New Books in Literary Studies

Why would anyone want to study Sanskrit, an ancient complex tongue? What’s the best way to go about doing so?  Sanskrit is the highly sophisticated language of ancient India which remained in vogue for Millennia as a medium of philosophy, ritual, poetry – indeed every facet of Indian culture. Above and beyond Indian culture, it affords deep insight into the grammatical structures of language.  Join us as we talk to Antonia Ruppel (Oxford University) about her Sanskrit textbook, The Cambridge Introduction to Sanskrit (Cambridge University Press, 2017), a much-needed accessible, comprehensive tool for learning this ancient tongue, complete with online handouts, flash cards, and videos. We delve into the unique attributes of the Sanskrit language – for example, 3 numbers, 3 genders, special case endings, sophisticated rules for combinations of sounds (elision) – and the extent to which knowledge of the Hindu ‘language of the gods’ grants us access to millennia of human enterprise that is simultaneously foreign and familiar to our own.For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Why are myths of the Indian Great Goddess couched in a conversation between a deposed king and forest-dwelling ascetic? What happens when we examine these myths as a literary whole, frame and all? What interpretive clues might we find in their very narrative design? Join us in the "flip interview" as as your New Books Network Hindu Studies host Raj Balkaran (University of Toronto School of Continuing Studied) is interviewed on his new book The Goddess and The King in Indian Myth: Ring Composition, Royal Power and The Dharmic Double Helix (Routledge, 2018) by guest-interviewer Craig Ginn from the University of Calgary. Learn how the narrative design of Indian Great Goddess myths and the manner in which that design highlights the Goddess' association with royal power. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

With questions over how ideas are translated across borders and between languages as acute as ever today, it is sometimes easy to forget that our efforts to understand each other are mediated through many accreted layers of previous translations. Pu Wang’s The Translatability of Revolution: Guo Moruo and Twentieth-Century Chinese Culture (Harvard University Asia Center, 2018) takes us deep into this world of past linguistic and cultural interpretations, shedding invaluable light on broad questions how ‘history’, 'the people', 'revolution' and many other ideas have emerged as products of exchange between East Asian and European contexts.But this book is much more than this, being the first study of the whole life of Guo Moruo, the ‘writer, poet, dramatist, Marxist historian, paleographer… revolutionist and cultural fighter’ (p. 5), as Deng Xiaoping eulogised him. Wang skilfully weaves together an analysis of Guo’s extraordinarily diverse written works – from translations of Goethe to autobiography and interpretations of oracle bone inscriptions – with a rich account of the man's personal life and events in China at large. As a poet and translator himself, Wang is uniquely positioned to tell this richly creative story which is at once personally intimate and vast in scope. As difficult to encapsulate in a short blurb as the tumultuous life of Guo himself, this book offers us a portrait of a deeply complex and controversial figure and a picture of Chinese culture in the age of revolution which emerged in dialogue with innumerable historic voices.Ed Pulford is a postdoctoral researcher at the Slavic-Eurasian Research Center, Hokkaido University. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Why does the narrative motif of ‘dialogue’ pervade Hindu texts?  What role does it serve?  Join me as I speak with Chakravarthi Ram-Prasad (Fellow of the British Academy, and distinguished professor of Comparative Religion and Philosophy at Lancaster University), co-editor of In Dialogue with Classical Indian Traditions: Encounter, Transformation and Interpretation (Routledge, 2019). This volume presents 13 fascinating studies on the role of dialogue in Indian religious tradition, all of which are touched on in the interview. This book is part of a series entitled "Dialogues in South Asian Traditions: Religion, Philosophy, Literature and History."For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Of the millions of books that have been published, few are as renowned or as coveted today by collectors as the famous Bible printed in the 15th century by Johannes Gutenberg. In The Lost Gutenberg: The Astounding Story of One Book's Five-Hundred-Year Odyssey (TarcherPerigee, 2019), Margaret Leslie Davis traces the journey of one copy of this book – known as Number 45 – over the course of two centuries as it changed hands through a succession of owners. As Davis explains, at the start of the 19th-century Gutenberg Bibles were not as highly prized by the growing market of rare book collectors, which allowed Archibald Acheson, the third earl of Gosford, to acquire Number 45 for a relatively small sum in 1836. By the time it was sold nearly a half-century later, however, its status had skyrocketed and with it the price it commanded. After a succession of British owners, Davis describes the book’s acquisition in 1950 by the American heiress Estelle Doheny, which brought Number 45 across the Atlantic Ocean and into the hands of the only woman known to own a copy. Though the book was donated to a Catholic seminary upon her death along with the rest of her collection, its sale in 1987 to a Japanese publisher led to a second transoceanic journey that brought it to Japan. There Number 45 became the first Gutenberg accessible to millions as its pages were subsequently photographed and the images posted on the Internet for anyone online to see. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Dr. Shonaleeka Kaul is a cultural historian of early South Asia specializing in working with Sanskrit texts. She is Associate Professor at the Centre for Historical Studies, Jawaharlal Nehru University, and has worked extensively on Sanskrit kavya, a genre of highly aesthetic poetry and prose. She is the author of The Making of Early Kashmir: Landscape and Identity in the Rajatarangini (Oxford University Press, 2018) and Imagining the Urban: Sanskrit and the City in Early India (Permanent Black and Seagull Books, 2010), and has edited Cultural History of Early South Asia: A Reader (Orient BlackSwan, 2013). The interview is about her second and recent book The Making of Early Kashmir, in which she upturns many prevalent views about the cultural history of Kashmir. As many would know, Kashmir is right now a highly contested territory within India, and as it happens with all such spaces, there is equally a contestation over the reconstruction of the historical memory related to the land. In this book, Shonaleeka Kaul challenges the view that Kashmir had an isolated, insular and unique regional and cultural identity, separate from the identity of mainstream India. She argues that it was in fact the opposite, and her argument is based on, among other things, her highly original reading of the Sanskrit kavya, Rajtarangini, composed by the Kashmiri author Kalhana in the 12th century AD. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Dr. Thomas A. Wayment, professor of Classics at Brigham Young University, has done something remarkable — he has retranslated the New Testament. This new translation from the best available Greek manuscripts, entitled, The New Testament: A Translation for Latter-day Saints(Religious Studies Center, Brigham Young University, 2019), renders the New Testament text into modern English and is sensitive to Latter-day Saint beliefs and practices. It is also readable and accessible for a wide range of readers. The original paragraph structure of the New Testament is restored and highlights features such as quotations, hymns, and poetic passages. New and extensive notes provide alternative translations, commentary on variant manuscript traditions, and historical insights. Where applicable, the Joseph Smith Translation of the Bible has been included, and the notes contain the most complete list of cross-references to New Testament passages in the Book of Mormon and Doctrine and Covenants that has ever been assembled. In our discussion, Dr. Wayment gives us exciting insights into how he translated the New Testament, along with his thoughts on Jesus Christ, the Pauline epistles, the role of women in the early church, and more. It’s a fun and fascinating conversation!Daniel P. Stone holds a PhD in American religious history from Manchester Metropolitan University (United Kingdom) and is the author of William Bickerton: Forgotten Latter Day Prophet (Signature Books, 2018). He has taught history courses at the University of Detroit Mercy and Florida Atlantic University, and currently, he works as a research archivist for a private library/archive in Detroit, Michigan. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

From the earliest days of medical research into autism, both psychologists and the general public have characterised those on the autism spectrum as literal-minded, unimaginative and lacking in empathy. While in recent years a fresh emphasis on neurodiversity has served to sweep aside this kind of reductive thinking, many people still view autistic readers as limited in their capacity to engage with literary texts. In his new book See It Feelingly: Classic Novels, Autistic Readers, and the Schooling of a No-Good English Professor (Duke University Press, 2018), educator and author Ralph James Savarese challenges the notion that autistic readers are unable to immerse themselves in figurative language or get lost in imaginative worlds. Instead, Savarese, himself the father of a young autistic man, explores the many diverse and illuminating ways in which neurodivergent readers can engage with literature. From a young reader who identifies with the cetacean “antagonist” of Moby Dick to a woman who provides stunning new insights into Philip K. Dick's Do Androids Dream of Electric Sheep?, See It Feelingly foregrounds the unique perspectives of autistic readers and highlights their inventive approaches to literary analysis. In this podcast, Professor Savarese speaks to Miranda Corcoran about the impetus for this project and his experience working with neurodivergent readers.Miranda Corcoran is a lecturer in twenty-first-century literature in University College Cork. Her research focuses on Cold-War fiction, science fiction, horror and the gothic. She is currently writing a monograph on witchcraft and adolescence in popular culture. She is a regular contributor to Diabolique and blogs about popular culture here. You can follow her on Twitter @middleagedwitch Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Why did creative writers in early modern England write so forcefully about the relationship between aesthetics and morality? How did they imagine creative work to reflect religious categories and moral expectations? In his new book, Sinister Aesthetics: The Appeal of Evil in Early Modern Literature (Palgrave, 2017), Joel Elliot Slotkin, a professor of English at Towson University, explores how Spenser, Sidney, Shakespeare and Milton considered the appeal of evil, and why their writing moralized about aesthetics only to create characters or contexts in which that moral purpose seemed to be undermined. In this ground-breaking study, Slotkin explains how these writers created a “sinister aesthetics,” in which to test their readers, and to persuade their readers that the fall of humanity into sin had aesthetic as well as moral and noetic consequences.Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

By the 1980s, critics and the public alike considered James Baldwin irrelevant. Yet Baldwin remained an important, prolific writer until his death in 1987. Indeed, his work throughout the decade pushed him into new areas, in particular an expanded interest in the social and psychological consequences of popular culture and mass media. In his new book James Baldwin and the 1980s: Witnessing the Reagan Era(University of Illinois Press, 2018), Joseph Vogel offers the first in-depth look at Baldwin's dynamic final decade of work. Delving into the writer's creative endeavors, crucial essays and articles, and the impassioned polemic The Evidence of Things Not Seen, Vogel finds Baldwin as prescient and fearless as ever. Baldwin's sustained grappling with "the great transforming energy" of mass culture revealed his gifts for media and cultural criticism. It also brought him into the fray on issues ranging from the Reagan-era culture wars to the New South, from the deterioration of inner cities to the disproportionate incarceration of black youth, and from pop culture gender-bending to the evolving women's and gay rights movements. Astute and compelling, revives and redeems the final act of a great American writer.Adam McNeil is a PhD student in History, African American Public Humanities Initiative and  Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies