology in the study of religion, Islamic studies, Quranic studies, mysticism, religion and media, and religion and drugs. His academic publications are available here. He can be reached at (bazzanea@lemoyne.edu). Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Greetings, Pushkin! Stalinist Cultural Politics and the Russian National Bard (University of Pittsburgh Press, 2016) by Jonathan Brooks Platt explores the national celebrations around the centennial anniversary of Pushkin’s death in 1937. Platt structures his book around the dichotomy of what he sees as two different approaches to temporalities and modernity: monumentalism and eschatology, which celebrate, respectively, the formative moments of cultural narratives as opposed to their ruptures and changes. This theoretical framework engages deeply with the work of such scholars as Mikhail Bakhtin, Susan Buck-Morss, Katerina Clark, and Boris Groys. Through the discussion of the planning and the execution of the jubilee celebration, Platt analyzes the pedagogical practices and the role of teaching of Pushkin at the time; the attitudes of Soviet intellectuals to the phenomenon of the national poet; and the way the life and death of Pushkin were re-imagined in contemporary visual arts, literature, and drama. The concluding chapter of the book traces the transformation of the figure of Pushkin, as well as the memory and legacy of the 1937 jubilee, throughout 20th-century Russian literature. A particularly remarkable aspect of Platt’s book is his decision not to inscribe the Pushkin jubilee celebrations in the historical context of the era of “ezhovshina” and Stalinist purges. Platt argues that the cultural development around the jubilee celebrations demonstrates that the temporal logic that arose in the Stalinist period, is much more complicated than usually believed, and that the jubilee case demonstrates how different perceptions of time and the project of modernity in general could co-exist side by side in Stalin’s time challenging, thus, our established notion and representations of this era. Olga Breininger is a PhD candidate in Slavic and Middle Eastern Studies at Harvard University. Her research interests include post-Soviet culture and geopolitics, with a special focus on Islam, nation-building, and energy politics. Olga is the author of the novel There Was No Adderall in the Soviet Union and columnist at Literatura. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies