New Books in Literary Studies

How does a book come into being? In Under the Cover: The Creation, Production, and Reception of a Novel (Princeton University Press, 2017), Clayton Childress, Assistant Professor in the Department of Sociology at The University of Toronto, accounts for the social processes behind the contemporary novel. The book uses a case study of Jarrettsville, a work of historical fiction, to explore the processes of creation, production, and reception for the book. Drawing on, but also extending and developing, field theory, the book challenges the usual perception of a lone authorial genius with a detailed sociological picture of how a novel is made. The book offers rich empirical material, from quantitative analysis of inequalities in publishing, through readers’ responses to the novel and insider knowledge from agents and editors, to ethnographic reflections on the social setting for authorial work. The book is a fascinating and accessible read for anyone interested in contemporary culture. The first chapter is available for as a preview here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Alessandro Duranti is Distinguished Professor of Anthropology at UCLA, where he served as Dean of Social Sciences from 2009-2016. In his book The Anthropology of Intentions: Language in a World of Others (Cambridge University Press, 2015), Duranti explores the relevance of intentions in making sense of what others say reflecting the range of his intellectual curiosity: from analytic and continental philosophical foundations of the concept of intentionality to political discourse in Samoa and the U.S., anthropologists’ accounts of the opacity of other minds in Pacific societies, and the embodiment of intentions in jazz improvisation. Duranti takes up the stalled opposition between, on the one hand, analytic philosophy of language–which tends towards individualistic conceptions of intentions–and, on the other hand, linguistic anthropology–which rejects this armchair universalizing, offering counterexamples of contexts where inner states are not socially salient. In making the case for a continuum of intentionality, he offers a way to reconcile this opposition: the salience of intentions varies across individuals and cultures, and with it, the social and linguistic elaboration of being-in-the-world varies too. For Duranti, intentionality is an irreducibly intersubjective phenomenon: an individual’s ostensible, performed, and uniquely conceived meaning is always in tension with the meaning interpreted and evaluated by a community, whether present or not. We are not just beings in the world: we always exist in a world of others. This intersubjective tension undergirds the social construction of, for example, authenticity and responsibility in politics, the ability to be an active listener in music, and the translation of a concept from one social world to another. This interview discusses The Anthropology of Intentions in relation to Duranti’s wide-ranging academic career, up to and including his recent sabbatical excursions into the ancient Greek world in search of the origins of the notions of intention, mind, and soul. [Afterword. Alessandro Duranti contributed to a special edition of Journal of Ethnographic Theory (Vol 7, No 2, 2017) in which he discusses ideas we talked about in the podcast. You can find it here.] John Weston is an Associate Lecturer in Applied Linguistics at Queen Mary University of London. His research focuses on the relationships between language, knowledge and ethics. He can be reached at j.weston@qmul.ac.uk. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Strangers in Berlin: Modern Jewish Literature between East and West, 1919-1933 (University of Michigan Press, 2016), Rachel Seelig, Visiting Scholar in the Department of Germanic Languages and Literatures at the University of Toronto, works against the prevailing tendency to view German and East European Jewish cultures as separate fields of study. Looking at four writers, Seelig presents Jewish literature in the Weimar Republic as the product of a dynamic encounter between East and West. This is a very interesting and groundbreaking work of scholarship. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Mykola Soroka’s Faces of Displacement: The Writings of Volodymyr Vynnychenko (McGill-Queens University Press, 2012) is a compelling investigation of the oeuvre of one of the Ukrainian writers whose dramatic literary career offers insights not only into the nature of writing but also into the contextual environments that happen to shape writers’ reputations. Born and educated in Ukraine, Vynnycheko had to leave his homeland shortly after the emergence of the Soviet Union: his political vision considerably differed from the developments introduced and supported by the Soviet leaders. Extensively traveling across Europe, Vynnychenko was trying to maintain a fragile connection with his homeland: this connection was primarily constructed and nourished by the writers imagination. In spite of persecution, Vynnychenko ventured a few intermittent returns to Soviet Ukraine; however, he never had a chance to settle down in his home country again. France became one of the places where he attempted to develop a new sense of home and belonging; but this attempt was always imbued with the writers longing and nostalgia for Ukraine. Detailing the trajectory of Vynnychenko’s traveling/wandering, Mykola Soroka introduces the concepts of homeland and hostland, contributing to the discussion of exile literature. Negotiating the notions of exile, expatriate, nomad, diaspora, Soroka’s research offers a notion that includes different shadows of writers and the works they produce outside their homelands–displacement. Vynnychenko’s life and literary career exemplifies displacement that, in fact, can hardly be described as stable and concrete. Although inherently including some negative connotations (displacement hints at leaving a comfort zone), displacement is also nourished by change, movement, and transformation. As Soroka’s research demonstrates, Vynnycheko’s style changes and develops as he travels and as he attempts to adjust to new environments. Faces of Displacement is structured around two major stages of Vynnycheko’s balancing between his homeland and hostland(s): 1907-1914 and 1920-1951. Soroka provides detailed accounts of the writer’s negotiations with his multiple selves that arise as the external environments change. Astute artistic and psychological observations are accompanied by historical and political considerations that contribute to the proliferation of the research discussion. Reconstructing an intricate system of overlapping layers, Faces of Displacement offers new perspectives for the exploration of Vynnychenko’s works and for the investigation of literature that emerges on the edges of consciousness when homelands and hostlands intersect. In addition to an insightful analysis of works that establish Vynnychenko’s literary reputation (The Black Panther and the Polar Bear (1911), The Solar Machine (1928), The Leprosarium (1938), to name but a few), Faces of Displacement also considers the writer’s political activity and love of painting as one of significant factors. This consideration allows to present Vynnychenko’s works in the context of interdisciplinary investigations: Vynnychenko’s political aspirations appear to have been informed by his ethic and aesthetic principles; conversely, political and ideological nuances are part of the writer’s literary vision. In Ukraine, Vynnychenko’s works were banned for a few decades. His final novel, Take the Floor, Stalin! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In The Latina/o Midwest Reader (University of Illinois Press, 2017) editors Omar Valerio-Jimenez, Santiago Vaquera-Vasquez, and Claire F. Fox bring together an exceptional cadre of scholars to dispel the notion that Latinas/os are newcomers to the Midwest. Through seventeen penetrating essays, this collection explores the trajectory of Latina/o migration, their demographic transformation of the Midwest, importance as laborers, neighbors, and community builders, as well as their struggles to obtain social and economic justice. Collectively, the essays within this anthology make several important interventions concerning the distinctiveness of the Midwest in the Latina/o experience and the effect it has had on identity formation and social activism. The presentation of the Midwest as a “border space” (i.e., contact zone) for Latina/o migrants from various parts of Latin America is a central theme that runs throughout the book. This anthology is an essential addition to Latina/o studies scholarship as it challenges the bi-coastal normativity and exclusivity of existing scholarship. David-James Gonzales (DJ) is a Postdoctoral Scholar and Teaching Fellow in the Dornsife College of Letters, Arts, and Sciences at the University of Southern California. He is a historian of the U.S.-Mexico Borderlands, the development of multi-ethnic/racial cities, and Latina/o identity and politics. His research centers on the intersection of Latina/o civic engagement and politics on the metropolitan development of Orange County, CA throughout the 20th century. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Denying Her Voice: The Figure of Miriam in Ancient Jewish Literature (Vandenhock and Ruprecht, 2016) Hanna Tervanotko first analyzes the treatment and development of Miriam as a literary character in ancient Jewish texts, taking into account all the references to this figure preserved in ancient Jewish literature from the exilic period to the early second century C.E.: Exodus 15:20-21; Deuteronomy 24:8-9; Numbers 12:1-15; 20:1; 26:59; 1 Chronicles 5:29; Micah 6:4, the Septuagint, the Dead Sea Scrolls (4Q365 6 II, 1-7; 4Q377 2 I, 9; 4Q543 1 I, 6 = 4Q545 1 I, 5; 4Q546 12, 4; 4Q547 4 I, 10; 4Q549 2, 8), Jubilees 47:4; Ezekiel the Tragedian 18; Demetrius Chronographer frag. 3; texts by Philo of Alexandria: De vita contemplativa 87; Legum allegoriae 1.76; 2.66-67; 3.103; De agricultura 80-81; Liber antiquitatum biblicarum 9:10; 20:8, and finally texts by Josephus: Antiquitates judaicae 2.221; 3.54; 3.105; 4.78. These texts demonstrate that the picture of Miriam preserved in the ancient Jewish texts is richer than the Hebrew Bible suggests. The results provide a contradictory image of Miriam. On the one hand she becomes a tool of Levitical politics, whereas on the other she continues to enjoy a freer role. People continued to interpret earlier literary traditions in light of new situations, and interpretations varied in different contexts. Second, in light of poststructuralist literary studies that treat texts as reflections of specific social situations, Tervanotko argues that the treatment of Miriam in ancient Jewish literature reflects mostly a reality in which women had little space as active agents. Despite the general tendency to allow women only little room, the references to Miriam suggest that at least some prominent women may have enjoyed occasional freedom. Phillip Sherman is Associate Professor of Religion at Maryville College in Maryville, TN. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

There is a long tradition of the study of Sikhism in Western academia. However, historiographical accounts still lack a clear vision of the early formation of the tradition. Rahuldeep Singh Gill, Associate Professor of Religion at California Lutheran University, addresses this lacuna in Drinking From Love’s Cup: Surrender and Sacrifice in the Vars of Bhai Gurdas Bhalla (Oxford University Press, 2017). Through a detailed analysis and lucid translation of the literary tradition of Bhai Gurdas Bhalla (d. 1636), the tradition’s most important poet, Gill challenges and critiques current modes of Sikh scholarship. Bhai Gurdas’ poetry shaped early Sikh theology and practice, providing an emotive lexicon for communal identity. Gill highlights some of the most important of Gurdas’vars in articulating key themes in his writing, including spiritual death, martyrdom, sacrifice, and divine love. These tropes often emerge in the context of relationships with Sikh leadership, such as the martyr Guru Arjan and his son Guru Hargobind. In our conversation we discussed the state of Sikh Studies, the founding tradition around Guru Nanak and the transformations that shaped Gurdas’ life, the Sikh canon and its broader textual landscape, Islamicate influences, the manuscript tradition, practices of feet veneration, scholarly orientalism, translational practices, and interfaith engagement. Kristian Petersen is an Assistant Professor of Religious Studies at the University of Nebraska Omaha. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

As I was reading Ron Edward’s fascinating and far-reaching new book, The Edge of Evolution: Animality, Inhumanity, and Doctor Moreau (Oxford University Press, 2016), I had a flashback. I must have been about seven. I was watching a film adaptation of H.G. Well’s classic work of science fiction, The Island of Doctor Moreau. It’s about a doctor who takes animals and tries to make them human by surgically alerting them. I don’t remember much about the movie–I think Burt Lancaster played Moreau–but what I remember is that the story really creeped me out. It stayed with me for a long time. And, even now, as I remember those half-man, half-beasts that populate Dr. Moreau’s island, I’m creeped out. The feeling is something like a primordial shiver. Now you may attribute that feeling to the sensitivity of a seven-year-old, and that’s probably right: what were my parents thinking letting me watch a horror movie at that age? Edwards, however, has a different answer, one based on Well’s original story. It’s that these man-beasts that Wells imagines force us to realize us that we are, in our essence, animals. This realization is something that, as a culture and as individuals, we don’t like to contemplate. It unnerves us. It creeps us out. And that’s what Edward’s book explores: it is, among other things, a case against human exceptionalism, one that asks us not only to rethink our animal selves, but also our relationship to those other creatures who share our animality. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Philosophers have long tried to silence the physical musicality of voice in favor of the purity of ideas without matter, souls without bodies. But voices resonate among bodies and texts; they are singular, as unique as fingerprints, but irreducibly collective too. They are material, somatic, and musical. Voices also give body to concepts that cannot exist in abstraction, essential to sense yet in excess of it. They complicate the logos of the beginning and emphasize the enfleshing of all words. Karmen MacKendrick’s The Matter of Voice: Sensual Soundings (Fordham University Press, 2016) explores all this and more through theology and philosophy, pedagogy, translation, and semiotics. It is a beautifully written and challenging book. Karmen MacKendrick is Professor of Philosophy at Le Moyne College Hillary Kaell co-hosts NBIR and is Associate Professor of Religion at Concordia University in Montreal, Canada. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Michael Allan‘s In the Shadow of World Literature: Sites of Reading in Colonial Egypt (Princeton University Press, 2016) challenges traditional perceptions of world literature: he argues that the disciplinary framework of world literature levels the differences between different types of literature. He uses colonial Egypt as a geographic focus of inquiry and demonstrates how literary traditions changed the act of reading: his examples include the Rosetta Stone and translations of the Qur’an. He thus demonstrates that literary reading (to be distinguished from how reading was conceptualized in Egypt before the colonial period) requires different ethical capacities and sensibilities and how they were gradually institutionalized by different genres of texts. NA Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies