New Books in Literary Studies

Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received the Whiting Creative Nonfiction Grant for her work on Augustine’s Confessions. Ruden made use of her experience in publishing several book-length translations of pagan literature to write Paul among the People: The Apostle Reinterpreted and Reimagined in His Own Time (Pantheon, 2010). Her translation of Aeschylus’ Oresteia is part of The Greek Plays, a Modern Library collection (2016). She has begun a new translation of the Gospels for The Modern Library, taking into account linguistic, literary, and historical research that has been poorly represented in standard translations. On this program, we talk about her new translation of Augustine’s Confessions, published by The Modern Library in June 2017. Publishers Weekly has called it “delightfully readable while still densely theological. In this lively translation filled with vivid, personal prose, Ruden introduces readers to a saint whom many will realize they only thought they knew.” Garrett Brown has been the host of New Books in Biblical Studies since April 2015. He works as a book publisher and occasionally blogs at noteandquery.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Traversing the archives of early African American literature, performance, and visual culture, Fugitive Science: Empiricism and Freedom in Early African American Culture (New York University Press, 2017), uncovers the dynamic experiments of a group of black writers, artists, and performers. The author chronicles a little-known story about race and science in America. While the history of scientific racism in the nineteenth century has been well-documented, there was also a counter-movement of African Americans who worked to refute its claims. Far from rejecting science, these figures were careful readers of antebellum science who linked diverse fields–from astronomy to physiology–to both on-the-ground activism and more speculative forms of knowledge creation. Routinely excluded from institutions of scientific learning and training, they transformed cultural spaces like the page, the stage, the parlor, and even the pulpit into laboratories of knowledge and experimentation. From the recovery of neglected figures like Robert Benjamin Lewis, Hosea Easton, and Sarah Mapps Douglass, to new accounts of Martin Delany, Henry Box Brown, and Frederick Douglass, Fugitive Science makes natural science central to how we understand the origins and development of African American literature and culture. Britt Rusert received her Ph.D. in English and certificate in Feminist Studies from Duke University. Her research and teaching focus on African American literature, American literatures to 1900, speculative fiction, the history of race and science, U.S. print cultures, and critical theory. She is currently working on a book-length research study of William J. Wilson’s “Afric-American Picture Gallery,” a text that imagines the first museum of black art in the United States. She is also editing W.E.B. Du Bois short genre fiction with scholar Adrienne Brown. Their edition of W.E.B. Du Bois’ fantasy story, “The Princess Steel,” was recently published in PMLA, the journal of Modern Language Association of America. Fugitive Science: Empiricism and Freedom in Early African American Culture is her first book. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

“Boxing has always attracted writers because it issues a standing challenge to their powers of description and imagination, and also a warning–really a promise–that no matter how many layers of meaning you peel away there will always be others beneath them” (1). Over the past half-century boxing has endured a strange fate: a fall from cultural dominance simultaneous to a rise in payouts so enormous that top fighters are the most valuable athletes on the planet. A puzzle like this attracts the fighter, the fan, and the scholar; and boxing is full of such befuddlers. Expressive of a variety of injustices and imbalances of power, boxing offers careful analysts the chance to look beyond the perfectly pebbled abs and airbrushed promotional photos to see into the lives of the people cross-pressured by vast economic and cultural forces both at their command and beyond their control. Enter The Bittersweet Science: Fifteen Writers in the Gym, in the Corner, and at Ringside (University of Chicago Press, 2017) edited by Carlo Rotella and Michael Ezra; a new collection of original essays that probes the mysteries of the sport, business, and spectacle of boxing, asking us to look again at one hundred years of history at the fights. Bringing together essays by fighters, managers, and keen observers of boxing’s past and present, this collection restores the qualitative weight of what appear to be quantitative measures–like a fighter’s win-loss record–peeling back the layers of history and culture and life experience in events and careers in the fight industry. While they engage the legacy of boxings all-time greats, the writers here also plumb the networks of amateur and Olympic fighters, trainers, managers, and administrators who make up the vast majority of those in the fight world. Often correcting for the force of the “invisible numbers” behind the record book page, this book’s perspectives from around the fight world reveal the ways in which national culture, race, gender, and social status open and close opportunities for a professional fighter, and influence current and future earning potential. Fitness, skill, speed, and style can lift a fighter to greatness, but it takes a different level of savvy to carve an opening in the industry in a fighter’s post-prime; a savvy that the sport itself may need to capture in a culture that seems to have moved on to younger, stronger attractions. For sports historians, fight fans, and observers of American writing, The Bittersweet Science provides a potent sampling of “either the glorious last stand or amazing comeback of boxing writing as a genre of literature,” and offers fans and scholars the analytical tools and historical perspective to make meaning of fighters climbing into the ring. Carl Nellis is an academic editor and writing instructor working north of Boston, where he researches contemporary American community formation around appropriations of medieval European culture. You can learn more about Carl’s work at carlnellis.wordpress.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

On this program, we talk to Sarah Ruden about her new book, The Face of Water: A Translator on Beauty and Meaning in the Bible (Pantheon, 2017). Novelist J. M. Coetzee praised the book, saying, “If you seriously want to know what the Bible says but don’t have the time or the courage to master Biblical Hebrew or Koine Greek, then Sarah Ruden is the best guide you are likely to find: friendly, informal, yet with a scholarly grasp of just how unrealizable perfect translation is.” Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received the Whiting Creative Nonfiction Grant for her work on Augustine’s Confessions. Ruden made use of her experience in publishing several book-length translations of pagan literature to write Paul among the People: The Apostle Reinterpreted and Reimagined in His Own Time (Pantheon, 2010). Her translation of Aeschylus’ Oresteia is part of The Greek Plays, a Modern Library collection (2016). She has begun a new translation of the Gospels for The Modern Library, taking into account linguistic, literary, and historical research that has been poorly represented in standard translations. Garrett Brown has been the host of New Books in Biblical Studies since April 2015. He works as a book publisher and occasionally blogs at noteandquery.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Roy Bing Chan‘s new book explores twentieth-century Chinese literature that emphasizes sleeping and dreaming as a way to reckon with the trauma of modernity, from the early May Fourth period through the end of the Cultural Revolution in the late 1970s. Informed by theoretical engagements with Russian Formalism, semiotics, psychoanalysis, Marxism, affect studies, and more, The Edge of Knowing: Dreams, History, and Realism in Modern Chinese Literature (University of Washington Press, 2017) considers how time was transformed with the rise of capitalist modernity, and illustrates the significance of a language of dreams and dreaming as writers sought to cope with this transformation and its consequences. Chan offers careful readings of the work of several writers as a way to tell this story, from Lu Xun’s prose poetry to fiction by Mao Dun, Yang Mo, and Zong Pu. Chan concludes by reflecting on how this context might inform how we understand the notion of the Chinese Dream, and arguing that paying attention to the materiality of literary texts can help us discover the aesthetic resources for articulating hope. It’s a fascinating study that makes significant contributions to how we understand the relationship between time, dreaming, and materiality in modern literature. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

As our name makes clear, the New Books Network focuses on books. And as a host who looks at contemporary literature, I have the pleasure of interviewing authors with new books, ones often published by smaller presses without the huge PR machines of larger presses and ones that consequently are often overlooked by larger media outlets. For me, thats one of the rewards of hosting at the New Books Network: I have the chance to showcase important work that you might otherwise miss, work that adds to the richness and diversity of our national literary culture. Now you might be thinking that I’m about to ask you for a donation. I’m not. Though if you want to contribute to the New Books Network and its public mission to widen the intellectual life of America, by all means please do so. We’d appreciate it. No, what I want to do is make the point that, while books from small literary presses are one place that our literary culture thrives, it’s not the only one. Crucial to our national literature are the small journals and reviews that publish our writers. These venues–and there are hundreds of them in print and, increasingly, online–foster our younger writers and promote the work of our established one, especially work that is non-commercial or experimental. Literary journals and reviews offer readers diverse voices and diverse aesthetics. They’re the forum through which our literary culture thrives and expands and reinvigorates itself. And they are usually run by editors who work for almost nothing, on almost-nothing budgets, editors who believe in literature as much as the authors they publish. Today I talk to one of those editors. Tommy Mira y Lopez is the co-founder and co-editor of Territory, a new venue that has not only taken up the time-honored task of providing readers with new work from newer writers, but that’s also creating something like a new micro-genre of literature, one that combines visual maps and literary text. If you’ve ever found yourself looking at an old map and thinking how intriguing it is or, when reading a story, if you’ve ever imagined yourself picturing its imaginary landscape, you’ll be excited to explore Territory and the new terrains of literature its fostering.     Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In The Last Rabbi: Joseph Soloveitchik and Talmudic Tradition (Indiana University Press, 2016), William Kolbrener, professor of English at Bar Ilan University in Israel, explores the life and thought of Joseph Soloveitchik, the scion of the Brisk rabbinic dynasty, from both literary and psychoanalytic perspectives. The result is both a compelling critique of extant receptions of Soloveitchik’s thought and a nuanced exploration of the sources and struggles at the root of the Rav’s towering intellectual and halakhic achievements. The book will be of interest to students of rabbinic hermeneutics, modern Jewish thought, psychoanalysis, and the Western philosophical tradition — all intellectual realms in which Soloveitchik was well versed. David Gottlieb is a PhD Candidate in the History of Judaism at the University of Chicago Divinity School. His research focuses on interpretations of the Binding of Isaac and the formation of Jewish cultural memory. He can be reached at davidg1@uchicago.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What is a book? The answer, at first glance, may seem apparent: printed material consisting of a certain amount of pages. However, when a printed item goes under the scrutiny of readers, writers, editors, scholars, etc., the discussion gets complicated. The matter is that, when read, discussed, or analyzed, a book is situated in a specific environment that creates additional layers for consideration; furthermore, a printed item itself shapes the environment, revealing and producing further developments and proliferations. In From the Edge: Chicana/Chicano Border Literature and the Politics of Print (Rutgers University Press, 2016), Allison E. Fagan invites her readers to explore not only a magic world of the literature that arises out of collaboration of national, ethnic, political, social, literary borders, but also multilayered networks produced by books, which infiltrate readers’, writers’, editors’, publishers’, and translators’ communication. As the title prompts, From the Edge discusses border literature; however, Fagan makes a step further and includes in her analysis books which do not fall under the category of conventional border literature. Through this gesture, From the Edge broadens the area of inquiry and brings a wider scope of questions for the discussion: what is border literature and what borders do we (or should we) consider? The borders Fagan discusses and negotiates are connected with books as printed items. Outlining a theoretical framework which to some extent relies on the postmodern principles, Fagan seems to initiate a conversation about books as in-flux items: when printed and circulated among the participants of readership (understood in its broadest sense), books not only deliver different stories about writing, reading, and publishing, but also shape current discourses strengthening some aspects and weakening others. From the Edge shifts conventional margins to centers. This research offers a detailed discussion of paratextual elements: glossaries, typography, editorial paratexts, readers notes. In “My Book Has Been the Light of Day,” Fagan brings attention to recovery projects: books that were re-discovered and re-introduced to readers. While the stories about books that were once considered lost are intriguing and captivating, an academic inquiry brings forth a wide range of discussions: How are books re-discovered? How is their readership established? What do recovered books communicate about the past and present reading environments? What is accomplished through recovery projects? In her research, Fagan initiates, among others, these questions and invites readers, writers, editors, critics, scholars, translators to shift the boundaries of the existing conversations about print cultures and communication, literary traditions and language, ethnicity and nationality, self and identity. Allison E. Fagan is an assistant professor of English at James Madison University in Harrisonburg, Virginia. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Rebecca Gould‘s Writers and Rebels: Literature of Insurgency in the Caucasus (Yale University Press, 2016) is the first existing comparative study of Chechen, Dagestani and Georgian literatures and a major contribution to the study of the cultures of the Caucasus. The book examines literary representations of anticolonial violence in the Caucasus across more than a century-long period of time. The monographs central focus is on the figure of abrek (bandit), prominent across all three national literatures under scrutiny. Gould explores the figure of abrek through the prism of what she calls “transgressive sanctity” –“the process though which sanctity is made transgressive and transgression is made sacred through violence against the state.” Through this process, violence is aesthetisized and aesthetics is endowed with the capacity to generate violence. Of particular interest is Gould’s approach to the study of violence an investigation in which, she suggests, literature can and should play a central role. Writers and Rebels is based on eight years of fieldwork, and the reading and analysis of many previously untapped sources, in particular, the Arabic-language texts from Dagestan. This local literacy and the diversity of sources allows Gould to challenge the postulates of existing theoretical frameworks, such as postcolonialism as it applies to the studies of the Caucasus, and search for new scholarly trajectories which take into account the utter cultural and linguistic diversity of the region. Olga Breininger is a PhD candidate in Slavic and Middle Eastern Studies at Harvard University. Her research interests include post-Soviet culture and geopolitics, with a special focus on Islam, nation-building, and energy politics. Olga is the author of the novel There Was No Adderall in the Soviet Union and columnist at Literratura. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Benjamin Fondane, a Franco-Romanian writer and contributor to the development of existential philosophy in the 1930s and 40s, is in the process of being rediscovered. His work has gained a new relevance in the contemporary period due in part to the way it anticipates some of the core themes and interests of critical theory, including the limits of rationality and subjectivity, and ideas about the ineffable and the impossible. Until recently, few of Fondane’s writings, aside from his poetry, had been translated into English, despite a long-standing recognition of their importance to philosophical debates in the period, including by Fondane’s contemporaries, such as Lev Shestov and Albert Camus. A new collection entitled Existential Monday: Philosophical Essays edited and translated by Bruce Baugh and published by the New York Review of Books in 2016, aims to rectify this. Professor Baugh, who teaches Philosophy at Thompson Rivers University in British Columbia, has written extensively on existential thought and continental philosophy, and is the author of French Hegel: From Surrealism to Postmodernism (Routledge, 2003). Professor Baugh’s work on Fondane will be of interest to a wide variety of readers seeking a better understanding of a thinker whose work invites consideration alongside his better known contemporaries Walter Benjamin and the early Levinas, among others. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies