New Books in Literary Studies

Andrew Ollett, Neubauer Family Assistant Professor of South Asian Languages and Civilizations at the University of Chicago, argues in his book, Language of the Snakes: (University of California Press, 2017), that Prakrit is “the most important Indian language you’ve never heard of.” In this book, subtitled "Prakrit, Sanskrit, and the Language Order of Premodern India," Ollett writes a biography of Prakrit from the perspective of cultural history, arguing that it is a language which challenges modern theorizing about language as a natural human development grounded in speech. Rather, he claims, Prakrit was "invented" and theorized as a self-consciously literary language, opposed to Sanskrit, but yet still part of the Sanskrit cosmopolis and not a vernacular. His book draws on unpublished manuscripts, royal inscriptions, poetry, as well as literary and grammatical texts.Malcolm Keating is Assistant Professor of Philosophy at Yale-NUS College. His research focuses on Sanskrit philosophy of language and epistemology. He is the author of Language, Meaning, and Use in Indian Philosophy (Bloomsbury Press, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Indonesia is home to one of the world’s largest Chinese-descended populations. Their historical impact is often measured in economic terms but was equally important in the realm of language and literature. The majority of Chinese-Indonesians originally spoke Southern Min dialects, better known in Southeast Asia as “Hokkien”. They also quickly gained knowledge of Malay, the lingua franca of Indonesia and beyond. It was in Java’s vernacular Malay variety that most Chinese-Indonesians acquired literacy. Through their transregional connections and plurilingual competencies, they pioneered in the printing industry of romanized Malay newspapers and books. This foray into print capitalism served the group’s commercial and political interests, but also gave rise to fascinating expressions of a hybrid (Chinese-Indonesian-European) culture.Dr Tom Hoogervorst spoke to Mr Jarrah Sastrawan about the Sino-Malay literary tradition in the late 19th and early 20th centuries.Tom Hoogervorst is a researcher at the Royal Netherlands Institute of Southeast Asian and Caribbean Studies (KITLV). One of his main interests is language contact in Southeast Asia, which can be reconstructed through a combination of historical linguistics, archival research, and philology. He has primarily worked on Malay and Javanese and their relation with other languages. At present, he focuses on the language history of Indonesia’s Chinese communities, including the unique variety of Malay in which they produced innumerable novels, newspapers, poems, and educational works from the 1870s.For more information or to browse additional resources, visit the Sydney Southeast Asia Centre’s website: www.sydney.edu.au/sseac. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ralph Waldo Ellison's masterpiece Invisible Man tells the story of an African-American man who insists on his visibility, agency, and humanity in a country dead-set on not seeing him. Barring him from most opportunities, and denying his humanity. The book charts this young man's course from the segregated South into 1950's New York where the choices seem to be; militant resistance or assimilation, war or acceptance on an unacceptable status quo.The book deals with racism and inequality in ways that remain wholly timely, but its continued relevance rests possibly most on the narrator's unflinching introspection and self-interrogation. What does it mean to be a man? What does it mean to be black? What does it mean to be human? What is an American? By interlocking these questions Ellison writes a book as tightly constructed as a great jazz performance, where many voices and perspectives compete for priority but ultimately must find a way to gel.Ellison's gripping novel is as timely today as when first published to sensational acclaim, garnering a National Book Award. It inspired countless other works, including the structure of Barack Obama's Dreams from my Father. With remarkable native narrative power, Ellison offers yet another way, beyond violence or acceptance, for America to reckon with its past and present and for African-Americans to re-pledge allegiance to a community that has refused to acknowledge them thus far.I spoke with John Callahan, Ellison's literary executor and decades-long trusted friend who brought us the posthumously published Juneteenth, the haunting short story collection Flying Home, and a forthcoming edition of Ellison's letters spanning some 40 years. John and I spent an hour in mid-March overlooking Central Park in the waning light, looking at Harlem where Ellison lived and where he's buried today, and wondering whether, as the book's final lines put it: “Who knows but that on the lower frequencies, I speak for you?”.Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Professors Melissa Walker of Converse College and Giselle Roberts of Australia’s La Trobe University, editors of the Women’s Diaries and Letters of the South series, discuss the field of documentary editing and how the personal writings of southern women reveal the broader history of life in the U.S. South during the nineteenth and twentieth centuries.Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

“I am the Real,” is the ecstatic statement often associated with the early Sufi poet Mansur al-Hallaj. In popular narratives about Hallaj this declaration of absolute unity with God is what led to his execution in Abbasid Baghdad. Other accounts attribute it to Hallaj’s directive to build a symbolic Ka’ba in one’s home if they are not able to perform the hajj pilgrimage in Mecca. While Hallaj’s biographical details are often wrapped in myth what is clear is the polarizing position he played within the Islamic tradition. Hallaj wrote prodigiously but it was his poetry that drew particular reservations even among his peers.Carl W. Ernst, Kenan Distinguished Professor of Islamic Studies at the University of North Carolina, makes this poetry available to the contemporary reader in his new volume of translations, Hallaj: Poems of a Sufi Martyr (Northwestern University Press, 2018). Ernst contextualizes Hallaj’s poetry within various intellectual and social contexts and renders them in clear beautiful language. While the poetry can be read on its own for its aesthetic value the volume overall helps us understand Hallaj’s complex system of thought through his own words. In our conversation we discuss the intellectual and social context of Hallaj’s Baghdad, his textual legacy, his feelings about the emerging Sufi practices and norms, how the poems’ original audiences encountered them, Hallaj’s metaphysics, sermons, riddles, and love poems, how to translate Arabic poetry, Louis Massignon, and the relationship between Rumi and Hallaj. You can hear more about Carl Ernst’s background and research in our previous conversation about his book How to Read the Qur'an: A New Guide, with Select Translations.Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Again, Dangerous Visions: Essays in Cultural Materialism (Brill/Haymarket, 2018) brings together twenty-six essays charting the development of Andrew Milner's distinctively Orwellian version of cultural materialism between 1981 and 2015. The essays address three substantive areas: the sociology of literature, cultural materialism and the cultural politics of the New Left, and utopian and science fiction studies. They are bookended by two conversations between Milner and his editor J. R. Burgmann, the first looking back retrospectively on the development of Milner's thought, the second looking forward prospectively towards the future of academia, the political left and science fiction.Stephen Dozeman is a freelance writer. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

 Art Spiegelman's Maus is the story of an American cartoonist's efforts to uncover and record his father's story of survival of the Holocaust. It is also a cartoon, where the Jews are mice, the Nazis cats, the Poles dogs, and the French, well, you'll have to read it.It's a story of survival and also a story of silences, and how the next generation can find and make sense of stories that seem to defy representation in their sheer horror. It's also a triumph in story-telling and a serious meditation on good and evil; on the nature of Romantic; familiar and filial love; on America's legacy of absorbing immigrants who arrive with often unspeakable traumas in a past that finds little resonance in a culture obsessed with entertainment and fast news.Maus upended the conventions of representing the Holocaust and historical trauma for a far greater audience than the American Jewish communities. It broke several rules: it spoke about past suffering to outsiders, it used low-culture to represent catastrophes, and it refused to turn the catastrophe of the Holocaust into a redemptive tale.It charted a way for others to take possession of their parents' stories without betraying them but also without letting them overwhelm the next generation, analogous to Alex Haley's magisterial Roots. I spoke with Hillary Chute, a scholar of cartoons and American literature and Distinguished Professor of English and Art + Design at Northeastern University.Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Adrian Wisnicki talks about the British expeditionary literature of the late 1800s. Reading between the lines of Victorian travel accounts, Wisnicki sees outlines of a bigger story — local peoples, landscapes, and ways of life. Wisnicki is an Associate Professor of English at the University of Nebraska-Lincoln and Faculty Fellow of the Center for Digital Research in the Humanities. For the past ten years he has served as the director (along with co-director Megan Ward) of Livingstone Online a digital museum and library devoted to the written, visual, and material legacies of British explorer David Livingstone. Wisnicki is the author of Fieldwork of Empire, 1840-1900: Intercultural Dynamics in the Production of British Expeditionary Literature (Routledge, 2019).Michael F. Robinson is professor of history at Hillyer College, University of Hartford. He's the author of The Coldest Crucible: Arctic Exploration and American Culture (University of Chicago Press, 2006) and The Lost White Tribe: Scientists, Explorers, and the Theory that Changed a Continent (Oxford University Press, 2016). He's also the host of the podcast Time to Eat the Dogs, a weekly podcast about science, history, and exploration. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

We want to be happy, we want to get what we want, we want to love and be loved. But life, even when our basic needs are met, often makes us unhappy. You can't always get what you want, Freud noted in his 1930 short book, Civilization and its Discontents. Our desires are foiled not by bad luck, our failures, or the environment -- but by the civilization meant to make life better. So why isn't civilization set up to maximize our happiness and pleasure? Why does more civilization also mean more psychological suffering?In his trenchant short book, Freud shows how culture is not the refinement of humanity but an effort to socialize everyone into a system that produces the types of "discontents" and "unease" which characterize modern existence.I spoke with Peter Brooks, an expert on Freud who has taught at Yale, Harvard, Oxford, Stanford, the University of Virginia and other universities. He's authored many books, including: Troubling Confessions: Speaking Guilt in Law and Literature (2000), Psychoanalysis and Storytelling (1994), Reading for the Plot (1984), and, with Alex Woloch, Whose Freud? (2000). Professor Brooks linked Freud's Civilization and its Discontents to the earlier Thoughts for the Times on War and Death where Freud noticed that the veneer of civilized behavior was thin indeed, and that within months of the beginning of World War I people who had co-existed peacefully were capable of inflicting the most gruesome violence on their neighbors.I asked him: if civilization and progress inevitably leads to more psychological suffering, what's our way out?Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

More than anything else, Psychoanalysis, Intersubjective Writing, and a Postmaterialist Model of Mind: I Woke Up Dead (Routledge, 2019) bears witness to what’s possible when the raw pain and heartbreak of life and death are worked with in Psychoanalysis. It tells the moving story of an analyst and his patient’s relationship as they discover the uncanny and often eerie aspects of their connected lives, and their deaths.And, yet, the book is much more. Since its invention, Psychoanalysis has worked with phenomena such as telepathy, thought transference, shared dream and trance states, mass hallucination, dissociated identities, premonitions from the future, doppelgängers, doubles, parallel lives, somnambulism, visitations from the deceased, and other paranormal phenomena. Dan Gilhooley and Frank Toich’s book is a considerable contribution to this history in Psychoanalysis that is still very much in the making. Rather than approaching these phenomena and Psychoanalysis through a biological model, as Freud did, or through a linguistic model, as Lacan did, Gilhooley and Toich approach these phenomena through quantum theory. In doing so they provide what is certainly one of the more radical revisionings of the Unconscious to date. In their hands, the Unconscious speaks to us from the future and from locations beyond ourselves just as much as it provides access to multiple universes and times. In doing so, Gilhooley and Toich offer an account of the unconscious that radically decenters the self and its identities, desires, and impulses in ways that make it possible to imagine anew what is possible in psychoanalytic treatment. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies