New Books in Literary Studies

Slavery and the University: Histories and Legacies (University of Georgia Press, 2019), edited by Leslie M. Harris, James T. Campbell, and Alfred L. Brophy, is the first edited collection of scholarly essays devoted solely to the histories and legacies of this subject on North American campuses and in their Atlantic contexts. Gathering together contributions from scholars, activists, and administrators, the volume combines two broad bodies of work: (1) historically based interdisciplinary research on the presence of slavery at higher education institutions in terms of the development of proslavery and antislavery thought and the use of slave labor; and (2) analysis on the ways in which the legacies of slavery in institutions of higher education continued in the post–Civil War era to the present day.The collection features broadly themed essays on issues of religion, economy, and the regional slave trade of the Caribbean. It also includes case studies of slavery’s influence on specific institutions, such as Princeton University, Harvard University, Oberlin College, Emory University, and the University of Alabama. Though the roots of Slavery and the University stem from a 2011 conference at Emory University, the collection extends outward to incorporate recent findings. As such, it offers a roadmap to one of the most exciting developments in the field of U.S. slavery studies and to ways of thinking about racial diversity in the history and current practices of higher education.Today I spoke with Leslie Harris about the book. Dr. Harris is a professor of history at Northwestern University. She is the coeditor, with Ira Berlin, of Slavery in New York and the coeditor, with Daina Ramey Berry, of Slavery and Freedom in Savannah (Georgia).Adam McNeil is a History PhD student at Rutgers University-New Brunswick. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

After a life lived in obscurity, Emily Dickinson emerged after death as one of the greatest poets of her time. In These Fevered Days: Ten Pivotal Moments in the Making of Emily Dickinson (W. W. Norton, 2020), Martha Ackermann traces her evolution as a poet by focusing on some of the key moments in her life that defined and shaped her as a writer. The daughter of a prosperous attorney, Dickinson did not have the concerns of work or marriage that defined the lives of the women of her era. Without them she was able to focus on composing poems, a task to which she dedicated herself at an early age. While the vast majority of her poems remained unpublished during her lifetime, this did not reflect her desire to be distinguished. In response to an article by Thomas Wentworth Higginson, she sent him four of her poems, inaugurating what would become a lifelong correspondence between the two of them. Though Higginson was instrumental in the posthumous publication of Dickinson’s poems, it took Dickinson’s death in 1886 before she gained the distinction she had desired throughout her life. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

"Man is born free, and everywhere he is in chains." The opening sentence of 18th century philosopher Jean-Jacques Roussau's The Social Contract poses a central question for all of us. Why do we live under conditions of inequality, violence, dependency and general unhappiness (just look on twitter!) if society is made by us and for us? Why does it seem that modern human beings are not liberated but in fact subjugate themselves voluntarily to a system that robs them off their freedom? Rousseau's thought has informed much of modern political theory and philosophy and inspired people everywhere to think about the balance between individual liberty and collective existence. In order to understand better the lasting influence of Rousseau and his current significance, I spoke with Melissa Schwartzberg, who is Silver Professor of Politics at New York University and a specialist in political theory. Melissa's research is in the historical origins and normative logic of democratic institutions. This means she examines the principles underlying democracies and also the way democratic practices, from constitutions to elections, work out today. Professor Schwartzberg is the author of several books: Counting the Many: The Origins and Limits of Supermajority Rule, and Democracy and Change (Cambridge University Press, 2013).Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Endless Song (Oxford University Press, 2019) is Dr. Archana Venkatesan’s exquisite translation of the Tiruvaymoli (sacred utterance), a brilliant 1102-verse ninth century tamil poem celebrating the poet Nammalvar’s mystical quest for union with his supreme lord, the Hindu great god Viṣṇu. In this interview we discuss the sophisticated structure and profound content of the Tiruvaymoli, along with the translator’s own transformative journey rending into English the meaning, emotion, cadence and kaleidoscopic brilliance proper to this Tamil masterpiece.For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Endless Song (Oxford University Press, 2019) is Dr. Archana Venkatesan’s exquisite translation of the Tiruvaymoli (sacred utterance), a brilliant 1102-verse ninth century tamil poem celebrating the poet Nammalvar’s mystical quest for union with his supreme lord, the Hindu great god Viṣṇu. In this interview we discuss the sophisticated structure and profound content of the Tiruvaymoli, along with the translator’s own transformative journey rending into English the meaning, emotion, cadence and kaleidoscopic brilliance proper to this Tamil masterpiece.For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Robert Elmer, who is a communications specialist at Seattle Pacific University, a prolific writer of historical fiction, and the author of over fifty published titles, has published a ground-breaking anthology of prayers that he has collected from English and American puritans. The value of Piercing Heaven: Prayers of the Puritans (Lexham Press, 2020) is that it provides access into a world of religious practice that is otherwise lost – many puritans refusing on principle to put their prayers to paper. Trawling through published sermons and other sources, Elmer discovered prayers reflecting a huge range of contexts, situations, and geographical and denominational background. Piercing heaven: Prayers of the puritans organises these prayers in thematic sections. Tune in to find out why these prayers are so surprising – and what they tell us about the interior life of the hotter sort of English and American protestants.Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The British romantic poet William Wordsworth is best known for his moving evocations of nature, his celebration of childhood, and his quest to find a shared humanity in his poetry. He’s also widely considered the first modern poet because he turns his experiences, memories, and the workings of his mind (earlier "spots of time") into the main subject of his accessible poetry. That hadn’t happened before, and all of us, who today are either committed to rational thought, sober analysis and reflection or are deep in our feelings, are ultimately Wordsworthians.But what Wordsworth may really be about, I discussed with the brilliant poet and critic Maureen McLane, is whether with knowledge truly comes wisdom, and whether we trade in the ecstasies of youthful exuberance and immediate experience for a more measured but diminished way of living life. Is there really "abundant recompense," as Wordsworth wrote, in recalling earlier "fits of passion" that roiled our lives? Are "our minds [...] nourished and invisibly repaired" when we look back upon earlier experiences of joy and suffering? "What I'm looking for is a golden bowl, carefully repaired," writes McLane in one of her poems in This Blue - but can we trust that things will be repaired after having been lost to the passage of time? (Incidentally, I talked with Jessica Benjamin in another podcast about the human capacity for "repair," and whether we can trust that things can be restored once broken).This question is also at the heart of the Enlightenment itself: whether knowledge frees us from superstition but at the cost of sacrificing the immediacy of experience. Can we turn fights, arguments and turmoil into something larger by placing them into a wider context: do we have the "power to make/our noisy years seem moments in the being/of the eternal Silence"? Or are some things broken by humans never fully recovered, and we are left with grief, and loss, and silence, but nothing eternal?It's an urgent question for our age, when reason, argument and truth themselves seem so easily upstaged by spectacle and the fire and fury of immediate action.Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In our most recent public memory, images of the Prophet Muhammad have caused a great deal of controversy, such as satirical cartoons of Muhammad in French magazine Charlie Hebdo, or Danish newspaper Jyllands-Posten. The sometimes violent backlash to these images has reinforced the popular narrative that Islam is aniconic and iconoclastic.In The Praiseworthy One: The Prophet Muhammad in Islamic Texts and Images (Indiana University Press, 2019), Christiane Gruber, Professor in the History of Art at the University of Michigan, demonstrates that there is long rich history of images of Muhammad from within the Islamic tradition. The styles, themes, and strategies used to represent the Prophet have significantly shifted and altered over time. Gruber synthesizes an extensive archive of images and leads the reader through various thematic patterns, cultural specificities, and unique examples. We are presented with a detailed overview of textual and visual representations of Muhammad that is placed within a deep understanding of the history of Islamic art. In our conversation we discussed how the iconoclasm narrative has been reinforced, the symbolic Prophet versus a historical Muhammad, why there exists no very early images, the first visual representations of Muhammad, the Prophet as king and hero, representations of Muhammad’s spiritual radiance, images in the context of fraternal Sufi communities, Safavid images and the centering of Shi’a interpretations of Muhammad, images of ‘Ali, Ottoman visual culture, embodying Muhammad through objects and relics, modern renderings of Muhammad, and public scholarship and the constraints of academic writing.Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

“In the game of thrones you either win or you die”––with over 10 million viewers per episode of Game of Thrones, one of the most successful television shows of all time, George R.R. Martin definitely wins. The success of the show is even more amazing considering it’s genre television––fantasy, to be exact. Some assert that the power of George R.R. Martin’s A Song of Ice and Fire, the book series upon which the crowning jewel of HBO is based, comes from the author’s willingness to ignore the conventions of the fantasy genre. Not so, argues Dr. Joseph Young in his new book, George R. R. Martin and the Fantasy Form (Routledge, 2019)Using the frameworks of literary theory relevant to modern fantasy, Dr. Young undertakes a compelling examination of George R. R. Martin’s A Song of Ice and Fire and his employment of the structural demands and thematic aptitudes of the genre. Examining Martin’s approaches to his obligations and licenses as a fantasist, Young persuasively argues that the power of A Song of Ice and Fire derives not from Martin’s abandonment of genre convention, but from his ability to employ those conventions in ways that further, rather than constrain, his authorial program.Written in clear and accessible prose, George R. R. Martin and the Fantasy Form is a timely work which encourages a reassessment of Martin and his approach to his most famous novels. This is an important book for both students and critics of Martin’s work, arguing for a reading of A Song of Ice and Fire as a wide-ranging example of what modern fantasy can accomplish when employed with an eye to its capabilities and purpose.Dr. Joseph Rex Young lives and works in Dunedin, New Zealand, where he pursues his research interests in Gothic literature, neo-Romanticism, and the intellectual history and structure of modern fantasy narrative. He has taught at universities in Bosnia and Herzegovina, Germany, and New Zealand.Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

“Another heavenly day” is the opening line of Samuel Beckett’s play Happy Days (1961), where Winnie sits buried to her waist in sand, with her husband Willie stuck a few feet away from her … but language, memory, and consciousness are not all she has. Beckett’s plays, novels, poetry, radio plays, and prose reveal our deepest humanity by stripping language to its bare essentials. Beckett wrote much of his work after 1945 in French, a language he learned mostly as an adult, and then translated it back into his native English to purge it of clichés and stock phrases. In the resulting works he reveals how our bodies moving through space are far more than vessels for a roving consciousness. They contain a hint of transcendence which manifests itself as the human need for self-expression through which we locate ourselves — in time, in relation to others, and in relation to ourselves.I spoke with Beckett expert, scholar, and theater director Nicholas Johnson at the Samuel Beckett Theatre at Trinity College Dublin, Ireland, where Beckett taught for a short time in the 1920s before giving up on academia, moving to Paris, and becoming a writer next to James Joyce, Gertrude Stein, Ernest Hemingway, and others. Our conversation shows how Beckett’s work is surprisingly optimistic about the power of art and language to give us meaning. “You must go on, I can’t go on, I’ll go on” is the final line of Beckett’s 1953 novel The Unnamable. Johnson explained how these words show Beckett’s relentless commitment to strip our existence down to the basics (who we are, what we have, what we want) and then move deeper from there. Instead of adding more words and complexity, Beckett shows that our searching may be our life’s meaning and that not knowing what we want is, in fact, the key to knowing ourselves. “You have to pay attention and be as informed as possible; you have to try to understand things; and you have to speak out!” is Johnson’s summary of what Beckett’s works mean for him. In a time of historic and political turmoil, it’s an urgent imperative and we would do well to heed it.Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies