New Books in Literary Studies

A series of stories ranging from two-page narrative excerpts to 90+ page novellas, The Handsome Monk and Other Stories (Columbia University Press, 2019), translated by Columbia PhD student Christopher Peacock, with a contribution from Lauran Hartley, masterfully introduces the work of contemporary Tibetan author Tsering Döndrup. One of the most popular and critically acclaimed figures of Modern Tibetan literature of the post-Mao period, Tsering Döndrup is known for his earthy humor and his unflinchingly satirical portrayals of Tibetan life. Resisting the urge to romanticize Tibetan life, Tsering Döndrup’s stories relentlessly satirize both those in power—including clerics and government officials—and those without. Stories describe emergent social problems like gambling and long-standing folk institutions of violent feuds alike. The narratives compiled in The Handsome Monk could only be written by someone intimately familiar with Tibetan life over the last fifty years, and by placing many of his stories together, this volume evocatively portrays resilience and the problems of Tibetan culture.Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Brian Cremins' book Captain Marvel and the Art of Nostalgia (University Press of Mississippi, 2017) explores the history of Billy Batson, a boy who met a wizard that allowed him to transform into a superhero. When Billy says, “Shazam!” he becomes Captain Marvel. Cremins explores the history of artist C.C. Beck and writer Otto Binder’s Captain Marvel comic book character who outsold Superman comics in the 1940s. Examining the Golden Age of comics in the United States, Cremins addresses the careers of Beck and Binder, Captain Marvel, and the ways in which they influenced comic fandom in the 1960s.Focusing on the relationship between comics and nostalgia, Cremins examines the origins of Billy Batson and Captain Marvel. Captain Marvel and the Art of Nostalgia details the lives of Beck and Binder, the lawsuit filed against Fawcett Comics that eventually ended Captain Marvel and Fawcett Comics, and the role of World War II and the nostalgia of American soldiers and civilians in Captain Marvel’s popularity. He also investigates the complicated histories of characters such as Mr. Tawny, the talking tiger that adapts to American society and befriends Captain Marvel, and Steamboat Bill, the African American food truck owner who helps Captain Marvel catch a group of criminals and in return is given a job by Billy Batson. Ending with the influence of comic fanzines of the 1960s on reigniting interest in Beck and Binder as well as Captain Marvel, Cremins examines the impact of comics on memory and American popular culture.Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digitalin peoples lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

When teaching a public course called “The Age of Debt” this winter break, I had the strange realization that one of the the most successful readings in that course, the one which most clearly explained the 2008 crisis and the financialized economy, was written by an English professor. It was Annie McClanahan’s Dead Pledges: Debt, Crisis, and Twenty-First Century Culture (Stanford University Press, 2016). The book is a masterful exploration of the cultural politics of the financial crisis and a powerful mediation on how to make sense of an era of unrepayable debts. As a review in the LA Review of Books notes, McClanahan has resurrected and repurposed the rich tradition of Marxist literary criticism which brought us Raymond Williams, analyzing post-crisis literature, photography, and cinema as cultural texts registering “a new ‘crisis subjectivity’ in the wake of the mortgage meltdown’s shattering revelations.” Dead Pledges is a must read. For whom? Well, anyone living in the 21st century, concerned about insurmountable debts, thinking of how culture and the economy transect each other, and striving for a radical politics fit for the mortgaged times in which we live.Aparna Gopalan is a Ph.D. student in Social Anthropology at Harvard University. Her research focuses on how managing surplus populations and tapping into fortunes at the “bottom-of-the-pyramid” are twin-logics that undergird poverty alleviation projects in rural Rajasthan. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

John Dryden is often regarded as one of the most conservative writers in later seventeenth-century England, a time-serving “trimmer” who abandoned his early commitments to the English Republic to become the poet laureate and historiographer royal of Charles II’s new regime. But, as this important new book demonstrates, Dryden never entirely left behind the ideas – and worries – about inspiration that shaped his early political and creative experiences. John West, who is assistant professor of English and comparative literature at the University of Warwick, has written a brilliant new book, Dryden and Enthusiasm: Literature, Religion and Politics in Restoration England (Oxford University Press, 2018), which opens up the sustained ambiguities of his subject’s interest in inspiration. With an agenda that promises to re-shape the literary history of the later seventeenth century, Dryden and enthusiasm is a defining study of a complex and contradictory literary figure.Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

For some two hundred years now, Pentateuchal scholarship has been dominated by the Documentary Hypothesis, a paradigm made popular by Julius Wellhausen. Recent decades, however, have seen mounting critiques of the old paradigm, from a variety of specializations, not only in Biblical Studies, but also in the fields of Assyriology, Legal History, and Linguistics. In a recent international meeting, scholars across these fields came together and presented papers, each one calling for a paradigm change in Pentateuchal research. Join us as we speak with one of those scholars, Richard Averbeck, about his contribution to Paradigm Change in Pentateuchal Research, edited by M. Armgardt, B. Kilchör, M. Zehnder (Harrassowitz Verlag, 2019)—his chapter is titled ‘Reading the Torah in a Better Way.’Richard Averbeck teaches at Trinity Evangelical Divinity School. His areas of expertise include Old Testament, especially the Pentateuch, ancient Near Eastern history and languages, Old Testament criticism, Hebrew, and biblical counseling. He is a member of the Evangelical Theological Society, the Institute for Biblical Research, the American Oriental Society, the American Schools of Oriental Research, and the Society of Biblical Literature.Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author of The Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus(Peeters, 2012), and Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of Leviticus (IVP Academic, 2015). He can be reached at mmorales@gpts.edu Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

As they explored and struggled to establish settlements in what they called ‘new found lands’, the encounter with the peoples of those lands deeply affected how the British saw themselves. From the onset of colonisation, exotic visitors appeared in London. We recognise their names: Pocahontas, Manteo, Squanto. If you look carefully, they are a constant presence: in the decorative cartouches of 17th and 18th century maps; in the illustrated title pages of texts promoting colonisation; and present, though heavily filtered through the assumptions of British culture, in many other texts – poems, plays, treatises on political theory and philosophy, and in novels – a form that was new, which confronted a world that was ancient.The intensity of this cultural encounter, which is all too familiar to those who work on the history of colonial and federal America, has been overlooked in some circles of British studies. The multi-volume Oxford History of the British Empire, for example, devoted just 2 of 47 essays to the topic of Native Americans, while treatments of British imperial culture do not place enough emphasis on how diplomatic, military, commercial relationships with the Algonquian, Cherokee and Haudenosaunee peoples shaped broader views of the nature and purposes of the imperial project.Robbie Richardson is Lecturer in Eighteenth-Century Literature at the University of Kent. In The Savage and Modern Self: North American Indians in Eighteenth-Century British Literature and Culture (University of Toronto Press, 2018), he examines the cultural presence of Indians in the novels, poetry, plays and material culture of the eighteenth-century. This presence was used as a kind of reflection to grapple with the emergence of consumer culture, the meaning of colonialism, ‘Britishness’ and – one of the preoccupations of eighteenth-century social theorists – the nature of the ‘modern self’.Charles Prior is Senior Lecturer in Early Modern History at the University of Hull. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What options for resistance are left to the author of fiction in a nation structured by totalizing political and economic violence? This is the question at the heart of Niall Geraghty’s eloquent and engaging book, The Polyphonic Machine: Capitalism, Political Violence, and Resistance in Contemporary Argentine Literature (University of Pittsburgh Press, 2019). It is also the historically situated problem (in Piglia’s phrase) that unites this particular generation of contemporary Argentine writers. Literary critic/detective Geraghty follows the works of César Aira, Marcelo Cohen, and Ricardo Piglia in their preoccupations with theory and history to reflect on the ways violence and capitalism have created and sustained modern Argentine life. The Polyphonic Machine also mimics the preoccupations of its subjects by embracing polyphony as a stylistic choice, foregrounding the multiplicity of voices used by the authors and their interlocutors within the text itself. In so doing, Geraghty highlights both the particularity of the Argentine Dirty War from 1976-1983 and the global vision of its writers. Latin Americanists of many disciplines will find this book interesting, in particular scholars of literature, philosophy, and history.Elena McGrath is a Visiting Assistant Professor of History at Carleton College. She is a historian of race, revolution, and natural resources in the Andes. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Is the New Testament text reliable? What do we do with textual variants? How do I use the Greek New Testament? This short book, An Introduction to the Greek New Testament, Produced at Tyndale House, Cambridge (Crossway, 2019) provides crucial information about the Tyndale House edition of the Greek New Testament in particular and the Greek New Testament in general. Dirk Jongkind, one of the principal scholars behind this groundbreaking project, answers critical questions for understanding the biblical text so that you can have clarity and confidence as you engage with the New Testament in the original Greek.Dirk Jongkind is the academic vice principal and senior research fellow in New Testament text and language at Tyndale House, Cambridge. He is one of the principal scholars behind The Greek New Testament, Produced at Tyndale House, Cambridge and serves on the editorial board of The Journal for the Study of the New Testament.Jonathan Wright is a PhD student in New Testament at Midwestern Baptist Theological Seminary. He holds an MDiv from The Southern Baptist Theological Seminary and a ThM from Trinity Evangelical Divinity School, and can be reached at jonrichwright@gmail.com, twitter.com/jonrichwright, or jonathanrichardwright.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Although not all that well known to English-speaking audiences, cultural critic and Peking University professor Jinhua Dai’s incisive commentaries and critiques of contemporary Chinese life have elevated her to something akin to ‘rock star’ status in China itself. As Lisa Rofel discusses in this podcast, and in her introduction to After the Post-Cold War: The Future of Chinese History (Duke University Press, 2018), Dai interrogates the truly historic events unfolding in today’s China to ask what these mean for history itself. Vital analyses of the politics of memory and gender also pervade this collection of expertly translated essays.In particular Dai is interested in the post-Cold War entry of China into a Euro-American neoliberal world order and what this means for how the country sees its historical course. How are recent and more distant pasts invoked or ignored in conversations about this? What do erasures of past experience mean for the possibility of imagining alternative futures, as seemed possible in the twentieth century? In a searing analysis of recent Chinese films in their wider socio-political context, Dai critiques present-day historical myopias and the consequent marginalisation of those most buffeted by the storms of neoliberal capital: active female protagonists and the erstwhile socialist ‘masses’. Especially urgent in this year of key anniversaries for China, this work has much wider implications for understanding our entire global present, and for perceiving the ominous reality that “China must be a China of the future, or there will be no future” (p. 22).Ed Pulford is a postdoctoral researcher at the Slavic-Eurasian Research Center, Hokkaido University. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In her original and thought-provoking book Ornamentalism (Oxford University Press, 2019), Anne A. Cheng illustrates the longstanding relationship between the ‘oriental’ and the ‘ornamental’. So doing, she moves beyond a simple analysis of objectification to reveal the powerful role Ornamentalism plays in constituting modern ideas of personhood, racialized femininity and the figure of the Asian woman. Drawing on examples from the realms of law, popular culture and art from the 19th and 20th centuries, Cheng deepens our understanding of racial formation by demonstrating how race and gender are conceived not only in relation to the body, but inorganic ornamentation as well.Anne A. Cheng is Professor of English and Director of American Studies at Princeton University.Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology from Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies